CHAPTER VIII

"Every one shall offer according to what he hath."

--DEUT.

All hands, at Handy's request, turned in early, as he was determined to

make an early start down the Sound. He had not yet decided where his

next stand should be. The selection lay between Stonington and New

London. If fortune continued to favor him he felt confident of

accomplishing something worth seeking for in either place. There were

certain reasons, however, why one of them should be steered clear of;

but Handy's memory as to names was somewhat vague, so he resolved to

sleep on the thought before he determined on his course.

Handy was the first man up and stirring next morning. The others,

however, were not far behind. The wind was favorable and the indications

were all that a sailor could wish for. After a hearty breakfast the

anchor was weighed and the _Gem_ was once more under way, with all sails

set. The Little 'Un was somewhat timorous and apprehensive of a

repetition of the trouble that overcame him the night before they played

the Long Island town on the circus man's paper, but he appeared to be

satisfied by Handy's assurance that it never stormed on the Sound in the

daylight. His looks indicated that he had doubts as to the truth of the

assurance.

The run down the Sound was uneventful. There was no one sick on board,

and all were in a cheerful mood when they came to anchor in the Thames

River, off New London, the town in which Handy finally determined next

to try his fortune. The company had been out at this time nearly two

weeks. Though all its members were strong and hearty, their sunburnt

looks and somewhat dilapidated apparel did not contribute to the

elegance of their personal appearance. Most of them looked like

well-seasoned tramps. Handy recognized this. He also knew that though

the Nutmeg State was at that time regarded as a paradise of tramps, the

inhabitants did not, as a rule, take kindly to the knights of the road.

This may be uncharitable and unchristianlike, but people have got to

accept the situation as they find it.

No one went ashore until after nightfall. Then Handy and Smith made a

landing in the small boat, and surveyed the situation. An available

vacant lot was picked out. Ascertaining there was to be an agricultural

fair there the following Thursday, that night was selected for the

Strollers' next effort. On the prospectors' return to the vessel a

council of war was held, at which the plan of operations and course of

action were freely discussed.

"It won't do," said Handy, "to try them on 'Uncle Tom,' and I hardly

think they'd stand for 'Humpty Dumpty' as we give it. I've been here in

the good old summer days before many a time and oft, and I am conversant

with the kind of audience we've got to stack up against. On mature

reflection, I have come to the conclusion that a variety or vaudeville

entertainment this trip will be most likely to appeal to their

sensibilities. Song and dance, imitations of celebrated histrionic

celebrities, coon acts, legerdemain exhibitions, the famous Indian box

trick, and----"

"Easy there," interrupted the dwarf. "Who's goin' to do the box trick?"

"Why, you, of course," replied Handy.

"Not on your life. Count me out on that stunt, Mister Manager. New

London is a seaport town. There are vessels in port and sailors on

shore. My Newport experience has taught me a lesson. The sailor men

there tied me up so darned tight that you'll never get me to undertake

any such job as that again within a hundred miles of seawater."

"But----"

"No buts about it. I know when I've had enough. Skip me."

"Then I'll do the act myself," retorted Handy, with a slight exhibition

of feeling.

"K'rect, old man. You're welcome to the stunt. I pass every time when

there's any rope-tying business in a seawater town."

"Smith, you can give them a banjo solo, do a clog dance, and afterwards

wrestle with your celebrated imitations you know so well, and do so

badly, of John Drew, Dave Warfield, Nat Goodwin, Sarah Bernhardt, and

Sir Henry Irving."

"But I never saw Irving or Bernhardt," interposed Smith.

"Neither did the audience. What's the matter with you? And for a wind-up

you can give them a stump speech, and I'll bill you as Lew Dockstader,

second. We have got to make up our programme, please remember. If you

don't want to take a shy at Dockstader, name someone else equally

prominent. It's all the same to me. When I do that Indian box trick I

propose to bill myself as Hermann XI. Darn it, man, we have to have

names! This company, bear in mind, is made up of an all-star cast."

"All right then, say no more," said Smith.

"Say," continued Handy, addressing the ambitious young man of the

troupe, "don't you think you could manage to take off Billy Crane? And

give them some exhibitions of his genius in scenes from his many-sided

repertory, and we'll star you on the bills."

"Excuse me," replied the comparatively juvenile and promising artist,

"but might I inquire who is going to look after my wife and the kid if

that New London congregation should tumble to the joke? No, sir. Mr.

Crane, permit me to inform you, is a fearless and experienced yachtsman;

every hair in his head, nautically speaking, is a rope yarn. He is, as

well, a good actor, and New London is a yachting port. Not on your life!

Billy Crane is too well known here, so in justice to my physical welfare

I must decline the honor of being so presented."

"Well, gentlemen," returned Handy somewhat dejectedly, "these

unseasonable, frivolous, and unbusinesslike objections are really

disheartening and unworthy of a conscientious member of the histrionic

calling. Let me tell you that you are the first actor I ever heard of

ever having declined the distinction of being elevated to the position

of a star. In the words of the immortal bard, 'Can such things be and

overcome us like a summer's dream without our special wonder?' Go to.

Were it not that my hair is red and I have no suitable wig--and what

would Sweet William be without a wig?--I'd do Crane myself."

After further discussion on minor details the programme was arranged for

Thursday night. The next day posters were in evidence all through the

town. The fair grounds were literally strewn with handbills. Handy was a

great believer in printer's ink, and he used his paper with a lavish

hand. The show was announced for two nights--Thursday and Saturday. The

variety entertainment was billed for Thursday night, and "Pinafore,"

with an all-star cast, was promised for Saturday evening. The company

had no knowledge about the "Pinafore" scheme. When Handy was questioned

about it, he satisfied his questioners with the assurance that it was

all right, and he would explain matters later on. His assurance was

sufficient. The company knew their man.

Wednesday night the tent was put up. That day Handy succeeded, for a

consideration, in inducing the country band that played during the day

at the fair to perform a like office for his show at night, and do the

duty of an orchestra for the performance.

The afternoon of the day of the show an unexpected storm loomed up,

which threatened the enterprise with destruction. It seems that Handy

had visited New London before with a somewhat similar venture, and had

been compelled by financial circumstances which he was unable to control

to depart the town in a hurry, leaving behind him an unpaid printer's

bill. Now a slight omission of that character very easily escaped

Handy's memory. The printer, on the contrary, being a thoughtful man, on

finding that Handy was the manager of the new all-star theatrical

outfit, made his appearance with the sheriff and a writ of attachment.

For a time the aspect of affairs was anything but cheering. The printer

was as mad as the traditional hatter. Fortunately the sheriff, who was

an old Bowery man in days past, and a pretty decent and sympathetic kind

of a fellow, discovered in Handy an old acquaintance, and magnanimously

came to the rescue and volunteered to help him out of his difficulties.

The kind-hearted official guaranteed the payment of the printer's bill,

to be taken out of the first receipts that came in at the box office.

This arrangement being mutually agreed upon, the preliminary work

progressed actively.

The night brought a crowd, composed mainly of the country people who had

attended the fair. It was the biggest, best natured, and most easily

entertained audience a theatrical company ever played to. There were

more bucolic auditors gathered together in the tent than the troupe had

seen previously. Handy had the country band well in hand. He made them

play down the main street and parade up to the tent. Then he got them

inside and astonished his auditors with such a liberal manifestation of

music that those present could not well decide whether they had come to

listen to a concert or have an opportunity to see the real "theayter"

actors. Handy evidently was determined to furnish them with music

sufficient to last them until the next Fair day. The band played so long

that the town element among the audience became somewhat unwelcomely

demonstrative.

The curtain at last arose, and the variety portion of the entertainment

began. The tent was well filled,--the front rows of seats being

unpleasantly near the stage. The minstrel act in the first part was

something unique and original. The country people took it seriously, but

the town contingent, recognizing the fake element, started in to indulge

in guying the performers. This incensed the countrymen. They had paid

their good money to see the show without being subjected to annoyance

from the town fellows. One particularly strenuous young New London dude

had his derby smashed by an excited rustic who determined that his

Phoebe Ann should enjoy the entertainment even if he himself had to make

peace by teaching the city chap the way to behave himself and keep

quiet. He evidently meant business and apparently had many friends who

were not only ready, but willing, to assist him.

All the acts were short--very short--and between each of the acts there

was more music by the band. At length the performance was brought to a

close. Before the curtain fell Handy came forward, and, after thanking

the audience heartily for the magnificent attendance and generous

support, announced that on Saturday evening he would have great pleasure

in presenting, providing negotiations in contemplation were perfected,

for their consideration, the melodious and tuneful grand comic opera,

"Pinafore," in the presentation of which the company would be reinforced

by several valuable additions, who were expected to arrive early on

Saturday from the Metropolitan Grand Opera House.

"Great Scott--'Pinafore!' You don't mean to say," asked a friend a short

time after hearing of Handy's moving adventures by land and water, "you

had the nerve to attempt 'Pinafore' with your small band of strolling

players, eh?"

"Play 'Pinafore'!" replied the irrepressible Handy, with a smile. "Of

course, not. Never intended to. You see this was the situation; and the

man who isn't equal to the position in which he places himself is bound

to come out at the wrong side of the account book, when he is compelled

to settle up. The 'Pinafore' announcement was for the edification of the

New Londoners. I recognized the fact that the country people in their

innocence and goodness of heart would take kindly to the entertainment

we had prepared for them, but for the town chaps it was an altogether

different proposition. When I announced 'Pinafore' I felt satisfied they

would defer their energies and lay low for the 'Merry, Merry Maiden and

the Tar,' determining to have a little fun of their own kind with us on

Saturday; but after the performance we struck tent and by early morning

we were once more out on the Sound for fresh fields and pastures new."

A Pirate of Parts · 第 8 / 26 章