By D. H. Lawrence

There was thin, crisp snow on the ground, the sky was blue, the wind

very cold, the air clear. Farmers were just turning out the cows for an

hour or so in the midday, and the smell of cow-sheds was unendurable

as I entered Tible. I noticed the ash-twigs up in the sky were pale and

luminous, passing into the blue. And then I saw the peacocks. There they

were in the road before me, three of them, and tailless, brown, speckled

birds, with dark-blue necks and ragged crests. They stepped archly over

the filigree snow, and their bodies moved with slow motion, like small,

light, flat-bottomed boats. I admired them, they were curious. Then a

gust of wind caught them, heeled them over as if they were three frail

boats, opening their feathers like ragged sails. They hopped and skipped

with discomfort, to get out of the draught of the wind. And then, in

the lee of the walls, they resumed their arch, wintry motion, light

and unballasted now their tails were gone, indifferent. They were

indifferent to my presence. I might have touched them. They turned off

to the shelter of an open shed.

As I passed the end of the upper house, I saw a young woman just coming

out of the back door. I had spoken to her in the summer. She recognised

me at once, and waved to me. She was carrying a pail, wearing a white

apron that was longer than her preposterously short skirt, and she had

on the cotton bonnet. I took off my hat to her and was going on. But she

put down her pail and darted with a swift, furtive movement after me.

“Do you mind waiting a minute?” she said. “I'll be out in a minute.”

She gave me a slight, odd smile, and ran back. Her face was long and

sallow and her nose rather red. But her gloomy black eyes softened

caressively to me for a moment, with that momentary humility which

makes a man lord of the earth.

I stood in the road, looking at the fluffy, dark-red young cattle that

mooed and seemed to bark at me. They seemed happy, frisky cattle, a

little impudent, and either determined to go back into the warm shed, or

determined not to go back. I could not decide which.

Presently the woman came forward again, her head rather ducked. But she

looked up at me and smiled, with that odd, immediate intimacy, something

witch-like and impossible.

“Sorry to keep you waiting,” she said. “Shall we stand in this

cart-shed--it will be more out of the wind.”

So we stood among the shafts of the open cart-shed, that faced the road.

Then she looked down at the ground, a little sideways, and I noticed a

small black frown on her brows. She seemed to brood for a moment. Then

she looked straight into my eyes, so that I blinked and wanted to turn

my face aside. She was searching me for something and her look was too

near. The frown was still on her keen, sallow brow.

“Can you speak French?” she asked me abruptly.

“More or less,” I replied.

“I was supposed to learn it at school,” she said. “But I don't know a

word.” She ducked her head and laughed, with a slightly ugly grimace and

a rolling of her black eyes.

“No good keeping your mind full of scraps,” I answered.

But she had turned aside her sallow, long face, and did not hear what

I said. Suddenly again she looked at me. She was searching. And at the

same time she smiled at me, and her eyes looked softly, darkly, with

infinite trustful humility into mine. I was being cajoled.

“Would you mind reading a letter for me, in French?” she said, her face

immediately black and bitter-looking. She glanced at me, frowning.

“Not at all,” I said.

“It's a letter to my husband,” she said, still scrutinising.

I looked at her, and didn't quite realise. She looked too far into me,

my wits were gone. She glanced round. Then she looked at me shrewdly.

She drew a letter from her pocket, and handed it to me. It was addressed

from France to M. Alfred Goyte, at Tible. I took out the letter and

began to read it, as mere words. “Mon cher Alfred”--it might have been a

bit of a torn newspaper. So I followed the script: the trite phrases of

a letter from a French-speaking girl to an Englishman. “I think of

you always, always. Do you think sometimes of me?” And then I vaguely

realised that I was reading a man's private correspondence. And yet, how

could one consider these trivial, facile French phrases private? Nothing

more trite and vulgar in the world than such a love-letter--no newspaper

more obvious.

Therefore I read with a callous heart the effusions of the Belgian

damsel. But then I gathered my attention. For the letter went on, “Notre

cher petit bébé--our dear little baby was born a week ago. Almost I

died, knowing you were far away, and perhaps forgetting the fruit of our

perfect love. But the child comforted me. He has the smiling eyes and

virile air of his English father. I pray to the Mother of Jesus to send

me the dear father of my child, that I may see him with my child in his

arms, and that we may be united in holy family love. Ah, my Alfred, can

I tell you how I miss you, how I weep for you? My thoughts are with you

always, I think of nothing but you, I live for nothing but you and our

dear baby. If you do not come back to me soon, I shall die, and our

child will die. But no, you cannot come back to me. But I can come to

you. I can come to England with our child. If you do not wish to present

me to your good mother and father you can meet me in some town, some

city, for I shall be so frightened to be alone in England with my child,

and no one to take care of us. Yet I must come to you, I must bring my

child, my little Alfred, to his father, the big, beautiful Alfred that

I love so much. Oh, write and tell me where I shall come. I have some

money. I am not a penniless creature. I have money for myself and my

dear baby----”

I read to the end. It was signed: “Your very happy and still more

unhappy Elise.” I suppose I must have been smiling.

“I can see it makes you laugh,” said Mrs. Goyte, sardonically. I looked

up at her.

“It's a love-letter, I know that,” she said. “There's too many 'Alfreds'

in it.”

“One too many,” I said.

“Oh yes.--And what does she say--Eliza? We know her name's Eliza, that's

another thing.” She grimaced a little, looking up at me with a mocking

laugh.

“Where did you get this letter?” I said.

“Postman gave it me last week.”

“And is your husband at home?”

“I expect him home to-night. He had an accident and hurt his leg. He's

been abroad most of his time for this last four years. He's chauffeur to

a gentleman who travels about in one country and another, on some sort

of business. Married? We married? Why, six years. And I tell you I've

seen little enough of him for four of them. But he always was a rake.

He went through the South African War, and stopped out there for five

years. I'm living with his father and mother. I've no home of my own

now. My people had a big farm--over a thousand acres--in Oxfordshire.

Not like here--no. Oh, they're very good to me, his father and mother.

Oh yes, they couldn't be better. They think more of me than of their own

daughters.--But it's not like being in a place of your own, is it? You

can't _really_ do as you like. No, there's only me and his father and

mother at home. Always a chauffeur? No, he's been all sorts of things:

was to be a farm-bailiff by rights. He's had a good education--but he

liked the motors better.--Then he was five years in the Cape Mounted

Police. I met him when he came back from there, and married him--more

fool me----”

At this point the peacocks came round the corner on a puff of wind.

“Hello, Joey!” she called, and one of the birds came forward, on

delicate legs. Its grey spreckled back was very elegant, it rolled its

full, dark-blue neck as it moved to her. She crouched down. “Joey dear,”

she said, in an odd, saturnine caressive voice: “you're bound to find

me, aren't you?” She put her face downward, and the bird rolled his

neck, almost touching her face with his beak, as if kissing her.

“He loves you,” I said.

She twisted her face up at me with a laugh.

“Yes,” she said, “he loves me, Joey does”--then, to the bird--“and I

love Joey, don't I? I _do_ love Joey.” And she smoothed his feathers for

a moment. Then she rose, saying: “He's an affectionate bird.”

Wintry Peacock From "The New Decameron", Volume III. · 第 3 / 11 题