CHAPTER II

THE DEVELOPMENT OF COSTUME TO THE TENTH CENTURY. FEMALE.

The female head-dress consisted chiefly of flowing hair banded with a

circlet of various shapes, but a development of braiding plaits is found

very early, and the hair was probably arranged so before the Roman era.

These plaits were generally brought over the shoulder to the front, the

hair being parted in the centre, thus making an oval forehead. Various

caps began to show originality, and jewels were set in the centre of the

forehead on the little crown-like hat, which must have been most

becoming. Squares of coloured stuffs were draped over the head and

shoulders, sometimes upon white linen squares, and many ladies began to

bind the face and head, shutting out the hair, in the 8th century. The

kerchief draping is very important to study, because it was the general

mode amongst the people.

Heavy collars of ornament and strings of beads, hanging even to the

waist, are noticeable features of these centuries, also large ear-rings.

A full cloak, with a large clasp or brooch, opened in front, or was

turned to free one shoulder; there was also a long "drape" thrown round

over the opposite shoulder or brought picturesquely over the head.

The ecclesiastical form of cloak as described in the male attire was

also formed about the 6th century; its graceful line was frequently

bordered completely with a band of ornament, and it was clasped just

across the breasts.

The complete circular cloak, with a hole for the head, is seen very

early, decorated with a pinked edge, which may also be noted on some of

the short dresses of the middle classes. Aprons are no doubt of the

earliest origin. A loose tunic falling to the hips was girded rather

high up the body, as in the classic dress, and bands passing both

outside or crossing between the breasts and going over the shoulder came

from the same source; these were with, or without, short sleeves to the

elbow. A long loose robe was the chief attire to the 6th century,

belted rather high in the waist, and caught up with a girdle at the

hips; these girdles gave a great interest to the early centuries, with

the art of arranging the fullness of skirt into its hold.

[Illustration: FIG. 1.]

From the 6th century the dress became closer fitting, and a short bodice

is seen; the neck was cut very low, either square or round in shape, and

this style had short tight sleeves or tight sleeves to the wrist. The

later tunic of the 9th century marked the beginning of the slit-open

upper sleeve, and a greater length of the neck opening, which came to be

fastened down the front to the waist.

The early skirts (to the 6th century) were hung from the hips, and were

often attached to a heavy girdle band, the fullness was gathered mostly

at the back and front; other skirts hung from a higher belt and were

again caught up in the girdle. A =V=-shaped neck setting was worn by the

Franks, from which probably came the shaped front piece that will

interest us in the 13th century. The shoes were similar to the male

shapes described later, and the same mode of binding the stockings was

sometimes imitated.

THE DEVELOPMENT OF COSTUME TO THE TENTH CENTURY. MALE.

In taking the long period from the Roman occupation to the 10th century,

we can discover a real development of style in costume, as with the

system of vassalage a distinction of class arose. No doubt the Romans

introduced a finer tuition of weaving, needlecraft, decoration, and

dyeing; and later the various peoples coming from the Continent, when

settled under Alfred in the 9th century, produced a solid style of

barbaric splendour.

[Illustration: FIG. 2.]

[Illustration: FIG. 3.]

The male hair dressing, from the rugged mass of hair, soon became well

combed and trimmed square across the neck: ear-rings may still have been

in use by some nobles till the 11th century, and chaplets were worn upon

the hair. The Saxon beard was divided into two points. Small round tight

caps of wool, fur, or velvet, and rush or straw hats of a definite shape

were in use to the 10th century. Tight caps, with lappets tied under the

chin, and hoods appear on the short capes about the 8th century, or

probably earlier. The garment was of the simplest form, cut like a

plain square loose shirt to the middle of the thigh, and this was put on

over the head. The opening to pass the head through was the first part

to receive a band of decoration. The sides were sometimes opened to the

hips and the front caught between the legs and held at the waist. A

garment opened down the front, and another wrapped across to either

shoulder is also seen. A belt girt the waist, and the tunic was pulled

loosely over it. This also carried the essential requirements in the

shape of a pouch, dagger, knife, comb, sword, &c. The neck was

ornamented with chains of bronze, gold, beads, and charms, and up to the

8th century a bronze ornamental armlet was worn, besides a wristlet.

The men of the ruling class from the 8th century were clothed in a long

garment of simple shape, falling to the ankle, richly bordered at the

hem and neck. This generally had long tight sleeves, and often over this

a shorter tunic, reaching just below the knee, sometimes sleeveless, or

with rather full sleeves tightening to the wrist.

[Illustration: FIG. 4.]

A plain square chasuble shape was in fashion from the 8th century,

reaching to the bottom of the calf of the leg, and richer materials

began to be used; no belt was passed round this, as it was allowed to

fall straight.

Loose breeches were worn from very early times, and a loose trouser to

the ankle, being tied there or bound crosswise from the boot sometimes

right up the thigh. The same binding was done even with the bare legs

and later hose: close-fitting short breeches and cloth hose became a

feature in the 10th century, and with the latter an ornamental

knee-piece or garter below the knee sometimes finished the strappings.

The cloak was the "grand garment," heavily banded with ornament and

fastened with a large clasp on one shoulder, or at the centre of the

breast. Long circular cloaks of varying lengths, put on over the head,

were much favoured, and when caught up at the sides on either shoulder

gave a fine draped effect.

Another cloak of ecclesiastical character, sloping in a curve from the

neck and not meeting in front, is seen on many notable figures from the

early 8th century, large clasps bridging the width low down on the

chest.

[Illustration: Plate III.--

(_a_) Elizabethan Jump (or Jacket). About 1600.

(_b_) Portrait of a Lady in Embroidered Costume. Between

1620 and 1640.]

[Illustration: FIG. 5.--TYPES OF SHOES. British, Roman,

Norman to 13th century.]

No doubt the sandal of various forms was much used for footwear through

this period, also a simple low shoe which was held on by the

leg-strappings, as, about the 8th century, shoes are seen with loops at

the upper edge, these being attachments for the binding, and this was

no doubt a method from the prehistoric times.

There was also a soft boot reaching to the calf, laced up the front;

and, after the 8th century, a rather pointed shoe, open down the instep,

laced, tied, or gathered into a buckle about the ankle.

Dress design · 第 2 / 8 章