CHAPTER I

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HOME UNIVERSITY LIBRARY

OF MODERN KNOWLEDGE

CHAUCER AND HIS TIMES

BY GRACE E. HADOW

LONDON

WILLIAMS & NORGATE

HENRY HOLT & Co., NEW YORK

CANADA: WM. BRIGGS, TORONTO

INDIA: R. & T. WASHBOURNE, LTD.

1914

HOME UNIVERSITY LIBRARY

OF MODERN KNOWLEDGE

_Editors_:

HERBERT FISHER, M.A., F.B.A, LL.D.

PROF. GILBERT MURRAY, D.LITT., LL.D., F.B.A.

PROF. J. ARTHUR THOMSON, M.A., LL.D.

PROF. WILLIAM T. BREWSTER, M.A.

(Columbia University, U.S.A.)

NEW YORK

HENRY HOLT AND COMPANY

CHAUCER AND HIS TIMES

BY GRACE E. HADOW

LECTURER IN ENGLISH, LADY MARGARET

HALL, OXFORD; LATE READER IN ENGLISH,

BRYN MAWR COLLEGE, U.S.A.

LONDON

WILLIAMS AND NORGATE

_The following volumes of kindred interest have already been published in

this Library_:

43. English Literature: Mediæval. By Prof. W. P. Ker.

13. Mediæval Europe. By H. W. C. Davis, M.A.

45. The English Language. By L. Pearsall Smith, M.A.

35. Landmarks in French Literature. By G. L. Strachey.

_First Printed April 1914_

CONTENTS

CHAP. PAGE

NOTES ON CHAUCER'S USE OF 'E' vi

I CHAUCER'S LIFE AND TIMES 7

II CHAUCER'S WORKS 32

III CHAUCER'S TREATMENT OF HIS SOURCES 69

IV CHAUCER'S CHARACTER-DRAWING 106

V CHAUCER'S HUMOUR 143

VI CHAUCER'S DESCRIPTIVE POWER 173

VII SOME VIEWS OF CHAUCER'S ON MEN AND THINGS 196

VIII CHAUCER'S INFLUENCE 229

BIBLIOGRAPHY 254

INDEX 255

NOTES ON CHAUCER'S USE OF 'E'

1. Final _e_ is usually sounded in Chaucerian verse, but

(_a_) it is slurred over before a word beginning with a vowel, e.g. I

noldë sette [slur] at al that noyse [slur] a grote; before certain

words beginning with _h_, such as _he_; any part of the verb to

_have_; the adverbs _heer_, _how_, and a mute _h_ as in _honour_--e.g.

Tho redde [slur] he me how Sampson loste [slur] his heres:

(_b_) it is sometimes dropped in certain words in common use such as

_were_, _hadde_, _wolde_, etc.--e.g. Wolde [slur] go to bedde,

[slur] he wolde [slur] no lenger tarie.

2. Middle _e_ is sometimes dropped: e.g. hav(e)nes.

3. Final _e_ should always be sounded at the end of a line.

These notes are based on the grammatical hints given in Professor Skeat's

Introduction to his single-volume edition of Chaucer's complete works

(Clarendon Press, 1901), from which the illustrations in this book are

also drawn. To his researches and to those of Professors Lounsbury and Ten

Brink, and of the members of the Chaucer Society, all students of Chaucer

must gratefully acknowledge their indebtedness. In quoting from Chaucer I

have kept to Professor Skeat's spelling. All attempts to modernise

Chaucerian verse inevitably result in destroying something of the charm

and melody of the original. Readers whose eyes are not accustomed to the

forms of Middle English will find practically all difficulty disappear if

they read the passages aloud with modern pronunciation. With other Middle

English and Scottish poets I have reluctantly taken greater liberties,

since their language is often more remote from the speech of to-day. An

example of the original Scottish forms will be found on p. 240.

G. E. H.

CHAUCER AND HIS TIMES

CHAPTER I

CHAUCER'S LIFE AND TIMES

"The biography of Chaucer is built upon doubts and thrives upon

perplexities" according to one of the most famous of Chaucer scholars, and

the more carefully we consider the evidence upon which this statement is

based, the more fully do we find it endorsed. The name Chaucer itself has

been variously derived from the Latin _calcearius_, a shoemaker, the

French _chaussier_, a maker of long hose, and the French _chaufecire_,

chafe-wax (_i. e._ a clerk of the court of Chancery whose duty consisted

in affixing seals to royal documents). The one point of agreement seems to

be that the family was undoubtedly of French origin, though whether the

founder of the English branch came over with the Conqueror or in Henry

III's reign, cannot be decided. Most scholars are now agreed that Geoffrey

Chaucer was born about 1340, and that his father was John Chaucer, a

vintner of Thames Street, London, though at one time his birth was dated

as early as 1328, and Mr. Snell, in his _Age of Chaucer_, endeavours

further to darken counsel--already sufficiently obscure--by suggesting

that there may have been two contemporary Geoffreys, and that the facts

which are usually accepted as throwing light on the history of the poet

may really apply to his unknown namesake. This theory, however, has at

present no evidence to support it, and it is reasonable to assume that

Chaucer was a native of London. Possibly it was his early association with

the wine-trade that gave him such insight into its mysteries, and called

forth the Pardoner's warning:--

Now kepe yow fro the whyte and fro the rede,

And namely fro the whyte wyn of Lepe,

That is to selle in Fish-strete or in Chepe.

This wyn of Spayne crepeth subtilly

In othere wynes, growing faste by,

Of which there ryseth swich fumositee

That when a man hath dronken draughtes three

And weneth that he be at hoom in Chepe,

He is in Spayne, right at the toune of Lepe.

(_Pardoners Tale_, l. 562, etc.)

And it is noteworthy that more than once Chaucer goes out of his way to

inveigh against drunkenness:--

A lecherous thing is wyn, and dronkenesse

Is ful of stryving and of wrecchednesse

* * * * *

For dronkenesse is verray sepulture

Of mannes wit and his discrecioun.

(_Pardoners Tale_, l. 549-559.)

Of his early years we know nothing. Probably he lived the life of other

boys of that time: Lydgate's portrait of the mediæval school-boy may well

stand for a type:--

I had in custom to come to school late

Not for to learn but for a countenance,

With my fellows ready to debate,

To jangle and jape was set all my pleasaunce.

Whereof rebuked was my Chevisaunce[1]

To forge a lesyng and thereupon to muse

When I trespassed myselfe to excuse.

* * * * *

Loth to rise, lother to bed at eve;

With unwashed handes ready aye to dinner;

My Paternoster, my Creed, or my Believe

Cast at the Cook; lo! this was my manner;

Waved with each wind, as doth a reede-spear;

Snibbed[2] of my friends such taches[3] for to amend

Made deaf eare list nat to them attend.

(_Testament._)

Leland, with that sublime disregard for anything so prosaic as evidence

which characterises sixteenth-century biographers, declares that "Geoffrey

Chaucer, a youth of noble birth and highest promise, studied at Oxford

University with all the earnestness of those who have applied themselves

most diligently to learning.... He left the University an acute logician,

a delightful orator, an elegant poet, a profound philosopher, and an able

mathematician"; and to this list of accomplishments he afterwards adds,

"and a devout theologian." Fifty years later, Speght--to whom lovers of

Chaucer are deeply indebted in other respects--equally authoritatively

asserts that he was at Cambridge, but as he bases this assertion on a

remark--

Philogenet I called am far and near

Of Cambridge clerk--

made by one of the characters in the _Court of Love_, a poem which

scholars are now universally of opinion is not Chaucer's work, it has

little weight. As a matter of fact Chaucer's name does not appear in the

records of any college at either university, and, as Professor Lounsbury

has conclusively shown, wide as are the poet's interests, and great as

his knowledge undoubtedly is, the scholarship shown by his works is not so

remarkable as necessarily to imply close and protracted study. Classical

legends were frequently embodied in the romances of an age in which, if we

may believe Jean Bodel, himself a poet,

Ne sont que trois matières à nul homme entendant,

De France, et de Bretagne, et de Rome la grant,[4]

and the habit of treating Alexander the Great as if he were

brother-in-arms to Roland and Oliver naturally opened the door to all

sorts of embellishments and modifications. A veil of romance covers and

colours the history of Greece and Rome. To Chaucer, Cleopatra is akin to

the Lady of the Hideous Pass, or Morgan le Fay. The account of her death

given in the _Legend of Good Women_ (l. 671, etc.) is purely mediæval:--

(She) made her subtil workmen make a shryne

Of alle the rubies and the stones fyne

In all Egipte that she coude espye;

And putte ful the shryne of spycerye,

And leet the cors embaume;[5] and forth she fette

This dede cors, and in the shryne hit shette.[6]

And next the shryne a pit than doth she grave;

And alle the serpents that she mighte have

She putte hem in that grave....

* * * * *

And with that word, naked, with ful good herte,

Among the serpents in the pit she sterte.[7]

Nor is this devout theologian always accurate in his references to Bible

history. His allusions to Old Testament stories are full of mistakes, as,

for instance, when he speaks (in _Book of Duchesse_, l. 738) of Samson

slaying himself with a pillar for love of Delila. It was not an age of

nice scholarship, or care for detail. Men used stories as they found them,

and repeated them as they happened to remember them, and no one was

hyper-critical enough to refer to the original. More than half a century

after Chaucer's death Caxton translates the _Æneid_, not from the Latin of

Virgil, but from "a little book in French," and Gawain Douglas, the most

scholarly of all the Scottish poets of the early sixteenth century,

regards it as a moral allegory of the soul's progress, cast in the form

of an epic. But while Chaucer's occasional mistranslations of Latin words

and misrenderings of classical legends cannot be said to disprove his

residence at one of the universities, they certainly cannot be said to

support Leland's statement, and the probability is that he early became

attached to the court. The reign of Edward III witnessed a marked increase

in the prosperity of the merchant class. The members of the great trade

guilds were men of wealth and importance and there is nothing surprising

in finding a vintner's son one of the household of Elizabeth, wife of the

king's son, Lionel, Duke of Clarence. In fact the seals of John Chaucer

and Agnes his wife show that both bore arms. In 1357 we find, from the

royal accounts, that Geoffrey Chaucer was provided with a paltok (cloak)

costing four shillings, and a pair of red and black breeches and a pair of

shoes, valued at three shillings, and in December of the same year he

received a grant of 2_s._ 6_d._ "for necessaries against the feast of the

Nativity" (Chaucer Soc., _Life Records of Chaucer_, p. xiv). The

_Canterbury Tales_ give abundant proof that their author had a keen eye

for the niceties of dress, and at seventeen he had doubtless a proper

appreciation of new shoes and red and black breeches.

Two years later (1359) he served in the French wars and was taken prisoner

at "Retters," a place which has been variously identified as Retiers, near

Rennes, and Rethel, near Reims. He was liberated in March 1360, Edward III

paying £16 (over £200 of our money) towards his ransom, which looks as if

he were considered a person of some importance. Apparently he returned to

court life in England, and to the duties of _valettus camerae regis_. A

valet of the King's Chamber had to "make beddis, to beare or hold torches,

to sett boardis, to apparell all chambres, and such othir seruices as the

Chamberlain, or Vshers of the Chambre, comaunde or assigne, to attend the

Chambre, to watch the King by course, to go in messages, etc." (_Life

Records_, Pt. II, p. xi), and holders of the office must have had ample

opportunity of acquiring the wisdom of Placebo:--

I have now been a court-man al my lyf.

And god it woot,[8] though I unworthy be,

I have stonden in ful greet degree

Abouten lordes of ful heigh estaat;

Yet hadde I never with noon of hem debaat.

I never hem contraried,[9] trewely;

I woot wel that my lord can[10] more than I.

What that he seith, I holde it ferme and stable;

I say the same, or elles thing semblable.[11]

A ful gret fool is any conseillour,

That serveth any lord of heigh honour,

That dar presume, or elles thenken it,

That his conseil sholde passe his lordes wit.

Nay, lordes been no foles,[12] by my fay.

(_Marchantes Tale_, l. 1492, etc.)

In 1366 a pension was granted to Philippa Chaucer, one of the damsels of

the Queen's Chamber, and it is usually thought that this indicates

Chaucer's marriage about this time, since in 1381 the money was paid "to

Geoffrey Chaucer, her husband." Philippa seems to have been the

sister--the Chaucer Society suggests, the sister-in-law--of Katherine

Swynford, who became John of Gaunt's third wife, and this connection

possibly helps to explain the consistent kindness shown to Chaucer by the

House of Lancaster. Various attempts have been made to show that the

marriage was an unhappy one. Some of these will be noticed later in

treating of Chaucer's women, here it may suffice to say that although it

is true that he paints a sufficiently gloomy picture of married life in

the _Lenvoy de Chaucer a Bukton_, that neither the host nor the merchant

are happy in their choice, and that the _Lenvoy_ which concludes the

_Clerkes Tale_ warns husbands that if they expect to find their wives

patient Griseldas they will certainly be disappointed, we have to remember

that the shrewish wife was as stock a comic convention of those days as

the shrewish mother-in-law of later times, and when it comes to taking

away the character of Philippa Chaucer on the ground that her husband

complains in the _Hous of Fame_ that he is unaccustomed to be awakened

gently, it is impossible not to feel that she is receiving unnecessarily

harsh treatment. Equally slight is the evidence for his suffering from an

unhappy love affair. In the _Parlement of Foules_ (ll. 89, 90) he speaks

of himself as

Fulfild of thought and besy hevinesse;

For bothe I hadde thing which that I nolde,[13]

And eek I ne hadde that thing that I wolde,

and commentators have leaped to the conclusion that he is here referring

to his wife and a lady of high rank for whom he sighed in vain. In the

same way when, in the _Book of the Duchesse_, he speaks of having suffered

for eight years from a sickness which one physician alone can cure, this

is taken as an unmistakable reference to the same unrequited passion. But

we have nothing to show that in these passages Chaucer is revealing his

actual feelings. To be crossed in love is proper to every poet, and if his

wife might have been justly annoyed when in 1382--at least sixteen years

after his marriage--he wrote

... I knowe not love in dede

Ne wot how that he quyteth folk hir hyre,[14]

(_Parlement of Foules_, ll. 8, 9.)

"Rosemounde"--if she had any real existence--can hardly have felt

complimented by the affection of a poet who told her--and the world at

large--

Nas never pyk walwed in galauntyne

As I in love am walwed and y-wounde.[15]

There is no proof one way or the other.

We know nothing of his children, except that in 1391 he wrote a treatise

on the astrolabe for his little son Lewis, then ten years of age.

Gascoigne, a generation after Chaucer's death, speaks of Thomas Chaucer, a

well-known man of wealth and position in the early fifteenth century,

more than once Speaker of the House of Commons, as Geoffrey's son, but no

mention is made of him by Chaucer himself or by any of his contemporaries

or immediate successors. John of Gaunt paid a considerable sum of money to

place a certain Elizabeth Chaucer in the nunnery of Barking in 1381, but

she is usually considered to have been the poet's sister.

In 1367 Chaucer himself was granted a pension of twenty marks a year for

life, in recognition of his services, and in 1368 (or, according to Mr. G.

C. Coulton, 1372) he was promoted to be an Esquire of the royal household.

The duties of an esquire seem better suited to a poet than those of a

valet: "These Esquires of houshold of old be accustumed winter & summer in

afternoons & in eunings to drawe to Lordes Chambres within Court, there to

keep honest company after there Cunninge, in talking of Cronicles of

Kinges & of others pollicies, & in pipeing or harpinge, songinges or other

actes marcealls, to helpe to occupie the Court, & accompanie estraingers

till the time require of departing."

In 1369 a Geoffrey Chaucer was again with the army in France, but no

particular adventures seem to have befallen him.

At this time John of Gaunt's influence was paramount at the English court,

which may partly account for Chaucer's steady and rapid promotion. In 1370

he was sent abroad on an important mission--the exact nature of which we

do not know--and two years later he went to Genoa to arrange which English

port should become the headquarters of the Genoese trade. From Genoa he

went to Florence, and by November 1373 he was back in England again.

When Chaucer went to Italy, Dante had already been dead for over fifty

years, but Petrarch and Boccaccio, the other members of that great trilogy

of the earlier Renaissance, were both alive. Chaucer makes his clerk

declare that he learned the tale of Griselda

... at Padowe of a worthy clerk,

* * * * *

Fraunceys Petrark, the laureat poete,

Highte this clerk, whos rethoryke sweete

Enlumined al Itaille of poetrye,[16]

(_Clerkes Prologue_, ll. 31-33.)

but it is impossible to say whether this is autobiographical or not. The

two poets may well have met, but in this, as in so many other cases, we

cannot be certain. It is improbable that he ever met Boccaccio, since,

largely as he borrows from the _Filostrato_ and the _Teseide_, he never

once mentions Boccaccio's name, and when, in _Troilus and Criseyde_, he

confesses that he is indebted to an earlier poet for his story, he gives

him the apparently fictitious name of Lollius. Mr. Coulton suggests that

Boccaccio's works may have been published anonymously and that Chaucer may

have been ignorant of their real author, and this could hardly have been

the case if the two had met. But whether Chaucer had, or had not, any

personal intercourse with Petrarch and Boccaccio, both their work and

Dante's exercised marked influence upon him. More of this will be said in

the next chapter; here it is sufficient to note that the Italian mission

affected not only his material prosperity but also his literary

development.

Meanwhile he continued to grow in favour at court. On St. George's Day,

1374, he was granted a daily pitcher of wine from the royal cellars--later

commuted for a payment in money. In the following May he rented the

gate-house of Aldgate from the corporation of London. A month later he was

appointed controller of customs for wool, etc., in the port of London,

receiving a few days afterwards an additional pension of £10 a year from

John of Gaunt and his wife. Office work seems to have weighed heavily on

the poet, and there may well be truth in the complaint of the _Hous of

Fame_ (Bk. II, l. 644, etc.) that it cut him off from all intercourse with

the world:--

... thou hast no tydinges

Of Loves folk, if they be glade,

Ne of noght elles that god made;

And noght only fro fer contree

That ther no tyding comth to thee,

But of thy verray neyghebores,

That dwellen almost at thy dores,

Thou herest neither that ne this;

For whan thy labour doon al is,

And hast y-maad thy rekeninges,

In stede of reste and newe thinges,

Thou gost hoom to thy hous anoon;

And, also domb as any stoon,

Thou sittest at another boke,

Til fully daswed is thy loke,[17]

And livest thus as an hermyte

Although thyn abstinence is lyte.

In November 1375 Chaucer was granted the wardship of Edmund Staplegate of

Kent. Few persons nowadays would welcome such a charge, but in the

fourteenth century the position of guardian was highly coveted, and not

infrequently bought for a good round sum, since the holder had a right to

a certain percentage (sometimes amounting to as much as 10%) of the ward's

property, to say nothing of the power of selling him (or her) in marriage.

This particular wardship brought in £103.

In 1376-7 Chaucer was again employed on various secret missions abroad. In

April 1377 he was sent to France to treat for peace with Charles V, for

which service he received £48 13_s._ 4_d._ In June of this year Edward III

died, but for a time John of Gaunt still retained his power, and soon

after the accession of the boy king, Richard II, we find Chaucer sent on

an embassy to

Barnabo Viscounte,

God of delyt, and scourge of Lumbardye.

(_Monkes Tale_, ll. 408-409.)

Amongst those whom he appointed to act for him during his absence, was his

friend and fellow-poet, John Gower.

In May 1380 occurred a curious incident, of which no full and satisfactory

explanation has yet been found. By a deed dated May 1st, one Cecilia de

Chaumpaigne releases Geoffrey Chaucer from a charge which she had brought

against him _de raptu meo_. It has been suggested (_Camb. Hist. Lit._,

Vol. II) that this may refer to one of those attempts to carry off an heir

or heiress and marry them forcibly to some relation of the abductor, which

were not infrequent at the time. Chaucer's own father had been the victim

of such an attempt, being kidnapped in order that he might be married to

Joan de Westhale. The case had come before the courts and the jury found

that "the defendants had by night forcibly abducted John le Chaucer from

the plaintiff's custody, but did not marry him," and assessed the damages

at £250. John Chaucer was under fourteen at the time, and there are

instances of mere babies of four and five being carried off in the same

way. One poor little lady was twice widowed and thrice married before she

was nine. Whatever the facts may have been in connection with Cecilia de

Chaumpaigne it is evident that Chaucer's influence at court was sufficient

to protect him from any unpleasant consequences.

A year later (May 1382) to his controllership of wool was added that of

petty customs. This probably meant a substantial increase of income, but

the poet, who found his original duties sufficiently irksome, does not

seem to have looked with favour upon a corresponding increase in office

hours. In February 1385 he was granted the privilege of appointing a

permanent deputy to perform his official duties. Professor Skeat suggests

that the expressions of gratitude towards the queen which are inserted in

the later version of the prologue to the _Legend of Good Women_, point to

the probability that he owed this unusual concession to her intervention.

About this time Chaucer seems to have given up his house over Aldgate and

to have moved to Greenwich. The lease of the Aldgate house was made over

to a certain Richard Foster in 1386, and in the _Lenvoy a Scogan_ (written

probably about 1393) Chaucer contrasts the lot of his friend,

... that knelest at the stremes heed

Of grace, of alle honour and worthinesse,

with his own fate at the other end of the same stream,

Forgete in solitarie wildernesse,

and adds two footnotes to explain that he is referring in the first place

to Windsor and in the second to Greenwich. If the description in the

prologue to the _Legend of Good Women_ is not mere poetic fiction, it

would seem that the poet had a pleasant country house and garden in his

"solitarie wildernesse," and that he cultivated the excellent habit of

sleeping out of doors in the summer.

Meanwhile his activity found scope in various directions. He had been

appointed a Justice of the Peace for Kent in 1381, and in 1386 he entered

Parliament as one of the Knights of the Shire for the same county. In

August of this year Chaucer's patron, John of Gaunt, went to Spain, and

during his absence his brother and rival, Thomas, Duke of Gloucester,

succeeded in establishing his ascendancy over the king. Chaucer felt the

change at once. He was deprived of both his controllerships, and the money

loss must have been considerable. In 1387 his wife died, so that her

pension must also have lapsed. Evidently the poet was in straits, for in

1388 he was driven to raising money on his pensions and allowances, making

them over to John Scalby of Lincolnshire. His abstinence, as we have seen,

was "lyte," and the necessity for retrenchment must have been extremely

galling.

The fall of Gloucester in 1389 swept away the clouds which had darkened

the poet's sky. Once more we find him filling one office after another,

and engaged in such useful and prosaic occupations as superintending the

repairs done to the banks of the Thames or the erection of scaffolds in

Smithfield for the king and queen to view the tournament held there in May

1390. One of his appointments was that of Clerk of the Works to his

Majesty, which gave him charge of the fabric of the Tower, Westminster

Palace, Windsor Castle, and other royal residences. He was commissioner of

the roads between Greenwich and Woolwich, and the post of sub-forester of

North Pemberton Park (in Somerset) must have given him ample opportunity

for studying

The bilder ook, and eek the hardy asshe;

The piler elm, the cofre unto careyne;[18]

The boxtree piper;[19] holm[20] to whippes lasshe;

The sayling firr;[21] the cipres, deth to pleyne;[22]

The sheter ew,[23] the asp for shaftes pleyne,[24]

if not--

The olyve of pees, and eek the drunken vyne

or--

The victor palm.

(_Parlement of Foules_, l. 176, etc.

The whole passage is taken from Boccaccio's _Teseide_.)

The commissionership of roads can have been no sinecure. In 1499--after

nearly a century more of development and civilisation--"a glover from

Leighton Buzzard travelled with his wares to Aylesbury for the market

before Christmas Day. It happened that an Aylesbury miller, Richard Boose,

finding that his mill needed repairs, sent a couple of servants to dig

clay called 'Ramming clay' for him on the highway, and was in no way

dismayed because the digging of this clay made a great pit in the middle

of the road ten feet wide, eight feet broad, and eight feet deep, which

was quickly filled with water by the winter rains. But the unhappy glover,

making his way from the town in the dusk, with his horse laden with

paniers full of gloves, straightway fell into the pit, and man and horse

were drowned. The miller was charged with his death, but was acquitted by

the court on the ground that he had no malicious intent and had only dug

the pit to repair his mill, and because he really did not know of any

other place to get the kind of clay he wanted save the highroad" (Mrs.

Green, _Town Life in the Fifteenth Century_, Vol. II, pp. 31-2). The

modern traveller in the United States is sometimes surprised at dusk by

finding the highway temporarily blocked by a house which is being moved

from one side to the other and has been dumped down at the end of the

day's work, but this is nothing to finding that the road itself has been

removed bodily. It is true that the corporation of Nottingham issued an

order in 1507 forbidding people to dig holes in the market-place without

leave, but this was long after Chaucer's day, and if such ordinances were

necessary to protect the actual market-place of a busy commercial city, it

is not difficult to imagine the condition of country roads. The keeping of

bridges in repair was looked upon, not as a matter of ordinary business,

but as an act of piety, so that on the Continent special "Bridge Friars"

existed, part of whose religious duties consisted in such work. In 1311-16

Richard of Kellawe, Bishop of Durham, offered forty days' indulgence to

all those "who shall help by their charitable gifts, or by their bodily

labour" in repairing various roads and bridges (Jusserand, _English

Wayfaring Life in the Middle Ages_, p. 4). And in 1353 a patent of Edward

III had ordered the paving of the highroad from Temple Bar to Westminster,

since "it is so full of holes and bogs ... and the pavement is so damaged

and broken" that traffic has become dangerous to man and beast. No wonder

that robbers abounded, and that pilgrims found safety in numbers.

In 1390 highwaymen seem to have been particularly active, and the

commissioner of roads himself was robbed more than once. Richard Brerelay

was indicted for having "with others unknown" robbed Geoffrey Chaucer at

Westminster of the sum of £10, on the Tuesday after the Nativity of the

Virgin Mary (_i. e._ September 6); and in the same year "near the Fowle

Ok" at Hatcham, in Surrey, Chaucer was robbed of a horse worth £10, goods

worth 100 shillings, and £20 6_s._ 8_d._ in cash. Some, at least, of this

seems to have been public money, for he was granted a royal pardon for the

loss of £20 of the King's money taken from him "by some notable robbers."

In 1391 he lost his post as Clerk of the Works, but this does not seem to

imply any serious loss of the royal favour, for three years later the

king granted him a pension of £20 (about £300 of our money) a year for

life. During the interval he seems to have got into money difficulties,

for no sooner was this grant made than his creditors promptly sued him for

debt.

In 1398 he received an additional grant of wine--a tun a year for

life--and was also promoted to be sole, instead of sub-, forester of North

Pemberton. In 1399 the son of his earliest and most powerful patron came

to the throne, and Chaucer, who was still struggling with his creditors,

addressed an impassioned appeal to him. Already, in 1398, the poet had

been threatened with legal proceedings, and although the king had

entrusted him with various commissions in the country, he had not dared to

leave his house for fear of arrest (Ten Brink, _History of English

Literature_, Vol. II, p. 198). No wonder he sang:--

To you, my purse, and to non other wight

Compleyne I, for ye be my lady dere!

I am so sory, now that ye be light;

For certes, but ye make me hevy chere.

(_The Complaint of Chaucer to his Empty Purse._

Professor Ten Brink believes this poem to have been

addressed to King Richard, but Professor Skeat has

no doubt that it was addressed to Henry.)

It is consoling to learn that Henry IV added forty marks a year to the

pension granted by King Richard, thus bringing Chaucer's income up to £600

or £700 of our money. This new outburst of good fortune promised well for

the future, and Chaucer evidently looked forward to a prosperous and

comfortable old age, for, on December 24, 1399, he took the lease of a

house in the garden of St. Mary's, Westminster, for fifty-four years. He

was not, however, to make long use of his new possession, for on October

25, 1400, he died, and his grave was the first to mark the Poets' Corner

of Westminster Abbey. One of his later ballades, _Truth_ may well serve as

epitaph for the poet whom court life could never corrupt into a courtier,

and whose clear sight and sharp wit never led him into bitterness or

cynicism:--

That thee is sent, receyve in buxumnesse,[25]

The wrastling for this worlde axeth a fal.

Her nis non hoom,[26] her nis but wildernesse:

Forth pilgrim, forth! Forth beste out of thy stal!

Know thy contree, look up, thank God of al;

Hold the hye way, and lat thygost thee lede:[27].

And trouthe shal delivre, hit is no drede.[28]

Chaucer and His Times · 第 1 / 8 章