“Nay, hear all, raving poet,” said the priest. “La Torpille is no more.”
Lucien flew at Herrera to seize him by the throat, with such violence
that any other man must have fallen backwards; but the Spaniard’s arm
held off his assailant.
“Come, listen,” said he coldly. “I have made another woman of her,
chaste, pure, well bred, religious, a perfect lady. She is being
educated. She can, if she may, under the influence of your love, become
a Ninon, a Marion Delorme, a du Barry, as the journalist at the opera
ball remarked. You may proclaim her your mistress, or you may retire
behind a curtain of your own creating, which will be wiser. By either
method you will gain profit and pride, pleasure and advancement; but if
you are as great a politician as you are a poet, Esther will be no more
to you than any other woman of the town; for, later, perhaps she may
help us out of difficulties; she is worth her weight in gold. Drink, but
do not get tipsy.
“If I had not held the reins of your passion, where would you be now?
Rolling with La Torpille in the slough of misery from which I dragged
you. Here, read this,” said Herrera, as simply as Talma in _Manlius_,
which he had never seen.
A sheet of paper was laid on the poet’s knees, and startled him from
the ecstasy and surprise with which he had listened to this astounding
speech; he took it, and read the first letter written by Mademoiselle
Esther:--
To Monsieur l’Abbe Carlos Herrera.
“MY DEAR PROTECTOR,--Will you not suppose that gratitude is
stronger in me than love, when you see that the first use I make
of the power of expressing my thoughts is to thank you, instead of
devoting it to pouring forth a passion that Lucien has perhaps
forgotten. But to you, divine man, I can say what I should not
dare to tell him, who, to my joy, still clings to earth.
“Yesterday’s ceremony has filled me with treasures of grace, and I
place my fate in your hands. Even if I must die far away from my
beloved, I shall die purified like the Magdalen, and my soul will
become to him the rival of his guardian angel. Can I ever forget
yesterday’s festival? How could I wish to abdicate the glorious
throne to which I was raised? Yesterday I washed away every stain
in the waters of baptism, and received the Sacred Body of my
Redeemer; I am become one of His tabernacles. At that moment I
heard the songs of angels, I was more than a woman, born to a life
of light amid the acclamations of the whole earth, admired by the
world in a cloud of incense and prayers that were intoxicating,
adorned like a virgin for the Heavenly Spouse.
“Thus finding myself worthy of Lucien, which I had never hoped to
be, I abjured impure love and vowed to walk only in the paths of
virtue. If my flesh is weaker than my spirit, let it perish. Be
the arbiter of my destiny; and if I die, tell Lucien that I died
to him when I was born to God.”
Lucien looked up at the Abbe with eyes full of tears.
“You know the rooms fat Caroline Bellefeuille had, in the Rue Taitbout,”
the Spaniard said. “The poor creature, cast off by her magistrate, was
in the greatest poverty; she was about to be sold up. I bought the place
all standing, and she turned out with her clothes. Esther, the angel who
aspired to heaven, has alighted there, and is waiting for you.”
At this moment Lucien heard his horses pawing the ground in the
courtyard; he was incapable of expressing his admiration for a devotion
which he alone could appreciate; he threw himself into the arms of the
man he had insulted, made amends for all by a look and the speechless
effusion of his feelings. Then he flew downstairs, confided Esther’s
address to his tiger’s ear, and the horses went off as if their master’s
passion had lived in their legs.
The next day a man, who by his dress might have been mistaken by the
passers-by for a gendarme in disguise, was passing the Rue Taitbout,
opposite a house, as if he were waiting for some one to come out; he
walked with an agitated air. You will often see in Paris such vehement
promenaders, real gendarmes watching a recalcitrant National Guardsman,
bailiffs taking steps to effect an arrest, creditors planning a trick
on the debtor who has shut himself in, lovers, or jealous and suspicious
husbands, or friends doing sentry for a friend; but rarely do you meet a
face portending such coarse and fierce thoughts as animated that of the
gloomy and powerful man who paced to and fro under Mademoiselle Esther’s
windows with the brooding haste of a bear in its cage.
At noon a window was opened, and a maid-servant’s hand was put out
to push back the padded shutters. A few minutes later, Esther, in her
dressing-gown, came to breathe the air, leaning on Lucien; any one who
saw them might have taken them for the originals of some pretty English
vignette. Esther was the first to recognize the basilisk eyes of the
Spanish priest; and the poor creature, stricken as if she had been shot,
gave a cry of horror.
“There is that terrible priest,” said she, pointing him out to Lucien.
“He!” said Lucien, smiling, “he is no more a priest than you are.”
“What then?” she said in alarm.
“Why, an old villain who believes in nothing but the devil,” said
Lucien.
This light thrown on the sham priest’s secrets, if revealed to any one
less devoted than Esther, might have ruined Lucien for ever.
As they went along the corridor from their bedroom to the dining-room,
where their breakfast was served, the lovers met Carlos Herrera.
“What have you come here for?” said Lucien roughly.
“To bless you,” replied the audacious scoundrel, stopping the pair and
detaining them in the little drawing-room of the apartment. “Listen
to me, my pretty dears. Amuse yourselves, be happy--well and good!
Happiness at any price is my motto.--But you,” he went on to Esther,
“you whom I dragged from the mud, and have soaped down body and soul,
you surely do not dream that you can stand in Lucien’s way?--As for you,
my boy,” he went on after a pause, looking at Lucien, “you are no longer
poet enough to allow yourself another Coralie. This is sober prose. What
can be done with Esther’s lover? Nothing. Can Esther become Madame de
Rubempre? No.
“Well, my child,” said he, laying his hand on Esther’s, and making her
shiver as if some serpent had wound itself round her, “the world must
never know of your existence. Above all, the world must never know that
a certain Mademoiselle Esther loves Lucien, and that Lucien is in love
with her.--These rooms are your prison, my pigeon. If you wish to go
out--and your health will require it--you must take exercise at night,
at hours when you cannot be seen; for your youth and beauty, and the
style you have acquired at the Convent, would at once be observed in
Paris. The day when any one in the world, whoever it be,” he added in
an awful voice, seconded by an awful look, “learns that Lucien is your
lover, or that you are his mistress, that day will be your last but one
on earth. I have procured that boy a patent permitting him to bear the
name and arms of his maternal ancestors. Still, this is not all; we have
not yet recovered the title of Marquis; and to get it, he must marry
a girl of good family, in whose favor the King will grant this
distinction. Such an alliance will get Lucien on in the world and at
Court. This boy, of whom I have made a man, will be first Secretary to
an Embassy; later, he shall be Minister at some German Court, and God,
or I--better still--helping him, he will take his seat some day on the
bench reserved for peers----”
“Or on the bench reserved for----” Lucien began, interrupting the man.
“Hold your tongue!” cried Carlos, laying his broad hand on Lucien’s
mouth. “Would you tell such a secret to a woman?” he muttered in his
ear.
“Esther! A woman!” cried the poet of _Les Marguerites_.
“Still inditing sonnets!” said the Spaniard. “Nonsense! Sooner or later
all these angels relapse into being women, and every woman at moments
is a mixture of a monkey and a child, two creatures who can kill us for
fun.--Esther, my jewel,” said he to the terrified girl, “I have secured
as your waiting-maid a creature who is as much mine as if she were my
daughter. For your cook, you shall have a mulatto woman, which
gives style to a house. With Europe and Asie you can live here for a
thousand-franc note a month like a queen--a stage queen. Europe has
been a dressmaker, a milliner, and a stage super; Asie has cooked for an
epicure Milord. These two women will serve you like two fairies.”
Seeing Lucien go completely to the wall before this man, who was guilty
at least of sacrilege and forgery, this woman, sanctified by her love,
felt an awful fear in the depths of her heart. She made no reply, but
dragged Lucien into her room, and asked him:
“Is he the devil?”
“He is far worse to me!” he vehemently replied. “But if you love me,
try to imitate that man’s devotion to me, and obey him on pain of
death!----”
“Of death!” she exclaimed, more frightened than ever.
“Of death,” repeated Lucien. “Alas! my darling, no death could be
compared with that which would befall me if----”
Esther turned pale at his words, and felt herself fainting.
“Well, well,” cried the sacrilegious forger, “have you not yet spelt out
your daisy-petals?”
Esther and Lucien came out, and the poor girl, not daring to look at the
mysterious man, said:
“You shall be obeyed as God is obeyed, monsieur.”
“Good,” said he. “You may be very happy for a time, and you will need
only nightgowns and wrappers--that will be very economical.”
The two lovers went on towards the dining-room, but Lucien’s patron
signed to the pretty pair to stop. And they stopped.
“I have just been talking of your servants, my child,” said he to
Esther. “I must introduce them to you.”
The Spaniard rang twice. The women he had called Europe and Asie came
in, and it was at once easy to see the reason of these names.
Asie, who looked as if she might have been born in the Island of Java,
showed a face to scare the eye, as flat as a board, with the copper
complexion peculiar to Malays, with a nose that looked as if it had been
driven inwards by some violent pressure. The strange conformation of the
maxillary bones gave the lower part of this face a resemblance to
that of the larger species of apes. The brow, though sloping, was not
deficient in intelligence produced by habits of cunning. Two fierce
little eyes had the calm fixity of a tiger’s, but they never looked you
straight in the face. Asie seemed afraid lest she might terrify people.
Her lips, a dull blue, were parted over prominent teeth of dazzling
whiteness, but grown across. The leading expression of this animal
countenance was one of meanness. Her black hair, straight and
greasy-looking like her skin, lay in two shining bands, forming an edge
to a very handsome silk handkerchief. Her ears were remarkably pretty,
and graced with two large dark pearls. Small, short, and squat, Asie
bore a likeness to the grotesque figures the Chinese love to paint on
screens, or, more exactly, to the Hindoo idols which seem to be imitated
from some non-existent type, found, nevertheless, now and again by
travelers. Esther shuddered as she looked at this monstrosity, dressed
out in a white apron over a stuff gown.
“Asie,” said the Spaniard, to whom the woman looked up with a gesture
that can only be compared to that of a dog to its master, “this is your
mistress.”
And he pointed to Esther in her wrapper.
Asie looked at the young fairy with an almost distressful expression;
but at the same moment a flash, half hidden between her thick,
short eyelashes, shot like an incendiary spark at Lucien, who, in a
magnificent dressing-gown thrown open over a fine Holland linen shirt
and red trousers, with a fez on his head, beneath which his fair hair
fell in thick curls, presented a godlike appearance.
Italian genius could invent the tale of Othello; English genius could
put it on the stage; but Nature alone reserves the power of throwing
into a single glance an expression of jealousy grander and more complete
than England and Italy together could imagine. This look, seen by
Esther, made her clutch the Spaniard by the arm, setting her nails in it
as a cat sets its claws to save itself from falling into a gulf of which
it cannot see the bottom.
The Spaniard spoke a few words, in some unfamiliar tongue, to the
Asiatic monster, who crept on her knees to Esther’s feet and kissed
them.
“She is not merely a good cook,” said Herrera to Esther; “she is a
past-master, and might make Careme mad with jealousy. Asie can do
everything by way of cooking. She will turn you out a simple dish of
beans that will make you wonder whether the angels have not come down to
add some herb from heaven. She will go to market herself every morning,
and fight like the devil she is to get things at the lowest prices; she
will tire out curiosity by silence.
“You are to be supposed to have been in India, and Asie will help you to
give effect to this fiction, for she is one of those Parisians who are
born to be of any nationality they please. But I do not advise that you
should give yourself out to be a foreigner.--Europe, what do you say?”
Europe was a perfect contrast to Asie, for she was the smartest
waiting-maid that Monrose could have hoped to see as her rival on the
stage. Slight, with a scatter-brain manner, a face like a weasel, and a
sharp nose, Europe’s features offered to the observer a countenance worn
by the corruption of Paris life, the unhealthy complexion of a girl fed
on raw apples, lymphatic but sinewy, soft but tenacious. One little foot
was set forward, her hands were in her apron-pockets, and she fidgeted
incessantly without moving, from sheer excess of liveliness. Grisette
and stage super, in spite of her youth she must have tried many trades.
As full of evil as a dozen Madelonnettes put together, she might have
robbed her parents, and sat on the bench of a police-court.
Asie was terrifying, but you knew her thoroughly from the first; she
descended in a straight line from Locusta; while Europe filled you with
uneasiness, which could not fail to increase the more you had to do with
her; her corruption seemed boundless. You felt that she could set the
devils by the ears.
“Madame might say she had come from Valenciennes,” said Europe in a
precise little voice. “I was born there--Perhaps monsieur,” she added
to Lucien in a pedantic tone, “will be good enough to say what name he
proposes to give to madame?”
“Madame van Bogseck,” the Spaniard put in, reversing Esther’s name.
“Madame is a Jewess, a native of Holland, the widow of a merchant,
and suffering from a liver-complaint contracted in Java. No great
fortune--not to excite curiosity.”
“Enough to live on--six thousand francs a year; and we shall complain of
her stinginess?” said Europe.
“That is the thing,” said the Spaniard, with a bow. “You limbs of
Satan!” he went on, catching Asie and Europe exchanging a glance that
displeased him, “remember what I have told you. You are serving a queen;
you owe her as much respect as to a queen; you are to cherish her as you
would cherish a revenge, and be as devoted to her as to me. Neither
the door-porter, nor the neighbors, nor the other inhabitants of the
house--in short, not a soul on earth is to know what goes on here. It is
your business to balk curiosity if any should be roused.--And madame,”
he went on laying his broad hairy hand on Esther’s arm, “madame must not
commit the smallest imprudence; you must prevent it in case of need, but
always with perfect respect.
“You, Europe, are to go out for madame in anything that concerns her
dress, and you must do her sewing from motives of economy. Finally,
nobody, not even the most insignificant creature, is ever to set foot in
this apartment. You two, between you, must do all there is to be done.
“And you, my beauty,” he went on, speaking to Esther, “when you want
to go out in your carriage by night, you can tell Europe; she will know
where to find your men, for you will have a servant in livery, of my
choosing, like those two slaves.”
Esther and Lucien had not a word ready. They listened to the Spaniard,
and looked at the two precious specimens to whom he gave his orders.
What was the secret hold to which he owed the submission and servitude
that were written on these two faces--one mischievously recalcitrant,
the other so malignantly cruel?
He read the thoughts of Lucien and Esther, who seemed paralyzed, as Paul
and Virginia might have been at the sight of two dreadful snakes, and he
said in a good-natured undertone:
“You can trust them as you can me; keep no secrets from them; that
will flatter them.--Go to your work, my little Asie,” he added to the
cook.--“And you, my girl, lay another place,” he said to Europe; “the
children cannot do less than ask papa to breakfast.”
When the two women had shut the door, and the Spaniard could hear Europe
moving to and fro, he turned to Lucien and Esther, and opening a wide
palm, he said:
“I hold them in the hollow of my hand.”
The words and gesture made his hearers shudder.
“Where did you pick them up?” cried Lucien.
“What the devil! I did not look for them at the foot of the throne!”
replied the man. “Europe has risen from the mire, and is afraid of
sinking into it again. Threaten them with Monsieur Abbe when they do
not please you, and you will see them quake like mice when the cat is
mentioned. I am used to taming wild beasts,” he added with a smile.
“You strike me as being a demon,” said Esther, clinging closer to
Lucien.
“My child, I tried to win you to heaven; but a repentant Magdalen is
always a practical joke on the Church. If ever there were one, she would
relapse into the courtesan in Paradise. You have gained this much: you
are forgotten, and have acquired the manners of a lady, for you learned
in the convent what you never could have learned in the ranks of infamy
in which you were living.--You owe me nothing,” said he, observing a
beautiful look of gratitude on Esther’s face. “I did it all for him,”
and he pointed to Lucien. “You are, you will always be, you will die a
prostitute; for in spite of the delightful theories of cattle-breeders,
you can never, here below, become anything but what you are. The man who
feels bumps is right. You have the bump of love.”
The Spaniard, it will be seen, was a fatalist, like Napoleon, Mahomet,
and many other great politicians. It is a strange thing that most men of
action have a tendency to fatalism, just as most great thinkers have a
tendency to believe in Providence.
“What I am, I do not know,” said Esther with angelic sweetness; “but I
love Lucien, and shall die worshiping him.”
“Come to breakfast,” said the Spaniard sharply. “And pray to God that
Lucien may not marry too soon, for then you would never see him again.”
“His marriage would be my death,” said she.
She allowed the sham priest to lead the way, that she might stand on
tiptoe and whisper to Lucien without being seen.
“Is it your wish,” said she, “that I should remain in the power of this
man who sets two hyenas to guard me?”
Lucien bowed his head.
The poor child swallowed down her grief and affected gladness, but
she felt cruelly oppressed. It needed more than a year of constant and
devoted care before she was accustomed to these two dreadful creatures
whom Carlos Herrera called the two watch-dogs.
Lucien’s conduct since his return to Paris had borne the stamp of such
profound policy that it excited--and could not fail to excite--the
jealousy of all his former friends, on whom he took no vengeance but by
making them furious at his success, at his exquisite “get up,” and his
way of keeping every one at a distance. The poet, once so communicative,
so genial, had turned cold and reserved. De Marsay, the model adopted by
all the youth of Paris, did not make a greater display of reticence in
speech and deed than did Lucien. As to brains, the journalist had ere
now proved his mettle. De Marsay, against whom many people chose to
pit Lucien, giving a preference to the poet, was small-minded enough to
resent this.
Lucien, now in high favor with men who secretly pulled the wires of
power, was so completely indifferent to literary fame, that he did not
care about the success of his romance, republished under its real title,
_L’Archer de Charles IX._, or the excitement caused by his volume of
sonnets called _Les Marguerites_, of which Dauriat sold out the edition
in a week.
“It is posthumous fame,” said he, with a laugh, to Mademoiselle des
Touches, who congratulated him.
The terrible Spaniard held his creature with an iron hand, keeping him
in the road towards the goal where the trumpets and gifts of victory
await patient politicians. Lucien had taken Beaudenord’s bachelor
quarters on the Quai Malaquais, to be near the Rue Taitbout, and his
adviser was lodging under the same roof on the fourth floor. Lucien kept
only one horse to ride and drive, a man-servant, and a groom. When he
was not dining out, he dined with Esther.
Carlos Herrera kept such a keen eye on the service in the house on the
Quai Malaquais, that Lucien did not spend ten thousand francs a year,
all told. Ten thousand more were enough for Esther, thanks to the
unfailing and inexplicable devotion of Asie and Europe. Lucien took the
utmost precautions in going in and out at the Rue Taitbout. He never
came but in a cab, with the blinds down, and always drove into the
courtyard. Thus his passion for Esther and the very existence of the
establishment in the Rue Taitbout, being unknown to the world, did him
no harm in his connections or undertakings. No rash word ever escaped
him on this delicate subject. His mistakes of this sort with regard
to Coralie, at the time of his first stay in Paris, had given him
experience.
In the first place, his life was marked by the correct regularity under
which many mysteries can be hidden; he remained in society every night
till one in the morning; he was always at home from ten till one in the
afternoon; then he drove in the Bois de Boulogne and paid calls
till five. He was rarely seen to be on foot, and thus avoided old
acquaintances. When some journalist or one of his former associates
waved him a greeting, he responded with a bow, polite enough to avert
annoyance, but significant of such deep contempt as killed all French
geniality. He thus had very soon got rid of persons whom he would rather
never have known.
An old-established aversion kept him from going to see Madame d’Espard,
who often wished to get him to her house; but when he met her at those
of the Duchesse de Maufrigneuse, of Mademoiselle des Touches, of the
Comtesse de Montcornet or elsewhere, he was always exquisitely polite
to her. This hatred, fully reciprocated by Madame d’Espard, compelled
Lucien to act with prudence; but it will be seen how he had added fuel
to it by allowing himself a stroke of revenge, which gained him indeed a
severe lecture from Carlos.
“You are not yet strong enough to be revenged on any one, whoever it may
be,” said the Spaniard. “When we are walking under a burning sun we do
not stop to gather even the finest flowers.”
Lucien was so genuinely superior, and had so fine a future before him,
that the young men who chose to be offended or puzzled by his return to
Paris and his unaccountable good fortune were enchanted whenever they
could do him an ill turn. He knew that he had many enemies, and was well
aware of those hostile feelings among his friends. The Abbe, indeed,
took admirable care of his adopted son, putting him on his guard against
the treachery of the world and the fatal imprudence of youth. Lucien
was expected to tell, and did in fact tell the Abbe each evening, every
trivial incident of the day. Thanks to his Mentor’s advice, he put the
keenest curiosity--the curiosity of the world--off the scent. Entrenched
in the gravity of an Englishman, and fortified by the redoubts cast up
by diplomatic circumspection, he never gave any one the right or the
opportunity of seeing a corner even of his concerns. His handsome young
face had, by practice, become as expressionless in society as that of a
princess at a ceremonial.
Towards the middle of 1829 his marriage began to be talked of to the
eldest daughter of the Duchesse de Grandlieu, who at that time had no
less than four daughters to provide for. No one doubted that in honor of
such an alliance the King would revive for Lucien the title of Marquis.
This distinction would establish Lucien’s fortune as a diplomate, and he
would probably be accredited as Minister to some German Court. For the
last three years Lucien’s life had been regular and above reproach;
indeed, de Marsay had made this remarkable speech about him:
“That young fellow must have a very strong hand behind him.”
Thus Lucien was almost a person of importance. His passion for Esther
had, in fact, helped him greatly to play his part of a serious man. A
habit of this kind guards an ambitious man from many follies; having
no connection with any woman of fashion, he cannot be caught by the
reactions of mere physical nature on his moral sense.
As to happiness, Lucien’s was the realization of a poet’s dreams--a
penniless poet’s, hungering in a garret. Esther, the ideal courtesan in
love, while she reminded Lucien of Coralie, the actress with whom he
had lived for a year, completely eclipsed her. Every loving and devoted
woman invents seclusion, incognito, the life of a pearl in the depths of
the sea; but to most of them this is no more than one of the delightful
whims which supply a subject for conversation; a proof of love which
they dream of giving, but do not give; whereas Esther, to whom her first
enchantment was ever new, who lived perpetually in the glow of Lucien’s
first incendiary glance, never, in four yours, had an impulse of
curiosity. She gave her whole mind to the task of adhering to the terms
of the programme prescribed by the sinister Spaniard. Nay, more! In the
midst of intoxicating happiness she never took unfair advantage of the
unlimited power that the constantly revived desire of a lover gives to
the woman he loves to ask Lucien a single question regarding Herrera, of
whom indeed she lived in constant awe; she dared not even think of him.
The elaborate benefactions of that extraordinary man, to whom Esther
undoubtedly owed her feminine accomplishment and her well-bred manner,
struck the poor girl as advances on account of hell.
“I shall have to pay for all this some day,” she would tell herself with
dismay.
Every fine night she went out in a hired carriage. She was driven with
a rapidity no doubt insisted on by the Abbe, in one or another of
the beautiful woods round Paris, Boulogne, Vincennes, Romainville, or
Ville-d’Avray, often with Lucien, sometimes alone with Europe. There she
could walk about without fear; for when Lucien was not with her, she was
attended by a servant dressed like the smartest of outriders, armed
with a real knife, whose face and brawny build alike proclaimed him a
ruthless athlete. This protector was also provided, in the fashion of
English footmen, with a stick, but such as single-stick players use,
with which they can keep off more than one assailant. In obedience to an
order of the Abbe’s, Esther had never spoken a word to this escort.
When madame wished to go home, Europe gave a call; the man in waiting
whistled to the driver, who was always within hearing.
When Lucien was walking with Esther, Europe and this man remained about
a hundred paces behind, like two of the infernal minions that figure in
the _Thousand and One Nights_, which enchanters place at the service of
their devotees.
The men, and yet more the women of Paris, know nothing of the charm of a
walk in the woods on a fine night. The stillness, the moonlight effects,
the solitude, have the soothing effect of a bath. Esther usually went
out at ten, walked about from midnight till one o’clock, and came in at
half-past two. It was never daylight in her rooms till eleven. She then
bathed and went through an elaborate toilet which is unknown to most
women, for it takes up too much time, and is rarely carried out by
any but courtesans, women of the town, or fine ladies who have the day
before them. She was only just ready when Lucien came, and appeared
before him as a newly opened flower. Her only care was that her poet
should be happy; she was his toy, his chattel; she gave him entire
liberty. She never cast a glance beyond the circle where she shone. On
this the Abbe had insisted, for it was part of his profound policy that
Lucien should have gallant adventures.
Happiness has no history, and the story-tellers of all lands have
understood this so well that the words, “They are happy,” are the end of
every love tale. Hence only the ways and means can be recorded of this
really romantic happiness in the heart of Paris. It was happiness in its
loveliest form, a poem, a symphony, of four years’ duration. Every woman
will exclaim, “That was much!” Neither Esther nor Lucien had ever
said, “This is too much!” And the formula, “They were happy,” was
more emphatically true, than even in a fairy tale, for “they had _no_
children.”
So Lucien could coquet with the world, give way to his poet’s caprices,
and, it may be plainly admitted, to the necessities of his position. All
this time he was slowly making his way, and was able to render secret
service to certain political personages by helping them in their work.
In such matters he was eminently discreet. He cultivated Madame de
Serizy’s circle, being, it was rumored, on the very best terms with
that lady. Madame de Serizy had carried him off from the Duchesse
de Maufrigneuse, who, it was said, had “thrown him over,” one of the
phrases by which women avenge themselves on happiness they envy. Lucien
was in the lap, so to speak, of the High Almoner’s set, and intimate
with women who were the Archbishop’s personal friends. He was modest and
reserved; he waited patiently. So de Marsay’s speech--de Marsay was
now married, and made his wife live as retired a life as Esther--was
significant in more ways that one.
But the submarine perils of such a course as Lucien’s will be
sufficiently obvious in the course of this chronicle.
Matters were in this position when, one fine night in August, the Baron
de Nucingen was driving back to Paris from the country residence of a
foreign banker, settled in France, with whom he had been dining. The
estate lay at eight leagues from Paris in the district of la Brie. Now,
the Baron’s coachman having undertaken to drive his master there and
back with his own horses, at nightfall ventured to moderate the pace.
As they entered the forest of Vincennes the position of beast, man, and
master was as follows:--The coachman, liberally soaked in the kitchen
of the aristocrat of the Bourse, was perfectly tipsy, and slept soundly,
while still holding the reins to deceive other wayfarers. The footman,
seated behind, was snoring like a wooden top from Germany--the land
of little carved figures, of large wine-vats, and of humming-tops. The
Baron had tried to think; but after passing the bridge at Gournay, the
soft somnolence of digestion had sealed his eyes. The horses understood
the coachman’s plight from the slackness of the reins; they heard the
footman’s basso continuo from his perch behind; they saw that they
were masters of the situation, and took advantage of their few minutes’
freedom to make their own pace. Like intelligent slaves, they gave
highway robbers the chance of plundering one of the richest capitalists
in France, the most deeply cunning of the race which, in France,
have been energetically styled lynxes--loups-cerviers. Finally, being
independent of control, and tempted by the curiosity which every one
must have remarked in domestic animals, they stopped where four roads
met, face to face with some other horses, whom they, no doubt, asked
in horses’ language: “Who may you be? What are you doing? Are you
comfortable?”
When the chaise stopped, the Baron awoke from his nap. At first he
fancied that he was still in his friend’s park; then he was startled
by a celestial vision, which found him unarmed with his usual
weapon--self-interest. The moonlight was brilliant; he could have read
by it--even an evening paper. In the silence of the forest, under this
pure light, the Baron saw a woman, alone, who, as she got into a hired
chaise, looked at the strange spectacle of this sleep-stricken carriage.
At the sight of this angel the Baron felt as though a light had flashed
into glory within him. The young lady, seeing herself admired, pulled
down her veil with terrified haste. The man-servant gave a signal which
the driver perfectly understood, for the vehicle went off like an arrow.
The old banker was fearfully agitated; the blood left his feet cold and
carried fire to his brain, his head sent the flame back to his heart; he
was chocking. The unhappy man foresaw a fit of indigestion, but in spite
of that supreme terror he stood up.
“Follow qvick, fery qvick.--Tam you, you are ashleep!” he cried. “A
hundert franc if you catch up dat chaise.”
At the words “A hundred francs,” the coachman woke up. The servant
behind heard them, no doubt, in his dreams. The baron reiterated his
orders, the coachman urged the horses to a gallop, and at the Barriere
du Trone had succeeded in overtaking a carriage resembling that in which
Nucingen had seen the divine fair one, but which contained a swaggering
head-clerk from some first-class shop and a lady of the Rue Vivienne.
This blunder filled the Baron with consternation.
“If only I had prought Chorge inshtead of you, shtupid fool, he should
have fount dat voman,” said he to the servant, while the excise officers
were searching the carriage.
“Indeed, Monsieur le Baron, the devil was behind the chaise, I believe,
disguised as an armed escort, and he sent this chaise instead of hers.”
“Dere is no such ting as de Teufel,” said the Baron.
The Baron de Nucingen owned to sixty; he no longer cared for women, and
for his wife least of all. He boasted that he had never known such love
as makes a fool of a man. He declared that he was happy to have done
with women; the most angelic of them, he frankly said, was not worth
what she cost, even if you got her for nothing. He was supposed to be so
entirely blase, that he no longer paid two thousand francs a month for
the pleasure of being deceived. His eyes looked coldly down from
his opera box on the corps de ballet; never a glance was shot at the
capitalist by any one of that formidable swarm of old young girls, and
young old women, the cream of Paris pleasure.
Natural love, artificial and love-of-show love, love based on
self-esteem and vanity, love as a display of taste, decent, conjugal
love, eccentric love--the Baron had paid for them all, had known them
all excepting real spontaneous love. This passion had now pounced down
on him like an eagle on its prey, as it did on Gentz, the confidential
friend of His Highness the Prince of Metternich. All the world knows
what follies the old diplomate committed for Fanny Elssler, whose
rehearsals took up a great deal more of his time than the concerns of
Europe.
The woman who had just overthrown that iron-bound money-box, called
Nucingen, had appeared to him as one of those who are unique in their
generation. It is not certain that Titian’s mistress, or Leonardo da
Vinci’s Monna Lisa, or Raphael’s Fornarina were as beautiful as this
exquisite Esther, in whom not the most practised eye of the most
experienced Parisian could have detected the faintest trace of the
ordinary courtesan. The Baron was especially startled by the noble and
stately air, the air of a well-born woman, which Esther, beloved, and
lapped in luxury, elegance, and devotedness, had in the highest degree.
Happy love is the divine unction of women; it makes them all as lofty as
empresses.
For eight nights in succession the Baron went to the forest of
Vincennes, then to the Bois de Boulogne, to the woods of Ville-d’Avray,
to Meudon, in short, everywhere in the neighborhood of Paris, but failed
to meet Esther. That beautiful Jewish face, which he called “a face out
of te Biple,” was always before his eyes. By the end of a fortnight he
had lost his appetite.
Delphine de Nucingen, and her daughter Augusta, whom the Baroness was
now taking out, did not at first perceive the change that had come over
the Baron. The mother and daughter only saw him at breakfast in the
morning and at dinner in the evening, when they all dined at home, and
this was only on the evenings when Delphine received company. But by
the end of two months, tortured by a fever of impatience, and in a state
like that produced by acute home-sickness, the Baron, amazed to find
his millions impotent, grew so thin, and seemed so seriously ill, that
Delphine had secret hopes of finding herself a widow. She pitied her
husband, somewhat hypocritically, and kept her daughter in seclusion.
She bored her husband with questions; he answered as Englishmen answer
when suffering from spleen, hardly a word.
Delphine de Nucingen gave a grand dinner every Sunday. She had chosen
that day for her receptions, after observing that no people of fashion
went to the play, and that the day was pretty generally an open one. The
emancipation of the shopkeeping and middle classes makes Sunday almost
as tiresome in Paris as it is deadly in London. So the Baroness invited
the famous Desplein to dinner, to consult him in spite of the sick man,
for Nucingen persisted in asserting that he was perfectly well.
Keller, Rastignac, de Marsay, du Tillet, all their friends had made the
Baroness understand that a man like Nucingen could not be allowed to die
without any notice being taken of it; his enormous business transactions
demanded some care; it was absolutely necessary to know where he stood.
These gentlemen also were asked to dinner, and the Comte de Gondreville,
Francois Keller’s father-in-law, the Chevalier d’Espard, des Lupeaulx,
Doctor Bianchon--Desplein’s best beloved pupil--Beaudenord and his wife,
the Comte and Comtesse de Montcornet, Blondet, Mademoiselle des Touches
and Conti, and finally, Lucien de Rubempre, for whom Rastignac had for
the last five years manifested the warmest regard--by order, as the
advertisements have it.
“We shall not find it easy to get rid of that young fellow,” said
Blondet to Rastignac, when he saw Lucien come in handsomer than ever,
and uncommonly well dressed.
“It is wiser to make friends with him, for he is formidable,” said
Rastignac.
“He?” said de Marsay. “No one is formidable to my knowledge but men
whose position is assured, and his is unattacked rather than attackable!
Look here, what does he live on? Where does his money come from? He has,
I am certain, sixty thousand francs in debts.”
“He has found a friend in a very rich Spanish priest who has taken a
fancy to him,” replied Rastignac.
“He is going to be married to the eldest Mademoiselle de Grandlieu,”
said Mademoiselle des Touches.
“Yes,” said the Chevalier d’Espard, “but they require him to buy an
estate worth thirty thousand francs a year as security for the fortune
he is to settle on the young lady, and for that he needs a million
francs, which are not to be found in any Spaniard’s shoes.”
“That is dear, for Clotilde is very ugly,” said the Baroness.
Madame de Nucingen affected to call Mademoiselle de Grandlieu by her
Christian name, as though she, nee Goriot, frequented that society.
“No,” replied du Tillet, “the daughter of a duchess is never ugly to the
like of us, especially when she brings with her the title of Marquis
and a diplomatic appointment. But the great obstacle to the marriage is
Madame de Serizy’s insane passion for Lucien. She must give him a great
deal of money.”
“Then I am not surprised at seeing Lucien so serious; for Madame de
Serizy will certainly not give him a million francs to help him to marry
Mademoiselle de Grandlieu. He probably sees no way out of the scrape,”
said de Marsay.
“But Mademoiselle de Grandlieu worships him,” said the Comtesse de
Montcornet; “and with the young person’s assistance, he may perhaps make
better terms.”
“And what will he do with his sister and brother-in-law at Angouleme?”
asked the Chevalier d’Espard.
“Well, his sister is rich,” replied Rastignac, “and he now speaks of her
as Madame Sechard de Marsac.”
“Whatever difficulties there may be, he is a very good-looking fellow,”
said Bianchon, rising to greet Lucien.
“How ‘do, my dear fellow?” said Rastignac, shaking hands warmly with
Lucien.
De Marsay bowed coldly after Lucien had first bowed to him.
Before dinner Desplein and Bianchon, who studied the Baron while amusing
him, convinced themselves that this malady was entirely nervous; but
neither could guess the cause, so impossible did it seem that the great
politician of the money market could be in love. When Bianchon, seeing
nothing but love to account for the banker’s condition, hinted as much
to Delphine de Nucingen, she smiled as a woman who has long known all
her husband’s weaknesses. After dinner, however, when they all adjourned
to the garden, the more intimate of the party gathered round the banker,
eager to clear up this extraordinary case when they heard Bianchon
pronounce that Nucingen must be in love.
“Do you know, Baron,” said de Marsay, “that you have grown very thin?
You are suspected of violating the laws of financial Nature.”
“Ach, nefer!” said the Baron.
“Yes, yes,” replied de Marsay. “They dare to say that you are in love.”
“Dat is true,” replied Nucingen piteously; “I am in lof for somebody I
do not know.”
“You, in love, you? You are a coxcomb!” said the Chevalier d’Espard.
“In lof, at my aje! I know dat is too ridiculous. But vat can I help it!
Dat is so.”
“A woman of the world?” asked Lucien.
“Nay,” said de Marsay. “The Baron would not grow so thin but for a
hopeless love, and he has money enough to buy all the women who will or
can sell themselves!”
“I do not know who she it,” said the Baron. “And as Motame de Nucingen
is inside de trawing-room, I may say so, dat till now I have nefer known
what it is to lof. Lof! I tink it is to grow tin.”
“And where did you meet this innocent daisy?” asked Rastignac.
“In a carriage, at mitnight, in de forest of Fincennes.”
“Describe her,” said de Marsay.
“A vhite gaze hat, a rose gown, a vhite scharf, a vhite feil--a face
just out of de Biple. Eyes like Feuer, an Eastern color----”
“You were dreaming,” said Lucien, with a smile.
“Dat is true; I vas shleeping like a pig--a pig mit his shkin full,” he
added, “for I vas on my vay home from tinner at mine friend’s----”
“Was she alone?” said du Tillet, interrupting him.
“Ja,” said the Baron dolefully; “but she had ein heiduque behind dat
carriage and a maid-shervant----”
“Lucien looks as if he knew her,” exclaimed Rastignac, seeing Esther’s
lover smile.
“Who doesn’t know the woman who would go out at midnight to meet
Nucingen?” said Lucien, turning on his heel.
“Well, she is not a woman who is seen in society, or the Baron would
have recognized the man,” said the Chevalier d’Espard.
“I have nefer seen him,” replied the Baron. “And for forty days now I
have had her seeked for by de Police, and dey do not find her.”
“It is better that she should cost you a few hundred francs than cost
you your life,” said Desplein; “and, at your age, a passion without hope
is dangerous, you might die of it.”
“Ja, ja,” replied the Baron, addressing Desplein. “And vat I eat does
me no goot, de air I breade feels to choke me. I go to de forest of
Fincennes to see de place vat I see her--and dat is all my life. I could
not tink of de last loan--I trust to my partners vat haf pity on me. I
could pay one million franc to see dat voman--and I should gain by dat,
for I do nothing on de Bourse.--Ask du Tillet.”
“Very true,” replied du Tillet; “he hates business; he is quite unlike
himself; it is a sign of death.”
“A sign of lof,” replied Nucingen; “and for me, dat is all de same
ting.”
The simple candor of the old man, no longer the stock-jobber, who, for
the first time in his life, saw that something was more sacred and
more precious than gold, really moved these world-hardened men; some
exchanged smiles; other looked at Nucingen with an expression that
plainly said, “Such a man to have come to this!”--And then they all
returned to the drawing-room, talking over the event.
For it was indeed an event calculated to produce the greatest sensation.
Madame de Nucingen went into fits of laughter when Lucien betrayed her
husband’s secret; but the Baron, when he heard his wife’s sarcasms, took
her by the arm and led her into the recess of a window.
“Motame,” said he in an undertone, “have I ever laughed at all at your
passions, that you should laugh at mine? A goot frau should help her
husband out of his difficulty vidout making game of him like vat you
do.”
From the description given by the old banker, Lucien had recognized his
Esther. Much annoyed that his smile should have been observed, he took
advantage of a moment when coffee was served, and the conversation
became general, to vanish from the scene.
“What has become of Monsieur de Rubempre?” said the Baroness.
“He is faithful to his motto: Quid me continebit?” said Rastignac.
“Which means, ‘Who can detain me?’ or ‘I am unconquerable,’ as you
choose,” added de Marsay.
“Just as Monsieur le Baron was speaking of his unknown lady, Lucien
smiled in a way that makes me fancy he may know her,” said Horace
Bianchon, not thinking how dangerous such a natural remark might be.
“Goot!” said the banker to himself.
Like all incurables, the Baron clutched at everything that seemed at all
hopeful; he promised himself that he would have Lucien watched by some
one besides Louchard and his men--Louchard, the sharpest commercial
detective in Paris--to whom he had applied about a fortnight since.
Before going home to Esther, Lucien was due at the Hotel Grandlieu,
to spend the two hours which made Mademoiselle Clotilde Frederique
de Grandlieu the happiest girl in the Faubourg Saint-Germain. But the
prudence characteristic of this ambitious youth warned him to inform
Carlos Herrera forthwith of the effect resulting from the smile wrung
from him by the Baron’s description of Esther. The banker’s passion for
Esther, and the idea that had occurred to him of setting the police to
seek the unknown beauty, were indeed events of sufficient importance
to be at once communicated to the man who had sought, under a priest’s
robe, the shelter which criminals of old could find in a church. And
Lucien’s road from the Rue Saint-Lazare, where Nucingen at that time
lived, to the Rue Saint-Dominique, where was the Hotel Grandlieu, led
him past his lodgings on the Quai Malaquais.
Lucien found his formidable friend smoking his breviary--that is to say,
coloring a short pipe before retiring to bed. The man, strange rather
than foreign, had given up Spanish cigarettes, finding them too mild.
“Matters look serious,” said the Spaniard, when Lucien had told him all.
“The Baron, who employs Louchard to hunt up the girl, will certainly be
sharp enough to set a spy at your heels, and everything will come out.
To-night and to-morrow morning will not give me more than enough time
to pack the cards for the game I must play against the Baron; first and
foremost, I must prove to him that the police cannot help him. When our
lynx has given up all hope of finding his ewe-lamb, I will undertake to
sell her for all she is worth to him----”
“Sell Esther!” cried Lucien, whose first impulse was always the right
one.
“Do you forget where we stand?” cried Carlos Herrera.
“No money left,” the Spaniard went on, “and sixty thousand francs of
debts to be paid! If you want to marry Clotilde de Grandlieu, you must
invest a million of francs in land as security for that ugly creature’s
settlement. Well, then, Esther is the quarry I mean to set before that
lynx to help us to ease him of that million. That is my concern.”
“Esther will never----”
“That is my concern.”
“She will die of it.”
“That is the undertaker’s concern. Besides, what then?” cried the
savage, checking Lucien’s lamentations merely by his attitude. “How many
generals died in the prime of life for the Emperor Napoleon?” he asked,
after a short silence. “There are always plenty of women. In 1821
Coralie was unique in your eyes; and yet you found Esther. After her
will come--do you know who?--the unknown fair. And she of all women
is the fairest, and you will find her in the capital where the Duc de
Grandlieu’s son-in-law will be Minister and representative of the King
of France.--And do you tell me now, great Baby, that Esther will die of
it? Again, can Mademoiselle de Grandlieu’s husband keep Esther?
“You have only to leave everything to me; you need not take the trouble
to think at all; that is my concern. Only you must do without Esther for
a week or two; but go to the Rue Taitbout, all the same.--Come, be off
to bill and coo on your plank of salvation, and play your part well;
slip the flaming note you wrote this morning into Clotilde’s hand, and
bring me back a warm response. She will recompense herself for many woes
in writing. I take to that girl.
“You will find Esther a little depressed, but tell her to obey. We must
display our livery of virtue, our doublet of honesty, the screen behind
which all great men hide their infamy.--I must show off my handsomer
self--you must never be suspected. Chance has served us better than
my brain, which has been beating about in a void for these two months
past.”
All the while he was jerking out these dreadful sentences, one by one,
like pistol shots, Carlos Herrera was dressing himself to go out.
“You are evidently delighted,” cried Lucien. “You never liked poor
Esther, and you look forward with joy to the moment when you will be rid
of her.”
“You have never tired of loving her, have you? Well, I have never
tired of detesting her. But have I not always behaved as though I were
sincerely attached to the hussy--I, who, through Asie, hold her life
in my hands? A few bad mushrooms in a stew--and there an end. But
Mademoiselle Esther still lives!--and is happy!--And do you know why?
Because you love her. Do not be a fool. For four years we have been
waiting for a chance to turn up, for us or against us; well, it will
take something more than mere cleverness to wash the cabbage luck has
flung at us now. There are good and bad together in this turn of the
wheel--as there are in everything. Do you know what I was thinking of
when you came in?”
“No.”
“Of making myself heir here, as I did at Barcelona, to an old bigot, by
Asie’s help.”
“A crime?”
“I saw no other way of securing your fortune. The creditors are making
a stir. If once the bailiffs were at your heels, and you were turned out
of the Hotel Grandlieu, where would you be? There would be the devil to
pay then.”
And Carlos Herrera, by a pantomimic gesture, showed the suicide of a man
throwing himself into the water; then he fixed on Lucien one of those
steady, piercing looks by which the will of a strong man is injected,
so to speak, into a weak one. This fascinating glare, which relaxed
all Lucien’s fibres of resistance, revealed the existence not merely
of secrets of life and death between him and his adviser, but also of
feelings as far above ordinary feeling as the man himself was above his
vile position.
Carlos Herrera, a man at once ignoble and magnanimous, obscure and
famous, compelled to live out of the world from which the law had banned
him, exhausted by vice and by frenzied and terrible struggles, though
endowed with powers of mind that ate into his soul, consumed especially
by a fever of vitality, now lived again in the elegant person of Lucien
de Rubempre, whose soul had become his own. He was represented in social
life by the poet, to whom he lent his tenacity and iron will. To him
Lucien was more than a son, more than a woman beloved, more than a
family, more than his life; he was his revenge; and as souls cling more
closely to a feeling than to existence, he had bound the young man to
him by insoluble ties.
After rescuing Lucien’s life at the moment when the poet in desperation
was on the verge of suicide, he had proposed to him one of those
infernal bargains which are heard of only in romances, but of which
the hideous possibility has often been proved in courts of justice by
celebrated criminal dramas. While lavishing on Lucien all the delights
of Paris life, and proving to him that he yet had a great future before
him, he had made him his chattel.
But, indeed, no sacrifice was too great for this strange man when it
was to gratify his second self. With all his strength, he was so weak to
this creature of his making that he had even told him all his secrets.
Perhaps this abstract complicity was a bond the more between them.
Since the day when La Torpille had been snatched away, Lucien had known
on what a vile foundation his good fortune rested. That priest’s robe
covered Jacques Collin, a man famous on the hulks, who ten years since
had lived under the homely name of Vautrin in the Maison Vauquer, where
Rastignac and Bianchon were at that time boarders.
Jacques Collin, known as _Trompe-la-Mort_, had escaped from Rochefort
almost as soon as he was recaptured, profiting by the example of the
famous Comte de Sainte-Helene, while modifying all that was ill planned
in Coignard’s daring scheme. To take the place of an honest man and
carry on the convict’s career is a proposition of which the two terms
are too contradictory for a disastrous outcome not to be inevitable,
especially in Paris; for, by establishing himself in a family, a convict
multiplies tenfold the perils of such a substitution. And to be safe
from all investigation, must not a man assume a position far above the
ordinary interests of life. A man of the world is subject to risks such
as rarely trouble those who have no contact with the world; hence the
priest’s gown is the safest disguise when it can be authenticated by an
exemplary life in solitude and inactivity.
“So a priest I will be,” said the legally dead man, who was quite
determined to resuscitate as a figure in the world, and to satisfy
passions as strange as himself.
The civil war caused by the Constitution of 1812 in Spain, whither this
energetic man had betaken himself, enabled him to murder secretly the
real Carlos Herrera from an ambush. This ecclesiastic, the bastard son
of a grandee, long since deserted by his father, and not knowing to what
woman he owed his birth, was intrusted by King Ferdinand VII., to whom
a bishop had recommended him, with a political mission to France. The
bishop, the only man who took any interest in Carlos Herrera, died
while this foundling son of the Church was on his journey from Cadiz
to Madrid, and from Madrid to France. Delighted to have met with this
longed-for opportunity, and under the most desirable conditions, Jacques
Collin scored his back to efface the fatal letters, and altered his
complexion by the use of chemicals. Thus metamorphosing himself face
to face with the corpse, he contrived to achieve some likeness to his
Sosia. And to complete a change almost as marvelous as that related in
the Arabian tale, where a dervish has acquired the power, old as he is,
of entering into a young body, by a magic spell, the convict, who spoke
Spanish, learned as much Latin as an Andalusian priest need know.
As banker to three hulks, Collin was rich in the cash intrusted to his
known, and indeed enforced, honesty. Among such company a mistake is
paid for by a dagger thrust. To this capital he now added the money
given by the bishop to Don Carlos Herrera. Then, before leaving Spain,
he was able to possess himself of the treasure of an old bigot at
Barcelona, to whom he gave absolution, promising that he would make
restitution of the money constituting her fortune, which his penitent
had stolen by means of murder.
Jacques Collin, now a priest, and charged with a secret mission which
would secure him the most brilliant introductions in Paris, determined
to do nothing that might compromise the character he had assumed, and
had given himself up to the chances of his new life, when he met Lucien
on the road between Angouleme and Paris. In this youth the sham priest
saw a wonderful instrument for power; he saved him from suicide saying:
“Give yourself over to me as to a man of God, as men give themselves
over to the devil, and you will have every chance of a new career. You
will live as in a dream, and the worst awakening that can come to you
will be death, which you now wish to meet.”
The alliance between these two beings, who were to become one, as
it were, was based on this substantial reasoning, and Carlos Herrera
cemented it by an ingeniously plotted complicity. He had the very genius
of corruption, and undermined Lucien’s honesty by plunging him into
cruel necessity, and extricating him by obtaining his tacit consent to
bad or disgraceful actions, which nevertheless left him pure, loyal, and
noble in the eyes of the world. Lucien was the social magnificence under
whose shadow the forger meant to live.
“I am the author, you are the play; if you fail, it is I who shall be
hissed,” said he on the day when he confessed his sacrilegious disguise.
Carlos prudently confessed only a little at a time, measuring the
horrors of his revelations by Lucien’s progress and needs. Thus
_Trompe-la-Mort_ did not let out his last secret till the habit of
Parisian pleasures and success, and gratified vanity, had enslaved the
weak-minded poet body and soul. Where Rastignac, when tempted by this
demon, had stood firm, Lucien, better managed, and more ingeniously
compromised, succumbed, conquered especially by his satisfaction in
having attained an eminent position. Incarnate evil, whose poetical
embodiment is called the Devil, displayed every delightful seduction
before this youth, who was half a woman, and at first gave much and
asked for little. The great argument used by Carlos was the eternal
secret promised by Tartufe to Elmire.
The repeated proofs of absolute devotion, such as that of Said to
Mahomet, put the finishing touch to the horrible achievement of Lucien’s
subjugation by a Jacques Collin.
At this moment not only had Esther and Lucien devoured all the funds
intrusted to the honesty of the banker of the hulks, who, for their
sakes, had rendered himself liable to a dreadful calling to account, but
the dandy, the forger, and the courtesan were also in debt. Thus, as the
very moment of Lucien’s expected success, the smallest pebble under
the foot of either of these three persons might involve the ruin of the
fantastic structure of fortune so audaciously built up.
At the opera ball Rastignac had recognized the man he had known as
Vautrin at Madame Vauquer’s; but he knew that if he did not hold his
tongue, he was a dead man. So Madame de Nucingen’s lover and Lucien
had exchanged glances in which fear lurked, on both sides, under an
expression of amity. In the moment of danger, Rastignac, it is clear,
would have been delighted to provide the vehicle that should convey
Jacques Collin to the scaffold. From all this it may be understood that
Carlos heard of the Baron’s passion with a glow of sombre satisfaction,
while he perceived in a single flash all the advantage a man of his
temper might derive by means of a hapless Esther.
“Go on,” said he to Lucien. “The Devil is mindful of his chaplain.”
“You are smoking on a powder barrel.”
“Incedo per ignes,” replied Carlos with a smile. “That is my trade.”
The House of Grandlieu divided into two branches about the middle of the
last century: first, the ducal line destined to lapse, since the present
duke has only daughters; and then the Vicomtes de Grandlieu, who will
now inherit the title and armorial bearings of the elder branch. The
ducal house bears gules, three broad axes or in fess, with the famous
motto: Caveo non timeo, which epitomizes the history of the family.
The coat of the Vicomtes de Grandlieu is the same quartered with that
of Navarreins: gules, a fess crenelated or, surmounted by a knight’s
helmet, with the motto: Grands faits, grand lieu. The present
Viscountess, widowed in 1813, has a son and a daughter. Though she
returned from the Emigration almost ruined, she recovered a considerable
fortune by the zealous aid of Derville the lawyer.
The Duc and Duchesse de Grandlieu, on coming home in 1804, were the
object of the Emperor’s advances; indeed, Napoleon, seeing them come to
his court, restored to them all of the Grandlieu estates that had been
confiscated to the nation, to the amount of about forty thousand francs
a year. Of all the great nobles of the Faubourg Saint-Germain
who allowed themselves to be won over by Napoleon, this Duke and
Duchess--she was an Ajuda of the senior branch, and connected with the
Braganzas--were the only family who afterwards never disowned him and
his liberality. When the Faubourg Saint-Germain remembered this as a
crime against the Grandlieus, Louis XVIII. respected them for it; but
perhaps his only object was to annoy _Monsieur_.
A marriage was considered likely between the young Vicomte de Grandlieu
and Marie-Athenais, the Duke’s youngest daughter, now nine years old.
Sabine, the youngest but one, married the Baron du Guenic after
the revolution of July 1830; Josephine, the third, became Madame
d’Ajuda-Pinto after the death of the Marquis’ first wife, Mademoiselle
de Rochefide, or Rochegude. The eldest had taken the veil in 1822. The
second, Mademoiselle Clotilde Frederique, at this time seven-and-twenty
years of age, was deeply in love with Lucien de Rubempre. It need not be
asked whether the Duc de Grandlieu’s mansion, one of the finest in
the Rue Saint-Dominique, did not exert a thousand spells over Lucien’s
imagination. Every time the heavy gate turned on its hinges to admit his
cab, he experienced the gratified vanity to which Mirabeau confessed.
“Though my father was a mere druggist at l’Houmeau, I may enter here!”
This was his thought.
And, indeed, he would have committed far worse crimes than allying
himself with a forger to preserve his right to mount the steps of that
entrance, to hear himself announced, “Monsieur de Rubempre” at the door
of the fine Louis XIV. drawing-room, decorated in the time of the grand
monarque on the pattern of those at Versailles, where that choicest
circle met, that cream of Paris society, called then le petit chateau.
The noble Portuguese lady, one of those who never care to go out of
their own home, was usually the centre of her neighbors’ attentions--the
Chaulieus, the Navarreins, the Lenoncourts. The pretty Baronne de
Macumer--nee de Chaulieu--the Duchesse de Maufrigneuse, Madame d’Espard,
Madame de Camps, and Mademoiselle des Touches--a connection of the
Grandlieus, who are a Breton family--were frequent visitors on their way
to a ball or on their return from the opera. The Vicomte de Grandlieu,
the Duc de Rhetore, the Marquis de Chaulieu--afterwards Duc de
Lenoncourt-Chaulieu--his wife, Madeleine de Mortsauf, the Duc de
Lenoncourt’s grand-daughter, the Marquis d’Ajuda-Pinto, the Prince de
Blamont-Chauvry, the Marquis de Beauseant, the Vidame de Pamiers,
the Vandenesses, the old Prince de Cadignan, and his son the Duc de
Maufrigneuse, were constantly to be seen in this stately drawing-room,
where they breathed the atmosphere of a Court, where manners, tone, and
wit were in harmony with the dignity of the Master and Mistress whose
aristocratic mien and magnificence had obliterated the memory of their
servility to Napoleon.
The old Duchesse d’Uxelles, mother of the Duchesse de Maufrigneuse, was
the oracle of this circle, to which Madame de Serizy had never gained
admittance, though nee de Ronquerolles.
Lucien was brought thither by Madame de Maufrigneuse, who had won over
her mother to speak in his favor, for she had doted on him for two
years; and the engaging young poet had kept his footing there, thanks
to the influence of the high Almoner of France, and the support of
the Archbishop of Paris. Still, he had not been admitted till he had
obtained the patent restoring to him the name and arms of the Rubempre
family. The Duc de Rhetore, the Chevalier d’Espard, and some others,
jealous of Lucien, periodically stirred up the Duc de Grandlieu’s
prejudices against him by retailing anecdotes of the young man’s
previous career; but the Duchess, a devout Catholic surrounded by the
great prelates of the Church, and her daughter Clotilde would not give
him up.
Lucien accounted for these hostilities by his connection with Madame de
Bargeton, Madame d’Espard’s cousin, and now Comtesse du Chatelet. Then,
feeling the importance of allying himself to so powerful a family, and
urged by his privy adviser to win Clotilde, Lucien found the courage of
the parvenu; he came to the house five days in the week, he swallowed
all the affronts of the envious, he endured impertinent looks, and
answered irony with wit. His persistency, the charm of his manners, and
his amiability, at last neutralized opposition and reduced obstacles. He
was still in the highest favor with Madame de Maufrigneuse, whose ardent
letters, written under the influence of her passion, were preserved by
Carlos Herrera; he was idolized by Madame de Serizy, and stood well
in Mademoiselle des Touches’ good graces; and well content with being
received in these houses, Lucien was instructed by the Abbe to be as
reserved as possible in all other quarters.
“You cannot devote yourself to several houses at once,” said his Mentor.
“The man who goes everywhere finds no one to take a lively interest in
him. Great folks only patronize those who emulate their furniture, whom
they see every day, and who have the art of becoming as necessary to
them as the seat they sit on.”
Thus Lucien, accustomed to regard the Grandlieus’ drawing-room as his
arena, reserved his wit, his jests, his news, and his courtier’s graces
for the hours he spent there every evening. Insinuating, tactful, and
warned by Clotilde of the shoals he should avoid, he flattered Monsieur
de Grandlieu’s little weaknesses. Clotilde, having begun by envying
Madame de Maufrigneuse her happiness, ended by falling desperately in
love with Lucien.
Perceiving all the advantages of such a connection, Lucien played his
lover’s part as well as it could have been acted by Armand, the latest
_jeune premier_ at the _Comedie Francaise_.
He wrote to Clotilde, letters which were certainly masterpieces of
literary workmanship; and Clotilde replied, vying with him in genius in
the expression of perfervid love on paper, for she had no other outlet.
Lucien went to church at Saint-Thomas-d’Aquin every Sunday, giving
himself out as a devout Catholic, and he poured forth monarchical
and pious harangues which were a marvel to all. He also wrote some
exceedingly remarkable articles in papers devoted to the “Congregation,”
refusing to be paid for them, and signing them only with an “L.” He
produced political pamphlets when required by King Charles X. or the
High Almoner, and for these he would take no payment.
“The King,” he would say, “has done so much for me, that I owe him my
blood.”
For some days past there had been an idea of attaching Lucien to the
prime minister’s cabinet as his private secretary; but Madame d’Espard
brought so many persons into the field in opposition to Lucien, that
Charles X.’s _Maitre Jacques_ hesitated to clinch the matter. Nor was
Lucien’s position by any means clear; not only did the question, “What
does he live on?” on everybody’s lips as the young man rose in life,
require an answer, but even benevolent curiosity--as much as malevolent
curiosity--went on from one inquiry to another, and found more than one
joint in the ambitious youth’s harness.
Clotilde de Grandlieu unconsciously served as a spy for her father and
mother. A few days since she had led Lucien into a recess and told him
of the difficulties raised by her family.
“Invest a million francs in land, and my hand is yours: that is my
mother’s ultimatum,” Clotilde had explained.
“And presently they will ask you where you got the money,” said Carlos,
when Lucien reported this last word in the bargain.
“My brother-in-law will have made his fortune,” remarked Lucien; “we can
make him the responsible backer.”
“Then only the million is needed,” said Carlos. “I will think it over.”
To be exact as to Lucien’s position in the Hotel Grandlieu, he had never
dined there. Neither Clotilde, nor the Duchesse d’Uxelles, nor Madame de
Maufrigneuse, who was always extremely kind to Lucien, could ever
obtain this favor from the Duke, so persistently suspicious was the old
nobleman of the man that he designated as “le Sire de Rubempre.” This
shade of distinction, understood by every one who visited at the house,
constantly wounded Lucien’s self-respect, for he felt that he was no
more than tolerated. But the world is justified in being suspicious; it
is so often taken in!
To cut a figure in Paris with no known source of wealth and no
recognized employment is a position which can by no artifice be long
maintained. So Lucien, as he crept up in the world, gave more and more
weight to the question, “What does he live on?” He had been obliged
indeed to confess to Madame de Serizy, to whom he owed the patronage of
Monsieur Granville, the Public Prosecutor, and of the Comte Octave de
Bauvan, a Minister of State, and President of one of the Supreme Courts:
“I am dreadfully in debt.”
As he entered the courtyard of the mansion where he found an excuse
for all his vanities, he was saying to himself as he reflected on
_Trompe-la-Mort’s_ scheming:
“I can hear the ground cracking under my feet!”
He loved Esther, and he wanted to marry Mademoiselle de Grandlieu! A
strange dilemma! One must be sold to buy the other.
Only one person could effect this bargain without damage to Lucien’s
honor, and that was the supposed Spaniard. Were they not bound to be
equally secret, each for the other? Such a compact, in which each is in
turn master and slave, is not to be found twice in any one life.
Lucien drove away the clouds that darkened his brow, and walked into the
Grandlieu drawing-room gay and beaming. At this moment the windows were
open, the fragrance from the garden scented the room, the flower-basket
in the centre displayed its pyramid of flowers. The Duchess, seated on
a sofa in the corner, was talking to the Duchesse de Chaulieu. Several
women together formed a group remarkable for their various attitudes,
stamped with the different expression which each strove to give to an
affected sorrow. In the fashionable world nobody takes any interest in
grief or suffering; everything is talk. The men were walking up and
down the room or in the garden. Clotilde and Josephine were busy at
the tea-table. The Vidame de Pamiers, the Duc de Grandlieu, the Marquis
d’Ajuda-Pinto, and the Duc de Maufrigneuse were playing Wisk, as they
called it, in a corner of the room.
When Lucien was announced he walked across the room to make his bow to
the Duchess, asking the cause of the grief he could read in her face.
“Madame de Chaulieu has just had dreadful news; her son-in-law, the
Baron de Macumer, ex-duke of Soria, is just dead. The young Duc de Soria
and his wife, who had gone to Chantepleurs to nurse their brother, have
written this sad intelligence. Louise is heart-broken.”
“A women is not loved twice in her life as Louise was loved by her
husband,” said Madeleine de Mortsauf.
“She will be a rich widow,” observed the old Duchesse d’Uxelles, looking
at Lucien, whose face showed no change of expression.
“Poor Louise!” said Madame d’Espard. “I understand her and pity her.”
The Marquise d’Espard put on the pensive look of a woman full of soul
and feeling. Sabine de Grandlieu, who was but ten years old, raised
knowing eyes to her mother’s face, but the satirical glance was
repressed by a glance from the Duchess. This is bringing children up
properly.
“If my daughter lives through the shock,” said Madame de Chaulieu,
with a very maternal manner, “I shall be anxious about her future life.
Louise is so very romantic.”
“It is so difficult nowadays,” said a venerable Cardinal, “to reconcile
feeling with the proprieties.”
Lucien, who had not a word to say, went to the tea-table to do what was
polite to the demoiselles de Grandlieu. When the poet had gone a few
yards away, the Marquise d’Espard leaned over to whisper in the Duchess’
ear:
“And do you really think that that young fellow is so much in love with
your Clotilde?”
The perfidy of this question cannot be fully understood but with the
help of a sketch of Clotilde. That young lady was, at this moment,
standing up. Her attitude allowed the Marquise d’Espard’s mocking eye to
take in Clotilde’s lean, narrow figure, exactly like an asparagus stalk;
the poor girl’s bust was so flat that it did not allow of the artifice
known to dressmakers as _fichus menteurs_, or padded habitshirts. And
Clotilde, who knew that her name was a sufficient advantage in life, far
from trying to conceal this defect, heroically made a display of it. By
wearing plain, tight dresses she achieved the effect of that stiff prim
shape which medieval sculptors succeeded in giving to the statuettes
whose profiles are conspicuous against the background of the niches in
which they stand in cathedrals.
Clotilde was more than five feet four in height; if we may be allowed
to use a familiar phrase, which has the merit at any rate of being
perfectly intelligible--she was all legs. These defective proportions
gave her figure an almost deformed appearance. With a dark complexion,
harsh black hair, very thick eyebrows, fiery eyes, set in sockets that
were already deeply discolored, a side face shaped like the moon in
its first quarter, and a prominent brow, she was the caricature of her
mother, one of the handsomest women in Portugal. Nature amuses herself
with such tricks. Often we see in one family a sister of wonderful
beauty, whose features in her brother are absolutely hideous, though the
two are amazingly alike. Clotilde’s lips, excessively thin and sunken,
wore a permanent expression of disdain. And yet her mouth, better than
any other feature of her face, revealed every secret impulse of her
heart, for affection lent it a sweet expression, which was all the more
remarkable because her cheeks were too sallow for blushes, and her
hard, black eyes never told anything. Notwithstanding these defects,
notwithstanding her board-like carriage, she had by birth and education
a grand air, a proud demeanor, in short, everything that has been well
named le je ne sais quoi, due partly, perhaps, to her uncompromising
simplicity of dress, which stamped her as a woman of noble blood. She
dressed her hair to advantage, and it might be accounted to her for a
beauty, for it grew vigorously, thick and long.
She had cultivated her voice, and it could cast a spell; she sang
exquisitely. Clotilde was just the woman of whom one says, “She has fine
eyes,” or, “She has a delightful temper.” If any one addressed her in
the English fashion as “Your Grace,” she would say, “You mean ‘Your
leanness.’”
“Why should not my poor Clotilde have a lover?” replied the Duchess to
the Marquise. “Do you know what she said to me yesterday? ‘If I am
loved for ambition’s sake, I undertake to make him love me for my own
sake.’--She is clever and ambitious, and there are men who like those
two qualities. As for him--my dear, he is as handsome as a vision; and
if he can but repurchase the Rubempre estates, out of regard for us the
King will reinstate him in the title of Marquis.--After all, his mother
was the last of the Rubempres.”
“Poor fellow! where is he to find a million francs?” said the Marquise.
“That is no concern of ours,” replied the Duchess. “He is certainly
incapable of stealing the money.--Besides, we would never give Clotilde
to an intriguing or dishonest man even if he were handsome, young, and a
poet, like Monsieur de Rubempre.”
“You are late this evening,” said Clotilde, smiling at Lucien with
infinite graciousness.
“Yes, I have been dining out.”
“You have been quite gay these last few days,” said she, concealing her
jealousy and anxiety behind a smile.
“Quite gay?” replied Lucien. “No--only by the merest chance I have been
dining every day this week with bankers; to-day with the Nucingens,
yesterday with du Tillet, the day before with the Kellers----”
Whence, it may be seen, that Lucien had succeeded in assuming the tone
of light impertinence of great people.
“You have many enemies,” said Clotilde, offering him--how graciously!--a
cup of tea. “Some one told my father that you have debts to the amount
of sixty thousand francs, and that before long Sainte-Pelagie will be
your summer quarters.--If you could know what all these calumnies are to
me!--It all recoils on me.--I say nothing of my own suffering--my
father has a way of looking that crucifies me--but of what you must be
suffering if any least part of it should be the truth.”
“Do not let such nonsense worry you; love me as I love you, and give
me time--a few months----” said Lucien, replacing his empty cup on the
silver tray.
“Do not let my father see you; he would say something disagreeable; and
as you could not submit to that, we should be done for.--That odious
Marquise d’Espard told him that your mother had been a monthly nurse and
that your sister did ironing----”
“We were in the most abject poverty,” replied Lucien, the tears rising
to his eyes. “That is not calumny, but it is most ill-natured gossip. My
sister now is a more than millionaire, and my mother has been dead
two years.--This information has been kept in stock to use just when I
should be on the verge of success here----”
“But what have you done to Madame d’Espard?”
“I was so rash, at Madame de Serizy’s, as to tell the story, with some
added pleasantries, in the presence of MM. de Bauvan and de Granville,
of her attempt to get a commission of lunacy appointed to sit on her
husband, the Marquis d’Espard. Bianchon had told it to me. Monsieur de
Granville’s opinion, supported by those of Bauvan and Serizy, influenced
the decision of the Keeper of the Seals. They all were afraid of the
_Gazette des Tribunaux_, and dreaded the scandal, and the Marquise got
her knuckles rapped in the summing up for the judgment finally recorded
in that miserable business.
“Though M. de Serizy by his tattle has made the Marquise my mortal foe,
I gained his good offices, and those of the Public Prosecutor, and Comte
Octave de Bauvan; for Madame de Serizy told them the danger in which I
stood in consequence of their allowing the source of their information
to be guessed at. The Marquis d’Espard was so clumsy as to call upon me,
regarding me as the first cause of his winning the day in that atrocious
suit.”
“I will rescue you from Madame d’Espard,” said Clotilde.
“How?” cried Lucien.
“My mother will ask the young d’Espards here; they are charming boys,
and growing up now. The father and sons will sing your praises, and then
we are sure never to see their mother again.”
“Oh, Clotilde, you are an angel! If I did not love you for yourself, I
should love you for being so clever.”
“It is not cleverness,” said she, all her love beaming on her lips.
“Goodnight. Do not come again for some few days. When you see me in
church, at Saint-Thomas-d’Aquin, with a pink scarf, my father will be in
a better temper.--You will find an answer stuck to the back of the chair
you are sitting in; it will comfort you perhaps for not seeing me. Put
the note you have brought under my handkerchief----”
This young person was evidently more than seven-and-twenty.
Lucien took a cab in the Rue de la Planche, got out of it on the
Boulevards, took another by the Madeleine, and desired the driver to
have the gates opened and drive in at the house in the Rue Taitbout.
On going in at eleven o’clock, he found Esther in tears, but dressed as
she was wont to dress to do him honor. She awaited her Lucien reclining
on a sofa covered with white satin brocaded with yellow flowers, dressed
in a bewitching wrapper of India muslin with cherry-colored bows;
without her stays, her hair simply twisted into a knot, her feet in
little velvet slippers lined with cherry-colored satin; all the candles
were burning, the hookah was prepared. But she had not smoked her own,
which stood beside her unlighted, emblematical of her loneliness. On
hearing the doors open she sprang up like a gazelle, and threw her arms
round Lucien, wrapping him like a web caught by the wind and flung about
a tree.
“Parted.--Is it true?”
“Oh, just for a few days,” replied Lucien.
Esther released him, and fell back on her divan like a dead thing.
In these circumstances, most women babble like parrots. Oh! how they
love! At the end of five years they feel as if their first happiness
were a thing of yesterday, they cannot give you up, they are magnificent
in their indignation, despair, love, grief, dread, dejection,
presentiments. In short, they are as sublime as a scene from
Shakespeare. But make no mistake! These women do not love. When they are
really all that they profess, when they love truly, they do as Esther
did, as children do, as true love does; Esther did not say a word, she
lay with her face buried in the pillows, shedding bitter tears.
Lucien, on his part, tried to lift her up, and spoke to her.
“But, my child, we are not to part. What, after four years of happiness,
is this the way you take a short absence.--What on earth do I do to all
these girls?” he added to himself, remembering that Coralie had loved
him thus.
“Ah, monsieur, you are so handsome,” said Europe.
The senses have their own ideal. When added to this fascinating beauty
we find the sweetness of nature, the poetry, that characterized Lucien,
it is easy to conceive of the mad passion roused in such women, keenly
alive as they are to external gifts, and artless in their admiration.
Esther was sobbing quietly, and lay in an attitude expressive of the
deepest distress.
“But, little goose,” said Lucien, “did you not understand that my life
is at stake?”
At these words, which he chose on purpose, Esther started up like a wild
animal, her hair fell, tumbling about her excited face like wreaths of
foliage. She looked steadily at Lucien.
“Your life?” she cried, throwing up her arms, and letting them drop with
a gesture known only to a courtesan in peril. “To be sure; that friend’s
note speaks of serious risk.”
She took a shabby scrap of paper out of her sash; then seeing Europe,
she said, “Leave us, my girl.”
When Europe had shut the door she went on--“Here, this is what he
writes,” and she handed to Lucien a note she had just received from
Carlos, which Lucien read aloud:--
“You must leave to-morrow at five in the morning; you will be
taken to a keeper’s lodge in the heart of the Forest of
Saint-Germain, where you will have a room on the first floor. Do
not quit that room till I give you leave; you will want for nothing.
The keeper and his wife are to be trusted. Do not write to Lucien.
Do not go to the window during daylight; but you may walk by night
with the keeper if you wish for exercise. Keep the carriage blinds
down on the way. Lucien’s life is at stake.
“Lucien will go to-night to bid you good-bye; burn this in his
presence.”
Lucien burned the note at once in the flame of a candle.
“Listen, my own Lucien,” said Esther, after hearing him read this letter
as a criminal hears the sentence of death; “I will not tell you that
I love you; it would be idiotic. For nearly five years it has been as
natural to me to love you as to breathe and live. From the first day
when my happiness began under the protection of that inscrutable being,
who placed me here as you place some little curious beast in a cage, I
have known that you must marry. Marriage is a necessary factor in your
career, and God preserve me from hindering the development of your
fortunes.
“That marriage will be my death. But I will not worry you; I will not
do as the common girls do who kill themselves by means of a brazier
of charcoal; I had enough of that once; twice raises your gorge, as
Mariette says. No, I will go a long way off, out of France. Asie
knows the secrets of her country; she will help me to die quietly. A
prick--whiff, it is all over!
“I ask but one thing, my dearest, and that is that you will not deceive
me. I have had my share of living. Since the day I first saw you, in
1824, till this day, I have known more happiness than can be put into
the lives of ten fortunate wives. So take me for what I am--a woman as
strong as I am weak. Say ‘I am going to be married.’ I will ask no more
of you than a fond farewell, and you shall never hear of me again.”
There was a moment’s silence after this explanation as sincere as her
action and tone were guileless.
“Is it that you are going to be married?” she repeated, looking into
Lucien’s blue eyes with one of her fascinating glances, as brilliant as
a steel blade.
“We have been toiling at my marriage for eighteen months past, and it is
not yet settled,” replied Lucien. “I do not know when it can be settled;
but it is not in question now, child!--It is the Abbe, I, you.--We are
in real peril. Nucingen saw you----”
“Yes, in the wood at Vincennes,” said she. “Did he recognize me?”
“No,” said Lucien. “But he has fallen so desperately in love with
you, that he would sacrifice his coffers. After dinner, when he
was describing how he had met you, I was so foolish as to smile
involuntarily, and most imprudently, for I live in a world like a savage
surrounded by the traps of a hostile tribe. Carlos, who spares me
the pains of thinking, regards the position as dangerous, and he has
undertaken to pay Nucingen out if the Baron takes it into his head
to spy on us; and he is quite capable of it; he spoke to me of the
incapacity of the police. You have lighted a flame in an old chimney
choked with soot.”
“And what does your Spaniard propose to do?” asked Esther very softly.
“I do not know in the least,” said Lucien; “he told me I might sleep
soundly and leave it to him;”--but he dared not look at Esther.
“If that is the case, I will obey him with the dog-like submission I
profess,” said Esther, putting her hand through Lucien’s arm and leading
him into her bedroom, saying, “At any rate, I hope you dined well, my
Lulu, at that detestable Baron’s?”
“Asie’s cooking prevents my ever thinking a dinner good, however famous
the chef may be, where I happen to dine. However, Careme did the dinner
to-night, as he does every Sunday.”
Lucien involuntarily compared Esther with Clotilde. The mistress was so
beautiful, so unfailingly charming, that she had as yet kept at arm’s
length the monster who devours the most perennial loves--Satiety.
“What a pity,” thought he, “to find one’s wife in two volumes. In
one--poetry, delight, love, devotion, beauty, sweetness----”
Esther was fussing about, as women do, before going to bed; she came and
went and fluttered round, singing all the time; you might have thought
her a humming-bird.
“In the other--a noble name, family, honors, rank, knowledge of the
world!--And no earthly means of combining them!” cried Lucien to
himself.
Next morning, at seven, when the poet awoke in the pretty pink-and-white
room, he found himself alone. He rang, and Europe hurried in.
“What are monsieur’s orders?”
“Esther?”
“Madame went off this morning at a quarter to five. By Monsieur l’Abbe’s
order, I admitted a new face--carriage paid.”
“A woman?”
“No, sir, an English woman--one of those people who do their day’s work
by night, and we are ordered to treat her as if she were madame. What
can you have to say to such hack!--Poor Madame, how she cried when she
got into the carriage. ‘Well, it has to be done!’ cried she. ‘I left
that poor dear boy asleep,’ said she, wiping away her tears; ‘Europe, if
he had looked at me or spoken my name, I should have stayed--I could but
have died with him.’--I tell you, sir, I am so fond of madame, that I
did not show her the person who has taken her place; some waiting maids
would have broken her heart by doing so.”
“And is the stranger there?”
“Well, sir, she came in the chaise that took away madame, and I hid her
in my room in obedience to my instructions----”
“Is she nice-looking?”
“So far as such a second-hand article can be. But she will find her part
easy enough if you play yours, sir,” said Europe, going to fetch the
false Esther.
The night before, ere going to bed, the all-powerful banker had given
his orders to his valet, who, at seven in the morning, brought in to him
the notorious Louchard, the most famous of the commercial police, whom
he left in a little sitting-room; there the Baron joined him, in a
dressing gown and slippers.
“You haf mate a fool of me!” he said, in reply to this official’s
greeting.
“I could not help myself, Monsieur le Baron. I do not want to lose my
place, and I had the honor of explaining to you that I could not meddle
in a matter that had nothing to do with my functions. What did I promise
you? To put you into communication with one of our agents, who, as it
seemed to me, would be best able to serve you. But you know, Monsieur le
Baron, the sharp lines that divide men of different trades: if you build
a house, you do not set a carpenter to do smith’s work. Well, there
are two branches of the police--the political police and the judicial
police. The political police never interfere with the other branch, and
vice versa. If you apply to the chief of the political police, he must
get permission from the Minister to take up our business, and you would
not dare to explain it to the head of the police throughout the kingdom.
A police-agent who should act on his own account would lose his place.
“Well, the ordinary police are quite as cautious as the political
police. So no one, whether in the Home Office or at the Prefecture of
Police, ever moves excepting in the interests of the State or for the
ends of Justice.
“If there is a plot or a crime to be followed up, then, indeed, the
heads of the corps are at your service; but you must understand,
Monsieur le Baron, that they have other fish to fry than looking after
the fifty thousand love affairs in Paris. As to me and my men, our only
business is to arrest debtors; and as soon as anything else is to be
done, we run enormous risks if we interfere with the peace and quiet of
any man or woman. I sent you one of my men, but I told you I could not
answer for him; you instructed him to find a particular woman in Paris;
Contenson bled you of a thousand-franc note, and did not even move. You
might as well look for a needle in the river as for a woman in Paris,
who is supposed to haunt Vincennes, and of whom the description answers
to every pretty woman in the capital.”
“And could not Contenson haf tolt me de truf, instead of making me pleed
out one tousand franc?”
“Listen to me, Monsieur le Baron,” said Louchard. “Will you give me a
thousand crowns? I will give you--sell you--a piece of advice?”
“Is it vort one tousand crowns--your atvice?” asked Nucingen.
“I am not to be caught, Monsieur le Baron,” answered Louchard. “You
are in love, you want to discover the object of your passion; you are
getting as yellow as a lettuce without water. Two physicians came to see
you yesterday, your man tells me, who think your life is in danger; now,
I alone can put you in the hands of a clever fellow.--But the deuce is
in it! If your life is not worth a thousand crowns----”
“Tell me de name of dat clefer fellow, and depent on my generosity----”
Louchard took up his hat, bowed, and left the room.
“Wat ein teufel!” cried Nucingen. “Come back--look here----”
“Take notice,” said Louchard, before taking the money, “I am only
selling a piece of information, pure and simple. I can give you the name
and address of the only man who is able to be of use to you--but he is a
master----”
“Get out mit you,” cried Nucingen. “Dere is not no name dat is vort one
tousant crown but dat von Varschild--and dat only ven it is sign at the
bottom of a bank-bill.--I shall gif you one tousant franc.”
Louchard, a little weasel, who had never been able to purchase an
office as lawyer, notary, clerk, or attorney, leered at the Baron in a
significant fashion.
“To you--a thousand crowns, or let it alone. You will get them back in a
few seconds on the Bourse,” said he.
“I will gif you one tousant franc,” repeated the Baron.
“You would cheapen a gold mine!” said Louchard, bowing and leaving.
“I shall get dat address for five hundert franc!” cried the Baron, who
desired his servant to send his secretary to him.
Turcaret is no more. In these days the smallest banker, like the
greatest, exercises his acumen in the smallest transactions; he bargains
over art, beneficence, and love; he would bargain with the Pope for a
dispensation. Thus, as he listened to Louchard, Nucingen had hastily
concluded that Contenson, Louchard’s right-hand man, must certainly
know the address of that master spy. Contenson would tell him for five
hundred francs what Louchard wanted to see a thousand crowns for.
The rapid calculation plainly proves that if the man’s heart was in
possession of love, his head was still that of the lynx stock-jobber.
“Go your own self, mensieur,” said the Baron to his secretary,
“to Contenson, dat spy of Louchart’s de bailiff man--but go in one
capriolette, very qvick, and pring him here qvick to me. I shall
vait.--Go out trough de garten.--Here is dat key, for no man shall see
dat man in here. You shall take him into dat little garten-house. Try to
do dat little business very clefer.”
Visitors called to see Nucingen on business; but he waited for
Contenson, he was dreaming of Esther, telling himself that before long
he would see again the woman who had aroused in him such unhoped-for
emotions, and he sent everybody away with vague replies and double-edged
promises. Contenson was to him the most important person in Paris, and
he looked out into the garden every minute. Finally, after giving orders
that no one else was to be admitted, he had his breakfast served in the
summer-house at one corner of the garden. In the banker’s office the
conduct and hesitancy of the most knowing, the most clearsighted, the
shrewdest of Paris financiers seemed inexplicable.
“What ails the chief?” said a stockbroker to one of the head-clerks.
“No one knows; they are anxious about his health, it would seem.
Yesterday, Madame la Baronne got Desplein and Bianchon to meet.”
One day, when Sir Isaac Newton was engaged in physicking one of his
dogs, named “Beauty” (who, as is well known, destroyed a vast amount of
work, and whom he reproved only in these words, “Ah! Beauty, you little
know the mischief you have done!”), some strangers called to see him;
but they at once retired, respecting the great man’s occupation. In
every more or less lofty life, there is a little dog “Beauty.” When the
Marechal de Richelieu came to pay his respects to Louis XV. after taking
Mahon, one of the greatest feats of arms of the eighteenth century,
the King said to him, “Have you heard the great news? Poor Lansmatt is
dead.”--Lansmatt was a gatekeeper in the secret of the King’s intrigues.
The bankers of Paris never knew how much they owed to Contenson. That
spy was the cause of Nucingen’s allowing an immense loan to be issued in
which his share was allotted to him, and which he gave over to them.
The stock-jobber could aim at a fortune any day with the artillery of
speculation, but the man was a slave to the hope of happiness.
The great banker drank some tea, and was nibbling at a slice of bread
and butter, as a man does whose teeth have for long been sharpened by
appetite, when he heard a carriage stop at the little garden gate. In a
few minutes his secretary brought in Contenson, whom he had run to earth
in a cafe not far from Sainte-Pelagie, where the man was breakfasting on
the strength of a bribe given to him by an imprisoned debtor for certain
allowances that must be paid for.
Contenson, you must know, was a whole poem--a Paris poem. Merely to
see him would have been enough to tell you that Beaumarchais’
_Figaro_, Moliere’s _Mascarille_, Marivaux’s _Frontin_, and Dancourt’s
_Lafleur_--those great representatives of audacious swindling, of
cunning driven to bay, of stratagem rising again from the ends of its
broken wires--were all quite second-rate by comparison with this giant
of cleverness and meanness. When in Paris you find a real type, he is no
longer a man, he is a spectacle; no longer a factor in life, but a whole
life, many lives.
Bake a plaster cast four times in a furnace, and you get a sort of
bastard imitation of Florentine bronze. Well, the thunderbolts of
numberless disasters, the pressure of terrible necessities, had bronzed
Contenson’s head, as though sweating in an oven had three times over
stained his skin. Closely-set wrinkles that could no longer be relaxed
made eternal furrows, whiter in their cracks. The yellow face was all
wrinkles. The bald skull, resembling Voltaire’s, was as parched as a
death’s-head, and but for a few hairs at the back it would have seemed
doubtful whether it was that of a living man. Under a rigid brow, a
pair of Chinese eyes, like those of an image under a glass shade in a
tea-shop--artificial eyes, which sham life but never vary--moved but
expressed nothing. The nose, as flat as that of a skull, sniffed at
fate; and the mouth, as thin-lipped as a miser’s, was always open, but
as expressionless as the grin of a letterbox.
Contenson, as apathetic as a savage, with sunburned hands, affected
that Diogenes-like indifference which can never bend to any formality of
respect.
And what a commentary on his life was written on his dress for any one
who can decipher a dress! Above all, what trousers! made, by long wear,
as black and shiny as the camlet of which lawyers’ gowns are made! A
waistcoat, bought in an old clothes shop in the Temple, with a deep
embroidered collar! A rusty black coat!--and everything well brushed,
clean after a fashion, and graced by a watch and an imitation gold
chain. Contenson allowed a triangle of shirt to show, with pleats in
which glittered a sham diamond pin; his black velvet stock set stiff
like a gorget, over which lay rolls of flesh as red as that of a
Caribbee. His silk hat was as glossy as satin, but the lining would have
yielded grease enough for two street lamps if some grocer had bought it
to boil down.
But to enumerate these accessories is nothing; if only I could give an
idea of the air of immense importance that Contenson contrived to impart
to them! There was something indescribably knowing in the collar of his
coat, and the fresh blacking on a pair of boots with gaping soles, to
which no language can do justice. However, to give some notion of this
medley of effect, it may be added that any man of intelligence would
have felt, only on seeing Contenson, that if instead of being a spy he
had been a thief, all these odds and ends, instead of raising a smile,
would have made one shudder with horror. Judging only from his dress,
the observer would have said to himself, “That is a scoundrel; he
gambles, he drinks, he is full of vices; but he does not get drunk, he
does not cheat, he is neither a thief nor a murderer.” And Contenson
remained inscrutable till the word spy suggested itself.
This man had followed as many unrecognized trades as there are
recognized ones. The sly smile on his lips, the twinkle of his green
eyes, the queer twitch of his snub nose, showed that he was not
deficient in humor. He had a face of sheet-tin, and his soul must
probably be like his face. Every movement of his countenance was a
grimace wrung from him by politeness rather than by any expression of
an inmost impulse. He would have been alarming if he had not seemed so
droll.
Contenson, one of the most curious products of the scum that rises to
the top of the seething Paris caldron, where everything ferments, prided
himself on being, above all things, a philosopher. He would say, without
any bitter feeling:
“I have great talents, but of what use are they? I might as well have
been an idiot.”
And he blamed himself instead of accusing mankind. Find, if you can,
many spies who have not had more venom about them than Contenson had.
“Circumstances are against me,” he would say to his chiefs. “We might be
fine crystal; we are but grains of sand, that is all.”
His indifference to dress had some sense. He cared no more about his
everyday clothes than an actor does; he excelled in disguising himself,
in “make-up”; he could have given Frederic Lemaitre a lesson, for he
could be a dandy when necessary. Formerly, in his younger days, he must
have mingled in the out-at-elbows society of people living on a humble
scale. He expressed excessive disgust for the criminal police corps;
for, under the Empire, he had belonged to Fouche’s police, and looked
upon him as a great man. Since the suppression of this Government
department, he had devoted his energies to the tracking of commercial
defaulters; but his well-known talents and acumen made him a valuable
auxiliary, and the unrecognized chiefs of the political police had kept
his name on their lists. Contenson, like his fellows, was only a super
in the dramas of which the leading parts were played by his chief when a
political investigation was in the wind.
“Go ‘vay,” said Nucingen, dismissing his secretary with a wave of the
hand.
“Why should this man live in a mansion and I in a lodging?” wondered
Contenson to himself. “He has dodged his creditors three times; he has
robbed them; I never stole a farthing; I am a cleverer fellow than he
is----”
“Contenson, mein freund,” said the Baron, “you haf vat you call pleed me
of one tousand-franc note.”
“My girl owed God and the devil----”
“Vat, you haf a girl, a mistress!” cried Nucingen, looking at Contenson
with admiration not unmixed with envy.
“I am but sixty-six,” replied Contenson, as a man whom vice has kept
young as a bad example.
“And vat do she do?”
“She helps me,” said Contenson. “When a man is a thief, and an honest
woman loves him, either she becomes a thief or he becomes an honest man.
I have always been a spy.”
“And you vant money--alvays?” asked Nucingen.
“Always,” said Contenson, with a smile. “It is part of my business
to want money, as it is yours to make it; we shall easily come to an
understanding. You find me a little, and I will undertake to spend it.
You shall be the well, and I the bucket.”
“Vould you like to haf one note for fife hundert franc?”
“What a question! But what a fool I am!--You do not offer it out of a
disinterested desire to repair the slights of Fortune?”
“Not at all. I gif it besides the one tousand-franc note vat you pleed
me off. Dat makes fifteen hundert franc vat I gif you.”
“Very good, you give me the thousand francs I have had and you will add
five hundred francs.”
“Yust so,” said Nucingen, nodding.