CHAPTER IV.

INTERPOSITION.

Yes, she had come near--so near that she seemed to absorb his very life.

He could think of nothing but her. As he walked away down through the

dark streets, he imagined her to be still by his side; he tried to fancy

he could detect some faint perfume of sandal-wood in the surrounding

air; his right hand tingled yet with the touch of her warm,

interclasping fingers. And if at one moment his heart beat high with

the assurance that she had confessed her love and given herself to him,

the next he tortured himself with vague alarms, and wondered how the

long night was to be got through, before he could go up to her in the

morning, and challenge her to speak. All the future was filled with

her; and there again he saw himself by her side, her strong and

confident protector. And yet if he had mistaken that mute declaration

of hers? What if, after all, it were merely a timid expression,

involuntary and unpremeditated, of her friendship, her kindness, her

gratitude?

Well, he knew he could get no confirmation of either his audacious hopes

or his depressing fears until the next day; and as the alternation

between the two moods was altogether a maddening thing, he resolved to

seek relief and distraction. As soon as he got to his own room down in

Grosvenor Place he took out a foolscap sheet of paper which had certain

pencillings on it. These formed, in fact, an outline sketch of a

lecture which he had undertaken to deliver before the Mendover Free

Library Association; and it was high time he was getting on with it, for

the meeting was to be held in the following week. But strange things

happened with this sheet of paper. Apparently the pencilled heading was

"_The Unscrupulousness of Wealth_;" but the longer he looked at the

title, the more clearly did it spell out "_Maisrie Bethune_." The

sub-headings, too, began to reveal hidden mysteries. Here was one which

on the face of it read "_Circumstances in which the capitalist may

become a tyrant in spite of himself_." But behold! that scrawl slowly

disappeared, and in its place a picture grew into existence. He seemed

to recognise the big grey building--was it not the mansion-house of

Balloray?--and well he knew the figure of the tall young girl with the

long-flowing hair who, in riding-habit, came out on to the terrace,

above the wide stone steps. Is that her grandfather, proud-featured,

lion-hearted, with the same undaunted demeanour as of old, come to wave

her good-bye? The splendour of the morning is all around her; there is

a white road outside the grounds, and an avenue of beech trees dappled

with sun and shade: when she vanishes into that wonderland of foliage,

she seems to take the light of the day away with her. And again, what

further miracle is this? Another vision interposes, and at length

becomes dominant; and this one is very different; this one is of a

street in Toronto. And here also is a young girl; but now she is all in

black; and she is alone--she knows not one of those passers-by. Pale

and pensive she walks on; her eyes are downcast; perhaps she is thinking

of wide intervening seas, and of her loneliness, and of one who used to

be her friend. Tears?--but of what avail are these, here in this

strange city?--they are only a confession of helplessness--perhaps of

despair...

Vincent Harris got up and walked about the room: at this rate the

members of the Mendover Free Library Association were not likely to

receive much instruction. And indeed he did not return to that sheet of

foolscap; his brain could conjure up quite sufficient visions of the

future without having recourse to any palimpsest discoveries; while as

for his hand--well, perhaps the hand that Maisrie had held over her

heart for one wild, startling moment, was a little too unsteady to use a

pencil. If only the hours would go by! He tried to read--and could not.

He got hold of a map of Scotland, and traced out the line of travel he

should like to follow if Maisrie and her grandfather and himself should

ever start on their long-projected tour. He turned to a map of the

United States, and sought out Omaha: Maisrie's birthplace was not

distinguished by any difference of type, and yet he regarded those five

letters with a curious interest and fascination. He recalled his having

stood on the heights of Council Bluffs, and looked across the yellow

Missouri; and now he marvelled that he could have contemplated the wide,

straggling city with comparative indifference. Perhaps, by diligent

seeking on the morrow--for the capital of Nebraska is an important

place--he might even in London discover a photograph or two to put on

his mantel-shelf; and then he could stand opposite them and say, "Why,

Maisrie must have passed that railway station many a time!" or "Maisrie

must often have looked up to the spire of the High School, there on the

hill." To think that he had been twice in Omaha--without

caring--without knowing! And so his eyes rested on this little word in

the middle of the big map; but his imagination was far away.

Well, the longest night must have an end; and yet the new dawn brought

no surcease to his anxieties; for how was he to have an opportunity of

speaking with Maisrie alone? He was up in the little Mayfair street

betimes; and made some pretence of beginning work; but that was soon

abandoned. He could not keep his eyes on any book or paper when there

were those two windows over the way. When would she appear there to

water the chrysanthemums in the little balcony? If she accidentally

caught sight of him, might not some tell-tale flush reveal all he wanted

to know? Or she might be coming out on some errand--so that he could

quickly follow her? Or perhaps her grandfather might be going to the

library, leaving her at home by herself? The door of the house opposite

grew to be as fascinating as the windows; unknown possibilities might be

sprung upon him at any moment.

It was quite a cheerful morning--for London in November. If pale mists

hung about the thoroughfares, at least some trace of blue was

discernible overhead; and on the panes of the higher windows the

sunlight shone here and there a dull gleaming gold. The butcher's boy

whistled loudly as he marched by; the cabman flicked at his horse out of

mere good humour; the ostlers in the adjacent mews made merry with

bandied jests. It seemed too fine a morning for the collation of Scotch

ballads; and so indeed it proved to be; for about eleven o'clock the

door across the way was opened, and out came Mr. Bethune and his

granddaughter into the wintry sunlight. Maisrie did not look up. The

two were talking together as they went along the little thoroughfare and

turned into Park Street. The next moment Vincent had snatched up his hat

and gloves, and was off in pursuit.

But he did not seek to overtake them. On the contrary, he kept as wide

a space between them and him as he had done before he had ever dared to

address them; and yet the distance was not so great but that he could

observe Maisrie's every gesture and the graceful motion of every step.

She wore those hanging sleeves, too, that had hidden his arm on the

preceding night--those hanging sleeves that had allowed her to say

something in secret to him, even amid the noise and movement of a great

crowd. And now that he saw her actual self instead of the vague phantom

of his reveries, he plucked up courage. Yes, she must have known what

she was doing. Those were flesh and blood fingers that had taken hold

of his; when she raised his hand to her heart, it could not have been

altogether through inadvertence. Once or twice a wild fancy got into

his head that here and now he would hasten forward, and seize her arm,

as if by right, and say 'Maisrie, there is no need of words between us:

I am here at your side, and mean to remain here. Whatever that message

meant, I claim you as mine.' And then again he drew back. What if

there were some mistake? Hyde Park did not seem a fitting place for

explanations. And then, her grandfather might be more than astonished.

Yet hour after hour of this terrible day went by, and brought him no

nearer to the discovery he longed for. When Maisrie and her grandfather

returned from their stroll through the Park, the young man went back to

the sheet of foolscap on which he meant to shadow forth the outlines of

his lecture. The effort was absurd. He might keep his eyes

mechanically fixed on the paper; but his brain refused to act.

Industry--capital--the proposed resumption by the workers of the world

of the mines, factories, docks, ships, canals, railways which their

labour had constructed--the impracticability of land

nationalisation--and so forth: what were these but mere lifeless

phrases, when his heart was listening for the smallest sound on the

other side of the street? And ill-luck pursued him. She did not come

once to the window. The chrysanthemums in the little balcony were quite

neglected. The afternoon passed, and neither she nor her grandfather

came out alone. Then, when he went over as usual about half-past six,

there was no chance of his speaking to her by herself; in fact, both she

and her grandfather were seated at the one table, with a heap of books

and papers before them.

"Enough, Maisrie, enough," Mr. Bethune said blithely, and he rose at

once. "You have had your wish--though I don't see why you should

undertake any such drudgery--"

She also rose to receive the visitor; and as she gave him her hand for a

moment, and regarded him with very friendly eyes, there was not the

least trace of self-consciousness in her manner.

"Yes," said she, with a bright and frank smile, "grandfather has

conferred a new dignity on me. I am become his amanuensis. Not that I

am the slightest real use to him, I suppose; it is only done to please

me; still, I take it seriously, and pretend to be doing my share. Time

to go, is it?--very well, I shall be ready in a minute."

He was amazed and mortified beyond measure by this perfect

self-possession. Had nothing whatever happened the night before, then?

There was no secret between them at all? She had made no

confession--given him no message? And then wounded pride stepped in and

spoke--with its usual violence and cruel injustice. Perhaps there were

people who dispensed their caresses so freely that they thought nothing

of them? What had startled him, a man, might be only a matter of course

to her, a girl? Nay,--for what will not a lover say in a passion of

jealous anger and disappointment?--perhaps he was not the first nor the

only one who had been similarly bewildered?

He had no word for Maisrie on her return to the room. When the three of

them went out into the street, he forsook his usual post by her side,

and walked with her grandfather, to whom he talked exclusively. And of

course, as his questions were all about the projected compilation of

ballads, and as old George Bethune was always keenly enthusiastic about

any new undertaking, there was no stint to their conversation. Maisrie

walked on in silence and unheeded. When they reached the restaurant,

and as they were taking their seats at the little table, she glanced at

the young man; but his eyes did not happen to meet hers. And there was

no place for her in their talk.

"No," old George Bethune was saying--and with considerable animation,

for he appeared to have been looking over some of the ballads during the

day, and his mind was still fired by the recollection of them, "I think

they are beyond the reach of illustration, even if there should be an

_edition de luxe_. I have considered your suggestion more than once;

but I fear the drawing would in almost every instance be an anticlimax

to the power and simplicity and pathos of the printed page. No picture

could be as vivid and clear and striking as the verses themselves: why,

just think of such lines as these--

''Tis not the frost that freezes fell,

Nor blowing snaw's inclemencie;

'Tis not sic cauld that makes me cry,

But my love's heart grown cauld to me.

When we came in by Glasgow town,

We were a comely sight to see;

My love was clad i' the black velvet,

And I myself in cramoisie.'

What picture could better that? What picture could do anything but

weaken it? You remember in 'Edom o' Gordon' how the young maiden is

lowered from the burning tower only to be slain by Edom o' Gordon's

spear--

'They row'd her in a pair o' sheets,

And tow'd her owre the wa';

But on the point o' Gordon's spear

She gat a deadly fa'.

O bonnie, bonnie was her mouth,

And cherry were her cheeks,

And clear, clear was her yellow hair,

Whereon the red blood dreeps.

Then wi' his spear he turned her owre;

O but her face was wan!

He said, "Ye are the first that e'er

I wish'd alive again."

He turned her owre and owre again,

O but her skin was white!

"I might hae spared that bonnie face

To hae been some man's delight.

"Busk and boun, my merry men a',

For ill dooms I do guess;--

I cannot look on that bonnie face

As it lies on the grass,"'--

What illustration could improve on that?--why, it burns clear as flame!

Then, again, take the girl who was drowned by her sister in 'the bonnie

mill-dams o' Balloray'----"

At this point the silent and neglected Maisrie suddenly looked

up--glancing from her grandfather to the young man in a curiously

appealing way. She seemed to say 'Grandfather, you forget: it is not

Balloray, it is Binnorie;' and again 'Vincent, he has forgotten: that is

all.' But neither of them took any notice of her; nay, the younger man,

in his insensate indignation and disappointment, would not look her way

at all; while old George Bethune, with his mind fixed on those imaginary

pictures, went on in a rapt fashion to repeat certain of the verses--

"Ye couldna see her yellow hair,

Balloray, O Balloray,

For gowd and pearls that were sae rare,

By the bonnie mill-dams o' Balloray.

Ye couldna see her middle sma',

Balloray, O Balloray,

Her gowden girdle was sae braw,

By the bonnie mill-dams o' Balloray.

Ye couldna see her lily feet,

Balloray, O Balloray,

Her gowden fringes were sae deep,

By the bonnie mill-dams o' Balloray.

'Sair will they be, whae'er they be,

Balloray, O Balloray,

The hearts that live to weep for thee!'

By the bonnie mill-dams o' Balloray!"

"It is like a picture by one of the pre-Raphaelites," Vincent said; and

then the old man proceeded to talk of paper and type and binding, as if

the new work were just ready for press.

But silence was not to reign for ever between those two. On their way

home Mr. Bethune was talking of "The Demon Lover," of its alleged

Italian origin, and of a suggestion he had seen somewhere that it was no

forsaken sweetheart who had come to tempt the wedded wife, but a fiend

adopting that disguise. When they reached the little parlour he began

to search about for the volume in which "The Demon Lover" was thus

treated; but could not find it; whereupon he went off upstairs, to see

if it was not among his books and papers there. As soon as he had gone,

Maisrie rose and came over to where the young man was standing by the

fireplace.

"What have I done, Vincent?" she said.

"Oh, nothing," he made answer, avoiding her eyes.

"I have a right to know," she said, proudly.

"It is nothing," said he. "I--I made a mistake; that is all."

She looked at him in mute reproach: then she turned away, and went back

to her seat. There was a paper-knife on the table beside her; she took

that into her hands, and began to finger it; her eyes were downcast; he

was free to go now, when he chose.

But he did not go. On the contrary, after a second or two of

vacillation, he followed her.

"Maisrie," said he, in a very different tone, "perhaps it's all a

mistake on my part. If so, I am sorry. I don't want to vex you--

"I don't want to vex you, Vincent," said she, in a somewhat low voice.

"Tell me what it is."

"Well," said he, "I came here this afternoon thinking--hoping--there

might be some more definite understanding between you and me: yes, I was

hoping for much--and then--and then I found you quite careless and

thoughtless, just as if nothing at all had happened last night----"

"Last night?" she repeated.

"Yes," said he, rather reproachfully. "Don't you remember what happened

last night? Don't you know that you pressed my hand to your heart? But

perhaps that was nothing--perhaps that meant nothing at all----"

"It meant a very great deal, Vincent," said she, warmly, looking up at

him with honest eyes. "We were talking of the value of true

friends--and I could not say much--yet I wished to tell you what I

thought of all your goodness and kindness. Indeed, indeed it meant a

great deal, Vincent--and I hoped you would understand----"

"I have understood too much," said he, and he was silent for a second.

Then he went on. "I thought you had something more than that to say to

me, Maisrie. For why need I tell you what you must have guessed

already? You know I love you; you must have seen it all this time;

there was no need for me to speak. And when the future has but the one

hope for me, that some day or other you should be my wife, then perhaps

I was too eager to believe it had all come true--that you were giving me

a promise in that quiet way--and no need of a spoken word between us.

But I was mistaken, I see. You only meant friendship. You only wanted

to say 'Thank you!' to a friend----"

But by this time she had risen from her chair; and there was in her eyes

the strangest look of pride, and joy, and perhaps, too, of sadness.

"Do you know what you are saying, Vincent?" she said, quite gently.

"You--of all people in the world--"

She hesitated: she regarded, with admiring, and grateful, and

affectionate eyes, this handsome lad on whom fortune had shed all good

things--and perhaps she could not quite confess all she thought.

"You--of all people in the world--every one making much of you--every

one hoping such great things of you--and you come seeking a wife here."

She glanced round at the shabby little apartment. Then she turned her

eyes towards him again; and there was a smile in them, of an unstable

kind; and tears were gathering in the lashes. "Well," she said, "it

will be something for me to think of. It will be something for me to be

proud of. There can be no harm in that. I shall be able to say to

myself 'Vincent thought so well of you that he once asked you to be his

wife'----"

"But I don't know what you mean, Maisrie!" he exclaimed, and in spite of

her he seized her hand and held it tight between his two. "What do you

mean? You are going to be my wife! Oh, I don't want you to make rash

promises; I don't want to frighten you; no, I want you to be of good

heart, and you will see things will turn out all right in the end. And

if you don't know your own mind yet--if you are afraid to say

anything--won't you let me guess? Surely we have not been all this time

together, and seeing so much of each other, without getting to know each

other pretty intimately? And if I did make a mistake last night--well,

that is a trifling matter--and I was too presumptuous----"

She managed to release her hand.

"Sit down, Vincent, and let me talk to you," she said. "Perhaps I may

not have another chance; and I do not wish you ever to look back and say

I was ungrateful, or unreasonable, or cold-hearted. Cold-hearted?--not

that--not that--towards you!" And then she went on in rather a sad way,

"I think the time has about come that we should part. It has been a

pleasant companionship: I am not likely ever to forget it. But your

future is so important, and ours so uncertain, that I am sure the sooner

we go separate ways the better. And I am anxious to make a change now.

I think if my grandfather and I went away somewhere where we could live

more cheaply--where there would be fewer temptations towards the

spending of money--I could do something to support him, and leave him

the luxury of his books. I am a woman now--I want to work----"

"You work? Not while I can!" he said, hotly.

She went on without heeding him.

"That is why I have been glad to see him so eager about this book of

ballads. If he could only get rid of all indebtedness, to friends and

others, through this book, then we should start clear; and I should ask

him not to fret any more about his literary schemes. He is an old man.

He has done everything for me: why should I not do something for him

now? And I have no pride. The story about those Scotch estates was

always a kind of fairy tale to me; I never had any real belief in the

possibility of their coming to us; I was never a fine lady even in

imagination. So that it matters little to me what I turn my hand to; if

what little education I have had is useless, I would take to something

else; I would work about a farm-house as soon as anything--for I am a

great deal stronger than you may imagine----"

"Oh, what are you talking about, Maisrie!" he said, with simulated

anger. "If you think I am going to allow any such folly, you are

mistaken. There are plenty of dairymaids in the world without you. And

I have the right to say something--I claim the right: I am going to

interfere, whether you like it or not. When you speak of your duty

towards your grandfather, that I understand. He has been everything to

you: who would ask you to forsake him? But, as you say, he is an old

man. If anything were to happen to him, think of your own position.

You have hardly a friend in the world--a few acquaintances in Canada,

perhaps--but what is that? You will want some one to protect you: give

me that right! If I let you go from me now, how am I to find you

again?--how am I to know what may happen? Maisrie, have courage!--be

frank!--tell me that the little message of last night meant something

more!"

The eloquence was not in the words, but in the vibrating tones of his

voice; and there were tears in her eyes as she answered--

"Vincent, I cannot--I dare not! You don't know how grandfather and I

are situated: you are so generous, so open-minded, that--that you see

everything in so favourable a light; but then other people might step

in----

"Between you and me? Who?" he demanded, with set lips.

"Ah," she said, with a sigh, "who can tell? And besides--besides--do

you not think I am as proud of you as any one?--do you not think I am

looking forward to all that is expected of you?--and when I hear of you

as this or that, I will say to myself 'I knew what Vincent was going to

do; and now he is glad that he did not hamper himself out of--out of

pity--for a friendless girl'----"

But here she broke down altogether, and covered her face with her hands,

and sobbed without possibility of concealment. He was by her side in a

moment; he laid his hand on the down-bent head--on the soft hair.

"Maisrie," he said, with the utmost gentleness, "don't make me angry.

If you have anything to say why you cannot, or will not, be my wife,

tell me; but do not be unreasonable and foolish. You speak of my

future: it is nothing to me without you. You talk of the expectations of

my friends: I tell you that my life is my own. And why should you be

any drag or hamper--you! I wish you would think of yourself a little:

not of me. Surely there is something better in the world than ambition,

and figuring before the public in newspapers." Then he stopped for a

second or two; and resumed in a lower and different tone. "Of course,

if you refuse me your love, that is different. That I can understand. I

have done nothing to deserve it: I have come to you as a beggar. If you

refuse me that, there is nothing more to be said. I do not blame you.

If I have made a mistake, so much the worse for me----"

She rose.

"Vincent," she said, between her half-stifled sobs, "you are not very

kind. But it is better so--much better. Now I must go and help

grandfather to find that book. And as this is to be the last

word--well, then--dear friend--don't be so ungenerous to me when in

after years you look back----"

But he was not likely to let her go like that. He interposed between her

and the door; nay, he drew her towards him, and took her head between

his hands, and pushed back the hair from her brow, as though he would

read down to the very depths of those beautiful, tear-dimmed eyes.

"You have not refused me your love, Maisrie--because you dare not!" he

said. "And what do I care whether you say it or not--when I know?" And

therewith he kissed her on the mouth--and again--and again. "Now you

are mine. You dare not deny your love--and I claim you as my wife----"

She struggled backward to be free from him, and said almost wildly--

"No, no--Vincent, you do not understand--I have not been frank with

you--I cannot ever be your wife!--some day I will tell you----"

There was no chance for any further entreaty or explanation, for at this

moment there was the sound of a footstep outside, the door was opened,

and old George Bethune appeared, carrying in his hands some half-dozen

books. When he saw those two standing opposite to each other, the young

man pale and agitated, the girl also pale and with her eyes streaming

over with tears, he glanced from the one to the other in silence. Then

he walked deliberately forward to the table, and laid down the books.

Maisrie escaped from the room. Vincent returned to the fireplace, too

bewildered by her last words to care much what construction might be

placed upon this scene by her grandfather. But he had to recall

himself: for the old man, just as if he had observed nothing, just as if

nothing had happened, but yet with a certain measured precision in his

tones, resumed his discussion of "The Demon Lover," and proceeded to

give his reasons for thinking that the story had migrated from the far

north to the south.

But presently Mr. Bethune had turned from those books, and was staring

into the fire, as he said with a certain slow and significant emphasis--

"It will be an interesting subject; and yet I must guard against being

wholly absorbed by it. And that for my granddaughter's sake. I imagine

we have been living a much too monotonous life for some time back; and

that is not well for anyone, especially for a young girl. A limitation

of interests; that is not wholesome. The mind becomes morbid; and

exaggerates trifles. And in the case of Maisrie, she has been used to

change and travel; I should think the unvarying routine of our life of

late, both as regards our employments and amusements, extremely

prejudicial to her health and spirits----"

"Why, she seems very well!" Vincent said, anxiously--for he knew not

what all this might mean.

"A change will do her good--will do all of us good, perhaps," said the

old man. "Everyone knows that it is not wise for people to see too much

of each other; it puts too heavy a strain on friendship. Companionship

should be a volunteered thing--should be a reward, indeed, for previous

isolation and work----"

Vincent's forehead flushed; and the natural man within him was crying

out 'Oh, very well, then; I don't press any further acquaintance on

you!' But for Maisrie's sake he curbed his pride. He said, as quickly

as might be--

"In our case I thought that was precisely how our companionship stood--a

little relaxation after the labours of the day. However, if you think

there has been too much of that----"

"I was speaking of general principles," Mr. Bethune said, with

equanimity. "At the same time I confess that, as regards Maisrie, I

think that some alteration in our mode of existence might be beneficial.

Her life of late has been much too monotonous."

"Again and again she has told me that she delights in the quietude of

it!" the young man protested--for it suddenly occurred to him that

Maisrie was to be dragged away from England altogether. "Surely she has

had enough of travel?"

"Travel? That is not what I have in mind," old George Bethune said.

"We have neither the time nor the means. I should merely propose to

pack up a few books and things, and take Maisrie down to some sea-side

place--Brighton, perhaps, as being the most convenient."

The young man's face flashed instant relief; Brighton--that was

something different from what he had been dreading. Brighton--Brighton

was not Toronto nor Montreal; there was going to be no wide Atlantic

between him and her; a trivial matter of an hour's railway journey or

something of the kind!

"Oh, Brighton?" said he, quite gladly. "Yes, that will be very pleasant

for her. Brighton is brisk and lively enough at this time of the year;

and if there is any sunlight going, you are sure to get it there. I am

afraid you will find the hotels full----"

"We shall not trouble the hotels," Mr. Bethune said, with grave dignity.

"Some very humble lodgings will suffice. And perhaps we might get rooms

in a house on the hill at the back of the town; that would give me

seclusion and quiet for my work. Yes, I think the change will be

wholesome; and the sooner we set about it the better."

Well, to Vincent it did not seem that this proposal involved any great

alteration in their mode of life, except that he himself was obviously

and unmistakeably excluded; nevertheless, he was so glad to find that

the separation from Maisrie was of a mild and temporary nature that he

affected to give a quite cordial approval. He even offered to engage

the services of his aunt, Mrs. Ellison, in securing them apartments; but

Mr. Bethune answered that Maisrie and he were old travellers, and would

be able to shift for themselves. And when did they propose to go?

Well, to-morrow, if his granddaughter were content.

While they were yet talking, Maisrie made her appearance. She had

bathed her eyes in water, and there was not much trace of her recent

agitation, though she was still somewhat pale. And Vincent--to show her

that he refused to be alarmed by her parting words--to show her that he

was quite confident as to the future--preserved his placid, not to say

gay, demeanour.

"Do you know what your grandfather is going to do with you, Maisrie?"

said he. "He is going to take you down to Brighton for a time. Yes,

and at once--to-morrow, if you care to go."

She glanced quickly from one to the other, as if fearing some conspiracy

between them.

"And you, Vincent?" she asked, turning to him.

He did not meet her look.

"I? Oh, I must keep to work; I can't afford to go away down and idle

among those fashionable folk. My Mendover lecture isn't half sketched

out yet. And then, again, you remember the article I told you

about?--before beginning it I ought really to run down to Scotland, or

at least to Yorkshire, and see one of those Municipal Lodging-houses in

actual operation. They seem to me marvellous institutions," continued

this consummate hypocrite (as if the chief thought in his mind at this

moment was the housing of the industrious poor!), "and of the greatest

importance to the country at large; worked at a profit, too, that is the

amazing thing! Fancy at Huddersfield; threepence a day includes use of

cooking and table utensils, a smoking-room, reading-room, and

conversation-room, and then a bed at night--all for threepence!

Belonging to the rate-payers, themselves--under the management of the

Corporation--and paying a profit so that you can go on improving and

extending. Why, every big town in the kingdom ought to have a Municipal

Lodginghouse, or half a dozen of them; and it only needs to be shown how

they are worked for the example to be copied everywhere----"

"And when do you go, Vincent?" she asked, with downcast eyes.

"Oh, I am not sure yet," he made answer cheerfully. "Of course, I ought

in duty to go; but it will cost me half what I shall get for the

article. However, that is neither here nor there. But if this is to be

our last night together for a little while, Maisrie," he went on, to

keep up his complacent acquiescence in this temporary separation, "you

might give us a little music--won't you?--you haven't had the violin out

of its case for a long time."

She was very obedient. She went and got the violin--though she was in

no playing or singing mood.

"What, then, grandfather?" she said when she was ready.

"Whatever you please."

Then she began, and very slowly and tenderly she played the air of a

Scotch song--"Annie's Tryst." It is a simple air, and yet pathetic in

its way; and indeed so sensitive and skilful was her touch that the

violin seemed to speak; any one familiar with the song might have

imagined he could hear the words interpenetrating those vibrant notes--

"Your hand is cauld as snaw, Annie,

Your cheek is wan and white;

What gars ye tremble sae, Annie,

What maks your e'e sae bright?

The snaw is on the ground, Willie,

The frost is cauld and keen,

But there's a burnin' fire, Willie,

That sears my heart within.

* * * * *

Oh, will ye tryst wi' me, Annie,

Oh, will ye tryst me then?

I'll meet ye by the burn, Annie,

That wimples down the glen.

I daurna tryst wi' you, Willie,

I daurna tryst ye here,

But we'll hold our tryst in heaven, Willie,

In the springtime o' the year."

"That is too sad, Maisrie," her grandfather said, fretfully. "Why don't

you sing something?"

She turned to Vincent: there was a mute question in her eyes.

"Will you sing the _Claire Fontaine_, Maisrie?" said he.

She seemed a little surprised: it was a strange song to ask for on a

night of farewell; but she did as she was bidden. She went and got the

book and placed it open before her on the table: then she drew her bow

across the strings.

But hardly had she began to sing the little ballad than it became

evident that there was something added to the pure, clear tones of her

voice--some quality of an indefinable nature--some alien influence that

might at any moment prove too strong for her self-control.

_Sur la plus haute tranche--_

this was the point at which she began--

_Le rossignol chantait;_

_Chante, rossignol, chante,_

_Toi qui as le coeur gai--_

And so far all was well; but at the refrain

_Lui ya longtemps que je t'aime,_

_Jamais je ne t'oublierai_

her voice shook a little, and her lips were tremulous. Vincent cursed

his folly a hundred times over: why had he asked her to sing the _Claire

Fontaine_? But still she held bravely on:

_Chante, rossignol, chante,_

_Toi qui as le coeur gai;_

_Tu as le coeur a rire,_

_Moi je l' ai-t-a pleurer--_

And here she could go no further for those choking tears in her voice;

she stood for a moment all uncertain, trying to master herself; then she

laid the violin on the table, and with a broken "Good-night,

Vincent--and good-bye!" she turned and left the room, her hands hiding

her face, her frame shaken by the violence of her sobbing.

There was an instant of silence.

"Yes, it is time she was taken away," old George Bethune said, with a

deep frown on his shaggy eyebrows. "Her nerves are all wrong. Why

should she make such a to-do about leaving London for a fortnight?"

But Vincent Harris knew better than that. It was not this unexpected

departure that was in Maisrie's mind: it was the words that he had

spoken to her, and she to him, earlier in the evening. It was of no

fortnight's absence she was thinking, but of a far wider and longer

farewell.

Stand Fast, Craig-Royston! (Volume II) · 第 4 / 9 章