CHAPTER I.

DEAD-SEA FRUIT.

VOL. I.

LONDON:

PRINTED BY J. OGDEN AND CO.,

172, ST. JOHN STREET, E.C.

DEAD-SEA FRUIT

A Novel

BY THE AUTHOR OF

“LADY AUDLEY’S SECRET,”

ETC., ETC., ETC.

IN THREE VOLUMES.

VOL. I.

LONDON

WARD, LOCK, AND TYLER

WARWICK HOUSE, PATERNOSTER ROW

1868.

[_All rights reserved_]

LONDON:

PRINTED BY J. OGDEN AND CO.,

172, ST. JOHN STREET, E.C.

CONTENTS.

CHAP. PAGE

I. QUITE ALONE 1

II. A RETROSPECTIVE SURVEY 18

III. “TAKE BACK THESE LETTERS, MEANT FOR HAPPINESS” 38

IV. UN MENAGE A DEUX 61

V. THE EDITOR OF THE “AREOPAGUS” 78

VI. AT BAYHAM 97

VII. MR. JERNINGHAM’S QUEST 123

VIII. GREENLANDS 144

IX. HOW THEY PARTED 169

X. THERE IS ALWAYS THE SKELETON 192

XI. “J’AIME: IL FAUT QUE J’ESPERE” 209

XII. THE GREEN-EYED MONSTER 240

XIII. MISS ST. ALBANS 264

XIV. IN THE GREEN-ROOM 289

DEAD-SEA FRUIT.

CHAPTER I.

QUITE ALONE.

THE marble image of Hubert Van Eyck stood out against the warm blue

sky, and cast a slanting shadow across the sunlit flags. The July

afternoon was drawing to a close. Low sunlight shone golden on the

canals of Villebrumeuse, and changed every westward-looking window into

a casement of gold. Those are no common windows which look out upon

the quiet streets and lonely squares of that sleepy Belgian city. No

handiwork of modern speculative builder is visible amid that grand old

architecture--no flimsy nineteenth-century villa perks its tawdry head

among those mediæval splendours--no upstart semi-detached abominations

of spurious Gothic, picked out with rainbow-coloured brick, affright

the eye by their hideous aspect. To live in Villebrumeuse is to live

in the sixteenth century. A quiet calm, as of the past, pervades the

shady streets. Green trees reflect themselves in the still waters of

the slow canal which creeps athwart the city; and by the side of the

tranquil waters there are pleasant walks o’er-shadowed by the umbrage

of limes, and wooden benches whereon the peaceful citizens may repose

themselves in the evening dusk. In despite of its solemn tranquillity,

this Villebrumeuse is not a dreary dwelling-place. If it has drifted

from amidst the busy places of this earth--if the blustrous ocean of

modern progress has receded from its shores, leaving it far away across

a level waste of reef and sand--this quiet city has, at the worst, been

left stationary, while the noisy tide sweeps on with all its tumult of

success and failure--its prosperous ventures and forgotten wrecks. The

peace which pervades Villebrumeuse is the tranquillity of slumber,

and not the awful stillness of death. There is a jog-trot prosperity

in the place, a comfortable air, which is soothing to the world-worn

spirit; but the wrestling, and scuffling, and striving, and struggling

of modern commerce is unknown among the quiet merchants, who content

themselves with supplying the simple wants of their fellow-citizens in

the simplest fashion. And yet this city was once a mart to which the

Orient brought her richest merchandise; and in the days gone by, these

quaint old squares have been clamorous with the voices of many traders,

and bright with the holiday raiment of busy multitudes.

A young Englishman walked slowly up and down the broad flagged

square, across which the painter’s statue cast its sombre shadow.

He was teacher of English and mathematics in a great public academy

near at hand, and his name was Eustace Thorburn. For three years he

had held his post in the Villebrumeuse academy; for three years he

had done his duty, quietly and earnestly, to the satisfaction of

every one concerned in the performance. And yet he was something of

an enthusiast, and something of a poet, and possessed many of those

attributes which are commonly supposed to constitute a letter of

license for the neglect of vulgar every-day duties.

That was an ardent and an ambitious spirit which shone out of Eustace

Thorburn’s gray eyes; but if the fiery sword had chafed the scabbard

a little during three years of academical routine and Villebrumeuse

monotony, the young man had been patient and contented withal. There

was a public library in Villebrumeuse to which the tutor had free

entrance, and in the mediæval chambers of this institution his leisure

had been spent. That dreamy idleness amongst good books had been very

pleasant to him; his work in the academy was endurable, despite its

tedious and laborious nature; and he had a lurking tenderness for the

quaint old city, the slow canals overshadowed by green trees, the

simple people, and the old-world customs. Thus, if there were times

when the eager spirit would fain have soared to loftier and fairer

regions, the young student and teacher had not been altogether unhappy

since his destiny had brought him to this place to earn his bread

amongst strangers.

Amongst strangers? Were the inhabitants of this Belgian city any

more strange to him than all the other inhabitants of this populous

earth--except the one man and woman who made the sum-total of his

kindred and friends? Amongst strangers? Why, if the statue of Van Eyck

could have descended from yonder pedestal, to walk in the streets of

the city, the animated effigy could scarcely have been a lonelier

creature than the young man who passed to and fro athwart the sloping

shadow on the flags this July afternoon.

Looking backward, through the shadows of the past, how many of those

images, familiar to most men, were wanting in the mystic pictures that

memory presented to Eustace Thorburn! Memory, let him question her

never so closely, could not show him any faint tracing of a father’s

face flickering dimly athwart the half-consciousness of infancy.

Nor could he, in surveying the events of his childhood, recall so

much as one visit to a father’s grave, one accidental utterance of a

father’s name, one object, however trivial, associated with a father’s

existence--a picture, a sword, a book, a watch, a tress of hair. The

time had been when he had been wont to question his mother about this

missing father; but that was long ago. The time had come, and too

quickly in this young man’s life, when a precocious wisdom had checked

his questioning, and he had learned to refrain from all reference to

a father’s name, as the one subject, of all others, most scrupulously

to be avoided by his lips. He was twenty-three years of age, and he

had never been told his father’s name or position in the world. For

the last ten years of his life it had been a common thing for him to

lie awake in the solemn quiet of the night, thinking of that unknown

father, and wondering whether he were alive or dead. He knew that he

had no claim to the name which he bore, and that he had as good a right

to call himself a Guelph or a Plantagenet as he had to call himself

Thorburn.

How many childless men upon this earth would have been glad to call

Eustace Thorburn son! How many of this world’s magnates, with mighty

names to transmit, would have rejoiced with unspeakable rapture, could

they have set the joy-bells ringing for the coming of age of such an

heir! As there are rare and peerless flowers that adorn inaccessible

regions where no hand can gather them, where no eye may delight in

their loveliness, so there are friendless creatures in the world who

might make the joy of empty hearts, and be the pride of desolate

households. The “something in this world amiss,” which the poet has

sung of, pervades every social relation. The plaintive wailing of the

minor mingles itself with every earthly melody; and it is only by and

by that the veil shall be lifted; it is only by and by that the mystic

enigma shall be unriddled, and the full chords of perfect harmony peal

on our ears, unmarred by that undertone of pain.

Not often has a nobler face looked upward to the countenance of

the statue than that which looked at it with a dreamy gaze to-day.

The face of the young man was, like the face of the statue, more

beautiful by reason of, its nobility of expression than because of its

perfect regularity of feature. In Eustace Thorburn’s countenance the

intellectual radiance so far surpassed the physical beauty, that those

who looked at him for the first time were impressed chiefly by the

brightness of his expression, and were likely to take their leave of

him in complete ignorance as to the shape of his nose or the modelling

of his mouth.

It is but a thankless task to catalogue such a face; the dark gray eyes

which pass for black; the mobile mouth which, in one moment, seems

formed to express an unbending pride and an indomitable will, and in

the next will wreathe itself into such a smile that it must needs

appear incapable of any expression but manly tenderness or playful

humour; the loosely arranged auburn hair, which gives something of a

leonine aspect to the lofty head; the complexion of almost womanly

fairness, with a rich glow that comes and goes with every changing

impulse or emotion--all these go such a little way towards the

individuality of the young Englishman, walking up and down the lonely

square during his half-hour’s respite from the monotonous duties of the

afternoon.

This half-hour’s holiday was not Mr. Thorburn’s only privilege. He

had two hours in every day for his own studies--two hours which he

generally spent in the public library, for his ambition had shaped

itself into a palpable form, and had mapped the outline of a career.

He was to be a man of letters. If he had been a rich man, he would

have shut himself in his library and made himself a poet. But as he

was nothing but a nameless and penniless stripling, with his bread to

earn, he had no right to indulge in the luxury of verse-making. The

wide arena of literary labour lay before him, and he had no choice but

to force his way into the lists, and fight for any place that might

happen to be vacant. Fate might make of him what she would--journalist,

novelist, dramatist, magazine hack, penny-a-liner: but she must use him

very cruelly before she could quench the fire of his young ambition, or

bend the crest with which he was prepared to confront the world.

He had selected for himself this profession of literature chiefly

because it was the only calling which demanded no capital from the

beginner, and a little because the only kinsman he had in the world

was a man who lived by his pen, and who might have prospered and won

distinction by means of that fluent pen, had he not chosen to do

otherwise.

The half-hour’s respite expired presently, and a great clanging bell in

the academy near at hand summoned the pupils to their evening lesson.

It was a summons for the master also, and Mr. Thorburn ran across the

square and turned into the street on which one side of the academy

looked. He pushed open a little wooden door in the big gateway, and

passed under the arched entrance; but before going to his class-room,

he stopped to examine a rack in which letters addressed to the masters

were wont to be kept. He rarely omitted to look at this rack, though

he had very few correspondents, and only received about one letter in

a fortnight. To-day there was a letter. His heart turned cold as he

looked at it, for the envelope was bordered with black, and addressed

in the hand of his mother’s brother, who very seldom wrote to him. His

mother had been an invalid for a long time, and such a letter as that

could have but one fatal meaning. For months he had looked forward to

his August holiday, which would enable him to go to England and spend a

few happy weeks with that dear mother--and now the holiday would come

too late.

He went out into one of the dismal playgrounds, a gravelled yard

surrounded by high whitewashed walls, and read his letter.

His tears fell thick and fast upon the flimsy paper as he read. Ten

minutes ago, walking to and fro in the sunshine, he had lamented his

loneliness, remembering that he had only two friends in the world. He

knew now that the dearer of these two was lost to him. The letter told

him of his mother’s death.

“There is no need for you to hurry back, my poor lad,” wrote his uncle.

“The funeral is to take place to-morrow, and will be over when you get

this letter. I saw your mother a fortnight before her death, and she

then told me what she could never find the courage to tell you--that

the end was very near. It came suddenly at the last, and I was out of

the way at the time; but they tell me it was a calm and holy ending.

Her last words were of you. She dwelt much on your goodness and

devotion, Mrs. Bane tells me. The last two days were spent in prayer,

poor innocent soul; and I, who stand in so much greater need of that

kind of thing, can’t bring myself to it for half an hour! Poor soul!

Bane thinks it was for you she was praying, she repeated your name

so often--sometimes in her sleep, sometimes when she was lying in a

languid state between sleeping and waking. But she did not wish you to

be sent for. ‘It is better that he should be away,’ she said; ‘I think

he knew that this day must soon come.’

“And now, my dear boy, try to bear up against this sorrow like a brave,

true-hearted lad, as you are. I say nothing of what I feel myself, for

there are some things which come with a bad grace from certain people.

You know that I loved my sister; though, God knows, _I_ never knew

how dearly till yesterday, when I saw the blinds down at Mrs. Bane’s,

and guessed what had happened. Remember, Eustace, that so long as I

can earn a crust, my sister Celia’s son shall be welcome to his share

of it; and though I may be a disreputable acquaintance, I can be a

faithful friend. If you are tired of that slow old Belgian city, come

back to England. We will manage your establishment here somehow. The

impracticable Daniel has a certain kind of influence; and though he

rarely cares to use it on his own account,--being so bad a lot that he

dare not give himself a decent character,--he will employ it to the

uttermost for a spotless nephew.

“Come, then, dear boy; a kind of heart-sickness has come over me, and

I want to see the brightest face that I know in this world, and the

only face that I love. Come, even if you must needs return to the

whitewashed saloons of the Parthenée. There are letters and papers

of your poor mother’s which it might be well for you to destroy. My

profane hand shall not tamper with them.”

The young man thrust his kinsman’s letter in his breast, and paced the

playground slowly for some time, meditating the loss that had come

upon him. In one of the big class-rooms near at hand his pupils were

waiting for him; and there was wonderment and consternation at this

delay in the most punctual of all the masters. His tears had dropped

fast upon the letter some time ago; but his eyes were dry now. The

dull agony which filled his breast was rather a sense of desolation

than a poignant grief. He had seen and known that his mother was fading

from this troubled earth before his coming to Belgium; and poverty’s

bitterest penalty had been the necessity which had separated him from

her. The shadow of this coming sorrow had long darkened the horizon of

his young life. The sad reality had come upon him a little sooner than

he had expected it, and that was all. He bowed his head, and resigned

himself to this affliction; but there was something to which he could

not resign himself, and that was the manner of his loss.

“Alone--in a hired lodging--with a poor, ill-paid, hard-working drudge

for her sole companion and consoler! O mother, mother, you were too

bright a creature for so sad a fate!”

And then there arose before this young man’s eyes one of those pictures

which were continually haunting him--the picture of what his life and

his mother’s life might have been, had things been different with

them. He fancied himself the beloved and acknowledged son of a good

and honourable man; he fancied his mother a happy wife. Ah! then how

changed all would have been! Sickness and death would have come all

the same, perhaps, since there is no earthly barrier that can exclude

those dark visitors from happy households. They would have come, the

dreaded guests, but with how different an aspect! He made for himself

the picture of two death-beds. By one there knelt a group of loving

children, weeping silently for a dying mother, while a grief-stricken

husband suppressed all outward evidence of his sorrow, lest he should

trouble the departing spirit whose earthly tabernacle was supported

by his fond arms. And the other death-bed! Alas, how sad the contrast

between the two pictures! A woman lying alone in a dingy chamber,

abandoned and forgotten by every creature in the world except her son,

and even he away from her.

“And for this, as well as for all the rest, we have to thank

_him_!” muttered the young man. His face, which until now had

been overshadowed only by a quiet despondency, darkened suddenly as he

said this. It was not the first time he had apostrophized a nameless

enemy in the same bitter spirit. He had very often abandoned himself

to vengeful thoughts about this unknown foe, to whose evil-doing he

attributed every sorrow of his own, and all those hidden griefs and

silent agonies so patiently endured by his mother. He kept a close

account of his mother’s wrongs, and of his own, and he set them all

against this person, whom he had never seen and whose name he might

never discover.

This nameless enemy was his father.

Dead-sea fruit, Vol. 1 (of 3) · 第 1 / 14 章