III

The little Zuane had eaten his supper of _polenta_ and, in the painted

cradle which his grandfather Girolamo had bought for him from under the

arcades of the Piazetta, lay at last asleep, consigned to the care of

all those saints and guardian angels who make the little ones their

charge, and who smiled down upon him from the golden aureoles and clouds

of rose and blue on the cradle-roof while, slowly balancing, it charmed

him into dreams.

And now, at her window, Marina had the night and the stars to herself,

over the still lagoon and down in its mirroring depths.

It was a sad little tale soon told, this tragedy of Toinetta which had

seemed so great to the dwellers in that home three years ago. A pretty,

wilful child of fifteen, who had grown up impatient of all needful home

restraint, finding rebellion easier because there was no mother to

control her--with a love of motion, color, sunshine, sound, and laughter

that made her an Ariel of Venice, as full of frolic as a kitten and as

irresponsible, choosing in her latest caprice one from the many lovers

who were ready for the wooing with the seriousness with which she would

have chosen a partner for a festa, since to-morrow, if something else

seemed better, this lover also could be changed. But the opposition of

the grave father and sister made their consent the better worth winning,

and set the youthful Gabriele in a more attractive light. So the

betrothal had been duly made in the presence of the numerous circle of

friends and relatives who stand as witnesses at a betrothal feast in

this City of the Sea, and who were as ready with their smiles and their

felicitations for any event in the home life of the quarter, as they

would be withering in their criticism should there be any failure of

complete fulfilment of those traditional observances which are

imperative in Venice. Thus the boy and girl were _spoza_ and _novizio_,

waiting the fuller bond in all that pretty interchange of tokens so

faithfully prescribed in Venetian circles of every degree; but the

period had been one of quarrels and forgivenesses, of fallings away from

and returns to favor, as might have been expected from two capricious,

foolish children.

To make part of the pretty pageant of the "Brides of Venice," which took

place on Lady Day in San Pietro in Castello, the maidens, all in white

with floating hair, their dower-boxes fastened by ribbons from their

shoulders, had seemed to Toinetta, as she stood each year an onlooker in

the admiring crowd, a happiness devoutly to be desired. The custom was a

survival of an earlier time, fast losing favor with the better classes

of the people; but to Toinetta its dramatic possibilities held a greater

fascination than the more sober ceremonial of the usual wedding service,

and, all persuasion to the contrary, when the procession gathered in

San Pietro in Castello, Toinetta, with flushed cheeks and sparkling

eyes, was one of the twelve maidens. Marina looked on with offended

eyes; her father consenting, yet only half-convinced, atoning for this

lessening of the family dignity by the elegance of the feast he had

provided, and all permitted bravery in the gondolas that were waiting to

take them thence.

The ups and downs of her childish courtship had culminated in more tears

and jealousies than usual on the previous day, but these were secrets

between the lovers, and quite unguessed by father or sister. But when

the wedding oration had been preached over those twelve bridal pairs,

and the wedding benediction had been granted, it was _not_ Gabriele, the

boyish betrothed of Toinetta, who brought the blushing bride, partly in

triumph and partly in pique, to her father's side, but Piero Salin, the

handsomest gondolier on the lagoons, the most daring and dreaded foe of

all the established traghetti. It had been impossible for the spectators

from the body of the church to follow closely the movements of the

twelve white-robed maidens with their attendant swains while the

ceremony was progressing in the dim recesses of the choir, and the

surprise and dishonor this unexpected _dénouement_ brought upon the home

were nothing to the unhappiness in store for the childish bride, whose

latest and wildest freak brought neither wisdom for self-discipline nor

power to endure that relentless criticism which ceased only when a

little one lay in the place of the child-mother, who had been too weak

to cope with the worries of the year that had followed upon that

unhappy day in San Pietro.

The jilted Gabriele had accepted the situation with a parade of

philosophical scorn which removed him beyond the pale of the sympathy

Marina would have offered him; and Marina--whose exquisite sense of

truth, decorum, and duty had been outraged to a degree beyond Toinetta's

comprehension--forgot it all in the overwhelming compassion with which

she took her little sister in her arms and tried to help her live her

difficult life; she realized, as only a large nature could, that love

was the only hope for this emergency, and, feeding on her measureless

compassion, love, the diviner faculty, grew to be a power.

Slowly and very dimly she had helped the young wife to some vague

comprehension of the duties she had so rashly assumed. Hitherto, for

Toinetta, there had been no difficulties, and now there were so many she

was frightened and did not understand; now, when Piero scolded at her

tears or temper she could not run away nor change him for a pleasanter

companion, and she knew no other way to manage such a difficulty; and

there was no pleasure in the Piazza because of that eternal critica.

There was triumph still in a _canalazzo_, for Piero was so handsome and

so strong, and in the gondola, on the Canal Grande, one could not hear

the talking--besides, Venice was not Murano; but in the home the old

friends came no more, and life was very sad--quite other than it used to

be!

Even her father, who traced the disgrace that had come upon his house to

his over-indulgence, was now proportionately severe, and to his stern

sense of honor the lawless son-in-law was a most unwelcome guest.

Through that slow year of Toinetta's life Marina was the veritable angel

in the house, not conscious of any self-sacrifice, but only of living

intensely, making the living under the same roof possible for these two

strong men who looked at life from such different standpoints, soothing

the wounded pride of her father by her perfect sympathy while striving

to rouse Piero to nobler ideals.

And now that it was all over--was it all over?--there lay the poor

little Zuane; and Piero, over the water at his traghetto, was a great

care. But he should do his best yet for the people!

A deep voice with a ring of wistfulness came through the darkness:

"Doth he not sleep yet, the little Zuane? The evening hath been long,

and I have somewhat to show thee."

"I come, my father," she answered very tenderly, as she followed him

through the narrow, dark corridor, into a large chamber which served as

a private office, but where the father and daughter often sat alone in

the evening; for here Girolamo kept many designs and papers relating to

his work, and they often discussed his plans together.

He unlocked an old carved cabinet and brought out a roll of parchments,

spreading them upon the table and explaining: "I could not leave them

while I went to call thee, for it is an order from the Senate--thou

see'st the seal--and a copy of the letter of the Ambassador of the

Republic to the Levant, with this folded therein--truly a curious scheme

of color, but very rich, and the lines are somewhat uneven. What

thinkest thou of the design?"

"The outline is good," she answered, after a careful scrutiny, for she

had been trained in copying his best designs. This was a pattern

furnished by the grand vizier of the sultan for a mosque lamp of a

peculiar shape, wrought over with verses from the Koran, in various

colored enamels. "The outline is well; but the colors--mayst thou not

change this yellow? there is too much of it."

"Nay, for the colors have a meaning; methinks this yellow is their

sacred color. But the texts are fine; the broken lines of the characters

have a charm, and the scrolls relieve the surface, making semblance of

shadow. Yet I will make thee a prettier one for thine own chamber, with

some thought of thy choosing."

She looked up at him with shining eyes; their trouble, combated and

borne together, had brought them very near to one another.

"I have often wished for a lamp with the colors soft like moonlight; and

the design shall be of thine own hand, and the verse upon it shall be an

ave, and in it there shall be always a light. It shall be a prayer for

the little one!" she said in quick response. "The Senate wished thee to

make a lamp of this design? I have seen none like it."

"Nay, not one; there will be nine hundred, for the decoration of a

mosque," and Girolamo's eyes sparkled with triumph. "It is not that it

is difficult," he explained, for Marina's eyes wandered from her

father's face to the design with some astonishment. "It is even simple

for us. But when the Levant sends to Venice for these sacred lamps for

her own temples it is her acknowledgment that we have surpassed our

teachers. It is a glory for us!"

"Father, I thought the glass of Venice was even all our own!" Marina

exclaimed in a tone of disappointment. "I knew not that our art had come

from the East to us. Some say that it was born here."

"Ay, some; but thou shouldst know the story of thy Venice better, my

daughter," Girolamo answered gravely, for to him every detail connected

with his art was of vital import. "There may be some who say this, but

not thou. In the time of Orseolo the mosaics were brought from the

Levant for our old San Marco. Thus came the knowledge to us in those

early days. But now there is no longer any country that shares it

equally with Venice, for elsewhere they know not the art in its

fineness. These, when they are finished, shall be sent as a gift from

the Republic; it is so written in this order from the Senate."

"When came it to thee?"

"To-day, with much ceremony, it was delivered into mine own hand by one

of the Secretaries of the Ten. For, see'st thou, Marina, it is a mark of

rare favor that they have trusted this parchment with me, and have not

brought me into their presence to make copy of it in the palace. If thou

couldst lend me thy deft fingers----"

"Surely," she answered, smiling up at him.

He was standing over her with one hand on her shoulder; he rested the

other lightly on her hair, looking down into her eyes for a moment with

a caress still and tender, after his own grave fashion. "It will be

safer so," he said, folding the parchment and the letters carefully and

locking them away in his cabinet. "And to-morrow, Marina--for they have

granted me but one day."

The chamber in which they sat was wainscoted with heavy carved woodwork

stained black, and every panel was a drawer with a curiously wrought

lock, containing some design or some order for the house of Magagnati;

and these archives were precious not only for the stabilimento and

Girolamo the master, but they would be treasured by the Republic as

state papers, representing the highest attainment in this exquisite

Venetian industry, which the Government held in such esteem that for a

century past one of the chiefs of the Council of Ten had been appointed

as inspector and supervisor of the manufactories. For further security

the Senate had declared severest penalties against any betrayal of the

secrets of the trade--a form of protection not quite needless, since the

Ambassador of His Most Christian Majesty had formed a species of secret

police with no other object than to bribe the glass-makers and extract

from them the lucrative secret which formed no part of the courtesies

that were interchanged between France and the Republic.

The large, low table, black and polished like teak-wood, upon which they

had been examining the vizier's design, was lighted by a lamp of wrought

iron swinging low by fanciful chains from the high ceiling, making a

centre of dense yellow flame from which the shadows rayed off into the

gloom of the farther portions of the room, and a charming picture of

father and daughter was outlined against the vague darkness. Another

lamp, fixed against a plate of burnished brass, cast a reflection that

was almost brilliant upon the glory of this chamber--a high, central

cabinet of the same dark, carved framework, with a back of those

wonderful mirror plates so recently brought to perfection by another

stabilimento of which the good Girolamo was almost jealous, although

against this luminous background the exquisite fabrications of the house

of Magagnati reflected their wonderful shapes and colors in increased

beauty.

Not yet had any plates of clear glass fine enough for the display of

such a cabinet been realized, though it sometimes seemed to Girolamo

that such a time was very near; but the solid doors of wood, with

ponderous brass locks and hinges, stood open, and the inner silk curtain

which protected these treasures from dust was always drawn aside by

Marina's own hand when these evening lamps were lighted; they were so

beautiful to see, if they but raised their eyes; the very consciousness

of their gleaming was sometimes an inspiration to Girolamo, and at this

hour they were quite safe, for the working day was over, and no one

entered this sanctum save by invitation.

Girolamo Magagnati prided himself on being a Venetian of the people, and

it was true that no member of his family had ever sat in the Consiglio;

but in few of the patrician homes of Venice could more of what was then

counted among the comforts of life have been found than in this less

sumptuous house of Murano, while its luxuries were all such as centered

about his art. He was one of the magnates of his island, for his

furnaces were among the most famous of Murano, and to him belonged

secrets of the craft in his special field to which no others had yet

attained, while in a degree that would scarcely have been esteemed by

the merchant princes of Venice, who sat in the Consiglio, they had

brought him wealth and repute. But to him, whose heart was in his work,

it was power and glory that sufficed. No stranger whom it was desired to

honor came to Venice but was conducted, with a ceremony that was

flattering, while it was also a due precaution against too curious

questioning, through the show-rooms of the factories of Murano; and

often in this chamber had gathered a group of men whom the world called

great, led by that special Chief of the Ten who was then in power at

Murano, to see the treasures of this cabinet of which Girolamo was

justly proud.

This first bit of the wonderful coloring which glowed and flashed when

the light shot through it, as if some living fire were caught in its

heart; or that curious, tortured shape, with its dragon-eyes of jewels,

and its tongue forever thrusting at you some secret which it almost

utters, yet withholds; this fragment of tenderest opalescence which is

of no color, yet blending all, as if a shower of petals were blown

across a rainbow in spring; that one--frosted in silver and gold--pink,

with the yellow sunshine in its core; here the aquamarine, lucent as

Venice's own sea! And here, throned in regal state, in its quaint case

of faded azure velvet, is that very masterpiece of the glass-workers of

Murano which was carried in the first solemn procession of all the arts

at a Doge's triumph in the thirteenth century. Its very possession was a

patent of nobility in Girolamo's reverent esteem; and the most gracious

letter of the Senate, conferring upon this piece of glass the

distinction of first mention among all that were shown upon that day of

triumph, is here also--a yellowed parchment, carefully inclosed in the

little morocco case, securely screwed to the shelf beneath, and Marina

had been present when it was opened for some rare visitor. It was a

relic of those earlier days when there were no furnaces in Murano,

though many of the finest workers came from this island and belonged to

the corporation of the workers on Rialto, and it was almost a

prehistoric record of greatness.

Marina had left the table and gone to the cabinet; her father followed

her. "This I would show thee," he said, calling her attention to a

whimsical shape, blown and twisted almost into foam. "This Lorenzo Stino

brought me only yesterday; he is full of genius; I think none hath a

quicker hand, nor a more inventive faculty. I have watched him in his

working." He scanned her eagerly as he spoke.

"Yes, it is fanciful--wonderful," she added to please him, but without

warmth, while her eyes wandered over the shelves. "Oh, father, here are

some of the very mosaics that were made for San Marco; thou hast

forgotten!"

She lifted eagerly a small opaque basin of turquoise blue and held it

toward him; it contained a few bits of gold and silver enamel, the

earliest that had been made in Venice, bearing their ancient date.

"Thou askest more of Venice than I," he said, well pleased with her

enthusiasm; "but have a care lest they say I have not taught thee well,

or that I do not know my art, or that I claim too much. At the time of

the burning of San Marco these Mosaics for the restoration were from the

stabilimenti of the Republic on Rialto--so early it came to us, this

glorious art. And it was one Piero, a founder of our house, though the

name was other than Magagnati, who was the master in that restoration.

But the first mosaics in that old San Marco--ay, and the workmen," he

added with a conscious effort, so much would he have liked to claim the

invention for Venice, "came hither from the East. Thou shouldst know the

history of our art; it is the story of thine ancestry and the nobility

of thy house. Thou hast no other."

"I have thee, my father!"

A Golden Book of Venice · 第 9 / 43 题