I did not mention this incident to any one, but continued rehearsing. It

was on Tuesday that Nathalie had spoken to me, and on Friday I was

disappointed to hear that Davennes was not there, and that there was to

be no rehearsal. Just as I was getting into my cab the hall-porter ran

out to give me a letter from Davennes. The poor man had not ventured to

come himself and give me the news, which he was sure would be so painful

to me.

He explained to me in his letter that on account of my extreme youth—the

importance of the _rôle_—such responsibility for my young shoulders—and

finally that as Madame Favart had recovered from her illness, it was

more prudent that, &c. &c. I finished reading the letter through

blinding tears, but very soon anger took the place of grief. I rushed

back again and sent my name in to the manager’s office. He could not see

me just then, but I said I would wait. After one hour, thoroughly

impatient, taking no notice of the office-boy and the secretary, who

wanted to prevent my entering, I opened the door of M. Thierry’s office

and walked in. All that despair, anger against injustice, and fury

against falseness could inspire me with I let him have, in a stream of

eloquence only interrupted by my sobs. The manager gazed at me in

bewilderment. He could not conceive of such daring and such violence in

a girl so young.

When at last, thoroughly exhausted, I sank down in an arm-chair, he

tried to calm me, but all in vain.

“I will leave at once,” I said. “Give me back my contract and I will

send you back mine.”

Finally, tired of argument and persuasion, he called his secretary and

gave him the necessary orders, and the latter soon brought in my

contract.

“Here is your mother’s signature, Mademoiselle. I leave you free to

bring it me back within forty-eight hours. After that time if I do not

receive it I shall consider that you are no longer a member of the

theatre. But believe me, you are acting unwisely. Think it over during

the next forty-eight hours.”

I did not answer, but went out of his office. That very evening I sent

back to M. Thierry the contract bearing his signature, and tore up the

one with that of my mother.

I had left Molière’s Theatre, and was not to re-enter it until twelve

years later.

XII

AT THE GYMNASE THEATRE—A TRIP TO SPAIN

This proceeding of mine was certainly violently decisive, and it

completely upset my home life. I was not happy from this time forth

amongst my own people, as I was continually being blamed for my

violence. Irritating remarks with a double meaning were constantly being

made by my aunt and my little sister. My godfather, whom I had once for

all requested to mind his own business, no longer dared to attack me

openly; but he influenced my mother against me. There was no longer any

peace for me except at Madame Guérard’s, and so I was constantly with

her. I enjoyed helping her in her domestic affairs. She taught me to

make cakes, chocolate, and scrambled eggs. All this gave me something

else to think about, and I soon recovered my gaiety.

One morning there was something very mysterious about my mother. She

kept looking at the clock, and seemed uneasy because my godfather, who

lunched and dined with us every day, had not arrived.

“It’s very strange,” my mother said, “for last night after whist he said

he should be with us this morning before luncheon. It’s very strange

indeed!”

She was usually calm, but she kept coming in and out of the room, and

when Marguerite put her head in at the door to ask whether she should

serve the luncheon, my mother told her to wait.

Finally the bell rang, startling my mother and Jeanne. My little sister

was evidently in the secret.

“Well, it’s settled!” exclaimed my godfather, shaking the snow from his

hat. “Here, read that, you self-willed girl.”

He handed me a letter stamped with the words “Théâtre du Gymnase.” It

was from Montigny, the manager of the theatre, to M. de Gerbois, a

friend of my godfather’s whom I knew very well. The letter was very

friendly, as far as M. de Gerbois was concerned, but it finished with

the following words, “I will engage your _protégée_ in order to be

agreeable to you... but she appears to me to have a vile temper.”

I blushed as I read these lines, and I thought my godfather was wanting

in tact, as he might have given me real delight and avoided hurting my

feelings in this way, but he was the clumsiest-minded man that ever

lived. My mother seemed very much pleased, so I kissed her pretty face

and thanked my godfather. Oh, how I loved kissing that pearly face,

which was always so cool and always slightly dewy. When I was a little

child I used to ask her to play at butterfly on my cheeks with her long

lashes, and she would put her face close to mine and open and shut her

eyes, tickling my cheeks whilst I lay back breathless with delight.

The following day I went to the Gymnase. I was kept waiting for some

little time, together with about fifty other girls. M. Monval, a cynical

old man who was stage manager and almost general manager, then

interviewed us. I liked him at first, because he was like M. Guérard,

but I very soon disliked him. His way of looking at me, of speaking to

me, and of taking stock of me generally roused my ire at once. I

answered his questions curtly, and our conversation, which seemed likely

to take an aggressive turn, was cut short by the arrival of M. Montigny,

the manager.

“Which of you is Mademoiselle Sarah Bernhardt?” he asked.

I at once rose, and he continued, “Will you come into my office,

Mademoiselle?”

Montigny had been an actor, and was plump and good-humoured. He appeared

to be somewhat infatuated with his own personality, with his ego, but

that did not matter to me.

After some friendly conversation, he preached a little to me about my

outburst at the Comédie, and made me a great many promises about the

_rôles_ I should have to play. He prepared my contract, and gave it me

to take home for my mother’s signature and that of my family council.

“I am emancipated,” I said to him, “so that my own signature is all that

is required.”

“Oh, very good,” he said; “but what nonsense to have emancipated a self-

willed girl. Your parents did not do you a good turn by that.”

I was just on the point of replying that what my parents chose to do did

not concern him, but I held my peace, signed the contract, and hurried

home feeling very joyful.

Montigny kept his word at first. He let me understudy Victoria

Lafontaine, a young artist very much in vogue just then, who had the

most delightful talent. I played in _La maison sans enfants_, and I took

her _rôle_ at a moment’s notice in _Le démon du jeu_, a piece which made

a great success. I was fairly good in both plays, but Montigny, in spite

of my entreaties, never came to see me in them, and the spiteful stage

manager played me no end of tricks. I used to feel a sullen anger

stirring within me, and I struggled with myself as much possible to keep

my nerves calm.

One evening, on leaving the theatre, a notice was handed to me

requesting me to be present at the reading of a play the following day.

Montigny had promised me a good part, and I fell asleep that night

lulled by fairies, who carried me off into the land of glory and

success. On arriving at the theatre I found Blanche Pierson and Céline

Montalant already there—two of the prettiest creatures that God has been

pleased to create, the one as fair as the rising sun, and the other as

dark as a starry night, for she was brilliant-looking in spite of her

black hair. There were other women there, too—very, very pretty ones.

The play to be read was entitled _Un mari qui lance sa femme_, and it

was by Raymond Deslandes. I listened to it without any great pleasure,

and I thought it stupid. I waited anxiously to see what _rôle_ was to be

given to me, and I discovered this only too soon. It was a certain

Princess Dimchinka, a frivolous, foolish, laughing individual, who was

always eating or dancing. I did not like the part at all. I was very

inexperienced on the stage, and my timidity made me rather awkward.

Besides, I had not worked for three years with such persistency and

conviction in order to create the _rôle_ of an idiotic woman in an

imbecile play. I was in despair, and the wildest ideas came into my

head. I wanted to give up the stage and go into business. I spoke of

this to our old family friend, Meydieu, who was so unbearable. He

approved of my idea, and wanted me to take a shop—a confectioner’s—on

the Boulevard des Italiens. This became a fixed idea with the worthy

man. He loved sweets himself, and he knew lots of recipes for various

sorts of sweets that were not generally known, and which he wanted to

introduce. I remember one kind that he wanted to call “_bonbon nègre_.”

It was a mixture of chocolate and essence of coffee rolled into grilled

licorice root. It was like black _praliné_, and was extremely good. I

was very persistent in this idea at first, and went with Meydieu to look

at a shop, but when he showed me the little flat over it where I should

have to live, it upset me so much that I gave up for ever the idea of

business.

I went every day to the rehearsal of the stupid piece, and was bad-

tempered all the time. Finally the first performance took place, and my

part was neither a success nor a failure. I simply was not noticed, and

at night my mother remarked, “My poor child, you were ridiculous in your

Russian princess _rôle_, and I was very much grieved!”

I did not answer at all, but I should honestly have liked to kill

myself. I slept very badly that night, and towards six in the morning I

rushed up to Madame Guérard. I asked her to give me some laudanum, but

she refused. When she saw that I really wanted it, the poor dear woman

understood my design. “Well, then,” I said, “swear by your children that

you will not tell any one what I am going to do, and then I will not

kill myself.” A sudden idea had just come into my mind, and, without

going further into it, I wanted to carry it out at once. She promised,

and I then told her that I was going at once to Spain, as I had longed

to see that country for a long time.

“Go to Spain!” she exclaimed. “With whom and when?”

“With the money I have saved,” I answered. “And this very morning. Every

one is asleep at home. I shall go and pack my trunk, and start at once

with you!”

“No, no, I cannot go,” exclaimed Madame Guérard, nearly beside herself.

“There is my husband to think of, and my children.”

Her little girl was scarcely two years old at that time.

“Well, then, _mon petit Dame_, find me some one to go with me.”

“I do not know any one,” she answered, crying in her excitement. “My

dear little Sarah give up such an idea, I beseech you.”

But by this time it was a fixed idea with me, and I was very determined

about it. I went downstairs, packed my trunk, and then returned to

Madame Guérard. I had wrapped up a pewter fork in paper, and this I

threw against one of the panes of glass in a skylight window opposite.

The window was opened abruptly, and the sleepy, angry face of a young

woman appeared. I made a trumpet of my two hands and called out:

“Caroline, will you start with me at once for Spain?” The bewildered

expression on the woman’s face showed that she had not comprehended, but

she replied at once, “I am coming, Mademoiselle.” She then closed her

window, and ten minutes later Caroline was tapping at the door. Madame

Guérard had sunk down aghast in an arm-chair.

M. Guérard had asked several times from his bedroom what was going on.

“Sarah is here,” his wife had replied. “I will tell you later on.”

Caroline did dressmaking by the day at Madame Guérard’s, and she had

offered her services to me as lady’s maid. She was agreeable and rather

daring, and she now accepted my offer at once. But as it would not do to

arouse the suspicions of the concierge, it was decided that I should

take her dresses in my trunk, and that she should put her linen into a

bag to be lent by _mon petit Dame_.

Poor dear Madame Guérard had given in. She was quite conquered, and soon

began to help in my preparations, which certainly did not take me long.

But I did not know how to get to Spain.

“You go through Bordeaux,” said Madame Guérard.

“Oh no,” exclaimed Caroline; “my brother-in-law is a skipper, and he

often goes to Spain by Marseilles.”

I had saved nine hundred francs, and Madame Guérard lent me six hundred.

It was perfectly mad, but I felt ready to conquer the universe, and

nothing would have induced me to abandon my plan. Then, too, it seemed

to me as though I had been wishing to see Spain for a long time. I had

got it into my head that my Fate willed it, that I must obey my star,

and a hundred other ideas, each one more foolish than the other,

strengthened me in my plan. I was destined to act in this way, I

thought.

I went downstairs again. The door was still ajar. With Caroline’s help I

carried the empty trunk up to Madame Guérard’s, and Caroline emptied my

wardrobe and drawers, and then packed the trunk. I shall never forget

that delightful moment. It seemed to me as though the world was about to

be mine. I was going to start off with a woman to wait on me. I was

about to travel alone, with no one to criticise what I decided to do. I

should see an unknown country about which I had dreamed, and I should

cross the sea. Oh, how happy I was! Twenty times I must have gone up and

down the staircase which separated our two flats. Every one was asleep

in my mother’s flat, and the rooms were so disposed that not a sound of

our going in and out could reach her.

My trunk was at last closed, Caroline’s valise fastened, and my little

bag crammed full. I was quite ready to start, but the fingers of the

clock had moved along by this time, and to my horror I discovered that

it was eight o’clock. Marguerite would be coming down from her bedroom

at the top of the house to prepare my mother’s coffee, my chocolate, and

bread and milk for my sisters. In a fit of despair and wild

determination I kissed Madame Guérard with such violence as almost to

stifle her, and rushed once more to my room to get my little Virgin

Mary, which went with me everywhere. I threw a hundred kisses to my

mother’s room, and then, with wet eyes and a joyful heart, went

downstairs. _Mon petit Dame_ had asked the man who polished the floors

to take the trunk and the valise down, and Caroline had fetched a cab. I

went like a whirlwind past the concierge’s door. She had her back turned

towards me and was sweeping the floor. I sprang into the cab, and the

driver whipped up his horse. I was on my way to Spain. I had written an

affectionate letter to my mother begging her to forgive me and not to be

grieved. I had written a stupid letter of explanation to Montigny, the

manager of the Gymnase Theatre. The letter did not explain anything,

though. It was written by a child whose brain was certainly a little

affected, and I finished up with these words: “Have pity on a poor,

crazy girl!”

Sardou told me later on that he happened to be in Montigny’s office when

he received my letter.

“The conversation was very animated, and when the door opened Montigny

exclaimed in a fury, ‘I had given orders that I was not to be

disturbed!’ He was somewhat appeased, however, on seeing old Monval’s

troubled look, and he knew something urgent was the matter. ‘Oh, what’s

happened now?’ he asked, taking the letter that the old stage manager

held out to him. On recognising my paper, with its grey border, he said,

‘Oh, it’s from that mad child! Is she ill?’

“‘No,’ said Monval; ‘she has gone to Spain.’

“‘She can go to the deuce!’ exclaimed Montigny. ‘Send for Madame

Dieudonnée to take her part. She has a good memory, and half the _rôle_

must be cut. That will settle it.’

“‘Any trouble for to-night?’ I asked Montigny.

“‘Oh, nothing,’ he answered; ‘it’s that little Sarah Bernhardt who has

cleared off to Spain!’

“‘That girl from the Français who boxed Nathalie’s ears?’

“‘Yes.’

“‘She’s rather amusing.’

“‘Yes, but not for her managers,’ remarked Montigny, continuing

immediately afterwards the conversation which had been interrupted.”

This is exactly as Victorien Sardou related the incident.

* * * * *

On arriving at Marseilles, Caroline went to get information about the

journey. The result was that we embarked on an abominable trading-boat,

a dirty coaster, smelling of oil and stale fish, a perfect horror.

I had never been on the sea, so I fancied that all boats were like this

one, and that it was no good complaining. After six days of rough sea we

landed at Alicante. Oh, that landing, how well I remember it! I had to

jump from boat to boat, from plank to plank, with the risk of falling

into the water a hundred times over, for I am naturally inclined to

dizziness, and the little gangways, without any rails, rope, or

anything, thrown across from one boat to another and bending under my

light weight seemed to me like mere ropes stretched across space.

Exhausted with fatigue and hunger, I went to the first hotel recommended

to us. Oh, what a hotel it was! The house itself was built of stone,

with low arcades. Rooms on the first floor were given to me. Certainly

the owners of these hotel people had never had two ladies in their house

before. The bedroom was large, but with a low ceiling. By way of

decoration there were enormous fish bones arranged in garlands caught up

by the heads of fish. By half shutting one’s eyes this decoration might

be taken for delicate sculpture of ancient times. In reality, however,

it was merely composed of fish bones.

I had a bed put up for Caroline in this sinister-looking room. We pulled

the furniture across against the doors, and I did not undress, for I

could not venture on those sheets. I was accustomed to fine sheets

perfumed with iris, for my pretty little mother, like all Dutch women,

had a mania for linen and cleanliness, and she had inculcated me with

this harmless mania.

It was about five in the morning when I opened my eyes, no doubt

instinctively, as there had been no sound to rouse me. A door, leading I

did not know where, opened, and a man looked in. I gave a shrill cry,

seized my little Virgin Mary, and waved her about, wild with terror.

Caroline roused up with a start, and courageously rushed to the window.

She threw it up, screaming, “Fire! Thieves! Help!”

The man disappeared, and the house was soon invaded by the police. I

leave it to be imagined what the police of Alicante forty years ago were

like. I answered all the questions asked me by a vice-consul, who was an

Hungarian and spoke French. I had seen the man, and he had a silk

handkerchief on his head. He had a beard, and on his shoulder a

_poncho_, but that was all I knew. The Hungarian vice-consul, who, I

believe, represented France, Austria, and Hungary, asked me the colour

of the brigand’s beard, silk handkerchief, and _poncho_. It had been too

dark for me to distinguish the colours exactly. The worthy man was very

much annoyed at my answer. After taking down a few notes he remained

thoughtful for a moment and then gave orders for a message to be taken

to his home. It was to ask his wife to send a carriage, and to get a

room ready in order to receive a young foreigner in distress. I prepared

to go with him, and after paying my bill at the hotel we started off in

the worthy Hungarian’s carriage, and I was welcomed by his wife with the

most touching cordiality. I drank the coffee with thick cream which she

poured out for me, and during breakfast told her who I was and where I

was going. She then told me in return that her father was an important

manufacturer of cloth, that he was from Bohemia, and a great friend of

my father’s. She took me to the room that had been prepared for me, made

me go to bed, and told me that while I was asleep she would write me

some letters of introduction for Madrid.

I slept for ten hours without waking, and when I roused up was

thoroughly rested in mind and body. I wanted to send a telegram to my

mother, but this was impossible, as there was no telegraph at Alicante.

I wrote a letter, therefore, to my poor dear mother, telling her that I

was in the house of friends of my father, &c. &c.

The following day I started for Madrid with a letter for the landlord of

the Hôtel de la Puerta del Sol. Nice rooms were given to us, and I sent

messengers with the letters from Madame Rudcowitz. I spent a fortnight

in Madrid, and was made a great deal of and generally fêted. I went to

all the bull-fights, and was infatuated with them. I had the honour of

being invited to a great _corrida_ given in honour of Victor Emmanuel,

who was just then the guest of the Queen of Spain. I forgot Paris, my

sorrows, disappointments, ambitions and everything else, and I wanted to

live in Spain. A telegram sent by Madame Guérard made me change all my

plans. My mother was very ill, the telegram informed me. I packed my

trunk and wanted to start off at once, but when my hotel bill was paid I

had not a _sou_ to pay for the railway journey. The landlord of the

hotel took two tickets for me, prepared a basket of provisions, and gave

me two hundred francs at the station, telling me that he had received

orders from Madame Rudcowitz not to let me want for anything. She and

her husband were certainly most delightful people.

My heart beat fast when I reached my mother’s house in Paris. _Mon petit

Dame_ was waiting for me downstairs in the concierge’s room. She was

very excited to see me looking so well, and kissed me with her eyes full

of tears of joy. The concierge and family poured forth their

compliments. Madame Guérard went upstairs before me to inform my mother

of my arrival, and I waited a moment in the kitchen and was hugged by

our old servant Marguerite.

My sisters both came running in. Jeanne kissed me, then turned me round

and examined me. Régina, with her hands behind her back, leaned against

the stove gazing at me furiously.

“Well, won’t you kiss me, Régina?” I asked, stooping down to her.

“No, don’t like you,” she answered. “You’ve went off without me. Don’t

like you now.” She turned away brusquely to avoid my kiss, and knocked

her head against the stove.

Finally Madame Guérard appeared again, and I went with her. Oh, how

repentant I was, and how deeply affected. I knocked gently at the door

of the room, which was hung with pale blue rep. My mother looked very

white, lying in her bed. Her face was thinner, but wonderfully

beautiful. She stretched out her arms like two wings, and I rushed

forward to this white, loving nest. My mother cried silently, as she

always did. Then her hands played with my hair, which she let down and

combed with her long, taper fingers. Then we asked each other a hundred

questions. I wanted to know everything, and she did too, so that we had

the most amusing duet of words, phrases, and kisses. I found that my

mother had had a rather severe attack of pleurisy, that she was now

getting better, but was not yet well. I therefore took up my abode again

with her, and for the time being went back to my old bedroom. Madame

Guérard had told me in a letter that my grandmother on my father’s side

had at last agreed to the proposal made by my mother. My father had left

a certain sum of money which I was to have on my wedding-day. My mother,

at my request, had asked my grandmother to let me have half this sum,

and she had at last consented, saying that she should use the interest

of the other half, but that this latter half would always be at my

disposal if I changed my mind and consented to marry.

My Double Life: The Memoirs of Sarah Bernhardt · 第 9 / 39 段