[20] Yang Kuei-fei had intrigued with a noble named An Lu-shan, who

afterwards raised the standard of rebellion, it is said, with the hope

of obtaining possession of her. Be that as it may, the Emperor assembled

a large army, and accompanied by Yang Kuei-fei, went to meet him. On

arriving at a place called Ma-kuei in Sze-chuen, the Emperor’s troops

mutinied, declaring that Yang Kuei-fei was the cause of the rebellion,

and demanding her life, otherwise they would not fight. The Emperor,

having no alternative, was forced to comply. Some say he ordered her to

be strangled, and that this was done by the soldiers; others again, that

she strangled herself—the latter appears the correct version.

[21] For similar practices among the Romans, see Sumner, “Folkways”, page

445.

[22] See also pages 91 and 92.

[23] See Bibliography, book by Arène, for examples.

[24] See outline, page 105.

[25] About a year after the earthquake Tokio’s Imperial Theater was

reopened, and the Japanese honored Mei Lan-fang by engaging him for this

occasion.

[26] This popular figure, called also “big stomach” or “cloth sack”

Buddha, is laughing in anticipation of the happiness to come. His image

is found in practically all Buddhist temples and frequently among the

_bibelots_ collected by foreigners. In regard to the taste of collectors,

Baron de Staël-Holstein, a Russian scholar versed in Buddhist lore,

remarked to me one day, “The ugliest of all these figures is the one most

sought after by Westerners.”

[27] See page 83_ff._

[28] See Haigh, “The Tragic Drama of the Greeks”, Oxford University

Press; Murray, “Ancient Greek Literature”, Appleton, etc.—So far as I

know no scholar has suggested that the goat did the singing of the “goat

songs.”

[29] See “Sacred Books of the East”, vol. XXVIII, pp. 92-131.

[30] This has now come to an end. In October, 1924, the deposed emperor

was driven out of his palace by the “Christian” General Feng Yu-hsiang.

[31] Thorndyke, “Shakespeare’s Theater”, Macmillan Company, page 139.

[32] _Ib._, page 87.

[33] Page 76.

[34] _Op. cit._, page 394.

[35] See Taine’s description, Book II, chapter II, in his “History of

English Literature.”

[36] Page 261.—According to my friend Ferdinand Lessing, a German

sinologist, Giles has here made a mistake. In Lessing’s words, Chinese

plays contain “_faustdicke Zoten_.”

[37] “Shakespeare’s England,” II, 308_ff._

[38] Quoted from “Shakespeare’s England”, II, 246. See also Thorndyke’s

“Shakespeare’s Theater”, page 372.

[39] Goethe, “Frauenrollen auf dem römischen Theater von Männern

gespielt.”

[40] “Shakespeare’s England”, page 252_ff._

[41] “Shakespeare’s England”, II, 241.

[42] Thorndyke, page 138, refers to this article, but takes no stock in

Mr. Corbin’s arguments. He says that darkness was symbolized by lighted

candles, etc., which is precisely the thing done on the Chinese stage.

[43] “Shakespeare’s England”, II, 301.

[Illustration]

INDEX

[The names of Chinese dramas are printed in italics]

Albright, Victor, 201, 216, 217, 218

Amateurs, 109

Archer, William, 217, 219

_Autumn in the House of Han._ _See_ SORROWS OF HAN

Bakst, Leon, 214

Bazin, A. P. L., 4

_Beating the Heartless Husband_, 90

_Beating the Nephew and Worshiping at the Grave_, 87

_Blood-Stained Fan, The_, 70

Brodmeier, Professor, 217

_Burying the Flowers_, 80, 179

_Butchering the Pig_, 168

_Chalk Circle, The_, 32

Ch’ang An, 3, 15, 48, 50, 74

Chang Chien, Mr., 113

_Ch’ang-O’s Flight to the Moon_, 104 _ff._, 159

_Ch’ang-O Pin Yüeh._ _See_ CH’ANG-O’S FLIGHT TO THE MOON

Ch’ang Shan Tien. _See_ PALACE OF ETERNAL LIFE

Chang Yao-shang, actor, 15

Chang Ziang-ling, 142

_Chao Chia Ku-er._ _See_ ORPHAN OF THE CHAO FAMILY

_Chao Mei Hsiang._ _See_ INTRIGUES OF A LADY’S MAID

Chao Tsung, Emperor, 15

Character Types, 25, 112, 149, 151, 152, 153, 175

Chen Kwang Theater, 181

_Ch’i San Hui._ _See_ THREE STRANGE MEETINGS

Ch’ien Lung, Emperor, 69

_Ch’ing Shang Lao Shüeh._ _See_ SLAVE GIRL PLAYS TRICKS ON THE OLD

SCHOOLMASTER

Ch’ing Shih Shan, 194

_Chu Fang Tsao._ _See_ BUTCHERING THE PIG

_Chu Sha Chü._ _See_ CINNABAR SPOT, A

Chu Su-yün, actor, 83, 86

_Chü T’eng Kuan Hua._ _See_ TRIAL OF STRENGTH AND VIEWING THE

ANCESTRAL PORTRAITS

Chu Yuan-chang. _See_ HUNG WU

_Ch’un Yin Hui._ _See_ MEETING OF MANY HEROES

_Cinnabar Spot, A_, 88

Civil Plays, 10, 146

Classical Language. _See_ WEN LI

Clowns, 23, 25, 153, 207. _Cf._ COURT FOOLS

Commedia dell’ Arte, 16

Confucius, 10, 17, 25, 28, 49

Corbin, John, 215

Coryat, Thomas, 208

Court Fool, Yu Meng, 12

Yu Sze, 12

Court Fools, 11, 12, 15, 16. _Cf._ CLOWNS

Craig, Gordon, 214

_Crossing the Milky Way_, 159, 194

Dances, Dramatic, 6

Dottore. _See_ COMMEDIA DELL’ ARTE

Dream of the Red Chamber, The, 80, 93, 188

_Drunkard_, 13

Duke Lan Lu, 13

Dwarfs, 11, 13. _Cf._ COURT FOOLS

Elizabethan Theater, 25, 133, 194 _ff._

Empress Dowager, 188

Fan Kuai, 15

Feng Yu-hsiang, General, 195

Fools, Court. _See_ COURT FOOLS

Gamble, Sidney, 133, 144

Giles, Herbert, 18, 59, 80, 180, 207

Goodrich, Mrs., 104

_Greatest Event in Life, The_, 119 _ff._

Greek Theater, 10, 192 _ff._

Grube, Wilhelm, 80

Han Hsi-ch’ang, actor, 140

_Han Kung Tsu._ _See_ SORROWS OF HAN

Han Lin Academy, 4, 43

Harlequin. _See_ COMMEDIA DELL’ ARTE

_Ho Lan-chi._ _See_ CHALK CIRCLE, THE

_Ho Lang Tan._ _See_ SINGING GIRL, THE

Ho Yi, Emperor, 105

_Hsi Hsiang Chi._ _See_ WESTERN CHAMBER, THE

Hsien, 7, 11

_Hsü Mu Ma Tsao._ _See_ HSÜ’S MOTHER CURSES TSAO TSAO

_Hsü’s Mother Curses Tsao Tsao_, 81

Hu Shih, 11, 21, 22, 74, 78, 117, 198

Hung Lou Meng. _See_ DREAM OF THE RED CHAMBER, THE

Hung Sen, author, 70

Hung Wu, Emperor, 43

Intrigue of a Lady’s Maid, 26

I-Yin, 7

Jade Palace, 3

Jen Tsung, Emperor, 43

Jesters. _See_ COURT FOOLS

Jung Tu-shan, 113, 115

_K’an Tsien Wu._ _See_ MISER, THE

K’ang Hsi, Emperor, 69, 182

Kuan Han-ching, dramatist, 23

Kuan Yin, 99

Kublai Khan, 19

_Kung Chuan Chi._ _See_ RUSE OF THE EMPTY CITY

Kung Shang-jen, author, 70

Lao Tze, 28

Laufer, Berthold, 10, 11, 99

Lessing, Ferdinand, 207

Li Fang-yün, 137

Li Shou-shan, actor, 83

Li Yuan Tzu-ti, 3

Liao Chai. _See_ STRANGE STORIES FROM A CHINESE STUDIO

Literary Language. _See_ WEN LI

Liu Ming-ju, 135

Liu Yen Ming, 96

Marco Polo, 23, 41

_Mask, The_, 13, 14

_Meeting of Many Heroes, The_, 82

Mei Lan-fang, Chapter VIII; 80, 83, 84, 86, 98, 104, 105, 110, 118,

138, 142, 143, 145, 150, 151, 152, 155, 157, 159, 206, 211

Mencius, 17, 28

Military Plays, 10, 13, 77, 79, 146

Ming Huang (Yuen Tsung), Emperor, 3, 70, 135, 181

_Miser, The_, 35 _ff._

_Mu Lan_, 185, 201, 212

Music, Types of, 142, 147, 191 _ff._

Musical Instruments, 148 _ff._, 192

_New Mayor, The_, 115

New World, 132, 143

_Ngoh Chia Chuan._ _See_ NGOH FAMILY VILLAGE

_Ngoh Family Village_, 87

Orphan of the Chao Family, The, 37, 94

_Pai Hua_, 21, 22

Palace of Eternal Life, 4, 70

_Pang Ta Poo Ching Lang._ _See_ BEATING THE HEARTLESS HUSBAND

Pantalone. _See_ COMMEDIA DELL’ ARTE

Pantomimes, 6

_Pavilion of the Royal Monument_, 184

Pear Garden, 3, 18, 135

_Pi Pa Chi._ _See_ STORY OF A LUTE

P’iao Yu. _See_ AMATEURS

Plays, Types of, 146 _ff._, 197

_Po She Chuan._ _See_ WHITE AND BLACK SNAKES, THE

Porter, Lucius, 11, 14

Precious Hairpin, The, 93

Reinhardt, Max, 214

Ridgeway, Professor William, 9, 10

_Ruse of the Empty City, The_, 80

_Ruse of the Nail, The_, 157

San Kuo Chi. _See_ THREE KINGDOMS, THE

_San Yao Hui._ _See_ SHAKING DICE

Scapino. _See_ COMMEDIA DELL’ ARTE

Seasonal Plays, 104 _ff._, 159, 194

_Seeing the Ancestral Portraits._ _See_ TRIAL OF STRENGTH

_Shaking Dice_, 98

_Sha Tze Pao._ _See_ SLAYING THE SON

_Shang Ting Chi._ _See_ RUSE OF THE NAIL

Shih Hu. _See_ HU SHIH

Shih Wang-ti, Emperor, 12

Shui Hu Chuan. _See_ STORY OF A RIVER BANK

_Singing Girl, The_, 29

_Slave Girl Plays Tricks on the Old Schoolmaster, The_, 183

_Slaying of the Son_, 158

Smith, Doctor Arthur H., 66, 68

_Snow in June._ _See_ SUFFERINGS OF TOU-E

Soong Tsung-faung, author, 12, 117, 118

Sophists. _See_ COURT FOOLS

_Sorrowful Korean, The_, 114

_Sorrows of Han_, 37

Spring Willow Dramatic Society, 112

_Ssu Pao-pi._ _See_ DRUNKARD, THE

Stäel Holstein, Baron de, 179

Stanton, William, 4, 159

Stent, George Carter, 71

Stephenson, Professor H. T., 214, 215

_Story of a Lute._ _See_ CHAPTER III

Story of the River Bank, 79

Strange Stories from a Chinese Studio, 80

Suen Lo Ngao, 12

_Sufferings of Tou-E_, 23, 39, 142

_Ta Chih Shang Wen._ _See_ BEATING THE NEPHEW

_Ta Yin Ho._ _See_ CROSSING THE MILKY WAY

_Tai Yü Chuan Hua._ _See_ BURYING THE FLOWERS

Taine, H., 205

T’an Shen-pei, actor, 149, 188

T’an Shoo-shan, actor, 150

_T’ao Hua Shan._ _See_ BLOOD-STAINED FAN, THE

Taoism, 34

Teh Hing, actor, 152

Theater. _See_ ELIZABETHAN THEATER; GREEK THEATER

Thorndyke, Professor A. H., 198, 203, 208

Three Kingdoms, The, 78, 79, 80

_Three Pulls._ _See_ THREE STRANGE MEETINGS

_Three Strange Meetings_, 83, 180

_Tiger, The_, 14

T’ing Hua, critic, 154

_Tou-E._ _See_ SUFFERINGS OF TOU-E

_Transmigration of You Hsin_, 33

_Trial of Strength and Viewing the Ancestral Portraits_, 94, 183

Tsai Yuan-pei, 58

Tung Lo Yuan, 140

Types of Character. _See_ CHARACTER TYPES

Types of Music. _See_ MUSIC, TYPES OF

Types of Plays. _See_ PLAYS, TYPES OF

Vernacular. _See_ PAI HUA

Wang Kuo-wei, 6, 9, 10, 11, 12, 14, 15, 17, 18, 23

Wen Li, 20, 21

_Western Chamber, The_, 24

_White and Black Snakes, The_, 100

Wu, 7, 11

Wu Lien-teh, Mrs., 71

Wu Wang, Empress, 7

Yang Kuei-fei, 4, 70, 71, 72 _ff._, 159, 181 _ff._

_Yang Kuei-fei on a Spree_, 157, 181

_Yang Kuei-fei Tsui Chou._ _See_ YANG KUEI-FEI ON A SPREE

Yang Shiao-lo, actor, 138, 151, 155

_Yellow Jacket, The_, 170, 200, 216

_Yi Tsai Hua_, 111

Yo Fei, 91, 92, 134

_Young Nun Seeks Love, A_, 178

_Yü Chan Chih._ _See_ PRECIOUS HAIRPIN, A

Yu Meng, Court Fool, 12

_Yü Pei T’ing._ _See_ PAVILION OF THE ROYAL MONUMENT

Yü San-yen, actor, 150

Yü Sze, Court Fool, 12

Yuen Tsung. _See_ MING HUANG

Yung Lo, Emperor, 47

The Chinese theater · 第 14 / 14 段