BEGINNINGS
THE THREE ELEMENTS
I. LINE—NOTAN—COLOR
LINE DRAWING
II.—JAPANESE MATERIALS AND BRUSH PRACTICE
PRINCIPLES OF COMPOSITION
III.—WAYS OF CREATING HARMONY
LINE
IV.—COMPOSITION IN SQUARES AND CIRCLES
V.—COMPOSITION IN RECTANGLES—VARIATION
VI.—LANDSCAPE COMPOSITION
VII.—COMPOSITION IN REPRESENTATION
NOTAN
VIII.—HARMONY‐BUILDING WITH DARK‐AND‐LIGHT
IX.—TWO VALUES—VARIATIONS—DESIGN
X.—TWO VALUES—LANDSCAPE AND PICTURES
XI.—TWO VALUES—GOTHIC SCULPTURE JAPANESE DESIGN BOOKS. APPLICATIONS OF
TWO VALUES
XII.—THREE VALUES
XIII.—MORE THAN THREE VALUES
COLOR
XIV.—COLOR THEORY
XV.—COLOR DERIVED FROM NOTAN
XVI.—COLOR SCHEMES FROM JAPANESE PRINTS AND FROM TEXTILES
COMPOSITION
XVII.—IN DESIGN AND PAINTING
CONCLUSION