II

To Lucca I was not to return often--I was to return only once; when that

compact and admirable little city, the very model of a small _pays de

Cocagne_, overflowing with everything that makes for ease, for plenty,

for beauty, for interest and good example, renewed for me, in the

highest degree, its genial and robust appearance. The perfection of

this renewal must indeed have been, at bottom, the ground of my rather

hanging back from possible excess of acquaintance--with the instinct

that so right and rich and rounded a little impression had better be

left than endangered. I remember positively saying to myself the second

time that no brown-and-gold Tuscan city, even, could _be_ as happy as

Lucca looked--save always, exactly, Lucca; so that, on the chance of any

shade of human illusion in the case, I wouldn’t, as a brooding analyst,

go within fifty miles of it again. Just so, I fear I must confess, it

was this mere face-value of the place that, when I went back, formed my

sufficiency; I spent all my scant time--or the greater part, for I took

a day to drive over to the Bagni--just gaping at its visible attitude.

This may be described as that of simply sitting there, through the

centuries, at the receipt of perfect felicity; on its splendid solid

seat of russet masonry, that is--for its great republican ramparts of

long ago still lock it tight--with its wide garden-land, its ancient

appanage or hereditary domain, teeming and blooming with everything that

is good and pleasant for man, all about, and with a ring of graceful and

noble, yet comparatively unbeneficed uplands and mountains watching

it, for very envy, across the plain, as a circle of bigger boys, in

the playground, may watch a privileged or pampered smaller one munch a

particularly fine apple. Half smothered thus in oil and wine and

corn and all the fruits of the earth, Lucca seems fairly to laugh for

good-humour, and it’s as if one can’t say more for her than that, thanks

to her putting forward for you a temperament somehow still richer than

her heritage, you forgive her at every turn her fortune. She smiles up

at you her greeting as you dip into her wide lap, out of which you may

select almost any rare morsel whatever. Looking back at my own choice

indeed I see it must have suffered a certain embarrassment--that of the

sense of too many things; for I scarce remember choosing at all, any

more than I recall having had to go hungry. I turned into all the

churches--taking care, however, to pause before one of them, though

before which I now irrecoverably forget, for verification of Ruskin’s so

characteristically magnified rapture over the high and rather narrow

and obscure hunting-frieze on its front--and in the Cathedral paid my

respects at every turn to the greatest of Lucchesi, Matteo Civitale,

wisest, sanest, homeliest, kindest of _quattro-cento_ sculptors, to

whose works the Duomo serves almost as a museum. But my nearest approach

to anything so invidious as a discrimination or a preference, under the

spell of so felt an equilibrium, must have been the act of engaging a

carriage for the Baths.

That inconsequence once perpetrated, let me add, the impression was as

right as any other--the impression of the drive through the huge general

tangled and fruited _podere_ of the countryside; that of the pair of

jogging hours that bring the visitor to where the wideish gate of the

valley of the Serchio opens. The question after this became quite other;

the narrowing, though always more or less smiling gorge that draws you

on and on is a different, a distinct proposition altogether, with its

own individual grace of appeal and association. It is the association,

exactly, that would even now, on this page, beckon me forward, or

perhaps I should rather say backward--weren’t more than a glance at it

out of the question--to a view of that easier and not so inordinately

remote past when “people spent the summer” in these perhaps slightly

stuffy shades. I speak of that age, I think of it at least, as easier

than ours, in spite of the fact that even as I made my pilgrimage the

mark of modern change, the railway in construction, had begun to be

distinct, though the automobile was still pretty far in the future. The

relations and proportions of everything are of course now altered--I

indeed, I confess, wince at the vision of the cloud of motor-dust that

must in the fine season hang over the whole connection. That represents

greater promptness of approach to the bosky depths of Ponte-a-Serraglio

and the Bagni Caldi, but it throws back the other time, that of the

old jogging relation, of the Tuscan grand-ducal “season” and the small

cosmopolite sociability, into quite Arcadian air and the comparatively

primitive scale. The “easier” Italy of our infatuated precursors

there wears its glamour of facility not through any question of “the

development of communications,” but through the very absence of the

dream of that boon, thanks to which every one (among the infatuated)

lived on terms of so much closer intercourse with the general object of

their passion. After we had crossed the Serchio that beautiful day we

passed into the charming, the amiably tortuous, the thickly umbrageous,

valley of the Lima, and then it was that I seemed fairly to remount the

stream of time; figuring to myself wistfully, at the small scattered

centres of entertainment--modest inns, pensions and other places of

convenience clustered where the friendly torrent is bridged or the

forested slopes adjust themselves--what the summer days and the summer

rambles and the summer dreams must have been, in the blest place, when

“people” (by which I mean the contingent of beguiled barbarians) didn’t

know better, as we say, than to content themselves with such a mild

substitute, such a soft, sweet and essentially elegant apology, for

adventure. One wanted not simply to hang about a little, but really to

live back, as surely one might, have done by staying on, into the so

romantically strong, if mechanically weak, Italy of the associations of

one’s youth. It was a pang to have to revert to the present even in the

form of Lucca--which says everything.

Italian Hours · 第 47 / 56 题