of the commandment of God--"Thou shalt honor thy father and mother;" a
blasphemer of the Lord; erring in your faith; and the maker of
presumptuous and temerarious promises in defiance of our mother the
Church.'"
This accusation is as unjust as the preceding ones. What heartrending
agonies did not Joan undergo when, beset by her voices that daily said
to her: "March to the deliverance of France!" she felt compelled to
resign herself to the idea of leaving her dearly beloved and revered
parents! How many times, overcoming the intoxication of her victories,
has she not felt and declared: "I would prefer to be sewing and spinning
near my dear mother!" And when, become the arbiter of the destiny of
France, she received a letter from her father who whelmed her with
blessings and pardoned her departure, did she not cry out, less
delighted at her triumphs than at the paternal clemency, "My father has
pardoned me!" And yet, despite the saintly absolution, these
ecclesiastics accuse her of trampling under foot the commandments of
God!
CANON MAURICE (reads)--"'Eighthly: Joan, you said that you jumped down
out of the tower of the Castle of Beaurevoir because you preferred death
to falling into the hands of the English; and that, despite the advice
of the archangel St. Michael and your saints, who ordered you not to
attempt to escape or kill yourself, you persevered in your project.
"'The Church pronounces you guilty of yielding to despair, of having
contemplated homicide upon yourself, and of having criminally
interpreted the law of human freedom of action.'"
Joan Darc smiles disdainfully at hearing these ecclesiastics condemn her
for having endeavored to escape her enemies who sold her for ten
thousand gold sous to the English.
CANON MAURICE (reads)--"'Ninthly: Joan, you said your saints promised
paradise to you if you preserved your virginity and devoted yourself to
God, and that you were as certain of paradise as if you were now in the
enjoyment of the bliss of the blessed. You said you did not consider
yourself in mortal sin because you ever heard the voice of your saints.
"'The Church pronounces you presumptuous and headstrong in assertions
that are mendacious and pernicious, and that exhale a pestilential
odor.'"
Joan raises to the vaulted roof of the apartment her face beaming with
faith and hope, and she hears her voices whisper to her: "Courage, holy
daughter, what need you care for the vain words of these men? God has
adjudged you worthy of His paradise."
CANON MAURICE (reads)--"'Tenthly: Joan, you said that the archangel St.
Michael and your saints, speaking to you in the language of Gaul,
informed you that they were enemies of the English and friends of your
King.
"'The Church pronounces you superstitious, a sorceress, a blasphemer of
the archangel St. Michael and of Saints Marguerite and Catherine, and a
contemner of love for your neighbor.
"'Eleventhly: Joan, you said that if the evil spirit had appeared under
the form of St. Michael you would have been able to discover and discern
the fact.
"'The Church pronounces you idolatrous, an invoker of devils and guilty
of illicit judgment.'"
Joan Darc believes she is dreaming when she hears the accusation of
sorcery and demoniacal invocations. A sorceress because she affirmed she
saw what she did see! A sorceress because she affirmed she heard what
she did hear! A sorceress and invoker of demons because those visions
appeared before her, visions that she neither invoked nor desired, and
that, frightening her at first, she prayed God to keep away from her!
CANON MAURICE (reads)--"'Twelfthly: Joan, you said that if the Church
would demand from you an admission contrary to the inspirations that you
pretend to have received from God, you would absolutely refuse
obedience, and that in all such matters you do recognize neither the
judgment of the Church nor of any man on earth. You said the answer
proceeded not from yourself but from God, and you persisted, although
frequently reminded of the article of faith, _Unam Ecclesiam
Catholicam_, and although it was proven to you that every Catholic must
submit his actions and words to the Church militant, represented by the
Pope and his ministers.
"'The Church pronounces you a schismatic, an enemy of its unity and
authority. It pronounces you, besides, stiff-necked in the errors of
your apostate faith.--Amen!'"
ALL THE JUDGES (in chorus, and crossing themselves)--"Amen!"
If in her loyalty, in the habitual meekness of her spirit Joan Darc
admitted some of the accusations against her, she would bow before the
judgment of these ecclesiastics. But after hearing the charges, the Maid
remains all the more convinced of their iniquity, and resolves more
strongly than ever to spurn such judges and to appeal from them to God.
The reading of the indictment being ended, Bishop Peter Cauchon
approaches the Maid's seat.
BISHOP CAUCHON--"And now, Joan, you know what terrible accusations weigh
upon you. The trial is hereby ended. It is now time to reflect well upon
what you have heard. If after having been so often admonished by me, as
well as by my other very dear brothers, the vicar of the Inquisition
and other learned prelates, you should, alack! in contumely of God, in
defiance of the faith and the law of our Lord Jesus Christ, and in
contempt of the safety and security of Catholic conscience, still
persist in your errors; should you persist in standing out as an object
of horrible scandal, of infectious and disgusting pestilence, it will
be, dear daughter, a great injury to your soul and your body. In the
name of your soul that is imperishable, but that may be damned, in the
name of your perishable body, I exhort you once more and for the last
time, to re-enter the bosom of our sacred mother the Roman Catholic and
Apostolic Church, and to submit yourself to her judgment. If not, and I
charitably warn you now a last time, your soul will be damned, damned to
all eternity and delivered to Satan, and your body will be destroyed by
fire--a thing that with my joined hands (he prostrates and crosses
himself, and clasps his hands) I fervently pray our Lord to preserve you
from."
JOAN DARC (makes a superhuman effort to rise and keep her feet; she
succeeds by steadying her chained and shaking limbs against her seat.
She then raises her right hand and cries in a firm voice and an accent
of profound and heroic conviction)--"I take heaven for my witness! I
shall be condemned, I shall see the fagots, the executioner ready to set
them on fire; and yet I shall unto death repeat: Yes, I have said the
truth. Yes, God has inspired me. Yes, from Him I expect everything,
nothing from anybody else. Yes, God is my sole judge, my sole master."
Exhausted by this last effort, Joan Darc falls back upon her seat in the
midst of profound silence. The ecclesiastics gather in a group with
Bishop Cauchon in the center. They consult in a low voice. The prelate
then approaches Joan Darc.
BISHOP CAUCHON (in a ringing voice and a gesture of malediction)--"The
sentence is pronounced: We, Peter, Bishop of Beauvais by the grace of
God, pronounce you a blasphemer and sacrilegious woman, an invoker of
demons, an apostate and a heretic! We smite you with the sentence of the
major and minor excommunication; we pronounce you forever cut off from
the body of our holy mother the Church; and we leave you to the secular
arm which will to-morrow burn your body and cast your ashes to the wind!
Amen."
ALL THE ECCLESIASTICAL JUDGES (in chorus and making the sign of the
cross)--"Amen."
JOAN DARC (sublimely inspired)--"That is your judgment. I confidently
await the judgment of God!"
The jailers carry the prisoner back to her cell.
CHAPTER VI.
PHYSICAL COLLAPSE.
On the 24th of May, 1431, a great mass of people is crowding at about
eight in the morning and under a brilliant springtide sun towards the
cemetery of St. Audoin at Rouen. A low wall surrounds the place of
burial. Within, and near the entrance of the cemetery, there rises on
this morning a high scaffold with a wide platform on which a number of
seats decked with violet coverings are placed. English soldiers, casqued
and cuirassed, and lance in hand, form a cordon that keeps the crowd at
a distance. All seem to expect a great event.
The people are waiting to see Joan Darc, who is to mount the scaffold,
kneel down at the feet of Bishop Cauchon and with her arms crossed on
her breast abjure her past errors, deny her visions and renounce her
revelations, her faith, her glory and her patriotism; in short, to make
her humble, contrite and repentful submission to the sovereign judgment
of the Bishop and the ecclesiastics.
Only yesterday, despite the feebleness of her body, so proud and so
resolute in her answers to her accusers, Joan had cried: "Let the fagots
be there, let the executioner stand ready, and yet I shall repeat unto
death: Yes, God has inspired me. Yes, God is my sole judge, my sole
master!"
What inconceivable change has taken place in this soul, once so firm and
so full of conviction? Human weakness!
After the sentence pronounced upon her the day before by Bishop Cauchon,
the heroine was transported back to her cell. The feverish exaltation
that upheld her in the presence of her judges was followed by a reaction
of profound dejectment. Still she was resigned to suffer death. Under
these circumstances, and pretending to have obtained from the captain of
the tower permission to administer to her the last consolations, Canon
Loyseleur visited Joan. She received the priest with thankful joy.
Instructed by Joan on the last events, the canon broke down in tears,
moans and laments, and dwelled with affected horror upon the frightful
details of Joan's pending execution--shocking details: Joan was to be
taken in a shirt, not a woman's shirt as she had begged for on the
ground of its being longer, but in a man's shirt; nor was that all. The
English chiefs had decided that before delivering Joan to the flames,
she was to be stripped wholly naked, and fastened in that state to the
stake.
From the moment Joan learned that she was to be taken to the pyre in a
man's shirt, and was then to be bound by the executioner in full view
wholly naked to the stake, Joan's mind began to wander. She collected
whatever strength was left her, and although chained by the feet, hands
and waist, she stood upon her straw bed and flinging herself forward,
violently struck her head twice against the wall of the dungeon in a
frantic attempt to break her skull and die. But the impact of the poor
creature, weak, exhausted and fainting as she was, was not strong enough
to produce mortal, or even dangerous results. She fell down backward
upon her couch where the canon charitably held her down. He sobbed; he
implored his dear daughter in Christ not to yield to blind despair. True
enough, it was an abominable ordeal for so pure a soul, so chaste a
body, to be exposed at first half naked, and then wholly so, absolutely
naked, to the lascivious looks and obscene jeers of the soldiery and
mob! No doubt the ordeal would last an hour, perhaps longer; the English
would take a delight in prolonging the period of the Maid's nudity. But,
alack! how was the abomination to be avoided! There was only one way,
and no doubtful one, a sure way of escaping, not the shame only, but
even the pyre, aye, of escaping from the hands of the English. Thanks to
that means, Joan might regain her freedom, return to her family at
Domremy, and enjoy a restoring rest after so many trials. And then, when
she should have recovered her health, the martial maid could again don
her armor, call her valiant followers to arms, and marching at their
head, complete her work of driving the English out of France.
Joan Darc believed herself in a dream as she listened to the canon. His
age, his tears, his moaning, the constant interest that he had taken in
her since she was brought to her present dungeon--everything contributed
to remove from her spirit all thought of suspicion. In a semi-stupor she
questioned the canon on the means that he had in mind, from which he
promised such certain deliverance.
The tempter pursued his dark scheme with infernal skill. He began by
asking the heroine whether in her soul and conscience she did not look
upon her judges as monsters of iniquity? She readily assented. Could
she, consequently, feel herself bound by any promises that she might
make to the butchers, she a prisoner, under duress? She, sold for the
price of gold? No, concluded the canon, a promise made to these
butchers for the purpose of escaping abominable ignominy and the horrors
of burning, could never be binding upon an innocent victim. Such
engagements were null.
Joan asked what the promises would be. The canon answered that it was
merely a matter of renouncing _in appearance_ the errors that the
tribunal charged her with; in short, to submit _in appearance_ to the
judgment of the Church.
Joan's conscience revolted at the lie; to renounce the truth was to
renounce God.
"Yes, but with your lips, with your lips only, and not with your heart!"
pursued the tempter. "It is simply yielding to force; it is speaking for
a moment the language of the butchers, a fallacious and perfidious
language, true enough; but, thanks to such a legitimate fraud, to escape
from them, thus to preserve His elect to God, and to France her
liberator! It is simply a mouth-renunciation, while the soul will
continue to glorify all the acts inspired by heaven."
"But to promise to abjure under condition of being set free, is to bind
oneself to abjure," answered Joan, disconcerted by the canon's sophism.
"And what would that matter?" argued the tempter. "What would it matter
to make even a public abjuration, even kneeling at the Bishop's feet,
saying to him with the lips: 'My apparitions and my visions were
illusions; I have sinned in assuming man's habits; I have sinned in
waging war; I have sinned in refusing to submit to the judgment of the
Church. I now make my submission and regret my sins.' What would such
vain words matter? Did they proceed from the interior tribunal, the
sacred refuge of truth with the oppressed? Would perchance, the Lord,
who reads our secret thoughts, fail to read in your soul, at the very
moment when you would be pretending to abjure: 'My God, You before whom
nothing is hidden, I internally glorify these visions and apparitions,
the revered signs of Your omnipotence! I proclaim You my only judge, Oh,
my divine Master! And in Your infinite mercy You will pardon me these
few idle words, drawn from me by the desire of continuing to be the
instrument of Your supreme will, and by the desire of, with Your aid,
driving the stranger from the sacred soil of the fatherland.' Would God
fail to read these sentiments?"
Joan succumbed before the infernal tempter. Vainly did she hear her
voices warn her:
"To deny the truth is to deny God! You are about to lie in the face of
heaven and of men, more out of a chaste shame than out of fear to burn.
You are about to lie in the hope of regaining your freedom to finish
your divine mission. Such a fraud is cowardly and criminal."
But weakened by her sufferings, exhausted in the physical and mental
struggle that she had undergone, above all frightened out of her wits at
the thought of her virginal body being exposed naked by the executioner
to the eyes of men, and finally tempted by the prospect of freedom, of
again seeing her family and perchance achieving her work of liberation,
Joan shut her ears to the inflexible voice of her honor, of her faith,
of her conscience, and promised Canon Loyseleur to make a public
abjuration and submission to the Church, under the condition of a pledge
from the Bishop that she would be set at liberty immediately after her
abjuration. The canon charitably offered his services to the prisoner;
he expressed his certainty of successfully conducting the negotiation,
and of being able to overcome the resistance of the savage captain of
the tower and secure permission to call upon the Bishop without delay.
As may be believed, Loyseleur readily obtained the permission. Towards
midnight he returned with the institutor of the process and a physician.
The latter induced the captive to take a mixture that was to serve at
once as a tonic and a soporific. The mixture would enable her to sleep
restfully until morning, and would give her strength for the expiatory
ceremony. Joan Darc submitted to everything, saying to herself: "I shall
be free to-morrow, and shall have escaped an ignominy that is worse than
death."
The scaffold raised within the precincts of the cemetery of the Abbey of
St. Audoin is the immediate result of Canon Loyseleur's machinations in
Joan's cell. On the scaffold's spacious platform Joan is to appear,
surrounded by the ecclesiastics, and make a public abjuration.
The impatient crowd awaits the arrival of the cortege. More than half a
century under the yoke of English rule, most of the people of Rouen are
of the Burgundian party, and see in Joan Darc only an enemy.
Nevertheless, the astounding renown of the martial maid, her youth, her
beauty, her misfortune, her glory, awaken a profound sentiment of pity
for her among all, and the feeling is strongest among those who have
remained French at heart and are of the Armagnac party. The purpose of
Joan's public and solemn appearance is still unknown to the mass. Some
say that a public exposure is to precede the death penalty, to which she
is doubtlessly condemned; others, ignorant of the course of the trial,
believe she is to be publicly interrogated. William Poole, the Earl of
Warwick, and other English captains and prominent personages are
grouped in a reserved space inside the cemetery and near the scaffold.
Presently a distant and increasing noise announces the approach of the
train. The crowd presses and becomes more compact outside the cemetery.
The procession draws near, escorted by English archers. At its head
march the Cardinal of Winchester in the Roman purple, and the Bishop of
Beauvais with a gold mitre on his head, a gold crosier in his hand and
over his shoulders the chasuble of violet silk, resplendent in
embroidery. Behind them and in his monk's frock comes the inquisitor
John Lemaitre, together with Peter of Estivet, the official institutor
of the process, William Erard and two registrars, carrying parchments
and writing portfolios.
A few steps behind them, and sustained by two penitents whose grey
robes, covering them from head to foot, are pierced with two holes at
the elevation of their eyes, Joan advances slowly. Her weakness is
extreme, and although her eyes are wide open she does not seem to be
wholly awake; she still seems under the effect of the soporific and
tonic of the night before. She seems to look without seeing, and to hear
with indifference the hisses of the mob that, incited by the example of
the English soldiers, makes hostile demonstrations against the victim.
On Joan's head is a high mitre of black pasteboard which bears in large
letters the following words: "Heretic," "Idolater," "Apostate." A long
robe of coarse black wool envelops her from the neck down to her bare
feet. She halts for a moment before the scaffold, while the Cardinal,
the Bishop and other prelates take their seats upon it. At a signal from
one of the registrars, the two penitents, holding Joan under the arms,
help her to ascend the stairs of the scaffold. The sky is this day of an
admirable clearness; the sun shines brilliantly; the pleasant warmth of
its rays penetrates and gradually warms Joan Darc, who still shivers
from the dampness of the subterraneous dungeon in which she has so long
lain buried night and day. She inhales the bracing and pure air with
delight, and in full draughts. The atmosphere of her cell was so heavy,
so fetid! She seems to revive; her chilled and clogged blood courses
anew with the delight of life; she experiences an indescribable sense of
happiness at the contemplation of that azure sky bathed in light, and at
the sight of the green grass of the cemetery, studded here and there
with spring flowers. At a little distance stands a clump of trees, near
the abbey. The birds chirp in their foliage, the insects hum--everything
seems to sing and express delight on that sweet May morning. The sight
of nature that Joan has so long been deprived of--she who was from early
infancy accustomed to live on the meadows and in the woods--transports
her into a sort of ecstasy. She forgets her sufferings, her martyrdom,
her sentence and even the abjuration that she is about to pronounce. If
her thoughts at all fall upon these topics, the only effect is the
pleasurable reminder that she is soon to be free. Oh, free! to be free!
To see her village again! the oak forest, the Fountain of the Fairies,
the smiling and shady banks of the Meuse! To see again her family, her
friends, and, renouncing the bitter illusions of glory, escaping the
royal ingratitude, the hypocrisy, the hatred and the envy of men,
quietly spend her days in Domremy at her rustic labors as in the happy
days of yore! And that, all that at the price of a few words pronounced
before her butcher-judges, those monsters of iniquity! Oh, at this
moment of physical exaltation Joan would sign her abjuration with her
own blood. Her heart-beats, pulsating with hope, smother within her the
austere voices of her honor and her faith. In vain do these whisper to
her: "Be not faint-hearted! Bravely uphold the truth in the teeth of
those false priests, and you will be delivered from your trials, not for
a day, but for all eternity!" These voices are not now listened to; her
physical delight is too vast. Suddenly she is recalled to her condition
by the voice of Bishop Cauchon who severely says to her:
"Joan, down on your knees; bow your head!"
Joan Darc kneels down without removing her eyes from the beautiful blue
of the sky, from the radiant light of the sun from which she seeks to
draw the strength necessary to persevere in her resolution of abjuring.
A profound silence falls upon the crowd, the front ranks of which can
hear the words uttered on the scaffold, and Bishop Cauchon, crossing
himself, proceeds:
"My very dear brothers, the Lord said it to his apostle St. John, the
palm tree cannot of itself produce fruit if it does not live. Thus, my
very dear brothers, you must persevere in the true life of our holy
mother the Roman Catholic and Apostolic Church, which our Lord Jesus
Christ built with his right hand. But, alack! there are perverse souls,
abominable and idolatrous (he points at Joan Darc) filled with heretical
crimes, who rise with an audacity that is truly infernal against the
unity of our holy Church, to the great scandal and to the painful horror
of all good believers. (To Joan Darc with a menacing voice:) There you
are now upon a scaffold, in the face of heaven and of men. Is the light
to enter at last your haughty and diabolical soul? Will you at last
submit in all humbleness your words and acts to the Church militant, the
enormities of your acts! your monstrous words! according to the
infallible judgment of the priests of the Lord? Reflect and answer! If
not, the Church will abandon you to the secular arm and your body will
go up in the flames of the pyre."
These words produce a deep commotion among the crowd. The majority of
those present are hostile to Joan Darc. A small number feel sincere pity
for her. These various sentiments find expression in cries, imprecations
and charitable utterances:
"She has not yet been condemned, the witch! Death to the abominable
idolater!"
"A door of safety is being held open to her. Death to the heretic!"
"By St. George! Upon the word of an English archer, I shall set the
Bishop's house on fire if the strumpet is not brought to the pyre at
once!"
"Mercy will be extended to her! And yet with her sorceries she has
exterminated our invincible army!"
"Her partisans want to save her!"
"I hope they may succeed! Poor girl! She has suffered so much! Mercy for
her!"
"How pale and thin she is! She looks like a ghost! Take pity upon the
poor creature!"
"She fought for France. And after all, we are French!"
"Speak not so loud, my friend, the English soldiers may overhear you!"
"Jesus! My God! To burn her! Her who was so brave and so pious! It would
be an act of barbarism!"
"Is it her fault that God inspired her?"
"If saints appeared before her, and spoke to her, all the greater the
honor!"
"How can a bishop of the good God dare to pronounce her a sorceress!"
"Death! Death to the witch!"
"Death! Death to the she-devil!"
"To the pyre with the strumpet of the Armagnacs!"
At these ferocious cries and infamous insults Joan Darc's terror
redoubles. The ignominy that awaits her if she does not abjure rises
before her. To abjure means to escape mortal shame; to abjure means to
regain freedom! Joan Darc resigns herself. Still her loyalty and
conscience revolt at that supreme moment, and instead of completely
renouncing her errors, she mutters on her knees: "I have sincerely
stated all my actions to my judges; I believed I acted under the command
of God. I do not wish to accuse either my God or anybody. If I have
sinned I alone am guilty. I rely upon God. I implore His mercy."
"Subterfuges!" cried Bishop Cauchon. "Subterfuges! Yes, or no; do you
consider true what the priests, your only judges in matters of faith,
declare concerning your actions and words--words and acts that have been
pronounced fallacious, homicidal, sacrilegious, idolatrous, heretical
and diabolical? Answer! (Joan is silent) I call upon you a second time
to answer! (Joan is still silent) I ask you a third time to answer! You
are silent? You are an abominable criminal!"
Yes, the heroine remains silent, racked by a supreme internal struggle.
"Abjure!" whispered to her the instinct of self-preservation. "Do not
abjure! Do not lie! Courage! Courage!" cries her conscience; "maintain
the truth unto shame and death!" The wretched girl wrings her hands, and
remains silent, a prey to distracting agonies.
"Alack!" exclaims Bishop Cauchon, addressing the people. "My very dear
brothers! You see the stiff-neckedness of this unhappy woman! She spurns
her tender mother the Church, that extends her arms to her with love and
pardon! Alack! Alack! The evil spirit has taken a firm hold of her who
might now have been Joan. Her, whose body shall have to be delivered to
the burning flames of the pyre! Her, whose ashes will be cast to the
winds! Her, who, deprived of the holy Eucharist at the moment of death,
and loaded down with the decree of excommunication, is about to be cast
into the bottom of hell for all eternity! Alack! Alack! Joan, you willed
it so. We believed in your repentance, we consented not to deliver you
to the secular arm. But you persist in your heresy. Then listen to your
sentence!"
While the Bishop is recalling the formula of the sentence several
English soldiers brandish their lances and cry: "Let an end be made of
this!"
"Throw the witch quickly into the fire!"
"Death to the magician!"
At the same time other voices from the crowd cry:
"Poor, brave girl! Mercy for her!"
"Lord God! How can she deny her visions! Mercy! Mercy!"
"It would be a lie and cowardice on her part! Courage! Courage!"
Bishop Cauchon rises, terrible, and with his hands extended to heaven
makes ready to utter the final curse upon the accused. "Joan!" he cries,
"listen to your sentence. In the name of the Church, we, Peter, Bishop
of Beauvais by the mercy of God, declare you--"
Joan Darc interrupts the approaching imprecation with a shriek of
terror, clasps her hands, and collapses upon the scaffold, crying:
"Mercy! Mercy!"
"Do you submit yourself to the judgment of the Church?" again asks
Bishop Cauchon.
Livid and her teeth chattering with terror, Joan Darc answers: "Yes, I
submit myself!"
"Do you renounce your apparitions and visions as false, sacrilegious,
and diabolical?" the Bishop asks.
Wholly broken down, and in a gasping voice, Joan makes answer:
"Yes--yes--I renounce them--seeing the priests consider them wicked
things. I submit to their opinion--I shall submit to everything that the
Church may order--Mercy! Have pity upon me!" and cowering upon herself,
she hides her face in her hands amidst convulsive sobs.
"Oh, my very dear brothers!" exclaims Bishop Cauchon with an affectation
of charity. "What a beautiful day! What a holy day! What a glorious day!
that on which the Church in her maternal joy opens her arms to one of
her children, repentful after having long wandered from the fold! Joan,
your submission saves your body and your soul! Repeat after me the
formula of abjuration." The Bishop beckons to one of the registrars, who
brings to him a parchment containing the formula of abjuration.
Violent outcries break out from the crowd. The English soldiers and the
people of the Burgundian party feel irritated at the prospect of the
Maid's escaping death, and break out into imprecations against the
judges. They charge the Bishop and the Cardinal with treason and
threaten to burn down their houses. The English captains share the
indignation of their men. One of the former, the Earl of Warwick, steps
out of the group in which he stands, rushes up the stairs of the
scaffold, and approaching the prelate says to him angrily, in a low
voice: "Bishop, Bishop, is that what you promised us?" "Be patient!"
answers the prelate, also in a low voice; "I shall keep my promise; but
calm your men; they are quite capable of massacring us!"
Sufficiently acquainted with Peter Cauchon to know he can trust him, the
Earl of Warwick again descends from the platform, joins his companions
in arms, and communicates the Bishop's answer to them. The latter hasten
to distribute themselves among the ranks of the soldiers, whose anger
they appease with assurances that the witch will be burned despite her
abjuration. But while one part of the mob is enraged at the Maid's
abjuration and the Bishop's pardon, another, consisting of the people
who pity Joan, is thrown into consternation. This feeling soon makes way
for indignation. She denies her visions; then they were false pretences;
she lied when she claimed to be sent by God. And if her visions were
true, she is now disgracing herself by a shameful act of cowardice.
Coward or liar--such is the judgment they now pass upon Joan Darc. The
infernal ecclesiastical plot is skilfully hatched; through it the
sympathy once felt for the heroine is extinguished in the hearts of her
partisans themselves. On her knees upon the scaffold, cowering down, and
her face covered by her hands, Joan Darc seems a stranger to what passes
around her. Overcome by so many conflicting emotions, her mind again
begins to wander, she seems to have but one fixed idea--to escape the
disgrace of the stake.
Silence being finally restored, Peter Cauchon rises with the parchment
in his hands and says: "Joan, you shall now repeat with your heart and
your lips, the following formula of abjuration, in the measure that I
pronounce it. Listen!" and he proceeds to read in a voice that is heard
by the remotest ranks of the pressing crowd: "'Any person who has erred
in the Catholic faith, and who thereafter by the grace of God has
returned to the light of truth and to the bosom of our holy mother the
Church, must be careful not to allow himself to be provoked by the evil
spirit into a relapse. For this reason, I, Joan, commonly named the
Maid, a miserable sinner, recognizing that I was fettered by the chains
of error, and wishing to return to the bosom of our holy mother the
Roman Catholic and Apostolic Church, I, Joan, to the end of proving that
I have returned to my tender mother, not in false appearance, but with
my heart, do hereby confess, first, that I gravely sinned by falsely
causing others to believe that I had apparitions and revelations of God
in the forms of St. Marguerite and St. Catherine and of St. Michael the
archangel.'" Turning to Joan, the Bishop asks: "Do you confess having
wickedly sinned in that, and of having been impious and sacrilegious?"
"I confess it!" comes from Joan Darc in a broken voice.
An outburst of cries from the indignant mob greets the confession of the
penitent. Those now most furious are the ones who were before moved with
tender pity for her.
"So, then, you lied!"
"You imposed upon the poor people, miserable hypocrite!"
"And I, who felt pity for her!"
"The Church is too indulgent!"
"Think of accepting the penitence of so infamous a cheat!"
"Upon my word, comrades, she is quite capable of being possessed of the
devil as the English claimed! The strumpet and liar!"
"And yet her victories were none the less brilliant for all that!"
"Aye! through witchcraft! Are you going to show pity for the liar?"
"Fear of the fagot makes one admit many a thing!"
"Then she is a coward! She has not the courage to uphold the truth in
the face of death! What faint-heartedness!"
Silence is restored only by degrees. Joan Darc hears the frightful
accusations hurled at her. To return to her first declarations would be
an admission of fear. Her mind wanders again.
Continuing to read from the formula of abjuration, Bishop Cauchon says:
"'Secondly, I, Joan, confess to have grievously sinned by seducing
people with superstitious divinations, by blaspheming the angels and the
saints, and by despising the divine law of Holy Writ and the canonical
laws.'" Addressing Joan the Bishop asks: "Do you confess it?'
"I confess it!" murmurs Joan.
Bishop Cauchon proceeds to read: "'Thirdly, I, Joan confess having
grievously sinned by wearing a dissolute garb, deformed and dishonest,
in violation of decency and nature; and by wearing my hair cut round,
after the fashion of men, and contrary to modesty'--Do you confess that
sin?"
"I confess it!"
"'Fourthly, I, Joan, confess having grievously sinned by boastfully
carrying armor of war, and by cruelly desiring the shedding of human
blood.'--Do you confess it?"
Joan Darc wrings her hands and exclaims: "My God! Can I affirm such
things?"
"What! You hesitate!" exclaims Bishop Cauchon, and he adds, addressing
her in a low voice: "Be careful, the fagots await you!"
"I confess it, Father," stammers Joan.
"Joan, do you confess having cruelly desired the effusion of human
blood?" asks Bishop Cauchon in a thundering voice.
"I confess it!"
Loud cries of horror go up from the mob, while the English soldiers
brandish their weapons at Joan. Some men pick up stones to stone the
heroine to death. The imprecations against her redouble threateningly.
"The harpy waged war out of pure cruelty!"
"She merely wished to soak herself in blood!"
"And the Church pardons her!"
"At one time I felt great pity for the wretch. Now I say with the
English, Death to the tigress who lived on blood!"
"You fools! Do you believe these priests? Do you think Joan went after
battle to drink the blood of the slain?"
"You defend her?"
"Yes! Oh, why am I alone?"
"You are a traitor!"
"He is an Armagnac!"
"Death to the Armagnac!"
The mob beats Joan's defender to death. As to herself, her condition is
now such that she no longer is aware of aught she hears or says. She has
practically lost consciousness. She barely has enough strength to
respond mechanically, "I confess it," each time she hears Bishop Cauchon
ask her, "Do you confess it?" In the midst, however, of her weakness and
the wandering of her mind, one thought she is fully conscious of, the
thought that her agony cannot last long; within a short time she would
be dead or free! Poor martyr!
Bishop Cauchon continues to read: "'Fifthly, I, Joan, confess that I
grievously sinned in claiming that all my acts and all my words were
inspired to me by God, His saints and His angels, while in truth I
despised God and His sacraments and I constantly invoked evil
spirits.'--Do you confess it?"
"I confess it!"
"She confesses that she is a witch!" cries a voice from the mob.
"By St. George, she has exterminated thousands of my countrymen by her
sorceries! And shall she escape the fagots!"
"She will be burned later! Our captains have promised us!"
"They deceive us! We shall burn her ourselves, now!"
Bishop Cauchon reads: "'Sixthly, I, Joan, confess that I grievously
sinned by being a schismatic.'--Do you confess it?"
"I confess it!"
Bishop Cauchon continues reading: "'All of which crimes and errors, I,
Joan, having returned to the truth, by the grace of our Lord, and also
by the grace of our holy and infallible doctrine, my good and reverend
Fathers, I now renounce and abjure.'--Do you renounce, do you abjure
these crimes and errors?"
"I renounce! I abjure!"
Bishop Cauchon reads on: "'In the faith and the belief of all of which,
I declare that I shall submit to the punishment that the Church may
inflict upon me, and I promise and swear to St. Peter, the prince of the
apostles, and to our Holy Father the Pope of Rome, his vicar, and to his
successors, and to you, my seigneurs, and to you, my reverend father in
God, Monseigneur the Bishop of Beauvais, and to you religious person,
Brother John Lemaitre, vicar of the Inquisition of the faith, I, Joan,
swear to you, to all of you my judges, never again to relapse into the
criminal errors that it has pleased the Lord to deliver me from! I swear
ever to remain in the union of our holy mother the Church, and in
obedience to our Holy Father the Pope!'--Do you swear?"
"I swear--and I am dying!"
Bishop Cauchon beckons to one of the registrars. The latter takes a pen
out of his portfolio, dips it in ink, hands it to the prelate, and holds
up his square cap for a desk. The prelate places the parchment on the
cap, and continues to read from it in a loud voice:
"'I, Joan, affirm and confirm all that is said above; I swear to it and
affirm it in the name of the living and all-powerful God and of the
sacred gospels, in proof whereof, and not knowing how to write, I have
signed this document with my mark,'" saying which he presents the pen to
the kneeling Joan and pointing to the parchment on the registrar's cap,
adds: "Now place your cross here, below, seeing you do not know how to
write."
In an almost expiring condition Joan Darc endeavors to trace a cross at
the bottom of the parchment. Her strength fails her. The registrar
kneels down beside the Maid, and guiding her inert and icy hand, aids
her to make her mark at the bottom of the document. This being done, he
calls the two penitents dressed in long grey gowns who have remained at
the foot of the scaffold, and delivers to them the almost insensible
Joan Darc. They place themselves on either side of her and take her
under the arms. Her head drops upon her shoulder; from between her
half-closed eyelids her eyes appear fixed and glassy. The only sign that
life has not yet fled is a slight tremor that from time to time runs
over her frame.
Stepping forward, Bishop Cauchon addresses the crowd in a tremendous
voice: "All pastors charged with the duty of lovingly guarding the flock
of Christ must endeavor to keep far from their dear flock all causes of
pestilence, infection and corruption, and must seek to lead back the
sheep that has wandered off among the brambles. Wherefore, we, Peter,
Bishop of Beauvais by the grace of God, assisted by John Lemaitre,
Inquisitor of the faith, and other learned and reverend priests, all
competent judges, having heard and considered your assertions and your
admissions, do now declare to you, Joan the Maid: We pronounce you
guilty of having falsely maintained that you have had divine visions and
revelations; guilty of having seduced weak people and having
stiff-neckedly held to your opinions; guilty of having despised the
sacraments and the holy canons; guilty of having favored sedition
against our sovereign and serene master the King of England and France;
guilty of having cruelly shed human blood; guilty of having apostatized,
schismatized, blasphemed, idolatrized and invoked the evil spirit. But
seeing that by the grace of the All-Powerful you have at last returned
to the pale of our holy and sweet mother the Church, and that, filled
with sincere contrition and genuine faith, you have publicly and in a
loud voice made abjuration of your criminal and heretical errors, we now
suspend the punishment of excommunication and its consequences, upon the
express condition that you sincerely return to our holy and merciful
Church. And charitably wishing to aid you in accomplishing your
salvation, we condemn you, Joan the Maid, to perpetual imprisonment
where your food shall be the bread of pain, your drink the water of
agony, to the end that, weeping throughout the rest of your life over
your monstrous sins, you may never again incur them. This is your final
and definite condemnation. You now see how the Church of our Lord shows
herself a tender mother towards you. Do then forevermore abandon and
deplore your culpable error! Renounce your male attire forever, a shame
to your sex! And should you relapse into that or any other mortal and
idolatrous sin, then will the Church with profound and maternal pain be
forced to cut you off forever from her body, she will then deliver you
to the secular arm, and you will be cast into the flames like a
gangrened member, seized with incurable rottenness. Glory to God on
high, Amen."
The mob, especially the English soldiers, receive the "merciful"
sentence with a threatening clamor. The people make a move to force the
gate of the cemetery, which is guarded by a platoon of archers. The
latter, being no less exasperated, seem ready to join the discontented
and attack the platform. The Earl of Warwick quickly ascends the
scaffold and again angrily addresses the Bishop: "Bishop! Has not this
comedy lasted long enough? We can no longer answer for our soldiers in
their present state of exasperation if, despite her abjuration, the
witch is not burned!"
Bishop Cauchon suppresses with difficulty a gesture of impatience. He
whispers into the English captain's ear. The latter, seeming to be
convinced by what he hears, answers with a gesture of approval. The
prelate adds: "Rest assured of what I promise you. At present see to it
that the gate of the cemetery is well guarded, and that the mob is not
allowed to break in. We shall make our exit by the garden of the abbey,
and the Maid will be taken the same way. She would otherwise be
massacred by the good people. And that must not be. She has only
fainted. She will be seen to in her prison."
The Earl of Warwick again descends from the platform. The Bishop issues
his orders to the penitents who are supporting the wholly unconscious
Joan in their arms. They raise her--one under the arms, the other by the
feet, descend the stairs of the platform, and, bearing their burden,
walk rapidly across the cemetery to the garden of the abbey, while the
English soldiers, obedient to the orders of their captains, who promise
to them the speedy execution of Joan, close their ranks before the gate
of the cemetery and keep back the mob, that shouts for the death of the
witch.
CHAPTER VII.
REMORSE.
After her formal abjuration Joan Darc is taken in an almost dying
condition, not to her cell but to a room in the Castle of Rouen. By
orders of the Bishop, two old women are appointed to nurse her. She is
laid in a soft bed; her jaws, locked in convulsions, are forced open,
and a calming beverage poured down her throat. Every day and night the
physician visits her. On the second day after the abjuration, the
patient is out of danger. When Joan Darc recovers consciousness, she
finds herself in a spacious and neatly furnished room. The warm rays of
the sun play upon the glass of the barred casement. The two old women,
who have her in charge, are seated at the head of the patient's bed
seeming to contemplate her with tender interest. Joan Darc first thinks
that she dreams, but her next belief is that, agreeable to the promise
made to her by the institutor in the name of the Bishop, she has
secretly been set free. She believes that some charitable people have
obtained from the Bishop permission to transport her to their own house.
The first impression felt by Joan at these surmises is one of joy at
being free, and no remorse assails her at having denied the truth. The
bliss of having escaped the dreaded shame of exposure, the hope of soon
recovering her health, the prospect of returning to Domremy and seeing
her parents--all these pleasurable sentiments smother the reproaches of
her voices. She asks the two old women where she is. They smile in
answer, and mysteriously place their fingers on their lips. From these
tokens Joan conjectures that they are not free to answer, but that she
is in a safe and hospitable asylum. Preserving on this head the silence
that seems to be recommended to her, Joan gives herself over without
reserve to the joy of living, of looking through the window panels at
the blue sky, at feeling her limbs, so long sore and even wounded by the
weight of her chains, finally free from their cruel grip; above all she
congratulates herself on being delivered from the presence of her
jailers, whose revolting utterances and licentious looks have been a
cause of unremitting torture to her. She accepts nourishment and even
some generous wine mixed with water. Her strength returns. On the third
day she is able to rise. Her nurses offer her a long woman's dress and a
hat. No longer assailed by the chaste apprehension that her jailers
inspired her with in her cell, Joan resumes without hesitation the garb
of her sex. The door of the room that she occupies opens upon a terrace
on which her nurses induce her to promenade. A board fence high enough
to shut off the view surrounds the terrace.
Joan remains a long time upon the terrace, inhaling the spring air with
delight. When night approaches, feeling herself slightly fatigued by her
walk, she undresses, lies down upon her bed, and sleeps profoundly.
Subject to human weakness, and transported by the joy of being free
after such a long, painful and rigid confinement, the poor martyr is not
assailed by remorse until towards evening. Vague sentiments, the
forerunners of the approaching awakening of her conscience having cast
a shadow over her spirit, she seeks in sleep both further rest and
oblivion. Her expectations prove false.
St. Marguerite and St. Catherine appear in the heroine's dream; they do
not now smile and look down tenderly upon her. They are sad and
threatening, and reproach her for having denied the truth out of fear
and shame. Profoundly impressed by her dream, Joan wakes up, her face
covered with tears, when, lo, she sees the two saints with their gold
crowns on their heads and robed in white and blue, luminously, almost
transparently floating in the darkness of the room, and calling her by
her name.
With beating heart and clasped hands, Joan kneels down on her bed, sobs,
and implores their forgiveness. Without answering her, the two saints
point to heaven with a significant gesture. The apparition then
gradually fades away, and darkness again reigns supreme.
Thus rudely awakened to a sense of her actual condition, the heroine
forthwith feels the promptings of her own conscience, that has lain
torpid since the abjuration. She traces back the solemnity in all its
horrid details; she recalls the maledictions with which she was whelmed
by those who just before commiserated her. The terrible, yet legitimate
accusation pounds upon her ears:
"If Joan's visions are inventions and a fraud, she has deceived simple
people--she has lied--she only deserves contempt."
"If her visions were genuine, if God inspired her, she covers herself
with shame by abjuring out of fear of death!"
"_Coward_ or _liar_" her inexorable voices repeat to her; "coward, or
liar!--such is the name that you will leave behind you!"
Indescribable are the tortures that the poor creature undergoes on that
night of desperate remorse. The full lucidity of her mind, of her
energy, of her character, have returned to her, but only to curse her.
Her keen judgment points out to her the fatal consequences of her
abjuration; the soldiers and the peoples who rose at her voice against
the foreigner will soon learn of the perjury committed by her whom they
believed inspired! Mistrust of themselves, dejectment, even defeat may
follow the victorious exaltation of the soldiers and the people. On the
other hand, the memory of the martial maid, surviving her martyrdom,
would have added fuel to their courage, it would have aroused an
avenging hatred for the English, and the great work of the complete
emancipation of Gaul would have been achieved in the name of the victim,
and in execration of her butchers.
Finally, could Joan continue the war even after she regained her
freedom? What confidence could she inspire in the masses, she who had
been convicted of falsehood or cowardice?
The plot of the ecclesiastics was planned with diabolical craft. They
foresaw and calculated the consequences of the heroine's apostasy; they
realized that, taken to the pyre after she had confessed the divinity of
her mission, Joan would have become a saint; if, however, she renounced
her past actions, she was dishonored.
"Idle remorse!" thinks Joan. "How retract a public abjuration.
Impossible! Who could believe in the sincerity of a creature who had
once before renounced her faith and her honor!"
These mind and heartrending thoughts are tearing Joan Darc to pieces
when morning dawns and a rap is heard at the door of her chamber. The
old women rise and go to inquire who is there. It is their reverend
father in God, Canon Loyseleur. He wishes to speak to Joan without
delay. She hastily puts on her woman's clothes and prepares to receive
the priest, towards whom she now experiences a secret aversion, seeing
that she accuses him in her heart for having led her to abjure by
superexciting her dread of the shame and fear of the fagots. She
reflects, however, that after all, the priest might have actually
believed in the wisdom of his advice, and that she alone is responsible
for the cowardly apostasy. Joan receives the canon with her habitual
sweetness of manners. She learns from him that she is still a prisoner
in the Castle of Rouen, but that the Bishop will set her free. The
prelate, adds the canon, has no interest in retaining her a prisoner,
and is to allow her to escape at night in a day or two. Loyseleur
pretends that, thanks to his own personal intercession with the captain
of the tower, she has been transferred to that room; but the captain
demands that, the prisoner being now almost well again, she be returned
to her cell. His orders are to be carried out that very morning.
Joan Darc believes the priest's words and easily reconciles herself to
the idea of returning to her cell, but she asks as a supreme favor that
male attire be provided to her for the sake of protection against her
jailers. Canon Loyseleur promises to carry her wishes to the captain of
the tower. Suddenly one of the old women rushes into the room saying
that the jailer and an escort of soldiers are coming to claim the
prisoner. The canon assures Joan she is soon to be set free, and leaves
the room at the moment that John enters, carrying manacles which he
fastens on the wrists of the heroine, and then conducts her back to her
cell. Upon entering, Joan notices that the male clothes which she left
there have disappeared. She expects to see herself chained by the waist
and feet as she was before; but, freeing her even of the manacles, John
informs her that she is no longer to be chained, saying which he leaves,
casting a strange look upon her. Hardly concerned at this leniency, Joan
sits down upon her straw couch and remains motionless, occupied with her
own thoughts.
CHAPTER VIII.
THE RELAPSE.
It has long been night. The little iron lamp lights the dungeon of Joan
Darc, who lies upon her straw couch broken with remorse at the
continuous reproaches of her voices, and racking her brain for the means
to expiate her weakness. The captive bitterly regrets the disappearance
of her masculine clothes. Agitated by vague presentiments, and
apprehensive of dangers on which she hardly dares dwell, she has wrapped
herself as closely as she can in her clothes, and fearing to yield to
the sleepiness that is gaining upon her, she rises from her straw bed
and sits down upon the floor with her back leaning against the wall. But
pressed down by sleep, her eyelids close despite herself, by degrees her
head droops forward, and finally drops upon her knees which she holds
within her arms. She falls asleep.
A few minutes later the pale face of Canon Loyseleur appears at the
wicket. He notices that Joan is asleep, and withdraws.
Shortly afterwards the heavy door of the dungeon turns noiselessly upon
its hinges. It opens and recloses so silently that Joan Darc's slumber,
is not interrupted either by the slight noise of the door or the steps
of two men who creep into the cavernous precinct. The two men are Talbot
and Berwick, the English captains, who are appointed by Bishop Cauchon
as the additional keepers of Joan Darc. Both are men in the prime of
life. They wear rich slashed jackets after the fashion of the time. The
two noble officers have sought in the stimulus of wine the requisite
courage to commit the unheard-of atrocity, the nameless crime that they
are bent upon. Their cheeks are inflamed, their eyes glisten, a lewd
smile contracts their vinous lips. At the sight of Joan asleep they stop
a moment and take council. Presently the two rush upon their victim.
Awakened with a start, Joan Darc leaps up and struggles to free herself
from the grasp of her assailants. Berwick seizes her by the waist, while
Talbot, sliding behind, seizes her arms and approaches his mouth to the
lips of Joan, who turns her head away and utters a piercing shriek. The
two noblemen drag her to the straw couch. The heroine draws superhuman
strength from her despair. A violent struggle ensues, horrible,
nameless. The tipsy Talbot and Berwick, exasperated at the heroine's
resistance, give a loose to the fury of unsatisfied lechery. They smite
Joan Darc with their fists. Her face bleeds. Yet she resists, and calls
for help.
At last the door opens and Canon Loyseleur appears at the entrance. He
feigns indignation. He brings with him a little trunk containing Joan's
male clothes, and addressing the captain of the tower who enters with
him, says: "You see it with your own eyes! An infamous attempt is
contemplated upon the unfortunate woman!" Perhaps not wholly dead to
conscience, Berwick and Talbot allow Joan Darc to escape from their
grasp, and leave the cell, followed by the captain. Distracted, her face
black and blue and covered with blood, Joan Darc falls almost senseless
upon her couch, near which the canon has deposited her man's attire.
Before he has time to speak with the victim, he is called away by the
jailer, who, shaking his fist at him, says roughly:
"Get out of here, you tonsured dotard, canon of Satan! The devil take
the marplot!"
"Poor child!" cries the priest, walking out, "I brought you your
clothes. Put them on despite the oath you took. You may perhaps be
sentenced as a relapsed heretic. But death is preferable to outrage!"
The door of the cell closes behind the canon. Silence and darkness
resume their empire in Joan's dungeon. The plot to cause Joan's
condemnation, induce her abjuration and then provoke her relapse so as
to justify her being publicly burned to death is being carried out to
the letter.
CHAPTER IX.
THE WORM TURNS.
It is eight o'clock of the following morning. Joan Darc is again clad in
her male attire. She is again chained. Her handsome face is bruised from
the blows that she received in the nocturnal struggle. One thought only
absorbs her mind--can she manage to confess aloud the truth of what she
has denied? The heroine's expectations are met by the event. Instructed
by his accomplice of the happenings of the day before, the Bishop has
commissioned several judges to visit Joan in her cell. They are seven.
Here are their names:
Nicolas of Venderesse, William Haiton, Thomas of Courcelles, Isambard of
La Pierre, James Camus, Nicolas Bertin, Julien Floquet.
Considering her crime flagrant, Joan Darc feels a bitter joy at the
sight of the priests. Her head erect, calm, resolute, she seems to
challenge their questions. Out of modesty and dignity, however, and
unwilling to run the risk of blushing before these men, she decides to
be silent upon the attempt of the previous night. The judges range
themselves around the couch of the enchained captive.
THOMAS OF COURCELLES (affecting astonishment)--"What, Joan, again in
man's attire? And despite your oath to renounce such idolatrous garb
forever?"
JOAN DARC (tersely)--"I have resumed these clothes because I was forced
to."
NICOLAS OF VENDERESSE--"You have violated your oath."
JOAN DARC (indignant)--"It is you who have violated yours! Have the
promises made to me been kept? Have I been allowed to attend mass? Have
I been restored to freedom after my abjuration? You are knaves and
hypocrites!"
JAMES CAMUS--"We had to conform to the ecclesiastical sentence which
condemns you to perpetual imprisonment."
JOAN DARC--"I prefer to die rather than remain in this prison. (She
shivers with horror at the thought of the previous night's attempt upon
her.) Had I been allowed to attend mass, had I been left in a decent
place, free from my chains, and kept by women, I would have continued to
clothe myself in the garb of my sex. If there is any fault, it lies with
you."
ISAMBARD OF LA PIERRE--"Have you heard your voices since your
condemnation?"
JOAN DARC (with bitterness)--"Yes; I have heard them."
The priests look at one another and exchange meaning looks.
WILLIAM HAITON--"What did your voices say to you? We want to know."
JOAN DARC (with a firm voice)--"They told me I committed an act of
cowardice by denying the truth."
JAMES CAMUS--"And before the abjuration, what did your voices say?"
JOAN DARC (intrepidly looking at her judges)--"My voices said to me it
would be criminal to deny the divine inspiration that ever guided me.
(Commotion among the judges.) Upon the scaffold my voices said to me:
'Answer that preacher boldly--he is a false priest!' Woe is me, I did
not obey my voices!"
The judges remain silent for a moment, and exchange expressive looks.
THOMAS OF COURCELLES--"These words are as rash as they are criminal.
After having abjured, you relapse into your damnable errors!"
JOAN DARC (in a ringing voice)--"The error lies in lying--by abjuring I
lied! What is damnable is to damn one's soul, and I damned it by not
maintaining that I obeyed the will of heaven! My voices have reproached
me for having abjured."
JAMES CAMUS--"Thus, after resuming male attire, a capital crime, an
unpardonable crime which makes you a relapsed one, _revolvistis ad
vestrum vomitum_--you have returned to your vomit, you dare maintain
that those alleged voices--"
JOAN DARC--"The voices of my saints--come from God."
THOMAS OF COURCELLES--"On the scaffold you confessed."
JOAN DARC--"On the scaffold I was a coward! I lied! I yielded to the
feeling of terror!"
JAMES CAMUS--"At this hour, thinking you no longer need to fear death,
you come back to your former declarations."
JOAN DARC--"At this hour I maintain that only fear forced me to abjure,
to confess the contrary of the truth. I prefer to die, rather than
remain in this prison. I have spoken. You shall have not another word
from me."
JAMES CAMUS--"Be it so!"
The priests file out slowly and silently. Joan Darc remains alone, on
her knees upon the straw. She raises her eyes to the vault of her prison
with a radiant, inspired face, and with her hands joined, she thanks her
saints for the courage they have given her to expiate and annul her
apostasy by resolutely marching to death.
CHAPTER X.
TO THE FLAMES!
The scene changes. After the last interrogatory of Joan the priests
proceed to Bishop Cauchon in order to inform him of the issue of their
visit to the prisoner--a result that the prelate expects, so much so
that he has convoked a sufficient number of judges to meet in the chapel
of the Archbishop's palace at Rouen in order to proceed with the final
sentence of the relapsed sinner. All the summoned prelates are assembled
and in their seats in the chapel. Bishop Cauchon, seated in the center
of the choir, presides, and orders silence with a gesture.
BISHOP CAUCHON--"My very dear brothers, Joan has fallen back into her
damnable errors, and in contempt of her solemn abjuration, pronounced in
the face of God and His Holy Writ, not only has she resumed her male
attire, but she again stubbornly maintains that all that she has done
and said was said and done by divine inspiration! I now call for your
views, in the order of precedence, upon the fate of the said Joan who is
now charged with having relapsed, reserving to myself the right of
convoking you again, should I deem it necessary."
ARCHDEACON NICOLAS OF VENDERESSE--"The said Joan should be given over to
the secular arm, to be burned alive as a relapsed sinner."
ABBOT AGIDIE--"Joan is a relapsed heretic, no doubt about it.
Nevertheless, I am of the opinion that a second abjuration should be
proposed to her, under pain of being delivered to the secular arm."
CANON JOHN PINCHON--"Joan has relapsed; I shall adhere to whatever plan
of punishment my very dear brothers may decide upon."
CANON WILLIAM ERARD--"I pronounce the said Joan a relapsed sinner and
deserving of the pyre."
CHAPLAIN ROBERT GILBERT--"Joan should be burned as a relapsed sinner and
heretic."
ABBOT OF ST. AUDOIN--"The woman is a relapsed sinner. Let her abjure a
second time or be condemned."
ARCHDEACON JOHN OF CASTILLONE--"Let the relapsed sinner be delivered to
the secular arm."
CANON ERMANGARD--"I demand the exemplary death of Joan."
DEACON BOUCHER--"Joan should be sentenced as a relapsed one."
PRIOR OF LONGUEVILLE--"That is my opinion. She should be burned alive."
FATHER GIFFARD--"I think the relapsed sinner should be sentenced without
delay."
FATHER HAITON--"I pronounce the said Joan a relapsed sinner. I am for
her speedy punishment, provided, however, she refuses to abjure a second
time."
CANON MARGUERIE--"Joan is a relapsed sinner. Let her be delivered up to
secular justice."
CANON JOHN OF L'EPEE--"I am of my brother's opinion. She should be
burned to death."
CANON GARIN--"I think so, too."
CANON GASTINEL--"Let us give up the relapsed sinner to the pyre."
CANON PASCAL--"That is my opinion. Let her be burned to death."
FATHER HOUDENC--"The ridiculous explanations of the woman are to me an
ample proof that she has always been an idolatress and a heretic.
Besides that, she is a relapsed sinner. I demand that she be delivered
to the secular arm without delay."
MASTER JOHN OF NIBAT--"The said Joan is impenitent and a relapsed
sinner. Let her undergo her punishment."
FATHER FABRE--"A heretic by habit, hardened in her errors, a rebel to
the Church, the body of the said Joan should be delivered to the flames,
and her ashes cast to the winds."
ABBOT OF MONTEMART--"I hold as my brother. Only I am of the opinion that
she should be given a second chance to abjure."
FATHER GUELON--"That is my opinion."
CANON COUPEQUESNE--"Mine also."
CANON GUILLAUME--"Let the said Joan be offered a second chance to
retract. If she refuses, then death."
CANON MAURICE--"I favor such a second summons, although I do not expect
good results from it."
DOCTOR WILLIAM OF BANDIBOSC--"I side with my very dear brother."
DEACON NICOLAS CAVAL--"The relapsed sinner should be treated without
pity, according to her deserts. She should be burned to death."
CANON LOYSELEUR--"The said Joan should be delivered to the temporal
flames."
THOMAS OF COURCELLES--"The woman is a heretic and relapsed sinner. She
may be summoned a second time, and told that if she persists in her
errors, she has nothing to expect in this world."
FATHER JOHN LEDOUX--"Although such a second attempt seems to me idle, it
might be tried so as to demonstrate the inexhaustible kindness of our
mother the Church."
MASTER JOHN TIPHAINE--"I favor this second, though idle, attempt."
DEACON COLOMBELLE--"I am of the same opinion."
ISAMBARD OF LA PIERRE--"Secular justice will take its course if the said
Joan refuses to abjure a second time."
From these opinions it transpires that some of the judges demand
immediate death, while others, and these are a small majority, favor a
second abjuration, although the opinion is general that the attempt is
vain. The judges have learned from their accomplices that the heroine is
now determined to seek in death the expiation of the confessions which
only fear drew from her. More straightforward and frank in his projects,
moreover, convinced of the success of his plan, the Bishop sums up the
deliberation and absolutely opposes the idea of attempting a second
abjuration. Do not most of those who favor the measure consider it idle?
Why, then, try it? And even if it were certain that the relapsed sinner
would abjure again, the performance would have a deplorable effect. Did
not the soldiers and the people, exasperated at the clemency of the
Church, cry "Treason!" and seem ready to riot at the time of the first
abjuration? Is it wise to incur and provoke a terrible turmoil in the
town? Has not the Church given evidence of her maternal charity by
admitting Joan to penitence, despite her perverse heresy? How was this
act of benevolence rewarded by her? It was rewarded with renewed and
redoubled boastfulness, audacity and impiety! Bishop Cauchon closes,
conjuring his very dear brothers in the name of the dignity of the
Church, in the name of the peace of the town, in the name of their
conscience, to declare without superfluous verbiage that the said Joan
is a relapsed sinner, and, as such, is given over to the secular arm, in
order to be led to death the next day, after being publicly
excommunicated by the Church. The judges yield to the views of the
prelate. The registrar enters the sentence of death, and the session
rises.
Peter Cauchon is the first to leave the chapel. Outside he meets several
English captains who are waiting for the issue of the deliberations. One
of them, the Earl of Warwick, says to the prelate:
"Well, what has been decided shall be done with the witch?"
"_Farewell!_ It is done!" answers the Bishop with glee.
"The Maid--".
"Shall be burned to-morrow--burned to death in public," interrupts
Bishop Cauchon.
CHAPTER XI.
THE PYRE.
During the evening of May 29, 1431, the rumor spreads through Rouen that
the relapsed sinner is to be burned to death on the following day. That
same night carpenters raise the necessary scaffoldings while others
build the pyre and plant the stake. Early the next morning companies of
English archers form a cordon around the market-place, where Joan Darc
is to be executed, and a double file extends into one of the streets
that runs into the place. The two files of soldiers leave a wide space
between them, connecting the street with the vacant area left around the
scaffoldings. These are three in number, the highest of the three being
at a little distance from the other two. On one of these, the one to the
right, which is covered with purple cloth, rises a daised seat of
crimson, ornamented with tufts of white feathers and fringed with gold.
A row of seats equally decked extends on both sides of the central and
daised throne, which is reached by several steps covered with rich
tapestry. The scaffold to the left is of the same dimensions as the
first, but it, as well as the benches thereon, is draped in black. The
last of the three scaffolds consists of solid masonry about ten feet
high, broad at the bottom, and ending in a narrow platform in the
middle of which stands a stake furnished with iron chains and clamps.
The platform is reached by a narrow set of stairs that is lost to sight
in the midst of an enormous pile of fagots mixed with straw and
saturated with bitumen and sulphur. The executioners have just heaped up
the combustibles on the four sides of the pile of masonry. Tall poles,
fastened in the ground close to the pyre bear banners on which the
following legends are to be read in large white letters on a black
ground:
"Joan, who had herself called the Maid, condemned to be burned alive."
"Falsifier, misleader, and deceiver of the people."
"Soothsayer, superstitious, blasphemer of God."
"Presumptuous, apostate from the faith of Jesus Christ, idolatress,
cruel, dissolute."
"Invoker of devils."
"Schismatic, relapsed."[116]
At eight all the bells of Rouen begin tolling the funeral knell. Poor
Joan, she loved the bells so well in her childhood! The May sun, that
same sun that shone upon the first defeat of the English before Orleans,
pure and luminous, floods the three scaffolds with its light. The crowd
grows thicker around the space kept vacant by the archers; other
spectators are grouped at the windows and on the balconies of the old
frame houses with pointed gables that enclose the market place.
Presently flags and plumes are seen waving, the steel of the casques,
the gold and precious stones of the mitres and crosiers are seen shining
between the two files of archers. The casqued and mitred gentry are the
English captains and the prelates. Prominent among them is the Cardinal
of Winchester, Clad in the Roman purple and followed by the Bishop of
Boulogne and the Bishop of Beauvais, Peter Cauchon. Behind them come the
Earl of Warwick and other noble captains. Slowly and majestically they
ascend the stairs of the platform to the right of the pyre. The Cardinal
takes his seat upon the dais, while the other dignitaries distribute
themselves to his right and left. The other scaffold, that is draped in
black, is occupied by the judges of the process, its institutor, its
assessors and its registrars.
The appearance and arrival of these illustrious, learned or holy
personages does not satisfy the gaping crowd; the condemned girl has not
yet appeared. Menacing clamors begin to circulate. These are loudest
among the soldiers and the Burgundian partisans, who say:
"Will the Bishop keep his promise this time? Woe to him if he trifles
with us."
"Will the witch be burned at last?"
"The fagots are ready; the executioners are holding the lighted wicks."
"She ought to be burned twice over, the infamous relapsed sinner!"
"She had the brazenness to declare that she abjured under the pressure
of force! She persists in declaring herself inspired!"
"What an insolent liar! By St. George! could she ever have vanquished us
without the assistance of the devil, us the best archers in the world? I
was at the battle of Patay, where the best men of England were mowed
down. I saw whole legions of demons rush upon us at her command. We
could be vanquished only by such witchery."
"Those demons, sir archer, were French soldiers!"
"Blood and death! Do you imagine plain soldiers are able to beat us?
They were demons, by St. George! real horned and clawed demons, armed
with flaming swords--they plunged over our heads and pelted us with
stones and balls!"
"It might have been the furious projectiles from some artillery pieces
that were masked behind some hedge, sir archer."
"Artillery pieces of Satan, yes; but of France, no!"
"As true as our Cardinal has his red hat on his head, if the strumpet of
the Armagnacs is not burned this time, myself and the other archers of
my company will roast Bishop Cauchon together with all his tonsured
brethren."
"Ha, ha, ha, ha! That is well said, my Hercules! To roast Bishop Cauchon
like a pig! That would be a funny spectacle!"
"They are taking long! Death to the witch!"
"Do they expect us to sleep here to-night?"
"To the fagots with the heretic!"
"Death to the relapsed sinner!"
"To the pyre with the invoker of demons! The strumpet! Death to Joan!"
"She cheated the people!"
"She denies the religion of Jesus Christ!"
"To the pyre with the idolatress! The apostate! To the pyre with her,
quick and soon!"
Such are the clamors of the English and the partisans of Burgundy. The
royalists or Armagnacs are much less numerous. A few of them, especially
women, experience a return of pity for Joan Darc, whose abjuration
incensed all those who believed her inspired. With some this indignation
still is uppermost and in full force. As these sentiments are
indicative of sympathy, they are not uttered aloud but whispered out of
fear of the English.
"Well, though the Maid's strength once failed her, it will not fail her
to-day."
"It would seem that she had not lied to us. She will now maintain until
death that she is inspired of God. Poor child."
"And yet she abjured!"
"Whoever lied once may lie again."
"If she abjured it was out of fear of the flames--that can be easily
understood."
"She proved herself a coward! And she was thought so brave!"
"Well, in the face of the pyre one may well tremble! Just look at those
fagots soaked in pitch."
"When one thinks that the whole pile will be in flames all around Joan
like so much straw on fire, singeing and consuming her flesh!"
"My hair stands on end at the bare thought."
"Poor child! What a torture!"
"What else can you expect? Our seigneurs and the doctors of canon law
condemn her. She must be guilty!"
"Such learned men could not be mistaken. We must believe them."
"When the Church has uttered herself we must bow down in silence. A body
has religion, or has none."
"Well, I have no suspicions. I am an Armagnac and a royalist, and I
detest the English rule. I looked upon Joan as upon a saint before her
condemnation. Now I cannot even take pity upon her. It would be throwing
discredit upon her judges. My religion as a good Catholic shuts my
mouth. We must believe without reasoning."
"Did not the ecclesiastical tribunal show how merciful the Church is by
accepting Joan's repentance?"
"But why did she relapse!"
"So much the worse for her if she is now burned. It will be her own
doing."
"You must admit that by voluntarily going to the pyre she proves her
courage. She is an intrepid girl!"
"She is simply displaying her rebellion and idolatrous boastfulness."
"Did not Joan Darc defeat the English in a score of battles? Did she not
have the King consecrated at Rheims? Answer!"
"What you say is true. But our seigneurs the bishops judge such matters
differently, and better than we could. This is the way I reason, and it
is as simple as correct: The Church is infallible; the Church condemns
Joan; consequently Joan is guilty."
This method of reasoning, which sways the minds of the more orthodox,
prevails over the timid and rare utterances that betoken interest in and
sympathy for Joan; she is destined to behold even those who had remained
French under English rule led astray by the recent Pharisees, and
impassibly assist at her execution, the same as her master Jesus, who,
sentenced to a malefactor's death, saw the poor and suffering people
whom he loved so well, look gapingly on at the execution of a sentence
of death that was also pronounced by the holy doctors of the law and by
the priests of his time.
Suddenly a deep commotion is seen swaying the mob. It announces the
approach of the condemned woman.
Standing on a cart drawn by a horse, Joan Darc is clad in a "san
benito," a long black gown painted over with tongues of flame, and
bearing on her head a pasteboard mitre on which are printed the words:
"Idolatress," "Heretic," "Relapsed Sinner." The monk Isambard of La
Pierre, one of her judges, stands near her on the wagon and imparts to
her the last consolations. She seems to listen to him, but his tokens of
compassion reach her ear only as a confused sound. She no longer expects
aught from man. Her face, raised to heaven, looks into infinite space.
She feels detached from earth, she has shaken off her last human
terrors. For a moment she is overcome with fear. "Oh!" cries she,
sobbing, "must my body, so clean of all stain, be destroyed by fire! I
would prefer to be beheaded!" But after this last cry, drawn from her by
the dread of bodily pain, her soul resumes its mastery, and the virgin
of Gaul proceeds resolutely to the pyre. The wagon stops at the foot of
the platform on which the Cardinal of Winchester, the two Bishops and
the captains are enthroned, in their mitres and their casques.
The monk Isambard of La Pierre alights from the cart and motions Joan
Darc to follow him. He assists her with his arm, seeing that the length
of her robe impedes her movements. The unhappy girl walks with
difficulty. Arrived before the main platform, the monk addresses the
victim:
"Joan, kneel down, to receive in a humble posture the excommunication
and sentence that Monseigneur the Bishop of Beauvais is to pronounce
upon you."
Joan Darc kneels down in the dust at the foot of the platform that is
covered with purple. Bishop Peter Cauchon rises, bows to the Cardinal of
Winchester, and advances to the edge of the platform.
From the ranks of the English soldiers the cries are heard:
"The devil take any further prayers!"
"On with the execution!"
"Is it a new scheme to keep the strumpet from roasting? We have had
enough dilly-dallying!"
"Look out, Bishop! You shall not cheat us this time!"
"To the pyre, without further ado! To the pyre with the sorceress! Death
to the girl or to the Bishop!"
Bishop Cauchon silences the growing tumult with a significant gesture
and says in a sonorous voice: "My very dear brothers, if a member
suffers, the apostle said to the Corinthians, the whole body suffers.
Thus when heresy infects one member of our holy Church, it is urgent to
separate it from all others, lest its rottenness contaminate the
mystical body of our Lord. The sacred institutions have decided, my very
dear brothers, that, in order to free the faithful from the poison of
the heretics, these vipers may not be allowed to devour the bosom of our
mother the Church. Wherefore we, Bishop of Beauvais, by divine grace,
assisted by the learned and very reverend John Lemaitre and John
Graverant, Inquisitors of the faith, say to you Joan, commonly styled
the Maid:--We justly pronounced you idolatrous, a soothsayer, an invoker
of devils, bloodthirsty, dissolute, schismatic and heretic. You abjured
your crimes and voluntarily signed this abjuration with your own hand.
But you quickly returned to your damnable errors, like the dog returns
to his vomit. On account of this do we now excommunicate you and
pronounce you a relapsed heretic. We sentence you to be extirpated from
the midst of the faithful like a rotten, leprous member, and we deliver
you, and abandon you, and cast you off into the hands of secular
justice, and request it that, apart from your death and the mutilation
of your members, it treat you with moderation!"
The sentence is received with an explosion of shouts of ferocious joy.
The English soldiers signify their satisfaction. The mob looks at Joan
Darc with horror. One of the assessors descends from the platform and
speaks to Isambard in a low voice, whereupon the latter turns to Joan:
"You have heard your sentence, rise, my daughter."
Joan Darc rises, and pointing to heaven as if taking the spheres for her
witness, says in a loud voice and with an accent of crushing reproach to
Bishop Cauchon, who remains standing near the edge of the platform above
her:
"Bishop! Bishop! I die at your hands!"
Despite his audacity, Peter Cauchon trembles, grows pale, bows his head
before the girl's anathema, and hastens to resume his seat near the
Cardinal.
Two executioners draw near at the words of the prelate consigning Joan
Darc to the secular powers. Each seizes her by an arm and they lead her
to the pyre, Isambard following.
"Father," says Joan to the latter, "I wish to have a cross, so as to die
contemplating it."
The request being overheard by several English soldiers, they answer:
"You need no cross, relapsed sinner!"
"Witch! To the fagots with you!"
"You only want to gain time!"
"We have had enough delays--death to the heretic!"
"To the fagots! To the fagots!"
The monk Isambard says a few words in the ear of the assessor; the
latter leaves hurriedly in the direction of a neighboring church. One of
the two executioners, a fellow with a blood-stained apron and a
hardened face, who also overhears Joan's request, feels deeply affected.
Tears are seen to gather in his eyes. He pulls his knife from his belt,
and cuts in two a stick that he holds in his hand; in his hurry he drops
his knife to the ground, takes a string from his pocket, ties the two
pieces of wood in the shape of a rude cross, roughly thrusts aside two
English soldiers who stand in his way, and then, handing the cross to
the monk, falls back a few steps, contemplating the victim with
something akin to adoration.
The monk passes the cross to Joan Darc, who, seizing it with transport
and taking it to her lips, says: "Thank you, Father!"
"I have sent to the Church of St. Ouen for a large crucifix bearing the
image of our Savior. It will be held at a distance before your eyes as
long as possible. Address your prayers to Jesus Christ," the monk
answered in a low voice.
"Tell them to hold it high so that I may see the image of the Savior to
the very end."
Again cries break out from the ranks of the English soldiers:
"Will there ever be an end of this?"
"What is the tonsured fellow whispering to the witch?"
"Let him travel to the devil in her company!"
"To the fagots with the witch, and quickly, too!"
"To the flames, both the monk and the Maid!"
Led to the foot of the pyre, Joan Darc measures its height with her eyes
and is unable to suppress a shudder; the executioners wave their torches
in the air in order to enliven their flames; two of them precede the
victim to the masonry platform within the pile of fagots; they cover it
up with straw and twigs, the top layer of the heaped-up combustibles;
they then hold up the iron clamps that are fastened to the stake.
"Climb up this way," says one of the executioners to Joan Darc, pointing
to the stairs, "you will not come down again, witch!"
"I shall accompany you, my dear daughter, to the top of the pyre," says
the monk.
Joan Darc slowly ascends the steps, greatly embarrassed in her movements
by the folds of her gown, and reaches the top of the pyre. A tremendous
shout breaks forth from the mob. When the noise subsides, Joan cries out
aloud: "God alone inspired my actions!"
Hisses and furious imprecations drown her voice. The Cardinal of
Winchester, the Bishops, judges, and captains rise simultaneously so as
to obtain a better view of the execution. After placing Joan standing
with her back against the stake, one of the executioners fastens her to
it by the waist and neck with iron carcans; a chain holds her feet; only
her hands remain free, and with them she clasps the rough wooden cross
that one of the English executioners has just fashioned for her, and
that she holds close to her lips. A priest in a surplice, carrying one
of those large silver crucifixes usually borne at the head of
processions, arrives in a hurry; he places himself at a distance
opposite the pyre and holds up the crucifix as high as his arms allow
him. It is the crucifix that the monk Isambard has sent for. He points
it out to Joan Darc. She turns her head towards it and keeps her eyes
fastened upon the image of Christ.
"Come, reverend Father," says one of the executioners to the monk
Isambard, "do not stay here. The flames are about to shoot up."
"In a moment," answers the monk; "I shall follow you. I only wish to
finish the prayer that I began."
"I shall make you come down faster than you would like, my reverend
mumbler of prayers," observes the executioner in a low voice.
The two executioners descend from the platform of the pyre; the monk
administers to Joan Darc the supreme consolations.
Suddenly a dry and lively crackling is heard from the base of the pyre,
followed by puffs of smoke and thin tongues of flame.
"Father!" cries Joan Darc anxiously, "descend! Descend quickly! The pyre
is on fire!"
Such is the sublime adieu of the victim to one of her judges!
The monk descends precipitately, casting an angry look at the
executioners. These light the pyre at several places. Volumes of black
smoke rise upward, and envelop Joan Darc from the public gaze. The fire
glistens; it runs and twines itself through the lower layers of the
fagots; presently the pile is all on fire; the flames rise; they are
fanned by the breeze that blows away the cloud of smoke, and Joan Darc
is again exposed to view. The fire reaches the straw and twigs on top of
the platform on which her feet rest. Her gown begins to smoke. Firmly
held by the triple iron bands that clasp her neck, waist and feet, she
writhes and utters a piercing cry:
"WATER! WATER!"
A second later, as if regretting the vain appeal for mercy that pain
drew from her, she exclaims:
"IT IS GOD WHO INSPIRED ME!"
At that moment Joan Darc's gown takes fire and the flames that flare up
from it join the hundred other lambent tongues that shoot upward. From
the midst of the tall furnace a voice in a weird accent is heard to
exclaim:
"JESUS!"
* * * * *
The virgin of Gaul has expiated her immortal glory.
The flames subside, and finally go out. A smoldering brasier surrounds
the base of the masonry pile that served as the center for the pyre. At
its top, and held fast by the iron clamps fastened to the charred and
smoking stake, is seen a blackened, shapeless, nameless something--all
that is left of the Maid.
The two executioners place a ladder on the side of the stone pile; they
climb up, strike down with their axes the members of her who was Joan
Darc, and with the help of long iron forks hurl them all down into the
brasier. Other executioners lay fresh fagots on the heap. Tall flames
re-rise. When the second fire is wholly extinguished nothing remains but
reddish ashes interspersed with charred human bones, a skull among them.
The ashes and bones are gathered by the executioners and thrown into a
wooden box, which they lay on a hand-barrow, and, followed by a large
and howling mob, the executioners proceed to the banks of the Seine,
into which they throw the remains of the redeeming angel of France.
Finally, the Cardinal, the Bishops, the captains and the ecclesiastical
judges leave the market place of Rouen in procession, in the same order
that they had entered. They have gloated over the death of Joan Darc.
The justice of the courtiers, of the warriors and of the infallible
clergy is satisfied.
EPILOGUE.
I, Jocelyn the Champion, now a centennarian as was my ancestor Amael who
fought under Charles Martel and who later knew Charlemagne, wrote the
above narrative, a part of which, the tragedy of Joan Darc's execution,
I witnessed with my own eyes.
On the eve of her execution I arrived in Rouen from Vaucouleurs.
Communication was difficult in those days between distantly located
provinces. It thus happened that the tidings of Joan's captivity at
Rouen and her trial did not for some time reach her family. Finally
apprized thereof by public rumor, her family was anxious to learn of her
fate, but, despite their desolation, they neither were able nor did they
dare to undertake the long journey. I called upon Denis Laxart, the
worthy relative of Joan whom I had long known intimately, and offered
him to go to Rouen myself. My fervent admiration for the plebeian
heroine inspired me with the resolution. Despite my advanced age, I was
not frightened by the perils of the journey. But I was poor. This
difficulty was overcome by Denis Laxart and several good people of
Vaucouleurs. The necessary funds were scraped together, a horse was
bought, and I started with my grandson at the crupper.
Arrived at Rouen on May 29, 1431, after encountering no end of
difficulties, I learned of the solemn abjuration of Joan Darc and saw
how her enemies pronounced her a fraud and her former friends, a coward.
I was not then aware of the black plot that had brought about the
apostasy; nevertheless, my own instinct and reasoning, the recollection
of my frequent conversations with Denis Laxart, who had often recounted
to me the details of Joan's childhood, and finally the reports of her
glorious deeds that penetrated as far as Lorraine--everything combined
to point out to me that an abjuration that so utterly belied the courage
and loyalty of the martial maid concealed some sinister mystery.
The following day I appeared early at the market place, taking my
grandson with me. We managed to stand in the front ranks of the mass
that witnessed the execution and that crowded us forward. We were pushed
so far forward that we stood near the benign executioner who volunteered
to fashion a cross for the unhappy victim, and who in his haste dropped
his knife. It fell at my grandson's feet. I took it up and shall
preserve it as the emblem that is to accompany this narrative.
Immediately after the execution of Joan Darc I was the witness of a
strange incident. Near myself and my grandson was a priest wrapped up in
his gown and cowl. He mumbled to himself. He had watched with seeming
indifference the preparations for Joan Darc's execution, until when,
writhing with pain, she cried out: "Water! Water!" At these words the
priest trembled. He raised his hands to heaven and murmured: "Mercy! Oh,
mercy!" Finally, when with her last breath Joan Darc made the supreme
invocation--"Jesus!" the priest cried out in a suffocated voice:
"I am damned!"
He immediately dropped to the ground, a prey to violent convulsions. He
still lay there in a tremor when the mob left the market place to follow
the executioners who were to throw the remains of Joan Darc into the
Seine. Moved with pity for the man whom all others took no notice of, or
considered possessed of an evil spirit, my grandson and myself raised
him and took him to our inn that faced the market place. We carried him
to our room and tended him. By degrees he came to himself and looked
upon us with distracted eyes that seemed to reveal deep repentance and
also terror, as he cried: "I am damned! I am the accomplice and
instrument of the Bishop of Beauvais in the killing of Joan! God will
punish me!"
That priest was the Canon Loyseleur.[117] The gowned monster did taste
repentance--strange, incredible revulsion, that I never would have
believed had I not myself witnessed its unquestionable evidence. The
wretch was devoured with remorse; he admitted his guilt to us, and when
he noticed the horror that his admissions filled us with he cried: "A
curse upon the help I rendered to you, Bishop of Beauvais, assassin!"
With quavering voice he asked me whether I pitied Joan. My tears
answered him. He then wished to know who I was, and learning of my
passionate admiration for the virgin of Gaul and my desire for the sake
of her desolate family, to be informed upon what had happened, Canon
Loyseleur seemed struck by a sudden thought, and asked me to wait for
him at the inn that very evening. "Never," said he, "shall I be able to
make amends for or expiate my crime; but I wish to place in your hands
the means to smite the butchers of the victim."
That same evening Canon Loyseleur brought to me a bundle of parchments.
It contained:
1.--The general confession of Joan Darc transcribed by himself on the
very day when he received it, and when that great soul unveiled itself
to him in all its heroic simplicity.
2.--Notes which he had taken and preserved after his interviews with the
emissary of George of La Tremouille, and which revealed the plot that
was concocted against Joan by the people of the Court, the captains and
the ecclesiastics, before the first meeting of the heroine and Charles
VII.
3.--A copy of a contemporaneous chronicle entitled "Journal of the Siege
of Orleans," and another memoir written by Percival of Cagny, equerry to
the Duke of Alençon, who did not leave Joan's side from the time of the
raising of the siege of Orleans down to the siege of Paris. These two
manuscripts were a part of the documents that Bishop Peter Cauchon had
gathered to draw up the indictment.
4.--One of the minutes of the process, containing the questions put to
Joan, and her answers.
5.--A complete admission and detailed account of the machinations of
Loyseleur and Bishop Cauchon to capture Joan's confidence in her prison,
as also of the plans they had laid during a long conversation before the
trial.
These materials were given to me by the canon in the hope of enabling me
some day to rehabilitate the memory of Joan Darc. As to himself, he
realized that, pursued by inexorable remorse, he would soon die, or lose
his senses. On that very morning he did not dare to take his seat on the
platform among Joan's judges, fearing she might recognize him. The
spectacle of her martyrdom and agony finally overthrew him. After
depositing these manuscripts in my hands, the canon left me
precipitately and with a wild look. I know not what became of him.
The next morning I left Rouen with my grandson, and once again in
Vaucouleurs I proceeded to write the story of Joan Darc. Thanks to the
information I received from Denis Laxart and the documents of Canon
Loyseleur, I have been able to draw up the above truthful narrative. To
it I have attached the executioner's knife, as an additional relic of
our family.
Until now and in this country of Lorraine, the cradle of the virgin of
Gaul, I have vainly sought to rehabilitate Joan in the eyes of her
friends and even of her parents. All have given me the same answer that
I received so often in Rouen and so many other towns:
"Despite her glory, despite her immense services rendered to France,
Joan is guilty, Joan is criminal, Joan will burn in the everlasting
flames of hell--the INFALLIBLE CHURCH CONDEMNED HER!"
But the judgment of men passes--true glory is imperishable. Some day the
Maid will be exalted and her murderers spat upon.
THE END.
FOOTNOTES:
[1] _Trial and Condemnation, and Proceedings of the Rehabilitation of
Joan of Arc, known as The Maid_, by Jules Quicherat, after the
manuscripts in the Royal Library; vol. I, p. 39.
[2] The same.
[3] _Trial of Joan of Arc_, vol. I, p. 40.
[4] _Trial of Joan of Arc_, vol. I, p. 74.
[5] _Song of Merlin the Enchanter_, in Villemarqué, _Popular Songs of
Brittany_, vol. I, p. 219.
[6] Villemarqué, _Popular Songs of Brittany_, vol. I, p. 219.
[7] The citation is literal. Denis Laxart, uncle to Jeannette, testified
to having heard her say: "Has it not been long prophesied that France,
desolated by a woman, would be restored by a woman?" (_Proceedings of
the Rehabilitation of Joan of Arc_, edited by Jules Quicherat, vol. II,
p. 444.) The wife of Henry Rolhaire also deposed and said: "Jeannette
asked: 'Have you not heard it said that France, lost by a woman, would
be saved by a virgin of the marches (borders) of Lorraine, born near an
oak forest?'" (The same, p. 447.)
[8] "_Descendet virgo dorsum sagitarii._ Among other writings was found
a prophecy of Merlin, speaking in this manner."--Testimony of Matthew
Thomassin, given by Quicherat in the _Rehabilitation_, vol. III, p. 15.
[9] See "The Iron Arrow Head," the tenth of this series.
[10] Volume one of this series, "The Gold Sickle."
[11] _Trial and Condemnation of Joan of Arc_, vol. I, p. 67.
[12] _Trial and Condemnation of Joan of Arc_, vol. I, p. 87.
[13] _Trial and Condemnation of Joan of Arc_, vol. I, p. 88.
[14] _Trial and Condemnation of Joan of Arc_, vol. I, p. 88.
[15] The same, p. 89.
[16] The same, p. 89.
[17] _Trial and Condemnation of Joan of Arc_, vol. I, p. 77.
[18] The same, p. 77.
[19] The same, pp. 79, 80.
[20] _Trial and Condemnation of Joan of Arc_, vol. I, p. 79.
[21] _Trial and Condemnation of Joan of Arc_, vol. I, p. 80.
[22] The same, p. 80.
[23] _Trial and Condemnation_, vol. I, p. 80.
[24] _Trial and Condemnation_, vol. I, p. 80.
[25] _Trial and Condemnation_, vol. I, p. 88.
[26] _Trial and Condemnation_, vol. I, p. 29.
[27] _"Mammae ejas erant pulcherimas"_--Testimony of the Duke of Alençon
(_Proceedings of the Rehabilitation of Joan of Arc_, vol. III, p. 220).
[28] _Trial and Condemnation of Joan of Arc_, vol. I, p. 127.
[29] _Trial and Condemnation_, vol. I, p. 67.
[30] _Proceedings of the Rehabilitation_, vol. II, p. 79.
[31] _Proceedings of the Rehabilitation_, vol. II, p. 435.
[32] This, and the succeeding answers of Joan in this interview which
are authenticated by references to the _Proceedings of the
Rehabilitation_, are all, with the exception of two otherwise
designated, taken from that portion of vol. II between pp. 436 and 439.
[33] _Proceedings of the Rehabilitation._
[34] The same.
[35] The same.
[36] The same.
[37] _Proceedings of the Rehabilitation._
[38] The same, vol. II, p. 459.
[39] _Proceedings of the Rehabilitation._
[40] The same, vol. II, p. 80.
[41] _Proceedings of the Rehabilitation_, vol. II, p. 401.
[42] _Proceedings of the Rehabilitation_, vol. II, p. 657.
[43] _Proceedings of the Rehabilitation_, vol. II, p. 657.
[44] _Proceedings of the Rehabilitation_, vol. II, p. 567.
[45] See the preceding volume of this series, "The Iron Trevet."
[46] _Proceedings of the Rehabilitation_, vol. II, p. 450.
[47] Godefroid, _Chronicle of the Maid_, p. 500; Godefroid, _Chronicle
of Berry_, p. 376; _Memoirs of Argus and Richemont_.
[48] Godefroid, p. 754. quoted by Jules Quicherat, in the introduction
to the _Trial and Condemnation of Joan of Arc_, p. 27.
[49] _Chronicle of Percival of Cagny_, vol. IV. p. 19.
[50] _Chronicle of Percival of Cagny_, vol. IV. p. 19.
[51] _Chronicle of Percival of Cagny_, vol. IV. p. 19.
[52] It is useless to cite the chroniclers severally on the subject of
this shameless and abominable examination. They are all agreed on the
fact.
[53] _Chronicle of Percival of Cagny_, cited by Quicherat, vol. III, p.
71.
[54] The interrogations and the replies thereto by Joan are here taken
in the main literally from _The Chronicle of the Maid_, a manuscript now
in the possession of the Institute at Paris, No. 245, cited by Quicherat
in his _Trial and Condemnation of Joan of Arc_, vol. IV, p. 209; also in
the _Proceedings of the Rehabilitation_, vol. III, pp. 204-206.
[55] _Proceedings of the Rehabilitation_, vol. II, p. 75. This
remarkable reply is quoted literally, like the rest of the inquisition.
[56] _Trial and Condemnation of Joan of Arc_, vol. I, p. 87. Even
English authors have been wont to quote with praise this virile letter
of the Maid.
[57] _Proceedings of the Rehabilitation_, vol. III, p. 84.
[58] _Proceedings of the Rehabilitation_, vol. III, p. 80.
[59] _Journal of the Siege of Orleans_, vol. IV, p. 105.
[60] _Trial and Condemnation of Joan of Arc_, Vol. III, p. 74.
[60a] _Trial and Condemnation of Joan of Arc_, Vol. III, p. 74.
[61] _Trial and Condemnation of Joan of Arc_, vol. III, p. 72, the
testimony of Louis Leconte.
[62] _Proceedings of the Rehabilitation_, vol. III, p. 87.
[63] _Proceedings of the Rehabilitation_, vol. III, p. 124.
[64] _Proceedings of the Rehabilitation_, vol. III, p. 110.
[65] _Proceedings of the Rehabilitation_, vol. III, pp. 108-109.
[66] The same.
[67] The same.
[68] The same, p. 179.
[69] _Proceedings of the Rehabilitation_, vol. III, pp. 69-70.
[70] _Trial and Condemnation_, vol. I, p. 29.
[71] _Proceedings of the Rehabilitation_, vol. III, pp. 69-70.
[72] The same.
[73] _Proceedings of the Rehabilitation_, vol. III, p. 70.
[74] The same.
[75] The same.
[76] _Journal of the Siege of Orleans_, vol. III, p. 171.
[77] _Journal of the Siege of Orleans_, vol. III, p. 171.
[78] _Trial and Condemnation_, vol. I, p. 49.
[79] _Chronicle of the Maid_, pp. 220-224, cited by Quicherat, vol. IV.
Also the _Journal of the Siege of Orleans_.
[80] _Chronicle of the Maid_, p. 224.
[81] _Chronicle of the Maid_, p. 225.
[82] The same.
[83] John Chartier, vol. IV, p. 57. Given by Quicherat.
[84] John Chartier, vol. IV, p. 58, cited by Quicherat. The decision of
the council is here given literally from the records. There can be no
doubt on this abominable attempt at treason.
[85] John Chartier, vol. IV, p. 58.
[86] John Chartier, vol. IV, p. 59.
[87] John Chartier, vol. IV, p, 60.
[88] The same.
[89] Deposition of Simon Charles, Master of Petitions. _Proceedings of
the Rehabilitation_, vol. III, p. 117; _Chronicle of the Maid_, p. 227;
John Chartier, vol. IV, p. 50. All the chronicles are in accord on this
so capital fact.
[90] Testimony of Simon Charles.
[91] _Chronicle of Percival of Cagny_, vol. IV, p. 171.
[92] _Journal of the Siege of Orleans_, vol. IV, p. 179.
[93] Literally the testimony of John Pasquerel, Joan's confessor, who
confessed her that very day. (_Proceedings of the Rehabilitation_, vol.
III, pp. 108-109.)
[94] _Trial and Condemnation_, vol. I, p. 79.
[95] Testimony of Colette, wife of Millet, _Proceedings of the
Rehabilitation_, vol. III, p. 124.
[96] _Journal of the Siege of Orleans_, vol. IV, p. 160.
[97] _Journal of the Siege of Orleans_, vol. IV, p. 160.
[98] _Journal of the Siege of Orleans_, vol. IV, p. 166.
[99] The same.
[100] _Journal of the Siege of Orleans_, vol. IV, p. 166.
[101] _Proceedings of the Rehabilitation_, vol. II, p. 180.
[102] Testimony of the Duke of Alençon, _Proceedings of the
Rehabilitation_, vol. II, p. 79.
[103] _Chronicle of the Maid_, vol. III, p. 129.
[104] Testimony of Gerardin of Epinal, _Proceedings of the
Rehabilitation_, vol. II, p. 421.
[105] This letter is taken literally from the Archives of Lille. See
also Quicherat, vol. V, p. 126.
[106] With some abridgment, the text of this chronicle is cited almost
literally.
[107] Latin, _from the egg_, i.e., the beginning.
[108] Rymer, cited by Quicherat, vol. X, p. 459.
[109] The same.
[110] Rymer, cited by Quicherat, vol. X, p. 459.
[111] Rogier, cited by Quicherat, vol. V, pp. 168-169.
[112] Fowler, bird-catcher.
[113] _Tractatus de haersi pauperum de Lugduno_, cited by Marten in his
_Thesaurus of Anecdotes_, vol. V, collected 1787.
[114] This answer of Joan, together with all the others, and all the
questions and decrees of the judges throughout the trial, are taken
literally from the records.
[115] _"Medicina animae dictae Joannae"_, literally, _Trial and
Condemnation_, vol. I, p. 297.
[116] These inscriptions are all recorded by an eye-witness, Clement of
Franquenberg; see Quicherat, vol. IV, p. 460.
[117] For the repentance of Canon Loyseleur, see _The Proceedings of the
Rehabilitation of Joan of Arc_, vol. II, p. 178.