THE WOLF AND THE LAMB.

(_An imaginary conversation._)

[In his lecture at the Royal Institution, to which Mr. Punch recently

referred, Mr. ALFRED NOYES said that "our art and literature were

increasingly Bolshevik, and if they looked at the columns of any

newspaper they would see the unusual spectacle of the political editor

desperately fighting that which the art and literary portions of the

paper upheld."]

SCENE.--_A Club-room near Fleet Street. The_ Political Editor _and the_

Literary Editor _of "The Daily Crisis" are discovered seated in adjoining

armchairs_.

_Political Editor._ Excuse me, but haven't I seen you occasionally in _The

Crisis_ office?

_Literary Editor._ Possibly. I look after its literary pages, you know.

_P.E._ Really? I run the political columns. Did you read my showing-up this

morning of the Bolshevik peril in the House of Lords?

_L.E._ I'm afraid I never read the political articles. Did you notice my

two-column boom of young Applecart's latest book of poems?

_P.E._ No time to read the literary columns, and modern poetry's as good as

Chinese to me. Who's Applecart?

_L.E._ My dear Sir, is it possible that you are unfamiliar with the author

of _I Will Destroy_? He's the hope of the future as far as English poetry

is concerned.

_P.E. (cheerfully)._ Never heard of him. What's he done?

_L.E. (impressively)._ He has overthrown all the rules, not only of art,

but of morality. He has created a new Way of Life.

_P.E._ Can't see that that's anything to shout about. What's his platform,

anyway?

_L.E._ Platform? To anyone who has tho slightest acquaintance with

Applecart the very idea of a platform is fantastic. He doesn't stand; he

soars.

_P.E._ Well, what are his _views_, then? Pretty tall, I suppose, if he's

such a high flier.

_L.E._ You may well say so. In the first place he discards all the old

artistic formulæ.

_P.E._ I know; you write a solid slab of purple prose, scissor it into a

jig-saw puzzle, serve it with a dazzle dressing and call it the New Poetry.

_L.E._ Have your joke, if you will. But, more important still, Applecart is

a rebel against humanity and all its fetishes, social, ethical and

political.

_P.E. (startled)._ A Bolshie, I suppose you mean?

_L.E._ The artist is proof against all these vulgar terms of abuse, culled

from the hustings. Call him a Pussyfoot as well; you cannot shake him from

his pinnacle.

_P.E._ Yes, but look here--he's just the sort of pernicious agitator we're

out against in _The Crisis_--at least in my department. My special article

this morning--three thickly-leaded columns--actually revealed the existence

of a most insidious plot to undermine the restraining influence of the

House of Lords by the spread of Bolshevik propaganda masquerading as

literature. You see, there's a certain section of the Lords, mainly new

creations who've only recently been released from various employments, who

now for the first time in their lives have leisure for reading; then

there's the spread of education among the sporting Peers. Well, these

people are ready to succumb to all sorts of poisonous doctrines, if they're

served up in what I presume to be the fashionable mode of the moment; and I

expect your precious Applecart is one of the Bolsh agents who are laying

the trap. You'll have to stop booming him, you know. He's not doing the

paper any good.

_L.E._ My dear Sir, literature takes no account of the fads and fancies of

party politics. And I gather from you that party politics have no use for

literature except from a propagandist view. Let us be content to go our own

ways in peace.

_P.E._ Yes, that's all very well for you and me, but what about the Chief?

How does he reconcile these absolutely conflicting standpoints? And what

does the public think of it all?

_L.E. (confidentially)._ Between you and me, the Chief knows his public.

And the public knows its papers. The last thing it wants from us is

consistency, which is always boring. Besides (_still more confidentially_),

the public doesn't take us quite so seriously as we like to pretend.

_P.E._ H'm, maybe you're right. As a matter of fact (_lowering his voice_)

I sometimes think I'm a bit of a Socialist myself.

_L.E._ Really? As for me (_conspiratorially_), I adore TENNYSON, and EZRA

POUND fills me with a secret wrath. Still, the public--

_P.E._ Ah, the public--! Have a drink?

[_They pledge each other. NOYES without. They disperse hurriedly._

* * * * *

"In view of the serious shortage of female help, the United Boards of

Trade of Western Ontaria have been discussing proposals to encourage

the immigration of young women from Great Britain."--_Morning Paper_.

And have apparently feminized the Province in advance.

* * * * *

"If the Archdeacon of Coventry is correct in stating, as he did in

Convocation, that the word 'tush' found in the Psalter means 'bosh,' it

must in this sense be what the classical dons call a 'hapslegomenon'."

--_Evening Standard_.

Which, again, must be what the classical undergraduates call a "slipsus

languæ."

* * * * *

[Illustration: THE IRREMOVABLES.

Punch, or the London Charivari, Vol. 158, 1920-02-25 · 第 6 / 42 题