PART I. TRANSITION EXAMPLES

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_The Cathedral Series_

_The following, each 1 vol., library 12mo, cloth, gilt top profusely

illustrated. $2.50_

_The Cathedrals of Northern France BY FRANCIS MILTOUN_

_The Cathedrals of Southern France BY FRANCIS MILTOUN_

_The Cathedrals of England BY MARY J. TABER_

_The following, each 1 vol., library 12mo, cloth, gilt top, profusely

illustrated. Net, $2.00_

_The Cathedrals and Churches of the Rhine BY FRANCIS MILTOUN_

_The Cathedrals of Northern Spain BY CHARLES RUDY_

_L. C. PAGE & COMPANY

New England Building, Boston, Mass._

[Illustration: NOTRE DAME ... _de NOYON_]

THE CATHEDRALS OF NORTHERN FRANCE

By FRANCIS MILTOUN

WITH EIGHTY ILLUSTRATIONS,

PLANS, AND DIAGRAMS,

By BLANCHE McMANUS

[Illustration]

BOSTON

L. C. Page and Company

MDCCCCIIII

_Copyright, 1903_

BY L. C. PAGE & COMPANY

(INCORPORATED)

_All rights reserved_

Published October, 1903

Colonial Press

Electrotyped and Printed by C. H. Simonds & Co.

Boston, Mass., U. S. A.

_THIS BOOK IS DEDICATED BY THE AUTHOR AND ARTIST TO THE GENIUS OF

RACE WHICH MADE POSSIBLE THE EXISTENCE OF THESE ARCHITECTURAL

"GLORIES OF FRANCE"_

APOLOGIA

_"There are two ways of writing a book of travel: to recount the journey

itself or the results of it." This is also the case with regard to any

work which attempts to purvey topographical or historical information of

a nature which is only to be gathered upon the spot; and, when an

additional side-light is shown by reason of the inclusion, as in the

present instance, of the artistic and religious element, it becomes more

and more a question of judicious selection and arrangement of fact,

rather than a mere hazarding of opinions, which, in many cases, can be

naught but conjecture, and may, in spite of any good claim to

authoritativeness, be misunderstood or perverted to an inutile end, or,

what is worse, swallowed in that oblivion where lies so much excellent

thought, which, lacking either balance or timeliness, has become

stranded, wrecked, and practically lost to view because of its

unappropriate and unattractive presentation._

_To-day, the purely technical writer may have little hope of immortality

unless he is broad-minded enough to take a cultivated interest in many

matters outside the ken of his own particular sphere. The best-equipped

person living could not produce a new "Dictionary of Architecture," and

expect it to fill any niche that may be waiting for such a work, unless

he brought to bear, in addition to his own special knowledge, something

of the statistician, something of the professed compiler, and, if

possible, a little of the not unimportant knowledge possessed by the

maker and seller of books, meaning--the publisher. Given these

qualifications, it is likely that he will then produce an ensemble as

far in advance of what otherwise might have been as is the modern

printing machine, as a factor in the dissemination of literature, as

compared with the ancient scribes working to the same end._

_The sentimentalist and rhapsodist in words and ideas is a dwindling

factor at the present day, and a new presentation of fact is

occasionally to be met with in the printed page. The best "book of

travel" within the knowledge of the writer, and perhaps one of the

slightest in bulk ever written in the English language, is Stevenson's

"Inland Voyage"--here were imagination, appreciation, and a new way of

seeing things, and, above all, enthusiasm; and this is the formula upon

which doubtless many a future writer will build his reputation, though

he may never reach the significant heights expressed by Stevenson in the

picturesque wording of his wish to be made Bishop of Noyon._

_This apparent digression into a critical estimate of the making of

books is but another expression of the justification of the writer in

the attempt herein made to set forth in attractive and enduring form

certain facts and realities with regard to the grand and glorious group

of cathedrals of Northern France._

_They have appeared as demanding something more than the conventional

guide-book, or even technical estimates as to their perfections, and the

belief is that the gathering together, after this fashion, of the

contemporary information not always to the hand of the general reader

presents an attraction as appealing and deserving of a place on the

book-shelf as would be an avowed reference work, or a volume made to

sell on the strength of its bulk or ornateness, or, lacking these

questionable attributes, presented in the guise of a whilom text-book,

the sole province of which is to impart "knowledge" after a certain

well recognized and set pattern._

_It is believed that, regardless of much that has been said and written

anent the subject, the fact remains that some considerable numbers of

persons may be supposed to exist who would be glad of a further

suggestion which would make possible an acquaintance with the cathedrals

of France as a part of their own personal experience. To all such, then,

it is to be hoped this book will appeal._

F. M.

CONTENTS

PAGE

Introduction 11

PART I. TRANSITION EXAMPLES

I. Introductory 41

II. Notre Dame de Laon 43

III. Notre Dame de Noyon 49

IV. Notre Dame de Soissons 54

The Cathedrals of Northern France · 第 1 / 9 章