As I was leaving the galleries, I discovered in the shade a sculptured

head, half protruding from the wall, surmounted by a crown of

flower-work, similar to that worn by the kings of the eleventh century.

I looked at it; it had a mild countenance; yet it possest something of

severity in it--a face imprinted with that august beauty which the

workings of a great mind give to the countenance of man. The hand of

some peasant had chalked the name "Frauenlob" above it, and I instantly

remembered the Tasso of Mayence, so calumniated during his life, so

venerated after his death. When Henry Frauenlob died, which was in the

year 1318, the females who had insulted him in life carried his coffin

to the tomb, which procession is chiseled on the tombstone beneath. I

again looked at that noble head. The sculptor had left the eyes open;

and thus, in that church of sepulchers--in that cloister of the

dead--the poet alone sees; he only is represented standing, and

observing all.

The market-place, which is by the side of the cathedral, has rather an

amusing and pleasing aspect. In the middle is a pretty triangular

fountain of the German Renaissance, which, besides having scepters,

nymphs, angels, dolphins, and mermaids, serves as a pedestal to the

Virgin Mary. This fountain was erected by Albert de Brandenburg, who

reigned in 1540, in commemoration of the capture of Francis the First by

Charles the Fifth.

Mayence, white tho it be, retains its ancient aspect of a beautiful

city. The river here is not less crowded with sails, the town not less

incumbered with bales, nor more free from bustle, than formerly. People

walk, squeak, push, sell, buy, sing, and cry; in fact in all the

quarters of the town, in every house, life seems to predominate. At

night the buzz and noise cease, and nothing is heard at Mayence but the

murmurings of the Rhine, and the everlasting noise of seventeen water

mills, which are fixt to the piles of the bridge of Charlemagne.

[Footnote A: From "The Rhine." Translated by D.M. Aird.]

FRANKFORT-AM-MAIN[A]

BY BAYARD TAYLOR

Frankfort is a genuine old German city. Founded by Charlemagne,

afterward a rallying-point of the Crusaders, and for a long time the

capital of the German Empire, it has no lack of interesting historical

recollections, and, notwithstanding it is fast becoming modernized, one

is everywhere reminded of the past. The cathedral, old as the days of

Peter the Hermit, the grotesque street of the Jews, the many quaint,

antiquated dwellings and the moldering watch-towers on the hills around,

give it a more interesting character than any German city I have yet

seen. The house we dwell in, on the Markt Platz, is more than two

hundred years old; directly opposite is a great castellated building

gloomy with the weight of six centuries, and a few steps to the left

brings me to the square of the Römerberg, where the emperors were

crowned, in a corner of which is a curiously ornamented house formerly

the residence of Luther. There are legends innumerable connected with

all these buildings, and even yet discoveries are frequently made in old

houses of secret chambers and staircases. When you add to all this the

German love of ghost-stories, and, indeed, their general belief in

spirits, the lover of romance could not desire a more agreeable

residence.

Within the walls the greater part of Frankfort is built in the old

German style, the houses six or seven stories high and every story

projecting out over the other; so that those living in the upper part

can nearly shake hands out of the windows. At the corners figures of men

are often seen holding up the story above on their shoulders and making

horrible faces at the weight. When I state that in all these narrow

streets, which constitute the greater part of the city, there are no

sidewalks, the windows of the lower stories have iron gratings extending

a foot or so into the street, which is only wide enough for one cart to

pass along, you can have some idea of the facility of walking through

them, to say nothing of the piles of wood and market-women with baskets

of vegetables which one is continuously stumbling over. Even in the

wider streets I have always to look before and behind to keep out of the

way of the cabs; the people here get so accustomed to it that they leave

barely room for them to pass, and the carriages go dashing by at a

nearness which sometimes makes me shudder.

As I walked across the Main and looked down at the swift stream on its

way from the distant Thuringian Forest to join the Rhine, I thought of

the time when Schiller stood there in the days of his early struggles,

an exile from his native land, and, looking over the bridge, said in the

loneliness of his heart, "That water flows not so deep as my

sufferings."

From the hills on the Darmstadt road I had a view of the country around;

the fields were white and bare, and the dark Taunus, with the broad

patches of snow on his sides, looked grim and shadowy through the dim

atmosphere. It was like the landscape of a dream--dark, strange and

silent.

I have seen the banker Rothschild several times driving about the city.

This one--Anselmo, the most celebrated of the brothers--holds a mortgage

on the city of Jerusalem. He rides about in style, with officers

attending his carriage. He is a little baldheaded man with marked Jewish

features, and is said not to deceive his looks. At any rate, his

reputation is none of the best, either with Jews or Christians. A

caricature was published some time ago in which he is represented as

giving a beggar-woman by the wayside a kreutzer--the smallest German

coin. She is made to exclaim, "God reward you a thousand fold!" He

immediately replies, after reckoning up in his head, "How much have I

then? Sixteen florins and forty kreutzers!"...

The Eschernheim Tower, at the entrance of one of the city gates, is

universally admired by strangers on account of its picturesque

appearance, overgrown with ivy and terminated by the little pointed

turrets which one sees so often in Germany on buildings three or four

centuries old. There are five other watch-towers of similar form, which

stand on different sides of the city at the distance of a mile or two,

and generally upon an eminence overlooking the country. They were

erected several centuries ago to discern from afar the approach of an

enemy, and protect the caravans of merchants, which at that time

traveled from city to city, from the attacks of robbers.

The Eschernheim Tower is interesting from another circumstance which,

whether true or not, is universally believed. When Frankfort was under

the sway of a prince, a Swiss hunter, for some civil offense, was

condemned to die. He begged his life from the prince, who granted it

only on condition that he should fire the figure nine with his rifle

through the vane of this tower. He agreed, and did it; and at the

present time one can distinguish a rude nine on the vane, as if cut with

bullets, while two or three marks at the side appear to be from shots

that failed.

[Footnote A: From "Views Afoot." Published by G.P. Putnam's Sons.]

HEIDELBERG[A]

BY BAYARD TAYLOR

Here in Heidelberg at last, and a most glorious town it is. This is our

first morning in our new rooms, and the sun streams warmly in the

eastern windows as I write, while the old castle rises through the blue

vapor on the side of the Kaiserstuhl. The Neckar rushes on below, and

the Odenwald, before me, rejoices with its vineyards in the morning

light....

There is so much to be seen around this beautiful place that I scarcely

know where to begin a description of it. I have been wandering among the

wild paths that lead up and down the mountain-side or away into the

forests and lonely meadows in the lap of the Odenwald. My mind is filled

with images of the romantic German scenery, whose real beauty is

beginning to displace the imaginary picture which I had painted with the

enthusiastic words of Howitt. I seem to stand now upon the Kaiserstuhl,

which rises above Heidelberg, with that magnificent landscape around me

from the Black Forest and Strassburg to Mainz, and from the Vosges in

France to the hills of Spessart in Bavaria.

What a glorious panorama! and not less rich in associations than in its

natural beauty. Below me had moved the barbarian hordes of old, the

triumphant followers of Arminius and the cohorts of Rome, and later full

many a warlike host bearing the banners of the red cross to the Holy

Land, many a knight returning with his vassals from the field to lay at

the feet of his lady-love the scarf he had worn in a hundred battles and

claim the reward of his constancy and devotion. But brighter spirits had

also toiled below. That plain had witnessed the presence of Luther, and

a host who strove with him. There had also trodden the master-spirits of

German song--the giant twain with their scarcely less harmonious

brethren. They, too, had gathered inspiration from those scenes--more

fervent worship of Nature and a deeper love for their beautiful

fatherland....

Then there is the Wolfsbrunnen, which one reaches by a beautiful walk up

the bank of the Neckar to a quiet dell in the side of the mountain.

Through this the roads lead up by rustic mills always in motion, and

orchards laden with ripening fruit, to the commencement of the forest,

where a quaint stone fountain stands, commemorating the abode of a

sorceress of the olden time who was torn in pieces by a wolf. There is a

handsome rustic inn here, where every Sunday afternoon a band plays in

the portico, while hundreds of people are scattered around in the cool

shadow of the trees or feeding the splendid trout in the basin formed by

a little stream. They generally return to the city by another walk,

leading along the mountain-side to the eastern terrace of the castle,

where they have fine views of the great Rhine plain, terminated by the

Alsatian hills stretching along the western horizon like the long

crested swells on the ocean. We can even see these from the windows of

our room on the bank of the Neckar, and I often look with interest on

one sharp peak, for on its side stands the castle of Trifels, where

Coeur de Lion was imprisoned by the Duke of Austria, and where Blondel,

his faithful minstrel, sang the ballad which discovered the retreat of

the noble captive.

From the Carl Platz, an open square at the upper end of the city, two

paths lead directly up to the castle. By the first walk we ascend a

flight of steps to the western gate; passing through which, we enter a

delightful garden, between the outer walls of the castle and the huge

moat which surrounds it. Great linden, oak and beech trees shadow the

walk, and in secluded nooks little mountain-streams spring from the side

of the wall into stone basins. There is a tower over the moat on the

south side, next the mountain, where the portcullis still hangs with its

sharp teeth as it was last drawn up; on each side stand two grim knights

guarding the entrance. In one of the wooded walks is an old tree brought

from America in the year 1618. It is of the kind called "arbor vitae,"

and uncommonly tall and slender for one of this species; yet it does not

seem to thrive well in a foreign soil. I noticed that persons had cut

many slips off the lower branches, and I would have been tempted to do

the same myself if there had been any I could reach. In the curve of the

mountain is a handsome pavilion surrounded with beds of flowers and

fountains; here all classes meet together in the afternoon to sit with

their refreshments in the shade, while frequently a fine band of music

gives them their invariable recreation. All this, with the scenery

around them, leaves nothing unfinished to their present enjoyment. The

Germans enjoy life under all circumstances, and in this way they make

themselves much happier than we who have far greater means of being so.

At the end of the terrace built for the Princess Elizabeth of England is

one of the round towers which was split in twain by the French. Half has

fallen entirely away, and the other semicircular shell, which joins the

terrace and part of the castle-buildings, clings firmly together, altho

part of its foundation is gone, so that its outer ends actually hang in

the air. Some idea of the strength of the castle may be obtained when I

state that the walls of this tower are twenty-two feet thick, and that a

staircase has been made through them to the top, where one can sit under

the lindens growing upon it or look down on the city below with the

pleasant consciousness that the great mass upon which he stands is only

prevented from crashing down with him by the solidity of its masonry. On

one side, joining the garden, the statue of the Archduke Louis in his

breastplate and flowing beard looks out from among the ivy.

There is little to be seen about the castle except the walls themselves.

The guide conducted us through passages, in which were heaped many of

the enormous cannon-balls which it had received in sieges, to some

chambers in the foundation. This was the oldest part of the castle,

built in the thirteenth century. We also visited the chapel, which is in

a tolerable state of preservation. A kind of narrow bridge crosses it,

over which we walked, looking down on the empty pulpit and deserted

shrines. We then went into the cellar to see the celebrated tun. In a

large vault are kept several enormous hogsheads, one of which is three

hundred years old, but they are nothing in comparison with the tun,

which itself fills a whole vault. It is as high as a common two-story

house; on the top is a platform upon which the people used to dance

after it was filled, to which one ascends by two flights of steps. I

forget exactly how many casks it holds, but I believe eight hundred. It

has been empty for fifty years....

Opposite my window rises the Heiligenberg, on the other side of the

Neckar. The lower part of it is rich with vineyards, and many cottages

stand embosomed in shrubbery among them. Sometimes we see groups of

maidens standing under the grape-arbors, and every morning the

peasant-women go toiling up the steep paths with baskets on their heads,

to labor among the vines. On the Neckar, below us, the fishermen glide

about in their boats, sink their square nets fastened to a long pole,

and haul them up with the glittering fish, of which the stream is full.

I often lean out of the window late at night, when the mountains above

are wrapt in dusky obscurity, and listen to the low, musical ripple of

the river. It tells to my excited fancy a knightly legend of the old

German time. Then comes the bell rung for closing the inns, breaking the

spell with its deep clang, which vibrates far away on the night-air till

it has roused all the echoes of the Odenwald. I then shut the window,

turn into the narrow box which the Germans call a bed, and in a few

minutes am wandering in America.

Halfway up the Heidelberg runs a beautiful walk dividing the vineyards

from the forest above. This is called "The Philosopher's Way," because

it was the favorite ramble of the old professors of the university. It

can be reached by a toilsome, winding path among the vines, called the

Snake-way; and when one has ascended to it, he is well rewarded by the

lovely view. In the evening, when the sun has got behind the mountain,

it is delightful to sit on the stone steps and watch the golden light

creeping up the side of the Kaiserstuhl, till at last twilight begins to

darken in the valley and a mantle of mist gathers above the Neckar.

We ascended the mountain a few days ago. There is a path which leads up

through the forest, but we took the shortest way, directly up the side,

tho it was at an angle of nearly fifty degrees. It was hard enough work

scrambling through the thick broom and heather and over stumps and

stones. In one of the stone-heaps I dislodged a large orange-colored

salamander seven or eight inches long. They are sometimes found on these

mountains, as well as a very large kind of lizard, called the

"eidechse," which the Germans say is perfectly harmless, and if one

whistles or plays a pipe will come and play around him.

The view from the top reminded me of that from Catskill Mountain House,

but is on a smaller scale. The mountains stretch off sideways, confining

the view to but half the horizon, and in the middle of the picture the

Hudson is well represented by the lengthened windings of the "abounding

Rhine." Nestled at the base below us was the little village of

Handschuhheim, one of the oldest in this part of Germany. The castle of

its former lords has nearly all fallen down, but the massive solidity of

the walls which yet stand proves its antiquity. A few years ago a part

of the outer walls which was remarked to have a hollow sound was taken

down, when there fell from a deep niche built therein, a skeleton clad

in a suit of the old German armor.

We followed a road through the woods to the peak on which stands the

ruins of St. Michael's chapel, which was built in the tenth century and

inhabited for a long time by a company of white monks. There is now but

a single tower remaining, and all around is grown over with tall bushes

and weeds. It had a wild and romantic look, and I sat on a rock and

sketched at it till it grew dark, when we got down the mountain the best

way we could....

We have just returned from a second visit to Frankfort, where the great

annual fair filled the streets with noise and bustle. On our way back we

stopt at the village of Zwingenberg, which lies at the foot of the

Melibochus, for the purpose of visiting some of the scenery of the

Odenwald. Passing the night at the inn there, we slept with one bed

under and two above, and started early in the morning to climb up the

side of the Melibochus. After a long walk through the forests, which

were beginning to change their summer foliage for a brighter garment, we

reached the summit and ascended the stone tower which stands upon it.

This view gives one a better idea of the Odenwald than that from the

Kaiserstuhl at Heidelberg.

This is a great collection of rocks, in a wild pine wood, heaped

together like pebbles on the seashore and worn and rounded as if by the

action of water; so much do they resemble waves that one standing at the

bottom and looking up can not resist the idea that they will flow down

upon him. It must have been a mighty tide whose receding waves left

these masses piled up together. The same formation continues at

intervals to the foot of the mountains. It reminded me of a glacier of

rocks instead of ice.

A little higher up lies a massive block of granite called the Giant's

Column. It is thirty-two feet long and three to four feet in diameter,

and still bears the mark of the chisel. When or by whom it was made

remains a mystery. Some have supposed it was intended to be erected for

the worship of the sun by the wild Teutonic tribes who inhabited this

forest; it is more probably the work of the Romans. A project was once

started to erect a monument on the battlefield of Leipsic, but it was

found too difficult to carry into execution.

After dining at the little village of Reichelsdorf, in the valley

below--where the merry landlord charged my friend two kreutzers less

than myself because he was not so tall--we visited the castle of

Schönberg, and joined the Bergstrasse again. We walked the rest of the

way here. Long before we arrived the moon shone down on us over the

mountains; and when we turned around the foot of the Heiligenberg, the

mist descending in the valley of the Neckar rested like a light cloud on

the church-spires.

[Footnote A: From "Views Afoot." Published by G.P. Putnam's Sons.]

STRASSBURG[A]

BY HARRIET BEECHER STOWE

I left the cars with my head full of the cathedral. The first thing I

saw, on lifting my eyes, was a brown spire. We climbed the spire; we

gained the roof. What a magnificent terrace! A world in itself; a

panoramic view sweeping the horizon. Here I saw the names of Goethe and

Herder. Here they have walked many a time, I suppose. But the inside--a

forest-like firmament, glorious in holiness; windows many-hued as the

Hebrew psalms; a gloom solemn and pathetic as man's mysterious

existence; a richness gorgeous and manifold as his wonderful nature. In

this Gothic architecture we see earnest northern races, whose nature was

a composite of influences from pine forest, mountain, and storm,

expressing in vast proportions and gigantic masonry those ideas of

infinite duration and existence which Christianity opened before them.

The ethereal eloquence of the Greeks could not express the rugged

earnestness of souls wrestling with those fearful mysteries of fate, of

suffering, of eternal existence, declared equally by nature and

revelation. This architecture is Hebraistic in spirit, not Greek; it

well accords with the deep ground-swell of the Hebrew prophets. "Lord,

thou hast been our dwelling-place in all generations. Before the

mountains were brought forth, or ever thou hadst formed the earth and

the world, even from everlasting to everlasting, thou art God. A

thousand years in thy sight are but as yesterday when it is past. And as

a watch in the night."

The objection to Gothic architecture, as compared with Greek, is, that

it is less finished and elegant. So it is. It symbolizes that state of

mind too earnest for mere polish, too deeply excited for laws

of exact proportions and architectural refinement. It is Alpine

architecture--vast, wild, and sublime in its foundations, yet bursting

into flowers at every interval. The human soul seems to me an imprisoned

essence, striving after somewhat divine. There is a struggle in it, as

of suffocated flame; finding vent now through poetry, now in painting,

now in music, sculpture, or architecture; various are the crevices and

fissures, but the flame is one.

Moreover, as society grows from barbarism upward, it tends to

inflorescence, at certain periods, as do plants and trees; and some

races flower later than others. This architecture was the first

flowering of the Gothic race; they had no Homers; the flame found vent

not by imaged words and vitalized alphabet; they vitalized stone, and

their poets were minster-builders; their epics, cathedrals.

This is why one cathedral--like Strassburg, or Notre Dame--has a

thousandfold the power of any number of Madeleines. The Madeleine is

simply a building; these are poems. I never look at one of them without

feeling that gravitation of soul toward its artist which poetry always

excites. Often the artist is unknown; here we know him; Erwin von

Steinbach, poet, prophet, priest, in architecture. We visited his

house--a house old and quaint, and to me full of suggestions and

emotions. Ah, if there be, as the apostle vividly suggests, houses not

made with hands, strange splendors, of which these are but shadows, that

vast religious spirit may have been finding scope for itself where all

the forces of nature shall have been made tributary to the great

conceptions of the soul. Save this cathedral, Strassburg has nothing

except peaked-roofed houses, dotted with six or seven rows of gable

windows.

[Footnote A: From "Sunny Memories of Foreign Lands." Mrs. Stowe

published this work in 1854, after returning from the tour she made soon

after achieving great fame with "Uncle Tom's Cabin." During this visit

she was received everywhere with distinction--and especially in

England.]

FREIBURG AND THE BLACK FOREST[A]

BY BAYARD TAYLOR

The airy basket-work tower of the Freiburg minster rises before me over

the black roofs of the houses, and behind stand the gloomy pine-covered

mountains of the Black Forest. Of our walk to Heidelberg over the

oft-trodden Bergstrasse, I shall say nothing, nor how we climbed the

Kaiserstuhl again, and danced around on the top of the tower for one

hour amid cloud and mist, while there was sunshine below in the valley

of the Neckar. I left Heidelberg yesterday morning in the "stehwagen"

for Carlsruhe. The engine whistled, the train started, and, altho I kept

my eyes steadily fixt on the spire of the Hauptkirche, three minutes hid

it and all the rest of the city from sight. Carlsruhe, the capital of

Baden--which we reached in an hour and a half--is unanimously pronounced

by travelers to be a most dull and tiresome city. From a glance I had

through one of the gates, I should think its reputation was not

undeserved. Even its name in German signifies a place of repose.

Seeing Europe with Famous Authors, Volume 5 Germany, Austria-Hungary, and Switzerland, Part 1 · 第 2 / 12 段