CHAPTER XXIV.

"MAD AS A HATTER!"

Mr. Arnheim looked rather puzzled for a moment, then he looked as if he

remembered.

"Oh, yes, yes, Mr. Lisle," he said, with a slightly foreign accent; he

was German. "I remember----."

"You sent for me, doubtless, to make arrangements for the inclusion of

some of my pictures in your coming exhibition," said Francis Lisle in

a nervously pompous voice, which quivered with suppressed excitement

and importance.

"Not exact----," began Mr. Arnheim, but he happened to glance at Leslie,

and something in her pale, wan face stopped him. He was a shrewd man,

and the anxiety of the daughter of the half pompous, half frightened

creature before him touched him.

"Possibly, possibly, Mr.--er--Lisle," he said. "But my reason for

communicating with you was the fact that I had been requested by--" he

was going to say Lord Auchester, but he glanced at Leslie's face again,

and seeing the imploring expression on it, faltered a moment, then went

on suavely--"by a valued client of mine to procure a work by your hand."

Francis Lisle's face fell for a moment, then it brightened again.

"A commission?" he said. "Yes, yes. May I ask the name of your client?"

Mr. Arnheim opened his lips to give the name, but once again met the

imploring gaze of the sweet eyes, and kept the name back.

"It is not usual to give our clients' names, Mr. Lisle," he said

with an affectation of shrewdness. "We dealers are business men pure

and simple, and are never too ready with information that may injure

us. I hope you will consider it sufficient that a gentleman has made

inquiries after some work of yours, and--er--be prepared to come to

terms with me. Of course, I only act as the agent."

Francis Lisle flushed and bit his lip, but a gratified smile was

creeping over his thin, wan face.

"I understand, Mr. Arnheim," he said pompously. "I am very busy just at

present; indeed, I have only just finished a picture for--er--a patron,

for which I have received a fairly large sum, and I have a number of

studies in hand; but--er--I think I may say that I shall be willing to

paint a picture for you--or your unknown client, if you prefer to put

it in that way; but I can only do so on one condition, Mr. Arnheim."

The dealer bowed.

"And what is that condition, Mr. Lisle?" he asked gravely.

"That your client permit any picture he may purchase of me to be

exhibited at the Royal Academy Exhibition."

"Certainly, certainly. I'll undertake that he shall accord that

permission," said Mr. Arnheim.

"Very good," said Francis Lisle. "And now I should like to show you

some of my pictures. We have brought a few--the best, in my judgment;

but there are several others, if you would like to see more. Leslie----."

Leslie rose and took up a couple of the canvases, and as she did she

looked at the keen, shrewd face of the dealer. It was the look with

which she had appealed to Mr. Temple, and it said as plainly as if she

had spoken--

"Spare him; oh, spare him!"

Francis Lisle took one of the pictures from her hand, and nervously,

excitedly, placed it on an empty easel which stood ready for the

purpose.

"A seascape, Mr. Arnheim," he said, waving his hand. "It would savor of

impertinence to point out its merits to you who are so experienced and

able a critic; but I may venture to hint that there is something in the

treatment of that sky which you will not meet with every day."

For a moment the eminent dealer's face expressed a wide gaping

astonishment, then it seemed to writhe as if with the effort to

suppress a burst of laughter, but lastly it turned to an impassive

mask, and, carefully avoiding the anguish in Leslie's eyes, he said,

shading the view with his hand:

"Remarkable, very; very remarkable, Mr. Lisle."

"I thought you would say so," said Francis Lisle, with a triumphant

glance at Leslie, who had stood with downcast eyes. "But if you think

that worthy of notice, what do you say to this?" and he replaced the

canvas by another. "'View of Cliffs by Moonlight.' Remark the shadows,

the foam on the rocks, the birds, Mr. Arnheim!"

"Yes, yes, yes," said Mr. Arnheim in a kind of still voice. "Most--most

singular and admirable!"

He glanced at Leslie, and an expression of pity and sympathy came into

his shrewd face.

"And here is another," said Francis Lisle, catching up a third picture.

"'The Wreck.' I spent months--months, Mr. Arnheim, over this; and if I

may be permitted to say so I consider it one of my masterpieces," and

he waved his hand to the fearful daub in a kind of ecstasy.

Mr. Arnheim stood speechless with what the unfortunate painter took to

be admiration; and Leslie, trembling and pale, came forward and took

the canvas from the easel.

"We--we must not take up any more of Mr. Arnheim's time, papa," she

faltered, with an appealing glance at the dealer.

"No no, certainly not," responded Lisle. "But it is only right that Mr

Arnheim should have an opportunity of judging of my work. You may be

surprised, sir, that I am still, so to speak, an unknown artist. I may

say that that surprise is shared by myself. But no one can be better

acquainted with the fact that fame and fortune do not always fall to

the deserving. No! Art is a lottery, and the best of us may, and, alas!

too often do, only draw blanks. But I am confident that now you, who

have so many opportunities of directing the attention of the world to

what is most worthy of notice in art, have become acquainted with my

pictures, that--that--in short----." He put his hand to his head and

looked round confusedly.

"Yes, yes!" said Mr. Arnheim soothingly. "I quite understand. You will

hear from me--I will see my client."

"Yes, certainly," cut in Francis Lisle. "I--I leave the whole of the

negotiations to you. I have perfect confidence in you, Mr. Arnheim."

Mr. Arnheim bowed, and assisted Leslie's trembling hands to repack the

pictures, but the artist stopped them by a gesture.

"Wait, wait, Leslie. I am content to leave these works with Mr.

Arnheim. He will like to place them in this gallery with his other

masterpieces."

The expression on Mr. Arnheim's face at this proposition beggars

description, but he mastered his emotion, and managed to bow and

mumble out some unintelligible words, which Francis Lisle mistook for

expressions of gratitude.

"Do not mention it, my dear sir," he said, waving his hand. "I commit

them to your care with every confidence, assured that they will receive

every consideration and appreciation from you. Come, Leslie, as you

said, we must not take up too much of Mr. Arnheim's time. Good morning,

sir. I leave you to conduct all negotiations with your client. I have

every confidence in you. Good morning!"

He gave his hand to Mr. Arnheim with the air of a painter-prince, and

with a glance round the room as if he already saw his pictures placed

among the other gems, stalked nervously out.

Leslie hesitated for a moment, then held out her hand. For a moment she

seemed incapable of speech, then her trembling lips parted, and she

faltered:

"You have been very good, and--and patient, and forbearing, sir, and I

am grateful, very grateful."

"Don't mention it, Miss Lisle," he said, touched by her loveliness and

sadness. "I quite understand--that is--well, I can't quite understand!"

Leslie's face burnt like fire.

"Why his--his grace----," she faltered.

Mr. Arnheim looked puzzled.

"His lordship!" he corrected her, but Leslie was too agitated to notice

the correction.

"I cannot explain," she said in a troubled voice. "But--you will see

him?"

"Yes, certainly," assented Mr. Arnheim.

"Will you tell him, please--" her voice broke, and her hands clasped

and unclasped--"will you tell him that I came here against my

will--that I was obliged to come, and that--that I wish him to forget

everything that has passed. That neither my father nor I wish to see

him again. That we wish to pass out of his life as if we had never

seen, never known him. Will you tell him this? You--you think it

strange, unbecoming, that I should give you this message, Mr. Arnheim

but--" her voice broke--"but, perhaps you have a daughter of your own,

and--and thinking of her you will not refuse----."

She broke down, and covered her face with her hands.

Mr. Arnheim had a daughter, as it happened, and he did think of her.

"I don't understand, quite, Miss Lisle," he said, in a low voice; "but

I understand enough to convey your message."

Leslie gave him her hand without another word, and hurried after her

father.

She found him descending the stairs slowly, and he stopped as she

reached him, and nodded at her.

"One moment, Leslie," he said, in nervous accents. "I forgot to ask Mr.

Arnheim if his gallery is insured. Such works as I have left with him

are--are priceless!"

Before she could stop him, he had turned and reascended the stairs, and

re-entered the gallery. Leslie followed him. The gallery was empty, but

voices were heard behind the partition, and Mr. Arnheim could be heard

exclaiming in mingled indignation, pity, and amusement:

"The man is as mad as a hatter!"

Leslie laid her hand upon her father's arm.

"Come away, dear!" she implored; but he shook her hand off, and put his

finger to his lip warningly.

"Hush! Be silent! I want to hear what he is saying! These men never

express themselves fully about the pictures in the presence of the

artists. Now, listen, and you will hear what he really thinks. Hush! It

is quite fair, quite!" and he chuckled confidently.

Leslie, turned to stone with apprehension and dread, stood still and

waited.

"Mad as a hatter!" continued Mr. Arnheim to some one behind the

partition. "The pictures he raves about are simply daubs! The daubs

of a lunatic who has had access to paint and brushes. Look at this!

He called it a seascape! Look at it! Why, a schoolboy of fourteen

would blush to have painted it! In fact, no human being in possession

of his senses could have produced it! Did you ever see anything like

it? I never did, and I've had some queer experiences in the course of

business. If it hadn't been for that sweet creature, his daughter,

I should have burst out laughing. But something--dash me if I know

what--kept me quiet. Look here, it's a dashed shame, that's what it

is. He told me to write for the man, and I thought it was all on

the square. But it's my opinion he's got some game in hand with the

daughter. I might have guessed that, seeing the sort of man he is.

These swells are all alike. Yes it's a dashed shame! She's too good

to be made a fool of and deceived. But did you ever see such an awful

lunatic daub as this, and this, and this!" the speaker's voice rose in

crescendo as he evidently showed each of Francis Lisle's pictures.

"There was never anything like 'em out of a madhouse!"

The voice ceased, for lack of breath, and Leslie, horror-stricken,

turned to her father. He was leaning against the wall, his face white,

livid, his jaw dropped, his eyes staring vacantly.

"Father! father!" she cried in a low voice.

He did not seem to hear her, but his lips moved and she could hear

a faint, horrible echo of the words that had been spoken behind the

screen.

"Come away, dear!" she implored him. "Come away!"

He dropped his eyes to her face and tried to smile; but it was a

hideous grimace.

"Yes, yes," he said, hoarsely, almost inarticulately, "let us go home.

Let us----."

She took his hand, drew his arm through hers, and led him down the

stairs. He went with the docility, the helplessness of a child, and

sank into a corner of the cab with his eyes dull and lifeless, but his

lips still moving.

Presently he beckoned to her. "What--what did he say?" he asked

tremulously, his face working.

"It--it does not matter what he said, dear," she said soothingly. "Do

not think of it. Try to forget it! Lean against me, dear!"

But he put her from him, not with his old impatient irritability, but

with a gentleness that was quite new with him; and lying back in the

cab stared at the floor, his lips moving, and Leslie could hear him

still repeating the words they had heard from Mr. Arnheim.

It seemed an age before the cab reached Torrington Square, and when it

did so the man Leslie helped out was an older man by twenty years than

he who had left it that morning.

She helped him up to his room and tried to cheer and comfort him; but,

for the first time in her life, her loving flattery proved of no avail.

He listened with vacant eyes and wan, hopeless face, and at last, he

suddenly flung his hands before his eyes and uttered a low cry of

despair, and awakening.

"God help me!" he cried. "I am a fraud and a lie! I see it all, now.

A fraud and a lie! The man was right; I cannot paint!" He caught up a

canvas that lay against the wall, and gazed at it. "It is a hideous

daub, as he said. It is the work of a madman. I have been mad. Oh, God,

if I could have remained so."

"My dear, my dear!" she murmured, kneeling beside him and gently

drawing the picture from his weak, trembling hands. "Don't think of

what--what he said."

"Not think of it!" he cried, shaking with emotion. "I must think of it,

for he spoke the truth. I have been mad, mad! But my eyes are open now.

Take them away from me," he motioned to the pictures, "take them away.

I cannot bear the sight of them. And--and yet I have been so happy, so

hopeful!" and he hid his face with his hands.

Leslie watched beside him till he fell into a deep, deathlike sleep;

then she stole downstairs and sent for a doctor. A young man from one

of the neighbouring squares came, and though he was young he was not

foolish. A glance at the sleeping man told him the sad truth.

"Have you--has your father any relations, any friends who--whom he

would like to see?" he asked gently.

Leslie, kneeling beside the bed, looked up at him with sharp and sudden

dread in her eyes.

"Do you--do you mean----? Oh, what is it you mean?" she moaned.

The doctor laid his hand upon her shoulder. "The truth is always best,

always," he said gently. "Your father has suffered a severe shock; the

heart----." He stopped. "For his sake try and be calm, my dear young

lady."

Leslie knelt beside him all through the night, and all through the long

hours her conscience whispered accusingly, "It is you--you, who have

done it. But for you he would have gone on dreaming and living; but for

you--and Yorke!"

Toward dawn Francis Lisle awoke. The doctor was standing beside the

bed, Leslie on her knees.

He raised his wan, wasted face from the pillow and seemed to be looking

for something; then his eyes rested on her anguished ones, and he knew

her and forced a smile.

"Is--is that you, Leslie?" he said, in so low a voice that she had

to lay her face against his to hear him. "Is that you? I have had a

singular dream. Most singular!"

"What--what was it, dear?" she said at last.

He smiled again.

"I dreamt that my picture had been refused by the Academy. Absurd,

wasn't it? Fancy them refusing one of my pictures! Mine! Francis

Lisle's! Ridiculous as it is, it--it upset me. I--I must be out of

sorts. There is only one thing for that kind of complaint: Work.

Get--get a fresh canvas stretched for me, Leslie, and I will commence a

new picture. Let me see, what did we get for the last? Three thousand

pounds, wasn't it?"

"Yes, yes, dear!" she murmured.

"A large sum, a large sum, but not half what we shall get. Fame, fame

and fortune at last, Leslie! I always told you it would come."

He put out his wasted hand and smoothed her hair lovingly--and,

alas! patronizingly. "Always knew it would come, Leslie! Art is long

and--and life is brief. I must work hard now fame and success have

brought me the victor's laurels. How dark it is--" the sunlight was

streaming through the window--"how dark! Too dark to commence to-day;

but to-morrow, Leslie dear, to-morrow----." His voice grew fainter and

ceased. The doctor bent over him, then stood upright and laid his hand

upon Leslie's shoulder with a touch that told her all.

Francis Lisle had gone to the land where to-morrow and to-day are

swallowed up in Eternity.

Leslie's loyalty · 第 24 / 45 章