FOOTNOTES:

[48] The now celebrated pass of the Ampezzo between Venice and Innspruck.

[49] This must probably be Hall on the Inn, a little below Innspruck.

Certainly any boat which he got there for the descent of the river must

have been a sufficiently miserable mode of travelling.

[50] Far, that is, from the bank of the river, where he left his boat at

night.

[51] Lettere del Signor Cavaliere Battista Guarini, Nobile Ferrarese, di

nuovo in questa seconda impressione di alcune altre accrescinte, e dall'

Autore stesso corrette, di Agostino Michele raccolte, et al Sereniss.

Signore il Duca d'Urbino dedicate. Con Privilegio. In Venetia, MDXCV.

Appresso Gio. Battista Ciotti Senese al segno della Minerva.

[52] I translate literally. Old-fashioned people will remember a somewhat

similar use of the word "Flame" in English.

[53] I subjoin a literal prose translation in preference to borrowing a

rhymed one from any of Tasso's translators. This fellow "flits and circles

around more unstable than dry leaves in the wind. Without faith, without

love, false are his pretended torments, and false the affection which

prompts his sighs. A traitorous lover, he loves and despises almost at the

same moment, and in triumph displays the spoils of women as impious

trophies."

[54] "See how this fellow, who in vain aims at a lofty goal, by blaming

others, and by lying accents, sharpens against himself his teeth, while

without reason he is enraged with me.... Of two flames he boasts, and ties

and breaks over and over again the same knot; and by these arts (who would

believe it!) bends in his favour the Gods!" ...

[55] It is odd that he should so write in a paper dated, as the present

is, from Venice. I suppose the expression came from his feeling that he

was addressing parsons at Ferrara.

[56] Seeing that, as has been said, his ancestors were of Verona, which

belonged to Venice.

[57] Barotti gives it at length; but it is hardly worth while to occupy

space by reproducing it here.

[58] "Guarini sitting here, sang, that which renders the seat the equal of

a royal throne."

[59] It is very doubtful and very difficult to determine at what period of

his life the "Pastor Fido" was written. Ginguene (Hist. Ital. Lit. Part

II. ch. xxv.) has sufficiently shown that the statements of the Italian

biographers on this point are inaccurate. Probably it was planned and, in

part, written many years before it was finished. It was first printed in

1590.

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