Heptatonic ionian, mode 3 A + b (I II III IV V VI VII)

[Music]

O thou in whose presence my soul takes delight,

On whom in afflictions I call,

My comfort by day and my song in the night,

My hope, my salvation, my all.

The poem is by Joseph Swain of England (1762-1796). The tune is

attributed to Freeman Lewis whom Tillett calls merely "an American

musician." His dates are 1780-1859. Found also GCM 65, _Baptist

Hymnal_ (1902), No. 389. _Methodist Hymnal_ (1905), No. 530; GOS 102,

SOH 15. Miss Gilchrist (_op. cit._) compares this tune with 'Fair

Rosie Ann' in Greig's _Last Leaves of Traditional Ballads_, p. 771.

The chorus of 'The Sinking of the Titanic' a phonograph-recorded song

of wide popularity in America during the 1920's, is practically the

same melodic trend as that of 'Dulcimer'. Its text is:

It was bad when that great ship went down,

It was bad when that great ship went down,

There was husbands and wives,

Little child'en lost their lives,

It was bad when that great ship went down.

A song curiously similar to the 'Titanic' song is in _The Carolina

Low-Country_, page 296, as sung by the negroes on the Santee River in

South Carolina. The tune is changed but little. The words are:

It was sad w'en duh grabe sinkin' down,

It was sad w'en duh grabe sinkin' down,

Ain' dat uh awful time,

People keep awake all night,

It was sad w'en duh grabe sinkin' down.

The tune of 'Dulcimer' is of the 'Lord Lovel' type mentioned in the

Introduction, p. 14. Other songs in this collection belonging to this

type are 'Yongst', 'Dunlap's Creek', 'Liverpool', 'Ester', 'Lonesome

Grove', and 'Land of Rest'. Other spiritual folk-tunes of the same

type are 'Eden', GOS 558; 'Thy Way O God', PB 29; 'Charlestown', GOS

255; 'Lord of Glory', PB 374; 'New Hope', PB 373; 'Golden Hill', HH

211; 'Webster', OSH 31; 'Hollis', GOS 73; 'Edneyville', HH 193;

'Blissful Hope', REV 140; and 'Tedious Hours', SOC 69. Further secular

tunes of the type are 'Lord Lovel', Sharp, i., 148; 'The Two

Brothers', Davis, 563; 'The Mermaid', Sharp, i., 293; 'Every Night

When the Sun Goes In', Sharp, ii., 269; 'Three Little Babes', Davis,

576; 'Come All You Fair and Tender Ladies', Sharp, ii., 135; 'Barbara

Allen', Sharp, i., 195; 'Gypsy Laddie', Sharp, i., 237; 'Horn Fair',

JFSS, ii., 204; and 'The Cuckoo', Sharp, ii., 177.

No. 164

WEEPING MARY (A), SOC 98

Spiritual Folk-Songs of Early America Two Hundred and Fifty Tunes and Texts, with an Introduction and Notes · 第 181 / 280 题