CHAPTER X

Thus began the second book of David's life, where so many books of

life have begun, and where so many are fated to end--in a garret of a

lodging-house. Now, too, began his acquaintance with larger London,

no longer the capital of concerts and cafés to him, but the London of

grim, inhospitable streets, of dull-faced, tramping crowds, the London

that the millions know, sordid and unsmiling--cheerful only for a

consideration, a niggard even of its light. There were many evenings

when he could not write--in the first months many evenings when he did

not attempt to write--and, drifting from Soho, he would rove about the

city till late, rove west and east, tempted to unfamiliar quarters

by the promise of their names, storing impressions. He supped at

coffee-stalls and heard the vagrants talk, and rose at dawn to breakfast

among the workers and the wastrels in the five-o'clock public-houses

near the markets. On Sundays when it did not rain, and he didn't go

to see his mother, he explored the parks, or wandered beyond the

stretching tentacles of London in woodland which the monster had not

yet absorbed. He journeyed among holiday-makers who were boisterous,

but never gay, who shouted, but who never laughed. The outskirts that

he found were beautiful, and he yearned to read the hearts of these

excursionists who, whether they covered the miles in dreary silence, or

shrieked the burden of a cockney song, had always the same vacant gaze,

the same sad, hopeless air. He saw that look on everyone, in varying

degrees--the London look, bred of the dismal climate and the gloomy

streets; he thought that he would recognise a Londoner anywhere, by his

eyes. And when he returned, he noted how the fairness of England was

disfigured where Englishmen began to build.

The love of London which some men have felt, was never born in David.

He could not grow to love it though he tried. In time he came to

wonder if he was blind--if something was lacking in him--when he read

word-pictures of its "beauty," and knew that he found it execrable.

True, there were many nights when the river mesmerised him and he hung

rapt upon the bridges, but then the lamps shone only on the water, and

the spell lay in the vast suggestiveness of a great city that he did not

see.

Occasionally he went to the gallery of a theatre; more often he saved

the shilling and bought a book that he coveted. Because he realised that

he was not eating enough to feel very strong, he pawned his watch and

chain when he had been in Soho about six months. It was a severe pang

to him to part with what had been his father's present, even to part

with it temporarily, and only the knowledge that his father, if he could

advise, would bid him "pop it for all he could get," enabled him to make

the sacrifice. A week afterwards, however, his diet had dwindled to its

original proportions, and his library had much increased.

Meanwhile his manuscripts came back just as often as he enclosed a

stamped and directed envelope. The word "regrets" grew odious to him;

in the work of David Lee the word was seldom to be found, and he never

wrote it without reluctance. Nobody wanted his poetry, nobody thought

it worth printing. The rose-colour gradually faded from, his reveries;

at the end of a year the boastfulness of boyhood had passed. He began

to realise how stupendous was the task that he had approached so

confidently. To attack London with a pen! he felt as if he were throwing

sea-shells at a fortress. By degrees, too, he came to understand that

a poet must be either celebrated, or ridiculous; the pennies that he

spent in a news-room showed him that the poet in adversity appealed to

the national sense of humour every week.

He derived encouragement from reading the biographies of great writers

of the past--and was depressed when he scanned the reminiscences of

successful authors of the day, for these always seemed to have "arrived"

so gracefully. It surprised him to note that poverty and disdain had

been the portion of only those who were dead.

It happened on a morning in April, the event that he never forgot, a

morning when the sky across the chimney-pots was blue, and the sparrows

hopped in a strange, yellow light which the oldest bird on the slates

told them was called "sunshine." David woke up to find--not that he

was famous, but that his jug of hot water supported a communication by

which an editor offered him a guinea for a sonnet. And his behaviour

was less original than his verse. He burned to impart the news to the

drudge in curling-pins who brought in his tea and haddock, he wanted to

pat the heads of the children who were playing tip-cat in the roads.

In Soho it is never too early nor too late for the children who fill

the roads to play tip-cat. In Bloomsbury they incline to roller-skates;

in Bayswater---that happy hunting-ground of the organ-grinder and the

street-arab--they "Follow my leader," yelling; but the passion of Soho

is tip-cat. He bought a bunch of daffodils on his way to the office,

and stuck them on his desk. He was still at Panzetta's--his salary had

been raised ten shillings by this time--and the prospect of tendering

his resignation shone out to his eager eyes again. The clouds had hidden

it so long that he was dazzled. There was the gladness of summer in the

sunlight that slanted through the dusty windows; all the temptations of

the country lurked in the pennyworth of daffodils beside the ink-pot;

he panted to be in the open, free to loose the extravagance of joy that

swelled his heart.

"It's the sort of morning," he said in a burst to the accountant, who

sat opposite, "that makes you think it's hot out-of-doors and want to go

and pick poppies, and hear the rye rustle!"

The accountant lived at Ealing, and travelled by the same train as a

distinguished counsel every day. He often mentioned vaingloriously that

Sir Edward Jennings had nodded to him on the platform.

"Ah!" he rhapsodised. "With a carriage-and-pair to come and fetch you!"

David was a little less than nineteen when his first verses were

accepted; he was a little less than twenty when they were paid for.

Thus the thoughtfulness of the Editor provided him with two distinct

occasions for rejoicing. He sent several other sonnets to the journal,

and some of these were taken also, but a guinea is the professional

_Pons asinorum_, and it was a long time before he cashed a cheque for

any larger sum. The bright prospect of resigning the clerkship receded

from him like a will-o'-the-wisp, and by-and-by he even smiled at his

youthfulness, in remembering how happy that first acceptance of his work

had made him feel.

And still he wrote. Sometimes he sat writing poetry, in front of the

washhand-stand, until the lamp-flame waned and bobbed, and went out.

So grew the manuscripts which were to be submitted to the publishers.

Excepting the boarding-house, where Ownie reigned on in widowhood, he

visited no one; excepting Vivian, who made his way to the attic at

long intervals, no one visited him. Few among the millions in London

were more utterly alone than this young man who alternately hoped and

despaired, and, whether he was elated or despondent, had never an ear

to heed him, heard never a voice that said "Cheer up." Vivian and

Ownie were the only persons who ever inquired about his work, and to

a dejected man the inquiries of the uncongenial are worse than none

at all. No strangers could have been more foreign to each other than

were the half-brothers, although they had a myriad memories in common.

It is not time that enables people to understand one another, it is

temperament. The world is heavy with couples who have sat opposite each

other for forty years and are still tone deaf to each other's humour,

and stone blind to each other's moods; and a recent acquaintance may

say the right things to both. Vivian had encouraged poetry while he

thought it might pay; since it didn't pay, he explained that the proper

line of action was to deal in something else instead. There was nothing

unpractical about the son of the late Mr. Harris; he was the kind of

young fellow of whom it may be predicted, even while his pockets are

empty, that he will rise somehow, and throw a few of his scruples

overboard in the process. He was an occasional caller, but never a

companion.

And slowly there crept into David's life a dull resentment of the

solitude that had once been a relief, a longing for sympathy, for

tenderness--a sense of bitter oppression as he looked in the glass

and knew that he must never expect to find these things. And the face

of every girl became a glass to him, and he winced before it. When

his resources were low, he took his mid-day meal in a vegetarian

restaurant, a place with a faint distinctive smell, and a three-course

dinner for sixpence. One of the waitresses there was very pretty, and

all had arch glances and undertones for the regular customers who

cheated hunger with scones and "coffee," or some dish with an attractive

name and a strangely nasty taste. Only with David none was ever arch.

Once he summoned courage to say more to the pretty waitress than "Two

poached eggs, please," and the haughtiness of her eyebrows slew him

before she turned away. Often in the streets he saw a negro--black as

Elisha had been--and across the crowd the gaze of the aliens would

meet for a moment--drawn together by something deeper than curiosity.

But neither could lift his silk hat and say to the other, "We are both

damned, so let us be friends!" because the influence of civilisation

prevented their acting like that, although their skins were the wrong

colour.

Woman, impalpable, insistent, shared the garret with David now. And

sometimes she was fair, and sometimes she was dark, but always she

was beautiful; for at twenty the gift that man counts best in woman

is loveliness; and at thirty it is wit; and at forty it is a keen

appreciation of his own. From the dream-women who let him woo them,

David heard many odes. At first his visitors were cold--mere Beauties

from a hair-dresser's window--and he could only watch them timidly.

But by degrees he found his voice, and told them how empty the attic

had been before they came; and while he talked, the forms took flesh

and blood, the lips whispered love words back to him; they made him

confidences, and uttered sweet conceits, and then--Why then, the drudge

in curling-pins banged, with a rejected poem, and the room was bare

again.

The slim volume for the publishers grew slowly; some evil power of

daylight seemed to freeze the verse that he had left aglow, so often was

a night of exultation followed by an evening of dismay. A manuscript of

sad surprises. Yet at last it was finished, for even he could find no

more to alter.

Then its journeys began, and eventually it found a home; but it was

not treated kindly there, and it brought him little recognition, and

no money. He had scarcely realised the intensity of his prayers for it

till it failed; nor had he known what strength he derived from the hope

of fame until the hope sank. With the loss of faith in his work, the

feeling of desolation deepened. A passion of revolt possessed him as he

looked from the mirror to the future and saw himself perpetually alone.

Because his misery cried for expression, he picked up his pen again; but

though his interest in his art revived as time went by, the bitterness

was always in his soul. Even as the years passed, there grew within him

a hatred of his own person--a jealousy of every shop-boy who was kissed

by a servant-girl for love.

The Quaint Companions With an Introduction by H. G. Wells · 第 10 / 24 章