CHAPTER II.

Walk to Montford Bridge—The Severn—An agreeable companion—Delights of a

Tourist—Histrionic Ambition—Wittington—The Castle—The Church—Curious

Epitaphs.

“Oh Wittington, among thy towers

Pleas’d did my early childhood stray,

Bask’d on thy walls in sunny hours

And pull’d thy moss and pluck’d thy flowers

Full many a truant day.”

FITZ-GWARINE.

AFTER breakfasting at the inn, I, like the honorable Dick Dowlass, with

my wardrobe on my back, and a light heart, proceeded on the road to

Chirk.

The Severn, to the right, winded beautifully towards the ancient town I

left behind. Bees hummed—birds sang—and blossoms sent forth their

fragrance to delight the traveller as he gaily trudged “the footpath

way.” Cheerfulness was above, beneath, around me, and in my heart. I

paused upon the bridge at Montford, to take a lingering farewell of the

sweet flowing Severn, its wooded banks and meadows gay; and was about to

commence a sublime soliloquy, when I was accosted by an elderly personage

in a straw hat, fustian shooting coat, knee-breeches, gaiters and shoes.

He had a stout cudgel in his hand, and a knapsack, more capacious than

mine, strapped across his shoulders. He appeared to be about fifty-five

years of age, and being furnished like myself, it struck me that a

passing traveller might naturally enough take us for father and son.

Fortunately we were both pursuing the same route, and a desultory

dialogue commenced with the never failing observation:

“A fine morning, sir.”

“Very.”

“A noble river this, sir?”

“Beautiful.”

“A great admirer of the charms of nature, I presume, sir?”

“An enthusiastic one.”

“You’re for the Welsh vales, I suppose?”

“And mountains high!” I exclaimed, warming to my loquacious companion.

“In the Welsh vales ’mid mountains high,”

sang he, in a hearty, round-toned voice, with which I chimed in, and we

were the best friends, on a sudden.

There certainly is no society so interesting as that picked up by the

tourist, who leaves with contempt the starched formalities of a great

city behind him, and walks forth, unencumbered by care, to enjoy the

society of mankind in its varied and unsophisticated nature. Every

person we meet affords us information and delight; for a kindred spirit

animates almost every individual whom you may chance to encounter in

countries remarkable for beauties of scenery, and especially in a region

like North Wales, where inns of the best kind are situated at the most

convenient points, and the foot passenger is treated with as much respect

as a lord in his carriage with four post horses. The landlords of inns

here, think that a man may make the proper use of his legs without being

a beggar; and that the costume of a pedestrian may cover the form of a

gentleman. And this philanthropic conception contributes to form that

happy combination, civil hosts and merry travellers.

There is no want of society, nor any difficulty in selecting that with

which you are best pleased, for every evening brings in fresh comers from

various quarters to the different places of rest and refreshment. The

exchange of information respecting routes, the different adventures of

the day, the peculiar feelings displayed in their recital, and

countenances lit up with pleasure, give a degree of animation to the

evening, never to be equalled in the brilliant drawing-room, the blaze of

which seems to put out the eyes of reason,

“And men are—what they name not to themselves,

And trust not to each other.”

I soon discovered that my companion was a traveller of no common

information; that he was a collector of legends, an antiquarian, and a

geologist; and congratulated myself upon meeting with one who, as he gave

me to understand, was intimately acquainted with a variety of

circumstances, not generally known, which had taken place in “days of

yore,” upon the very ground we were about to traverse, and which he had

frequently visited before.

He had been an actor in his youth, and as the scenery between Mountford

Bridge and the village of Wittington has little to engage the attention,

I will here relate a portion of his early history, with which he amused

me during our journey.

HISTRIONIC AMBITION.

It was a foggy morning when Triptolemus,—for so I shall designate my new

acquaintance,—who had unfortunately been deeply bitten by a mad actor,

arose, feverish from his sleepless pillow, to awaken the cocks of the

surrounding neighbourhood with the loud rattle of his histrionic tongue.

He had, with some difficulty, prevailed upon the manager of the theatre

to permit him to make his appearance on the stage, and the character

selected for his attempt was Richmond—the gallant Richmond!

In the centre of the filthy town of — stands an ancient castle, situated

upon a lofty hill, which is now turned into a county jail. There was

around it formerly a deep moat, which having for many years been dried

up, is now converted into pleasure gardens for the corporation. From the

top of the hill there was, at this time, an opening, much like a trap

door, where commenced a descent by winding steps, leading to the gardens

beneath, and to some gates made in the iron railings that encompassed the

moat upon the other side.

Upon the summit of the hill, Triptolemus walked with all the dignity of

an English baron. The ancient fortress, that frowned above him, gave

additional fire to his excited imagination; and, as he spoke of knights

and fellows in arms, and mused of war, banners, and crop ear’d steeds,

the present peaceful times were dead to him, and nothing lived within his

gallant thoughts but those whose bones have long since whitened in the

dust.

Triptolemus had walked round, and round again, about the distance of half

a mile, spouting Shakespeare to “the unconscious wind,” when, as he was

about to take “round the third,” instead of looking at the earth, his

inspired glance was directed to the sky; and at the instant he exclaimed,

“thus far into the bowels of the land,” he vanished into the earth

through the before mentioned trap door! and awakening from his surprize,

he found himself half smothered in a bed of manure, at the bottom of the

steps.—When he had in some degree recovered from his alarm, and

ascertained that his person had escaped injury, his first reflection was

upon the fall of Lucifer,

“From night to morn—from morn to dewy eve,

A summer’s day!”

He then looked round him and fancied himself in Johnson’s happy valley,

himself the prince, and, like him, discontented with his lot, when he was

suddenly aroused to a sense of his real situation by the pointed

application of a pitchfork, unceremoniously handled by a sturdy boor, who

saluted him with, “Where the devil didst thee come from?” His indignant

spirit now gave vent to its uncontrollable fury, in a torrent of blank

verse! He felt that, like Hamlet, he could

“Do such deeds

As hell itself would quake to look upon.”

But, like Posthumous, he was doubtful which to select. His soul was in

arms!—and the thrice valiant embryo Richmond exclaimed,

“Thrice is he arm’d that hath his quarrel just;

And he but naked, tho’ lock’d up in steel,

Whose conscience with injustice is corrupted.”

“I fell into this damned place through your neglect in leaving the trap

door open, you bloody and devouring boar,”—eyeing him all the while with

a glance that seemed to say, “If I thought you wholesome, I’d turn

cannibal.”

The bumkin, however, took no further notice of it than to assure him, if

he did not presently take to his heels, he would toss him out on the

prongs of his fork.

O! what a field for fancy did this threat open to his susceptible mind!

The tattered hat of the unceremonious gardener was converted into a

coronet of snakes that reared their threatening crests and hissed

furiously at the astonished hero. His ruddy face assumed the Gorgon’s

look, turning him almost into stone. The weapon in his hand grew fiery

red, and for a foot there seemed a cloven hoof.

An attempted application of the torturing steel however, gave motion to

his limbs;—away he scampered up the steep ascent, not daring to turn a

solitary glance behind, until he reached the spot from whence he fell.

This accident conjured up a train of reflections upon the vanity of human

wishes! “Alas!” exclaimed he, “it is but a few minutes since I fancied

myself a hero at the head of a victorious army, before which thousands

would turn and fly, or grimly bite the dust; and now I find myself a

wretched thing! routed by a base born hind with a muck fork in his hand!

Oh! vile disgrace! I only wish that fellow may see me on the boards

to-morrow night—I’ll frown him into a liquid.”

Upon the night of this eventful morning the stage-struck Triptolemus had

very unquiet dreams; his head was filled, he said, with a chaotic mass of

indistinct and indescribable objects. The last thought he had while

awake was how he should look when dressed as the gallant Richmond;—and

having settled that point to his own satisfaction, he resigned himself to

“Sweet Nature’s second course.”

He waves aloft his glittering steel—he spurs his coal black charger to

the field.—Forward! he cries—and the hostile ranks advance in terrible

array, inspired by their heroic leader! All then becomes hubbub, turmoil

and confusion, higglety pigglety, up and down, slash away work. He meets

the tyrant king—fiercely they struggle for the mastery—slap bang go their

battle axes; when suddenly a number of shadowy forms, with blood-red

cabbage-heads, encircle the enfuriated pair, yelling and dancing at the

white-rose king;—the gallant Richmond staggers beneath the prowess of his

vigorous opponent, and half believes the field is lost, when through the

spectre group a headless horseman breaks with furious speed.—’Tis

Buckingham!—he waves his gory head aloft in his red hand, and as Tydides

whirled the fragment of a rock upon his foe, even with such fury flung

the shade his head, full upon the visage of his fated Richard;—he

falls—the shadows vanish with loud cries of joy! when suddenly a dreadful

blow is dealt upon the temples of the conquering Richmond;—the chains of

sleep are broken, and Triptolemus lies stretched upon the floor.

He arose confused; he pondered upon his dream, rubbed his bruised

forehead, and began conclusions from the visions of the night. These

proving satisfactory, he descended to the breakfast parlour, inwardly

exclaiming,

“May good digestion wait on appetite.”

The rehearsal in the morning gave additional confidence, the manager

having pronounced it a very promising specimen of his ability.

Night came—and he was at his post three hours before his presence would

be required upon the stage. His hair, of which he had a great profusion,

was twisted into innumerable curls by a one-eyed frizzeur who received a

payment of twelve pence per night from the manager for decorating the

heads of his talented performers; his limbs were cased in the warlike

habiliments of the 15th century, which (with the trifling inconvenience,

occasioned by their being made for a person of nearly double his

dimensions some twenty years before, and the few dilapidations they had

received from the numberless falls, thwacks, rents, etc. during their

long and faithful servitude) gave him the appearance of a warrior of some

personal endowments. The helmet was peculiarly formed, resembling that

worn in the 14th century; for this appendage to the son of Mars had been

neglected until the very last moment, when it was supposed to be

impossible to procure one; but Triptolemus, ever fertile in resources,

seized upon a shining tin saucepan, in which the Duke of Buckingham had

brought some barley water to the theatre for the purpose of clearing his

voice, emptied its contents, and having divested it of its handle, made

of it an admirable completion to his costume. At the end of the first

act, he walked, with all the self possession of a veteran stager, into an

apartment called the green-room, but which exhibited a clear face of

white-wash, emblematic of those who frequented its chaste precincts. It

was furnished with chairs, stools, and a huge family sofa, evidently the

work of the “olden time.” This seemed a seat suited to Triptolemus,

puffed out as he was with the pride of his appearance; but unfortunately

the light comedian, when playing the part of Doricourt, fell so heavily

upon it, in the mad scene, that he made a fatal breach in the bottom,

which as yet had not undergone a repair. King Henry the sixth (a short,

stout, pompous man, who never moved but one arm in acting, and that with

the exact motion of a pump handle) was seated on one side of the fire

place, in an altitude of deep thought. Triptolemus remembered his dream,

and was astonished at the close resemblance between the red cabbage head

of the shadow and the rubicund visage of the portly personage in the

chimney corner. His surprise was the greater for that he had not met

this gentleman at the rehearsal, he having sent an apology for his

absence, being hotly engaged (as he termed it) in _making his benefit_,

i.e. paying his respects to the different taverns in the town, where his

merry associates congregated to drink porter, smoke tobacco, and

distribute as many tickets as an insinuating address and consummate

assurance would enable them to dispose of amongst their boon companions.

The fourth act is over; and Triptolemus experiences a strange sensation

rising from the bottom of his abdomen and gradually spreading itself over

his whole body!—he feels less valiant than when first he donned the

shining helmet (alias saucepan) and fastened the glittering falchion to

his mailed side. Ting a ring ting! goes the prompter’s bell!

Triptolemus was trembling at his post. The music ceases—the curtain

rises—the martial music is played loudly behind the scenes, and the

audience with breathless anxiety await the entrance of the dauntless

hero, the brave Earl of Richmond.

The trumpeters have almost split their cheeks,—the troops march on, two

and two—the Earl of Oxford then advances, next Sir James Blunt, and then

Sir Walter Herbert. Triptolemus who had been advised to appear last, and

with a rush to “take the natives by surprise,” as it is termed in

theatrical phraseology, now darted forward to the footlights, “swift as

an arrow from the Tartar bow.” The applause was deafening, and made him

fancy that the gods were at war above him; nor was he much out in his

conceit, for a chimney sweeper who had edged himself into the centre of

the gallery at that moment, caused such a commotion amongst the

goddesses, that they assisted, with their screams, the general uproar,

and shouts and cat calls “shook the pond’rous roof.” This state of

commotion was too violent to last, and at length silence was obtained,

and the hero commenced—

“Thus far into the bowels of the land—”

Here the figure of the uncivil gardener met his eyes, seated in the front

row of the pit, and grinning like a Scotch terrier with a hair-lip. He

made a full stop at this apparition! “Have we marched on,” came the word

from the prompter—“Have we marched on,”—echoed Oxford. But all was mist

before Richmond’s eyes, indignation was in his heart and silence upon his

tongue. Unable to utter a word more, with a flourish of his truncheon he

made a furious exit. “Have we marched off,” said the gallant Blunt—and

stalked off with the whole army (six in number) after his heroic leader.

The scene changed for Richard’s entrance.—Shame and fury battledoor’d our

hero about with unmerciful rapidity behind the scenes! He split his

wooden truncheon upon the scull of an unlucky lamplighter who stood in

his way, and then the call boy’s awful voice was heard bidding him

prepare for his second scene. This he managed to get through tolerably

well, taking especial care to avoid another glance at the gardener’s

fatal countenance.

All went on smoothly enough, until the scene where Richard rushes on the

stage in the midst of alarums, crying out. “What ho! young Richmond ho!”

Here, as ill luck would have it, Richmond could not find his _fighting

sword_, and his confusion was so great, when Richard again roared out,

“’Tis Richard calls!” Richmond rebellowed from behind the scenes, “Call

and be d—d,” thinking the actor was taking an unwarrantable liberty in

calling for him before so many people in such an authoritative style.

_Richard_. “I say come forth, and singly face me.”

_Richmond_, (behind) “What the devil’s the use of my coming, when I can’t

find my sword?”

At length, the combatants met, Richmond having picked up a powerful

weapon, instead of the short, blunt and harmless sword intended for the

encounter. It was keen, long, and pointed, like a lancet—a terrible

weapon in unpractised hands.

_Richard_. “Do you remember the cuts?” (in an undertone, with doubting

fear).

_Richmond_. “Oh, d—n the cuts!” at the same time dealing a blow that

laid open the shin of the crook backed tyrant, who, thinking it better to

die at once in jest, than to be killed outright in earnest, fell down

exclaiming, “Perdition catch thy arm! you’ve cut my leg open!”

_Richmond_. “Upon my soul, I could’nt help it!”

_Richard_. “But oh—! the vast renown thou hast acquired—”

This was too much for the audience to bear—“their visible muscles

unmasterly grew,” and the champions were mutually discomposed.

_Richmond_. “What the devil are they laughing at?”

_Richard_. “At you to be sure, ‘in conquering Richard.’”

Here another burst of merriment broke from the spectators, and

Triptolemus, turning his head, to check, with a high tragedy look, their

ill timed mirth, beheld, to his horror and dismay, the inveterate

gardener standing upon the front bench of the pit, waving his arms like

the sails of a windmill, and who no sooner caught a full view of his

countenance than he roared out, “I’m blest if it bea’nt he that I turned

up wi’ my pitch fork out of the muck heap!”

“All’s over!” exclaimed Richard, and gave up the ghost, with his back

turned to the audience, which created a fresh peal of laughter, groans

and hisses. Richmond, shocked at the un-Cesarian position of the

monarch, strove to obtain silence, while he spoke the tag, by turning him

over with his face to the footlights—which he did with his foot, placing

Richard’s nose within half an inch of the burning oil, who grinned his

disapprobation of such usage, till the audience shrieked with mirth.

“Ring down the curtain, for God’s sake!” shrieked the manager.

“Stop till I’ve spoken the tag!” cried Richmond.

“Ring down for the sake of my nose,” bawled the corpse. Ting a ring

ting! went the prompter’s bell, and down fell the curtain, leaving one

half of Richard’s body in view of the laughter-weeping spectators, which

was at last dragged by the heels from their sight by the indignant

Richmond, vowing, he never would again act with so diabolical a

_Richard_.

* * * * *

This story, which amused me exceedingly, was during the recital often

interrupted by my hearty bursts of laughter, and beguiled the time

admirably, until we arrived at a miserable place called _New Inn_, where

we refreshed ourselves with a glass of ale, and proceeded on our journey.

Branching off from the Oswestry road, to the right, we pursued our way to

Wittington, beguiling the time with anecdote and song, light hearts and

heels carrying us along the road like things of air. Nothing worthy of

notice took place until we reached the village of Wittington, and there

the first objects that attracted our mutual attention, were two brick

houses, perfectly plain in their exterior, upon the front of the first of

which was written, in prodigious characters, _Search the Scriptures_, and

upon the second, _Remember thou keep holy the Sabbath day_, with

underneath, _Morrison’s pills sold here_.

The village is beautifully intersected with trees, and the houses are

examples of neatness and simplicity. The people look cheerful and

contented; and every shrub or flower which here profusely expands, seems

proudly to rejoice and flourish in this charming retreat.

A walk through this village will make the tourist thoroughly acquainted,

in his own belief, with the persons who inhabit it, although he never

heard the history of one of them, from the rector to the tinker. The

first portrait that rises in his imagination is the venerable curate,

with contentment beaming in his mild eyes, his silver locks flowing over

his well-brushed thread-bare coat, with snow-white neck-cloth, mended

small clothes, black hose and polished shoes, visiting the cottage of

some invalid—a lovely girl, scarce sixteen, the rose of the village, who

had long been stretched upon a bed of sickness, but now blessed with

returning health, seated at the door, the fresh evening air playing with

her fair locks, the woodbine clustering over her head, a slight tinge of

vermilion spreading on her cheeks, her eyes upraised in pious gratitude

to heaven, and to him who prayed beside her, and for her, morning and

evening, and who now with grateful heart holds up his hands to the

Creator, in thankfulness for her convalescence.

The next object is the village surgeon; a busy, merry, bustling, prying,

talkative, little gentleman, who amuses one patient with all the scandal

he has been able to pick up about another; but, notwithstanding, a most

important person, and people feign illness for the gratification his

visits communicate; constant in his morning calls from house to house, he

continues to pick up all the flying rumours of the day; and at night is,

of course, the object looked up to, in all parties, as the oracle, in

whom all the secrets of the village are deposited, while he is cautious

not to commit himself, by imprudent exposures.

Then comes the lawyer, with snuff-coloured riding coat with brass

buttons, top-booted, and spurred, who does very well for himself, by

_doing_ his neighbours in a professional way.

Then come the ladies, who are of course all nature, no art, sweetness,

simplicity, and all that; but as I am not going to write a volume upon

rural life, I will just give a short description of

WITTINGTON CASTLE.

“In ancient days, of high renown,

Not always did yon castle frown

With ivy crested brow;

Nor were its walls with moss embrowned,

Nor hung the lanky weeds around

That fringe its ruins now.”

FITZ-GWARINE.

In the year 843, when Roderick the Great was King of Wales, a British

noble, named Ynyr ap Cadfarch, built the Castle of Wittington. He was

succeeded by his son Tudor Trevor, whose descendants possessed it for

many generations; and many families at this day trace their origin to

him.

At the Conquest, Wittington became the property of Pain Peveril, who

dying without issue, it was seized by Roger, Earl of Shrewsbury, and

passed into the hands of Hugh, his son, who was succeeded by his brother

Robert; but he being defeated by Henry I, the castle was restored to the

Peverils, in the person of Sir William Peveril, who was a great warrior,

and is said to have miraculously recovered from a (supposed) _mortal

wound_ by eating the shield of a wild boar. He had a daughter named

Mellet, whose exceeding beauty attracted many suitors; but, being of

Amazonian mind, she declared she would marry none but the knight who

proved himself best and bravest in the field. Her father published this

declaration, and promised the Castle of Wittington as her dower. The

trial took place at the Peak in Derbyshire, and Guarine de Metz, who had

a shield of silver, and a peacock crest, overcame all his rivals, and

obtained the beautiful Mellet. His posterity, for nine generations,

assumed the name of Fulk, a race of heroes who performed extraordinary

feats of arms, and for a full account of which the reader is referred to

the history of Wittington, a little book of forty-one pages, by William

Davies, L.M.W.S., Head Master of Caernarven School.

The ninth, and last Fulk Fitz Gwarine, died here in his minority, in the

reign of Henry IV, and his sister Elizabeth, the heiress to the estates,

married Richard Hankfdd, who left his possessions to his only daughter

Thomasine, who married Sir William Bourchire, brother to Henry, the first

Earl of Essex; and the title of Lord Fitz Warine was given to Sir

William, in consequence of his marriage.

John, the third in descent from him, exchanged Wittington with Henry VIII

for other landed property. This John was the first Earl of Bath, and his

family retained the name of Fitz-Warren until the race became extinct,

which took place at the death of Henry, the fifth Earl of Bath. This

place was presented by Elizabeth, to Henry Grey Duke of Suffolk, who

fortified it in consequence of several crimes imputed to him by the bigot

Mary, who granted it to Fitz-Alan, the last Earl of Arundel, who

mortgaged it to a number of London citizens, and William Albany, the

chief amongst them was appointed sole possessor of it, and by the

marriage of whose grand daughter it fell into the hands of Thomas Lloyd

Aston Esq. in whose family it now remains.

The castle underwent fortification soon after its original establishment;

and must have been alternately in the hands of the Welsh and Saxons in

these wars. It is well supplied with spring water, and the moats, and

entrenchments surrounding the castle are still discernible. The keep was

fortified with five round towers, each 40 feet in diameter and 100 in

height, the walls being 12 feet in thickness.—All are now in ruins.

In 1809, a well was discovered in the Keep, at the bottom of which was

found a pair of iron fetters for the legs, and a jug, stags’ heads,

swords, a head curiously carved, and a number of richly gilt glass

bottles. In the trenches there are growing some very fine tall wych

trees. The castle is situated in the midst of fertile meadows; and a

rapid stream, which a mile above takes a subterranean course, here breaks

into light again, amidst fringing poplars, and entering the moat,

encompasses the walls, which are richly festooned with ivy, and adorned

with wild flowers and woodbines. It there enters the Perry, in the

meadows below, which were formerly an extensive lake, and the ancient

fosses and entrenchments may be traced to where the lake terminated, at a

surprising distance westward, beyond the castle.

The church is a rectory, and was originally designed as a chapel to the

castle. It is dedicated to St. John the Baptist. The body of the church

was rebuilt in 1806, and in the register are the following curious

epitaphs:

March 13, 1766, died

THOMAS EVANS,

Parish Clerke, Aged 72.

Old Stanhold’s lines or Vicar of Bray.

Which he tuned best, ’twas hard to say.

SAMUEL PEATE,

Of Wittington Castle, died

Aged 84.

Here lies Governor Peate,

Whom no man did hate.

At the age of fourscore,

And four years more.

He pretended to wrestle

With Death for his castle,

But was soon out of breath,

And surrendered to Death,

Who away did him take

At the eve of our wake,

One morn about seven,

To keep wake in Heaven.

ANDREW WILLIAMS

was

Born A.D 1692, and died April 18, 1776.

Aged 84.

Of which time he lived under

The Aston family, as decoy man, 60 years.

Here lies the decoy man, who lived like an otter,

Dividing his time betwixt land and water.

His hide he oft soaked in the waters of Perry,

Whilst Aston old beer his spirits kept cherry.

Amphibious his trim, death was puzzled they say

How to dust to reduce such well moistened clay,

So death turned decoy man, and decoyed him to land,

Where he fixed his abode till quite dried to the hand.

He then found him fitting for crumbling to dust,

So here he lies mouldering, as you and I must.

In this lovely village, we put up at a small inn, the Crown, to take

luncheon, which was served with much civility—cold meat, a cream salad,

and a capital Cheshire cheese, with the very best of Shropshire ale. The

name of the host I have forgotten, but it is the first inn on the left on

entering the village from Shrewsbury. It has a delightful garden

attached to it, with grottos and arbours; roses and woodbines distribute

their fragrance in prodigal gratuity, and the _tout ensemble_ gives an

admirable idea of fairy land.

The Pedestrian's Guide through North Wales A tour performed in 1837 · 第 2 / 12 章