RAILROAD BRIDGE AT PORTAGE, NEW YORK.

A group of natural and artificial wonders more varied and magnificent

than at Portage, N. Y., is not to be found in this land of sublime

scenery and rapid improvement. It is destined to be a Mecca of travel,

only to be classed with the White mountains, Niagara and the Mammoth

cave. No descriptive language will appear exaggerated to one who visits

the scene, or studies the measurements and details now presented. These

do not tell half the story; a complete account would require a

guide-book of pen-and-pencil sketches. The small village of Portage lies

on the Genessee river, at a point where it enters a stupendous gorge,

which continues seventeen miles, in a north-east direction, to Mount

Morris. Here it flows into the famous Genessee valley, which extends

from Dansville to Rochester, and is a level tract of rich farms and

shaded meadows, that are said to resemble English park scenery more than

anything in our country. The river enters the lake a few miles below the

Rochester falls, thirty miles north of Mount Morris. To begin back, just

below Portage village is a noble aqueduct of the Genessee canal: this is

built of hewn limestone, and is much like the high bridge at Harlem, in

size and appearance. Passing this and advancing into the river-gulf,

with the Genessee on one hand, the canal on the other, and two hundred

and fifty feet of wooded declivity inclosing both, a short walk brings

you suddenly to the new bridge of the Buffalo and New York city

railroad. The first and last look at this bridge must be one of dumb

amazement. It is the crystal palace of all bridges. How any mortal ever

conceived, or having conceived ever dared to attempt carrying it into

execution, passes our comprehension. Resting on six heavy stone

basements in the water, and as many more on the land, it rises to the

immense hight, for a bridge, of two hundred and thirty-four feet, and is

eight hundred feet long, lifting its immense net-work of timber, as if a

whole village of house-frames and rectangular streets were raised up and

set perpendicularly on edge. The first fall of the river, a sidelong,

broken descent of sixty feet, is a few steps below the structure, and

visible from its top, long before reaching which the ascending mist is

dissipated. One and a half million feet of timber, being the product of

two hundred acres of land, together with thirty tuns of iron spikes,

were required for this climax of modern engineering. The cost is

estimated at one hundred and thirty thousand dollars. Before the work

had reached its completion, the railroad passengers were taken in

carriages two miles around from one end of the bridge to the other, a

very comfortable hotel having been erected at the eastern extremity.

Below the monster bridge and its waterfall, the river chasm widens into

a deep basin of hills, with a pond in the center, and the second fall, a

descent of eighty feet, at the lower extremity. This grand natural

temple of cliffs, has thus at each end an organ with a shining range of

silver pipes; on the left side are several galleries in the shape of

canal aqueducts of wood, built to avoid the incessant slides of

quicksand; and, at the upper entrance, the six-story bridge furnishes

fifty rostrums for as many orators. Connected with the lower falls is a

singular semicircular chasm, and, at its base, a cave, worn by water,

which, as a matter of course, has been afflicted with a Satanic name: it

is of difficult access. Here begin the imposing precipices of three

hundred feet in hight, forming, at this point, a mighty amphitheater,

around the eastern brink of which winds the canal, protected by a stone

parapet. A gigantic tunnel was first constructed, and still remains in

part; but the rock proved so insecure, that the overhanging roof was

thrown off, at great expense, into the river, and the bed of the canal

laid in cement. Nearly the whole array of these wonders could be brought

into one view from a high point on the western bank, where the artist

Cole, when this scenery was in its pristine wildness, once took a sketch

for a very large autumnal picture, which is now in the possession of

Hon. W. H. Seward. Some distance below the places now described, is a

third fall, very grotesque in its features, and made remarkable by a

tall natural tower, left by the wearing of the river and surmounted by a

crown of foliage.

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