CASA ALVISI

Invited to “introduce” certain pages of cordial and faithful

reminiscence from another hand, {1}

{1} “Browning in Venice,” being Recollections of the late Katharine

De Kay Bronson, with a Prefatory Note by H. J. (_Cornhill Magazine_,

February, 1902).}

in which a frankly predominant presence seems to live again, I undertook

that office with an interest inevitably somewhat sad--so passed and gone

to-day is so much of the life suggested. Those who fortunately knew Mrs.

Bronson will read into her notes still more of it--more of her subject,

more of herself too, and of many things--than she gives, and some may

well even feel tempted to do for her what she has done here for

her distinguished friend. In Venice, during a long period, for many

pilgrims, Mrs. Arthur Bronson, originally of New York, was, so far as

society, hospitality, a charming personal welcome were concerned, almost

in sole possession; she had become there, with time, quite the prime

representative of those private amenities which the Anglo-Saxon abroad

is apt to miss just in proportion as the place visited is publicly

wonderful, and in which he therefore finds a value twice as great as at

home. Mrs. Bronson really earned in this way the gratitude of mingled

generations and races. She sat for twenty years at the wide mouth, as

it were, of the Grand Canal, holding out her hand, with endless

good-nature, patience, charity, to all decently accredited petitioners,

the incessant troop of those either bewilderedly making or fondly

renewing acquaintance with the dazzling city.

{Illustration: CASA ALVISI, VENICE}

Casa Alvisi is directly opposite the high, broad-based florid church

of S. Maria della Salute--so directly that from the balcony over the

water-entrance your eye, crossing the canal, seems to find the key-hole

of the great door right in a line with it; and there was something in

this position that for the time made all Venice-lovers think of the

genial _padrona_ as thus levying in the most convenient way the toll of

curiosity and sympathy. Every one passed, every one was seen to pass,

and few were those not seen to stop and to return. The most generous of

hostesses died a year ago at Florence; her house knows her no more--it

had ceased to do so for some time before her death; and the long,

pleased procession--the charmed arrivals, the happy sojourns at anchor,

the reluctant departures that made Ca’ Alvisi, as was currently said,

a social _porto di mare_--is, for remembrance and regret, already a

possession of ghosts; so that, on the spot, at present, the attention

ruefully averts itself from the dear little old faded but once

familiarly bright façade, overtaken at last by the comparatively vulgar

uses that are doing their best to “paint out” in Venice, right and

left, by staring signs and other vulgarities, the immemorial note of

distinction. The house, in a city of palaces, was small, but the tenant

clung to her perfect, her inclusive position--the one right place that

gave her a better command, as it were, than a better house obtained by

a harder compromise; not being fond, moreover, of spacious halls and

massive treasures, but of compact and familiar rooms, in which her

remarkable accumulation of minute and delicate Venetian objects could

show. She adored--in the way of the Venetian, to which all her taste

addressed itself--the small, the domestic and the exquisite; so that she

would have given a Tintoretto or two, I think, without difficulty, for

a cabinet of tiny gilded glasses or a dinner-service of the right old

silver.

The general receptacle of these multiplied treasures played at any rate,

through the years, the part of a friendly private-box at the constant

operatic show, a box at the best point of the best tier, with the

cushioned ledge of its front raking the whole scene and with its

withdrawing rooms behind for more detached conversation; for easy--when

not indeed slightly difficult--polyglot talk, artful _bibite_, artful

cigarettes too, straight from the hand of the hostess, who could do all

that belonged to a hostess, place people in relation and keep them so,

take up and put down the topic, cause delicate tobacco and little

gilded glasses to circulate, without ever leaving her sofa-cushions or

intermitting her good-nature. She exercised in these conditions, with

never a block, as we say in London, in the traffic, with never an

admission, an acceptance of the least social complication, her positive

genius for easy interest, easy sympathy, easy friendship. It was as if,

at last, she had taken the human race at large, quite irrespective of

geography, for her neighbours, with neighbourly relations as a matter

of course. These things, on her part, had at all events the greater

appearance of ease from their having found to their purpose--and as if

the very air of Venice produced them--a cluster of forms so light and

immediate, so pre-established by picturesque custom. The old bright

tradition, the wonderful Venetian legend had appealed to her from the

first, closing round her house and her well-plashed water-steps, where

the waiting gondolas were thick, quite as if, actually, the ghost of

the defunct Carnival--since I have spoken of ghosts--still played some

haunting part.

Let me add, at the same time, that Mrs. Bronson’s social facility, which

was really her great refuge from importunity, a defence with serious

thought and serious feeling quietly cherished behind it, had its

discriminations as well as its inveteracies, and that the most marked

of all these, perhaps, was her attachment to Robert Browning. Nothing in

all her beneficent life had probably made her happier than to have found

herself able to minister, each year, with the returning autumn, to his

pleasure and comfort. Attached to Ca’ Alvisi, on the land side, is a

somewhat melancholy old section of a Giustiniani palace, which she had

annexed to her own premises mainly for the purpose of placing it, in

comfortable guise, at the service of her friends. She liked, as she

professed, when they were the real thing, to have them under her hand;

and here succeeded each other, through the years, the company of the

privileged and the more closely domesticated, who liked, harmlessly, to

distinguish between themselves and outsiders. Among visitors partaking

of this pleasant provision Mr. Browning was of course easily first. But

I must leave her own pen to show him as her best years knew him.

The point was, meanwhile, that if her charity was great even for the

outsider, this was by reason of the inner essence of it--her perfect

tenderness for Venice, which she always recognised as a link. That was

the true principle of fusion, the key to communication. She communicated

in proportion--little or much, measuring it as she felt people more

responsive or less so; and she expressed herself, or in other words her

full affection for the place, only to those who had most of the same

sentiment. The rich and interesting form in which she found it in

Browning may well be imagined--together with the quite independent

quantity of the genial at large that she also found; but I am not sure

that his favour was not primarily based on his paid tribute of such

things as “Two in a Gondola” and “A Toccata of Galuppi.” He had more

ineffaceably than anyone recorded his initiation from of old.

She was thus, all round, supremely faithful; yet it was perhaps after

all with the very small folk, those to the manner born, that she made

the easiest terms. She loved, she had from the first enthusiastically

adopted, the engaging Venetian people, whose virtues she found touching

and their infirmities but such as appeal mainly to the sense of humour

and the love of anecdote; and she befriended and admired, she studied

and spoiled them. There must have been a multitude of whom it would

scarce be too much to say that her long residence among them was their

settled golden age. When I consider that they have lost her now I fairly

wonder to what shifts they have been put and how long they may not have

to wait for such another messenger of Providence. She cultivated their

dialect, she renewed their boats, she piously relighted--at the top of

the tide-washed _pali_ of traghetto or lagoon--the neglected lamp of the

tutelary Madonnetta; she took cognisance of the wives, the children, the

accidents, the troubles, as to which she became, perceptibly, the most

prompt, the established remedy. On lines where the amusement was happily

less one-sided she put together in dialect many short comedies, dramatic

proverbs, which, with one of her drawing-rooms permanently arranged as

a charming diminutive theatre, she caused to be performed by the

young persons of her circle--often, when the case lent itself, by the

wonderful small offspring of humbler friends, children of the Venetian

lower class, whose aptitude, teachability, drollery, were her constant

delight. It was certainly true that an impression of Venice as humanly

sweet might easily found itself on the frankness and quickness and

amiability of these little people. They were at least so much to

the good; for the philosophy of their patroness was as Venetian as

everything else; helping her to accept experience without bitterness

and to remain fresh, even in the fatigue which finally overtook her, for

pleasant surprises and proved sincerities. She was herself sincere to

the last for the place of her predilection; inasmuch as though she had

arranged herself, in the later time--and largely for the love of “Pippa

Passes”--an alternative refuge at Asolo, she absented herself from

Venice with continuity only under coercion of illness.

At Asolo, periodically, the link with Browning was more confirmed than

weakened, and there, in old Venetian territory, and with the invasion

of visitors comparatively checked, her preferentially small house became

again a setting for the pleasure of talk and the sense of Italy. It

contained again its own small treasures, all in the pleasant key of the

homelier Venetian spirit. The plain beneath it stretched away like a

purple sea from the lower cliffs of the hills, and the white _campanili_

of the villages, as one was perpetually saying, showed on the expanse

like scattered sails of ships. The rumbling carriage, the old-time,

rattling, red-velveted carriage of provincial, rural Italy, delightful

and quaint, did the office of the gondola; to Bassano, to Treviso,

to high-walled Castelfranco, all pink and gold, the home of the great

Giorgione. Here also memories cluster; but it is in Venice again that

her vanished presence is most felt, for there, in the real, or certainly

the finer, the more sifted Cosmopolis, it falls into its place among

the others evoked, those of the past seekers of poetry and dispensers

of romance. It is a fact that almost every one interesting, appealing,

melancholy, memorable, odd, seems at one time or another, after many

days and much life, to have gravitated to Venice by a happy instinct,

settling in it and treating it, cherishing it, as a sort of repository

of consolations; all of which to-day, for the conscious mind, is mixed

with its air and constitutes its unwritten history. The deposed, the

defeated, the disenchanted, the wounded, or even only the bored, have

seemed to find there something that no other place could give. But

such people came for themselves, as we seem to see them--only with

the egotism of their grievances and the vanity of their hopes. Mrs.

Bronson’s case was beautifully different--she had come altogether for

others.

Italian Hours · 第 20 / 56 题