CHAPTER XIV

IN WHICH I MAKE A RESOLVE

The great broad plain which lies between marble-built old Pisa and

the sea was flooded by the golden Italian sunset, and the background

of the serrated Apennines loomed a dark purple in the distance as we

approached the long breakwater which protects Leghorn from the sea.

Leaning over the rail, I gazed upon the white, sun-blanched Tuscan

town, and recognized the gay Passeggio with its avenue of dusty

tamarisks, its long rows of high white houses with their green

persiennes, and Pancaldi’s and the other baths, built out upon the

rocks into the sea. Years ago, when at the convent, we had gone there

each summer, a dozen or so girls at a time, under the kindly care of

Suor Angelica, to obtain fresh air and escape for a fortnight or so

the intolerable heat of July in the Lily City. How well I remembered

that long promenade, the Viale Regina Margherita, but known to those

happy, light-hearted, improvident Livornesi by its ancient name,

the Passeggio. And what long walks we girls used to have over the

rocks beyond Antignano, or scrambling climbs up to the shrine of the

miracle-working Virgin at Montenero. Happy, indeed, were those summer

days with my girl friends--girls who had now, like myself, grown to

be women--who had married, and had experienced all the trials and

bitterness of life. A thought of her who was my best friend in those

past days recurred to me--pretty, black-haired, unassuming Annetta

Ceriani, from Arezzo. She had left the college the same week as myself,

and our parting had been a very hard one. In a year, however, she

had married, and was now a princess, the wife of Cesare Sigismondo,

Prince Regello, who, to give him all his titles, was “Principe Romano,

Principe di Pinerolo, Marchese di Casentino, Conte di Lucca, Nobile di

Monte Catina.” Truly the Italian nobility do not lack titles. But poor

Annetta! Her life had been the reverse of happy, and the last letter

I had received from her, dated from Venice, contained the story of a

woman heart-broken.

Yes, as I stood there on the deck of the Vispera approaching the

old sun-whitened Tuscan port many were the recollections of those

long-past careless days which crowded upon me, days before I had known

how weary was the world, or how fraught with bitterness was woman’s

love.

Already the light was shining yellow in the high, square old

light-house, although the sun had not altogether disappeared.

Half-a-dozen fine cruisers of the British Mediterranean Squadron were

lying at anchor in line, and we passed several boats full of sun-tanned

liberty men on their way to the shore for an evening promenade, for the

British man-o’-warsman is always a welcome guest in Leghorn. At last,

when within a quarter of a mile of the breakwater, I heard old Mr.

Keppel, who stood close to me, speaking to the captain.

“I shall send a couple of packets on board in the morning, and also a

box, Davis. Put the latter below in a safe place. Lock it up somewhere.”

“Very well, sir,” answered the man, in his smart uniform, leaning over

the rail of the bridge. “And we sail for Naples after the things are on

board?”

“Yes. And wait there for me.”

“Very well, sir.” And then he turned to give some directions to the

helmsman.

The situation was becoming desperate. How was I to act? At least

I should now ascertain who had been the old man’s companion in the

deck-cabin on the previous night, for they would no doubt go ashore

together.

Old Mr. Keppel was standing near me, speaking again to the captain,

giving him certain orders, when Gerald, spruce as usual in blue serge,

came up and, leaning at my side, said:

“Ulrica says you know Leghorn quite well. You must be our guide. We’re

all going ashore after dinner. What is there to amuse one in the

evening?”

“The gay season hasn’t commenced yet,” I responded. “But there is opera

at the Goldoni always. One pays only a dollar for a box to seat six.”

“Impossible,” he laughed incredulously. “I shouldn’t care to sit out

music at that price.”

“Ah, there I must differ,” I replied. “It is as good as any you’ll find

in Italy. Remember, here is the home of opera. Why, the Livornesi love

music so intensely that it is no unusual occurrence for a poor family

to make shift with a piece of bread and an onion for dinner in order to

pay the fifty centesimi ingresso to the opera. Mascagni is Livornese,

and Puccini, who composed ‘La Boheme,’ was also born close here. No. In

‘cara Livorno,’ as the Tuscan loves to call it, one can hear the best

opera for ten cents.”

“Different to our prices in America.”

“And our music, unfortunately, is not so good,” I said.

“Shall we go to this delightfully inexpensive opera to-night? It would

certainly be an experience.”

“I fear I shall not,” I answered. “I am not feeling very well.”

“I’m extremely sorry,” he said with quick apprehension. “Is there

anything I can get you?”

“No, nothing, thank you,” I answered. “A little faintness, that’s all.”

We had already anchored just inside the breakwater, and a boat had been

lowered. Four of the crew were in it, ready to take their owner ashore.

“Good-by--good-by, all!” I heard old Benjamin Keppel saying in his

hearty manner, and, turning, met him face to face.

“Good-by, Miss Rosselli!” he shouted to me, laughing as he raised his

cap. “I shall be back with you at Naples.”

I gripped the rail and acknowledged the salute of the man who was

leaving the vessel he had doomed to destruction.

All the guests were on deck, and many were the good wishes sent after

him as he sprang into the boat and the men pulled off towards the port.

Then a few moments later the bell rang for dinner and all descended to

the saloon, eager to get the meal over and go ashore.

On the way down Ulrica took me aside, saying:

“Gerald has told me you are ill, my dear. I’ve noticed how pale and

unlike yourself you’ve been all day. What’s the matter?--tell me.”

“I--I can’t. At least not now,” I managed to stammer, and at once

escaped her.

I wanted to be alone to think. Keppel had gone ashore alone. His

companion of the previous night, the man to whom the conception of that

diabolical plot was due, was still on board. But who was he?

I ate nothing, but was in the first boat that went ashore. I had

excused myself from making one of the party at the opera, after giving

all necessary directions, and on pretence of going to a chemist’s to

make a purchase I separated myself from Ulrica, Gerald, and Lord

Stoneborough in the Via Grande, the principal thoroughfare.

How next to act I knew not. Keppel had expressed his intention of

sending a box on board, and there could be no doubt that it would

contain some explosive destined to send the Vispera to the bottom.

At all hazards the yacht must not sail. Yet how was it possible that

I could prevent it without making a full statement of what I had

overheard?

I entered the pharmacy and purchased the first article that came into

my mind. Then, returning into the street, I wandered on, plunged in my

own distracting thoughts.

The soft, balmy Italian night had fallen, and the white streets and

piazzas of Leghorn were filled, as they always are at evening, with

the merry, light-hearted crowds of idlers: men with their hats stuck

jauntily askew, smoking, laughing, gossiping, and women, dark-haired,

black-eyed, the most handsome in all Italy, each with a mantilla

of black lace or of some bright-colored silk as a head-covering,

promenading and enjoying the refreshing fresco after the toil and

burden of the day. None in all the world can surpass in beauty those

Tuscan women--dark, tragic, with eyes that flash quickly in love or

hatred, with figures perfect, and each with an easy, swinging gait that

a duchess might envy. It was Suor Angelica who had once repeated to me

the rhyme that one of our old Florentine writers had written of them,--

“S’è grande, è oziosa;

S’è piccola, è viziosa;

S’è bella, è vanitosa;

S’è brutta, è fastidiosa.”

Every type indeed is represented in that long single street at

night--the dark-haired Jewess, the classic Greek, the thick-lipped

Tunisian, the pale-cheeked Armenian, and the beautiful Tuscan, the

purest type of beauty in all the world.

Once again, after those years, I heard as I walked onward the soft

sibillations of the Tuscan tongue about me, the gay chatter of that

city of sun and sea, where although half the population are in a state

of semi-starvation their hearts are still as light as in the days

when “cara Livorno” was still prosperous. But, alas! it has sadly

declined. Its manufactures, never very extensive, have died out, its

merchant-princes are ruined, or have deserted it, and its trade has

ebbed until there is no work for those honest brown-faced men who are

forced to idle upon the stone benches in the piazza even though their

wives and children are crying for bread.

The splendid band of the Bersagliéri was playing in the great Piazza

Vittorio, in front of the British Consulate, where the Consular flag

was waving because the war-ships were in the port. The music was there

in acknowledgment of the fact that the British marine band had played

before the Prefecture on the previous evening. The Consulate was

illuminated, and at the balcony with a large party was Her Britannic

Majesty’s Consul himself, the popular Jack Hutchinson, known to every

English and American resident throughout Tuscany as the merriest and

happiest of good fellows. But I hurried on across the great square,

feeling that no time should be lost, yet not knowing what to do.

The mysterious assassination of poor Reggie and the curious events

which followed, coupled with this startling discovery I had made on

the previous night, had completely unnerved me. As I tried to reflect

calmly and logically, I came to the conclusion that it was eminently

necessary to ascertain the identity of the man who held the Steel King

beneath his thrall--the man who had suggested the blowing up of the

yacht. This man intended, without a doubt, to leave the vessel under

cover of night, or if he were actually one of the guests he could, of

course, easily excuse himself and leave the others, as I had done.

I entered the Hotel Giappone, where I had once stayed with some friends

after leaving the convent, and after succeeding in changing some money,

went forth again among the chattering crowd, when suddenly it occurred

to me that if our host intended to leave Leghorn he must leave by

train. Therefore I entered a tram and alighted at the station. Several

trains had, I ascertained, left for Pisa in connection with the main

line from Genoa to Rome since Keppel had landed. Perhaps, therefore, he

had already left.

The great platform was dimly lit and deserted, for no train would

depart, they told me, for another hour. It was the mail, and ran to

Pisa to catch the night express to the French frontier at Modane.

Should I remain and watch?

The idea occurred to me that if the unseen individual who had been

present in the deck-house intended to come ashore he would certainly

meet Keppel somewhere, where the explosive would be prepared and

packed in the box ready to be sent on board early in the morning. Most

probably the pair would contrive to catch this, the last train from

Leghorn. So I resolved to remain.

The time dragged on. The short train was backed into the station, but

no passenger appeared. A controller inquired if I intended to go to

Pisa, but I replied in the negative. At last one or two passengers

approached leisurely, as is usual in Italy, carrying wicker-covered

flasks of Chianti to drink en voyage; the inevitable pair of

white-gloved carabineers strolled up and down, and the train prepared

to start.

Of a sudden, almost before I was aware of it, I was conscious of two

figures approaching. One was that of old Mr. Keppel, hot and hurrying,

carrying his small hand-bag, and the other the figure of a woman

wearing a soft felt hat and long fawn travelling-cloak.

I drew back into the shadow in an instant to allow them to pass without

recognizing me, for I had fortunately put on an old black dress which

I had never worn on board. The miscreant had, it seemed, cleverly

disguised himself as a woman.

Hurrying, they next moment passed me by in search of an empty

first-class compartment. The controller approached them and asked for

their tickets, when Keppel, feeling in his pockets with fidgety air,

answered in English, which, of course, the man did not understand,--

“We’re going to the frontier.”

The man glanced leisurely at the tickets, then unlocked one of the

doors and allowed them to enter.

As the woman mounted into the carriage, however, a ray of light

fell straight across her face, and revealed to my wondering eyes a

countenance that held me absolutely stupefied.

The discovery I made at that moment increased the mystery tenfold.

The Sign of the Seven Sins · 第 14 / 21 章