CHAPTER VII

MAINLY CONCERNS THE OWL

Ulrica was that night wildly hilarious at my expense. She had noticed

me walking tête-à-tête with old Mr. Keppel, and accused me of flirting

with him.

Now, I may be given to harmless frivolities with men of my own age, but

I certainly have never endeavored to attract those of maturer years.

Elderly men may have admired me,--that I do not deny,--but assuredly

that has been through no fault of my own. A woman’s gowns are always an

object of attention among the sterner sex. If, therefore, she dresses

smartly, she can at once attract a certain section of males, even

though her facial expression may be the reverse of prepossessing. Truth

to tell, a woman’s natural chic, her taste in dress, and her style of

coiffure are by far the most important factors towards her well-being.

The day of the healthful, buxom pink-and-white beauty is long past. The

woman rendered artistic by soft chiffons, dainty blouses, and graceful

tea-gowns reigns in her stead.

“Old Mr. Keppel walked with me because he wanted company, I suppose,” I

protested. “I had no idea such a misconstruction would be placed upon

our conversation, Ulrica.”

“Why, my dear, everyone noticed it and remarked about it! He neglected

his guests and walked with you a whole hour in the garden. Whatever did

you find to talk about all that long time?”

“Nothing,” I responded simply. “He only took me round the place. I

don’t think he cares very much for the people he entertains, or he

wouldn’t have neglected them in that manner.”

“No. But I heard some spiteful things said about yourself,” Ulrica

remarked.

“By whom?”

“By various people. They all said that you had been angling after the

old man for a long time--that you had followed him to Nice, in fact.”

“Oh Ulrica!” I cried indignantly. “How can they say such things? Why,

you know that it was yourself who introduced us.”

“I know,” she answered rather curtly, “but I didn’t expect that you

would make such a fool of yourself as you have done to-night. Have you

already forgotten Ernest?”

“Ah!” I cried, “you have no heart. Would that I had none. Love within

me is not yet dead. Would to God it were. I might then be like you,

cold and cynical, partaking of the pleasures of the world without a

thought of its griefs. As I am, I must love. My love for that man is my

very life. Without it I should die.”

“No, no, my dear,” she said quickly in a kindly tone, “don’t cry, or

your eyes will be a horrid sight to-morrow. I didn’t mean anything, you

know,” and she drew down my head and kissed me tenderly on the brow.

I left and went to my room, but her words rang constantly in my ears.

The idea that the old millionaire had been attracted by me was a novel

one.

The whole theory was ridiculous. It had been started by some lying,

ill-natured woman for want of something else to gossip about, therefore

why should I heed it? I liked him, it was true, but I could never love

him--never.

Reader, you may think it strange that we two young women were

wandering about Europe together without any male relative. The truth

is that that personage so peculiarly British, and known as Mrs.

Grundy, is dead. It is primarily her complete downfall in this age of

emancipation, bicycles, and bloomers that makes the modern spinster’s

lot in many respects an eminently attractive one.

We were discussing it over our coffee on the following morning, when

Ulrica, referring to our conversation on the previous night, said,--

“Formerly, girls married in order to gain their social liberty;

now, they more often remain single to bring about that desirable

consummation.”

“Certainly,” I acquiesced. “If we are permitted by public opinion to go

to college, to live alone, to travel, to have a profession, to belong

to a club, to wear divided skirts,--not that I approve of them,--to

give parties, to read and discuss whatsoever seems good to us, to go

to theatres and even to Monte Carlo without masculine escort, then we

have most of the privileges--and several others thrown in--for which

the girl of twenty or thirty years ago was ready to sell herself to the

first suitor who offered himself and the shelter of his name.”

“I’m very glad, my dear, that at last you are becoming so very

sensible,” she answered approvingly. “Until now you have been far too

romantic and too old-fashioned in your ideas. I really think that I

shall convert you to my views of life in time--if you don’t marry old

Keppel.”

“Kindly don’t mention him again,” I protested firmly. “To a certain

extent I entirely agree with you regarding the emancipation of woman. A

capable woman who has begun a career, and feels certain of advancement

in it, is often as shy of entangling herself matrimonially as ambitious

young men have ever shown themselves to be in like circumstances.”

“Without doubt. The disadvantage of marriage to a woman with a

profession is more obvious than to a man, and it is just the question

of maternity, with all its duties and responsibilities, which is

occasionally the cause of many women forswearing the privileges of the

married state.”

“Well, Ulrica,” I said, “speak candidly, would you marry if you had a

really good offer?”

“Marry? Certainly not!” she answered with a laugh, as though the idea

was perfectly preposterous. “Why should I marry? I have had a host of

offers, just as every woman with a little money always has. But why

should I renounce my freedom? If I married, my husband would forbid

this and forbid that--and you know I couldn’t live without indulging

in my little pet vices of smoking and gambling.”

“Wouldn’t your husband’s love fill the void?” I queried.

“It would be but a poor substitute, I’m afraid. The most ardent love

nowadays cools within six months, it seems, and more often even wanes

with the honeymoon.”

“I have really no patience with you,” I said hastily; “you are far too

cynical.”

She smiled, sighing slightly. She looked so young in her pale pink

peignoir.

“Contact with the world has, alas! made me what I am, my dear.”

“Well,” I said, “to be quite candid, I don’t think that the real cause

why so many women nowadays remain single is to be found in the theories

we have been airing to one another. The fact is that after all we are

only a bundle of nerves and emotions, and once our affections are

involved we are capable of any heroism.”

“You may be one of those, my dear,” was her rather grave response. “I

am afraid, however, that I am not.”

I didn’t pursue the subject further. She was kind and sympathetic in

all else save where my love was concerned. My affection for Ernest was

to her merely an amusing incident. She seemed unable to realize how

terribly serious I was or what a crushing blow had fallen upon me when

he had turned and forsaken me.

Gerald called at eleven, for he had arranged to accompany us over to

the Farrells’ at Beaulieu.

“Miss Rosselli,” he cried as he greeted me, “you are a brick--that you

are!”

“A brick!” I echoed. “Why?”

“Why, you’ve worked an absolute miracle with the guv’nor. Nobody

else could persuade him to set foot on the Vispera except to return

to New York, yet you’ve induced him to arrange for a cruise up the

Mediterranean. What’s more, we are going to leave that cur Barnes

behind.”

“Are you glad?” I asked.

“Glad! I should rather think so. We shall have a most glorious time!

He intends asking the Farrells, Lord Eldersfield, Lord and Lady

Stoneborough, and quite a lot of people. We’ve got you to thank for it.

No power on earth would induce him to put to sea except yourself, Miss

Rosselli.”

The Carnival bal-masqué at the Casino, the great event of the King

Carnival’s reign, took place on the following Sunday night, and we

made to a party to go to it. There were seven of us, and we looked a

grotesque crowd as we assembled in the vestibule of the Grand attired

in our fantastic garbs and wearing those mysterious masks of black

velvet which so effectively concealed our features. Ulrica represented

a Watteau shepherdess with wig and crook complete, while I was en

bébé, a more simple costume surmounted by a sun-bonnet of colossal

proportions. One of the women of the party was a Queen of Folly and

another wore a striking Louis XV. dress, while Gerald represented a

demon, and wore pins in his tail in order to prevent others pulling

that dorsal appendage.

The distance from the hotel to the Casino is only a few hundred yards,

therefore we walked, a merry, laughing group, for the novelty of the

thing was sublime. Among our party only Gerald had witnessed a previous

Carnival ball, and he had led us to expect a scene of wildest merriment.

Certainly we were not disappointed. Having run the gauntlet of a crowd

who smothered us with confetti, we entered the great winter-garden of

the Casino and found it a blaze of color--the two colors of Carnival.

Suspended from the high glass roof were thousands of bannerets of mauve

and old gold, while the costumes of the revellers were of the self-same

shades. Everywhere were colored lights of similar hue, and the fun was

already fast and furious. The side-rooms, which, as most readers will

remember, are ordinarily devoted to gambling,--for gambling in a mild

form is permitted at Nice,--were now turned into handsome supper-rooms,

and in the winter-garden and the theatre beyond the scene was perhaps

one of the liveliest and most animated in the whole world.

All had gone there to enjoy themselves. In the theatre there was wild

dancing, the boxes were filled by the grand monde of Europe, princes

and princesses, grand dukes and duchesses, counts and countesses,

noted actresses from Paris and London, and well-known people of every

nationality, all enjoying the scene of uproarious merry-making. We

viewed it first from our own box, but at length someone suggested that

we should descend and dance, an idea which was promptly acted upon.

Masked as every one was, with the little piece of black lace tacked to

the bottom of the black velvet loup in order to conceal the lower part

of the features, it was impossible to recognize a single person in that

huge, whirling crowd. Therefore immediately we descended to the floor

of the theatre we at once became separated from one another. I stood

for a few minutes bewildered. The blaze of color made one’s head reel.

People in all sorts of droll costumes, false heads, and ugly masks were

playing various kinds of childish antics. Out in the winter-garden

clowns and devils were playing leap-frog and sylphs and angels, joining

hands, were whirling round and round in huge rings playing some game

and screaming with laughter. Almost every one carried miniature

representations of Punch with bells attached, large rattles, or paper

flowers, which when blown elongated to a ridiculous extent.

Never before in all my life had I been amid such a merry, irresponsible

crowd. The ludicrousness of Carnival reaches its climax in the ball

at the Casino, and whatever may be said of it, it is without doubt

one of the annual sights of Europe. I have heard it denounced as a

disgraceful exhibition by old ladies who have been compelled to admit

that they had never been present, but I must say that from first to

last, although the fun was absolutely unbridled, I saw nothing whatever

to offend.

I was standing aside, watching the dancers, when suddenly a tall man

dressed in a remarkable costume representing an owl approached, and

bowing, said in rather good English, in a deep but not unmusical

voice,--

“Might I have the pleasure of this dance with mademoiselle?”

I glanced at him in suspicion. He was a weird-looking creature in his

bird dress of mauve and old gold and the strange mask with two black

eyes peering out at me. Besides, it was not my habit to dance with

strangers.

“Ah!” he laughed. “You hesitate because we have not been introduced.

Here in Nice at Carnival one introduces one’s self. Well, I have

introduced myself, and now I ask you what is your opinion of my

marvellous get-up. Don’t you think me a really fine bird?”

“Certainly,” I laughed. “You’re absolutely hideous.”

“Thanks for the compliment,” he answered pleasantly. “To unmask is

forbidden, or I would take off this terrible affair, for I confess I am

half stifled. But if I’m ugly you are absolutely charming. It is a case

of Beauty and the Bird. Aren’t my wings fetching?”

“Very.”

“I knew you were American. Funny how we Frenchmen can always spot

Americans.”

“How did you know that I was American?” I inquired.

“Ah! now that’s a secret,” he laughed. “But hark! it’s a waltz. Come

under my wing, and let’s dance. I know you’d dearly love a turn round.

For this once throw the introduction farce to the winds and let me take

you round. The owl is never a ferocious bird, you know.”

For a moment I hesitated, then, consenting, I whirled away among the

dancers with my strange, unknown partner.

“I saw you up in that box,” he said presently. “I waited for you to

come down.”

“Why?” With a woman’s innate coquetry I felt a delight in misleading

him, just as he was trying to mislead me. There was a decided air

of adventure in that curious meeting. Besides, so many of the

dresses were absolutely alike that now we had become separated it was

impossible for me to discover any of our party. The Nice dressmakers

make dozens of Carnival dresses exactly similar, and when the wearers

are masked it is hard to distinguish one from the other.

“Well,” he said evasively in answer to my question, “I wanted a

partner.”

“And so you waited for me? Surely any other would have done as well?”

“No, that is just it. They wouldn’t. I wanted to dance with you.”

The waltz had ended, and we strolled together out of the theatre into

the great winter-garden with its bright flower-beds and graceful palms,

a kind of huge conservatory which forms a gay promenade each evening in

the season.

“I don’t see why you should entertain such a desire,” I said.

“Besides,” and I paused to gain breath for the little untruth, “I fear

that my husband will be furious if he has noticed us.”

“I might say the same about my wife--if I wished to import fiction into

the romance,” he said.

“Then you have no wife?” I suggested with a laugh.

“My wife is just as real as your husband,” he responded bluntly.

“What do you mean?”

“I mean that if you really have a husband it is an extremely surprising

confession.”

“Why surprising?”

“Well, it’s true that husbands are like Somebody’s sewing-machines--no

home being complete without one,” he laughed. “But I really had no idea

that Mademoiselle Carmela Rosselli possessed such a useful commodity.”

“What!” I gasped, glaring at the hideous-looking Owl, “you know me?”

“Yes,” he responded in a deeper voice, more earnestly than before. “I

know quite well who you are. I have come here to-night expressly to

speak with you.”

I started, and stood glaring at him in wonderment.

“I have,” he added in a low, confidential tone, “something important to

say to you--something most important.”

The Sign of the Seven Sins · 第 7 / 21 章