CHAPTER VIII.

GREENLANDS.

IT was the drowsiest hour of a drowsy August afternoon when Eustace

Thorburn made his way on foot from the Windsor terminus to the

bailiff’s house at Greenlands. He had put his luggage into a great

lumbering fly, which was to crawl after him to his destination; and

he went on foot through the rich pastoral country, with the grandest

castle in the world looming upon him at every turn, in all its proud

array of battlemented tower and terrace, keep and chapel. He went to

begin his new life, and the country through which he went seemed to

him more beautiful than his dreams of Paradise. Remember that he had

newly come from the sandy flats of Flemish Flanders, and that the

fairest landscape he had beheld of late was a row of lindens sheltering

a sluggish canal, and a herd of cattle browsing upon sun-burnt

table-lands. The shadow of a bitter grief was about and around him,

and all the sunlight and beauty of the outer world seemed very dim and

remote to him--something fair and beautiful in which he had no actual

part, like a picture seen from afar off. But the influence of all this

outward loveliness penetrated to his poor desolate heart, and warmed

and melted it. His thoughts amidst these woods and pastures could

never be so bitter, it seemed to him, as they had been in the stony

quadrangle at Villebrumeuse. He thought of his mother as he walked

slowly along the quiet roads and byways; but he no longer brooded

gloomily upon her wrongs on earth as he had been wont to brood. He

fancied her happy in heaven.

His way to Greenlands led him by the low meads athwart which the

Thames winds like a silver ribbon, for the great neglected park of

which Harold Jerningham was owner lay on the border of that delicious

river. The way was very lonely, and somewhat intricate. Eustace had

occasion to stop at more than one cottage-door, and to ask his way of

more than one rosy-faced rustic matron, who came from her wash-tub to

answer his inquiries, sometimes accompanied by a toddling child, that

peered curiously at the stranger from between the lattice-work of a

garden-gate. The way was long and lonely; but at last, when the sun was

low, the pedestrian came to a gate in a stout oak fence, and knew that

he was on the threshold of Harold Jerningham’s domain. The gate was

unlocked, as the country people had told Eustace that it would be. The

gate opened into the wildest region of the park; but at the end of a

deep glade the traveller saw the great red-brick mansion, massive and

stately, on the summit of a grassy slope.

“A noble domain,” he thought, as he stopped to contemplate the scene

before him. “Perhaps the heir to it is a young man with a father who is

prouder of him than of lands or houses, or wealth or name. I can fancy

the festivities and rejoicings when _he_ came of age. There were

great tents on the lawn yonder, I dare say, and oxen roasted whole, and

monster casks of ale set running.”

Eustace Thorburn’s imagination filled in all the details of that

possible picture. He could see that imaginary heir walking slowly

through a joyous crowd, with his arm linked in his father’s. It was

upon the image of that father the young man’s mind dwelt with a strange

melancholy yearning, half sorrow, half bitterness. How the proud face

softened into tenderness, and the eyes grew dim with tears, as the

father listened to the shouts and clamour of an admiring throng! This

fatherless young man could so vividly imagine the love which must exist

between a father and his son. Perhaps he imagined some more exalted

feeling than ever did exist in human breasts. Perhaps he exaggerated

the joys of such an affection; as the parched traveller in the desert

may imagine unutterable deliciousness in a draught of the water that is

spilt and wasted by heedless hands at the public fountain of a city.

As the traveller drew near to the red-brick mansion the vision of the

possible festivity melted away, for he saw that no festival could have

been celebrated in that place for many a year gone by. The palace of

the Sleeping Beauty, buried deep in the innermost recesses of a forest,

and forgotten by waking mankind, could have scarcely been more lonely

or neglected of aspect than this old Berkshire mansion. The rabbits

frisked across the young man’s pathway as he went through the shadowy

arcades, and the golden plumage of a pheasant glimmered here and there

among the fern and underwood. Everywhere there was neglect and decay.

The grass grew long and rank, and even in the gardens, where the

handiwork of the gardener was visible, and where Eustace saw two feeble

old men mowing the grass, it was evident that the work was only half

done.

The path which Eustace had been directed to take led him past the

gardens, which were only divided by an invisible fence from the park.

He could have gone to the bailiff’s house by the high-road had he

chosen; but this short-cut across the park saved him nearly a mile,

and was a pleasanter way. To Eustace it was unspeakably delightful.

The solemn quiet of the place imparted a new charm to its natural

loveliness. A turn in the path brought him presently upon a wide

expanse of smooth turf, shadowed here and there by great oaks and

beeches, and across this wooded lawn he saw the river, gleaming

bright and blue, athwart a fringe of trembling rushes. He paused for

a few moments, transfixed by the tranquil loveliness of this English

landscape, steeped in the rosy light of a summer evening.

“I suppose the owner of the place is a poor man, who cannot afford to

occupy it,” he thought; whereby it may be seen how a stranger, who

judges by appearances, is likely to form a false conclusion.

Eustace Thorburn was ready to bestow his compassion upon the man

who was lord of this enchanting domain, and yet unable to enjoy its

loveliness.

The gray walls and red-tiled roof of the bailiff’s house appeared

between two masses of foliage as he drew near the border of the park.

It was a house with many gables and great stacks of rickety-looking

chimneys. Such a house as inspires contempt in the mind of a practical

modern architect, by reason of the space that is frittered away on

unnecessary passages, and little bits of rooms too small and dark

for any civilized inhabitant, and ghastly cupboards in unsuspected

places. It was a house in whose ample cellarage a gang of burglars

might have lain perdu for a week, without the family being made aware

of their presence. It was a house in which one could hardly retire to

rest without expecting to see a pair of appalling Eyes staring at one

through a crevice in the panelling, or two dreadful Boots emerging from

beneath the drapery of the bed. If furniture of the commonest fashion,

and fresh from the upholsterer, takes to itself awful voices after

midnight, and creaks and groans with dismal significance in a modern

London habitation, as it will--witness universal experience--what might

not be expected from old oak bureaus and Elizabethan arm-chairs in this

gabled dwelling? The out-buildings and disused chambers had that damp,

earthy odour, which is known to every imaginative mind as the smell of

ghosts; and that ubiquitous and nameless suicide, who seems to have

hung himself or cut his throat at some remote date in every old house,

had hung himself here, and made himself obnoxious to simple Berkshire

maid-servants by those Cock-lane-like scrapings and tappings and

rushings which the sternly commonplace mind is apt to attribute to rats.

This was the place to which Eustace Thorburn came in the rosy summer

evening to begin his new life. The garden, which he entered by a low

wooden gate, was the growth of a hundred and fifty years, and was as

securely walled in by thick and high hedges of holly and yew as it

could have been by the work of any mortal builder. The air was odorous

with the perfume of bright English flowers; and as the stranger drew

near the house he was greeted with such a burst of honest woodland

music from the throats of blackbirds and thrushes, larks and linnets,

as he never remembered to have heard in all his life before.

They were caged birds that sang so blithely, and their cages hung

in the roomy wooden porch with a thatched roof, over which there

was spread a curtain of flowering clematis and rich crimson-veined

honeysuckle. Out of this dusky porch a great Newfoundland dog sprang at

the intruder, awakening distant echoes by his deep-toned thunder. But

a woman’s voice, very sweet and melodious, as the young man thought,

called from the cottage, “Down, Hephæstus!--quiet, boy; quiet!” Eustace

wondered what kind of woman this could be who lived in the student’s

cottage, and called her dog Hephæstus.

The Newfoundland crouched at the stranger’s feet, obedient to the

sound of that familiar voice; and then a man’s footstep sounded in

the porch, and Theodore de Bergerac came out to meet his secretary.

Eustace had been too much occupied by bitter and sorrowful thoughts

within the last week to puzzle himself by speculative ideas about his

new employer; but of course he had some vague notion--unconsciously

conceived--of what M. de Bergerac would be like, and the real M.

de Bergerac was the very reverse of that shadowy creature of his

imagining. There had been in his mind some faint picture of a little

wizen old man, with a weird face and a black-velvet skull-cap. Why a

black-velvet skull-cap he could not have said; but possibly that kind

of head-gear is in a manner allied with the idea of extreme erudition

and much consumption of midnight oil. He had fancied a frail, wasted

creature, with long, straggling white hair falling in unkempt locks

upon the greasy collar of a dressing-gown; and lo! the man who came to

greet him was tall and stalwart, with a bright, frank face, which had

once been very handsome, and was handsome still, and iron-gray hair

arranged with scrupulous neatness. He walked rather lame, and carried

a cane with a head of oxidized silver, exquisitely modelled--a gem in

its way, like all the surroundings of its possessor, who had the taste

of a Bernard or a Bohn.

This was Theodore de Bergerac, the man who at sixty years of age

retained the freshness and gaiety of six-and-twenty. The lameness from

which he suffered had afflicted him for the last thirty years, for it

was the result of a musket-wound received at the siege of Antwerp. The

student had been a soldier in those days, and had done good service

under the brave leader he loved so well.

M. de Bergerac greeted Eustace with friendly courtesy. He spoke the

English language perfectly; and it was only by a certain delicate

precision of pronunciation--a somewhat measured accent--and by an

occasional Gallic locution that strangers discovered his nationality.

“Welcome to Greenlands, Mr. Thorburn. If you are fond of the country,

I think you will love Berkshire. It has all the richness of southern

France, and all the home-like comfort of Normandy. If we were a little

nearer the sea, and could catch the breath of the ocean now and then

from the summit of our hills, we should be in Paradise. But a man

cannot expect to be _quite_ in Paradise; and I suppose this is as

near an approach to Eden as we can hope for upon earth. Have you dined?

We live as people lived in French provincial towns when I was a boy;

and our hours are as early as those of the country-people round about

us. I suppose in London the world is beginning to dress for dinner.

We dined half a dozen hours ago; but I can promise you an excellent

supper. My little _ménagère_ has made arrangements for a perfect

banquet in your honour.”

Eustace wondered whether the little _ménagère_ and the lady who

called to the dog were one and the same person. It was very foolish of

him to wish that it might be so, and to imagine that the person must

needs be young and beautiful. But then poetical three-and-twenty is

subject to such foolish wishes and imaginings.

Theodore de Bergerac and his secretary went into the house, where

lights began to glimmer here and there in the dusk. The room into

which the Frenchman led Eustace had that sweet rustic charm peculiar

to country drawing-rooms; but the stranger fancied it had a certain

harmonious beauty which he had never beheld in any other apartment.

_Every_ thing in it was beautiful. There were no false forms,

no discordant tones lurking here and there to mar the harmony of the

general effect. No pert young Cupid in Parian folded his mis-shapen

wings, or uplifted his insolent pug nose before the outraged

beholder--no hideous form of modern vase or flower-pot--no gaudy

abomination of cheap Bohemian glass offended the eye; no impossible

roses and lilies in Berlin-wool and bead-work offered themselves as a

flowery couch for the visitor’s repose. A subdued harmony of form and

colour pervaded every object. The valuable books scattered lavishly

in every direction made no parade of their costliness. The rare old

china needed examination before its beauty revealed itself. Everything

was fresh and pure and delicate. There was a perfume of many flowers

mingled with the subtle aroma of Russia-leather bindings, very pleasant

to the stranger’s nostrils. New though the place was to him, he had

no sense of strangeness; he felt rather as if he had come home to

some delicious and familiar resting-place for which he had long been

yearning. Perhaps this feeling may have been a vague foreshadowing of

his fate. Perhaps he had a faint semi-consciousness of the fact that

perfect happiness was to come to him in that house.

The two men sat for some little time in the dimly-lighted room--lighted

only by a pair of small wax candles in antique bronze candle-sticks.

They talked of many things, gliding imperceptibly from one subject to

another without either jerks or pauses in the smooth current of talk.

De Bergerac was a delightful talker--playful and serious, gay and

earnest by turns--now childishly emphatic about trifles, now touching

the profoundest subjects with a graceful lightness. Eustace was charmed

by his new employer, and began to think that his lines had fallen in

pleasant places.

He may have been still more inclined to think so a few minutes later,

when a trim little maid-servant announced that supper was ready, and M.

de Bergerac led him into the dining-room.

The dining-room was only an old-fashioned oak-panelled chamber, like

the drawing-room; but the hands which had beautified the one had

imparted the same air of grace and refinement to the other. There

were more pictures and books and china, more fresh flowers in vases

of dark-blue Wedgwood: and, above all, there was that sweet home-like

aspect, which has a deeper charm than is to be imparted by the choicest

treasures of art or the fairest gifts of nature. A small round table

was laid for supper; and the bright colouring of a lobster, the

tender green of a salad, the varied hues of some fruit piled high in a

basket-shaped china dish, to say nothing of all the glitter and sparkle

of rare old-fashioned glass and silver, or the amber and ruby of wines,

made no uninviting picture under the mellow light of the lamp.

But there was a fairer picture to be seen in that chamber, which

distracted the stranger’s gaze from the hospitable preparations that

had been made for him--the picture of a girl standing by a ponderous

old easy-chair, with her white hands loosely folded on the cushion, and

with the great black Newfoundland dog at her feet.

In the course of his eventless life Eustace Thorburn had not seen

many beautiful women, so it is a small thing to say that the girl he

saw to-night seemed to him the loveliest creature he had ever beheld.

The dark beauties of Villebrumeuse, rich in the southern graces of

their Spanish ancestors, had flashed their black eyes upon the young

Englishman sometimes, as he paced the quiet streets of their city,

but had gone by unnoticed by him. It may have been that to-night his

imagination was unusually exalted, his mind peculiarly prone to receive

impressions, for it seemed to him as if he had passed out of the dull,

beaten tracks of every-day life into an enchanted region, a kind of

Arcadian fairy-land, of which this beauteous creature was a fitting

queen.

She was an honest English beauty, and the brightness of her complexion

had ripened under an English sun. Her dark-blue eyes seemed darker and

bluer by reason of the rosy bloom of her cheeks and the crimson of

her perfect mouth. The dusky gold of her hair was no fictitious charm

derived from the costly washes of a court perfumer. She was no spurious

Venetian beauty, with locks of tawny red; but a fair English girl,

fresh and bright as a woodland summer morning, pure as a flower with

the dew upon its opening petals. Her white muslin dress was unrelieved

by a trinket or a ribbon; but what need had she of colour or jewels,

whose eyes were more brilliant than the rarest sapphires, whose lips

were more precious than Neapolitan coral, and in whose innocent young

beauty there was a brightness surpassing the radiance of earthly gems?

“My daughter,” said M. de Bergerac; “my daughter Helen--Mr. Thorburn.”

Whereupon this enchanting creature greeted the stranger with a bright

smile and some indistinct murmur of welcome. They seated themselves

at the little supper-table presently, and this divine Helen looked on

admiringly while her father carved a fore-quarter of lamb. It was a

long time since Eustace had taken a hasty snack of luncheon with his

uncle, before starting for Windsor, yet he had little appetite for

that innocent Berkshire lamb. His gaze wandered from the contents of

his plate to Helen de Bergerac’s fair young face; and if he had been

sharing the Barmecide’s shadowy feast, he could scarcely have been more

unconscious of the flavour of the viands or the aroma of the wines.

“Help yourself to some of that Medoc, Mr. Thorburn,” said his host;

“and be sure you do justice to my daughter’s salad. Helen is a

salad-maker whom Brillat Savarin might have approved. The salad is the

_chef-d’œuvre_ of amateur art. No hired cook ever yet excelled in

the composition of a salad. The task is too delicate for a hand that

has been soiled by wages.”

Eustace blushed. Three-and-twenty is so painfully sensitive. Was he

not going to take wages in that house? He stole a look at his host’s

daughter, and wondered whether she felt a patrician contempt for her

father’s secretary. She had the blood of Spanish grandees in her veins,

despite her English beauty. Heaven knows what haughty hidalgo might

have infused his pride into those azure veins.

“She is aptly named,” thought the young man; “Helen, the destroyer of

ships and of men. Helen, the daughter of Jupiter and Nemesis--for I

will never believe that poor Leda was any more than the nurse of that

fatal creature. Helen, the daughter of Nemesis--let me remember her

parentage, and beware of her.”

He discovered one fact in relation to Mademoiselle de Bergerac before

the evening was over, though he could only watch her furtively now and

then while her father was talking. He discovered that the damsel’s

heart was already engaged, and that he who came to lay siege to it

would have need of patience and constancy. She was in love with her

father. She watched him with tender, reverential eyes, and listened to

him as to the voice of an oracle. Once, when his hand lay on the arm of

his chair, she lifted it gently to her lips. And in all this there was

no taint of affectation. No dryad of those Berkshire woods could have

been more innocently natural than this descendant of Spanish hidalgos.

No consciousness of her loveliness and fascination disturbed her sweet

serenity as she talked to her father’s secretary. She talked to him

of pastoral pleasures and pursuits, and he divined from her talk that

her country life was very dear to her. Her father went to London very

often, she told Eustace in the course of the evening, to buy books; and

sometimes, but very rarely, took her with him.

“And then I see the SHOPS,” she said; and by the tone of

subdued ecstacy with which she pronounced this word, Eustace discovered

for the first time that she was mortal. “I am afraid you will despise

me very much for liking to see the shops. Papa does. He thinks it is

the most foolish thing in the world to be fond of standing on a crowded

pavement to look at dresses and bonnets that one is never likely to

have.”

“Or to want,” interposed M. de Bergerac, looking proudly at the girl’s

animated face. “What could a little girl who makes butter do with fine

silk dresses; and she is able to make butter for Windsor market, this

young lady, as well as she is able to read Greek,” added the father,

fondly.

Eustace watched the two faces with a pensive admiration. Here was that

ideal father of whom he had dreamed so often; here was that pure and

perfect love which he had fancied.

It was late before the little party separated, for M. de Bergerac had

a student’s attachment to the quiet of midnight, and an absent-minded

man’s unconsciousness of the flight of time. The clock of some

village church-tower, hidden away somewhere beyond the beeches and

oaks of Greenlands, struck twelve half an hour before the Frenchman

conducted Eustace to the room that had been prepared for him. It was

only a rustic chamber, with lattice casements set deep in a wall of

old-fashioned solidity. The white draperies were faintly perfumed with

that odour of rose-leaves and lavender which is as the very breath of

the country. The lattice was open, and there was a vase of flowers

on the broad window-ledge. Eustace wondered who had arranged those

flowers. Not the trim little maid-servant surely. _She_ would have

squeezed the tender blossoms into a tightly-packed circular bunch;

while these were only a few loose half-budding roses nestling among

cool green leaves.

The lattice was open, and the harvest-moon shone full and bright above

the woods of which Harold Jerningham was master. Eustace stood at the

open casement for some time after his host had left him. He stood there

in the solemn stillness, looking out across those sombre masses of

foliage towards the moonlit river--so difficult to believe in by this

light as an earthly river, navigable by coal-barges, and instrumental

in the turning of paper-mills. He looked out upon that landscape of

semi-divine beauty, and thought with a half-contemptuous pity of

the man who owned it. Theodore de Bergerac had talked of his friend

during the varied course of that evening’s conversation, and Eustace

had discovered that the lord of Greenlands was a lonely and childless

wanderer--a wanderer in first-class carriages, and a dweller in the

most expensive caravanseries; but not the less homeless, and joyless,

and purposeless--not the less a standing example of the worthlessness

of earthly prosperity.

Eustace Thorburn, the nameless and fatherless, pitied this childless

man. It was scarcely strange if he let the underwood grow wild in his

park, and foul weeds lie thick upon his lake. For whom should he be

careful, for whom should he adorn and beautify, for whose sake should

he plant young trees, or cut new avenues in the woodland? For what

purpose should he heap up riches, who knew not what strange hand was

destined to gather them?

But the secretary did not brood long on the sorrowful fate of that

unknown Harold Jerningham. A fairer image came between him and the

moonlit park, and it bore the likeness of Helen de Bergerac.

“I waste my thoughts upon a girl’s lovely face, when I ought to be

thinking of the work that lies before me,” the young man said to

himself, in angry scorn of his weakness. “Let me remember why I am

here, and keep my brain clear of my employer’s daughter, in order that

I may be able to help him honestly with his book.”

He slept soundly and sweetly, lulled by the faint rustling of the

foliage and the far-away murmur of the river. But his slumbers were not

dreamless. He thought he saw the old red-brick mansion all ablaze with

light. Long rows of windows shone on the darkness of the night, joyous

music was wafted from the open lattices, and an indistinguishable some

one in a crowd, that seemed all confusion and clamour, told him the

heir of Greenlands had come of age.

He woke to see the sunshine in his room, and to hear Helen de Bergerac

singing a waltz of Verdi’s; while the song-birds in the porch strained

their melodious throats to the uttermost, in the endeavour to drown

their mistress’s music.

Dead-sea fruit, Vol. 1 (of 3) · 第 8 / 14 章