COLERIDGE AND OPIUM-EATING.

What is the deadest of things earthly? It is, says the world, ever

forward and rash--'a door-nail!' But the world is wrong. There is a

thing deader than a door-nail, viz., Gillman's Coleridge, Vol. I. Dead,

more dead, most dead, is Gillman's Coleridge, Vol. I.; and this

upon more arguments than one. The book has clearly not completed its

elementary act of respiration; the _systole_ of Vol. I. is absolutely

useless and lost without the _diastole_ of that Vol. II., which is never

to exist. That is one argument, and perhaps this second argument is

stronger. Gillman's Coleridge, Vol. I., deals rashly, unjustly, and

almost maliciously, with some of our own particular friends; and yet,

until late in this summer, _Anno Domini_ 1844, we--that is, neither

ourselves nor our friends--ever heard of its existence. Now a sloth,

even without the benefit of Mr. Waterton's evidence to his character,

will travel faster than that. But malice, which travels fastest of

all things, must be dead and cold at starting, when it can thus have

lingered in the rear for six years; and therefore, though the world

was so far right, that people _do_ say, 'Dead as a door-nail,' yet,

henceforward, the weakest of these people will see the propriety of

saying--'Dead as Gillman's Coleridge.'

The reader of experience, on sliding over the surface of this opening

paragraph, begins to think there's mischief singing in the upper air.

'No, reader, not at all. We never were cooler in our days. And this we

protest, that, were it not for the excellence of the subject, _Coleridge

and Opium-Eating_, Mr. Gillman would have been dismissed by us

unnoticed. Indeed, we not only forgive Mr. Gillman, but we have

a kindness for him; and on this account, that he was good, he was

generous, he was most forbearing, through twenty years, to poor

Coleridge, when thrown upon his hospitality. An excellent thing _that_,

Mr. Gillman, till, noticing the theme suggested by this unhappy Vol.

I., we are forced at times to notice its author, Nor is this to be

regretted. We remember a line of Horace never yet properly translated,

viz:--

'Nec scutica dignum horribili sectere flagello.'

The true translation of which, as we assure the unlearned reader,

is--'Nor must you pursue with the horrid knout of Christopher that man

who merits only a switching.' Very true. We protest against all attempts

to invoke the exterminating knout; for _that_ sends a man to the

hospital for two months; but you see that the same judicious poet, who

dissuades an appeal to the knout, indirectly recommends the switch,

which, indeed, is rather pleasant than otherwise, amiably playful

in some of its little caprices, and in its worst, suggesting only a

pennyworth of diachylon.

We begin by professing, with hearty sincerity, our fervent admiration

of the extraordinary man who furnishes the theme for Mr. Gillman's

_coup-d'essai_ in biography. He was, in a literary sense, our

brother--for he also was amongst the contributors to _Blackwood_--and

will, we presume, take his station in that Blackwood gallery of

portraits, which, in a century hence, will possess more interest for

intellectual Europe than any merely martial series of portraits, or any

gallery of statesmen assembled in congress, except as regards one or two

leaders; for defunct major-generals, and secondary diplomatists,

when their date is past, awake no more emotion than last year's

advertisements, or obsolete directories; whereas those who, in a stormy

age, have swept the harps of passion, of genial wit, or of the wrestling

and gladiatorial reason, become more interesting to men when they can no

longer be seen as bodily agents, than even in the middle chorus of that

intellectual music over which, living, they presided.

Of this great camp Coleridge was a leader, and fought amongst the

_primipili_; yet, comparatively, he is still unknown. Heavy, indeed, are

the arrears still due to philosophic curiosity on the real merits,

and on the separate merits, of Samuel Taylor Coleridge. Coleridge as a

poet--Coleridge as a philosopher! How extensive are those questions,

if those were all! and upon neither question have we yet any

investigation--such as, by compass of views, by research, or even by

earnestness of sympathy with the subject, can, or ought to satisfy, a

philosophic demand. Blind is that man who can persuade himself that the

interest in Coleridge, taken as a total object, is becoming an obsolete

interest. We are of opinion that even Milton, now viewed from a distance

of two centuries, is still inadequately judged or appreciated in

his character of poet, of patriot and partisan, or, finally, in his

character of accomplished scholar. But, if so, how much less can it

be pretended that satisfaction has been rendered to the claims of

Coleridge? for, upon Milton, libraries have been written. There has been

time for the malice of men, for the jealousy of men, for the enthusiasm,

the scepticism, the adoring admiration of men, to expand themselves!

There has been room for a Bentley, for an Addison, for a Johnson, for a

wicked Lauder, for an avenging Douglas, for an idolizing Chateaubriand;

and yet, after all, little enough has been done towards any

comprehensive estimate of the mighty being concerned. Piles of materials

have been gathered to the ground; but, for the monument which should

have risen from these materials, neither the first stone has been laid,

nor has a qualified architect yet presented his credentials. On the

other hand, upon Coleridge little, comparatively, has yet been written,

whilst the separate characters on which the judgment is awaited, are

more by one than those which Milton sustained. Coleridge, also, is a

poet; Coleridge, also, was mixed up with the fervent politics of his

age--an age how memorably reflecting the revolutionary agitations of

Milton's age. Coleridge, also, was an extensive and brilliant scholar.

Whatever might be the separate proportions of the two men in each

particular department of the three here noticed, think as the reader

will upon that point, sure we are that either subject is ample enough to

make a strain upon the amplest faculties. How alarming, therefore,

for any _honest_ critic, who should undertake this later subject of

Coleridge, to recollect that, after pursuing him through a zodiac of

splendors corresponding to those of Milton in kind, however different in

degree--after weighing him as a poet, as a philosophic politician, as

a scholar, he will have to wheel after him into another orbit, into

the unfathomable _nimbus_ of transcendental metaphysics. Weigh him the

critic must in the golden balance of philosophy the most abstruse--a

balance which even itself requires weighing previously, or he will

have done nothing that can be received for an estimate of the composite

Coleridge. This astonishing man, be it again remembered, besides being

an exquisite poet, a profound political speculator, a philosophic

student of literature through all its chambers and recesses, was also

a circumnavigator on the most pathless waters of scholasticism and

metaphysics. He had sounded, without guiding charts, the secret deeps

of Proclus and Plotinus; he had laid down buoys on the twilight, or

moonlight, ocean of Jacob Boehmen; [Footnote: 'JACOB BOEHMEN.' We

ourselves had the honor of presenting to Mr. Coleridge, Law's English

version of Jacob--a set of huge quartos. Some months afterwards we saw

this work lying open, and one volume at least overflowing, in parts,

with the commentaries and the _corollaries_ of Coleridge. Whither has

this work, and so many others swathed about with Coleridge's MS. notes,

vanished from the world?] he had cruised over the broad Atlantic of Kant

and Schelling, of Fichte and Oken. Where is the man who shall be equal

to these things? We at least make no such adventurous effort; or, if

ever we should presume to do so, not at present. Here we design only

to make a coasting voyage of survey round the headlands and most

conspicuous seamarks of our subject, as they are brought forward by

Mr. Gillman, or collaterally suggested by our own reflections; and

especially we wish to say a word or two on Coleridge as an opium-eater.

Naturally the first point to which we direct our attention, is the

history and personal relations of Coleridge. Living with Mr. Gillman for

nineteen years as a domesticated friend, Coleridge ought to have

been known intimately. And it is reasonable to expect, from so much

intercourse, some additions to our slender knowledge of Coleridge's

adventures, (if we may use so coarse a word,) and of the secret springs

at work in those early struggles of Coleridge at Cambridge, London,

Bristol, which have been rudely told to the world, and repeatedly told,

as showy romances, but never rationally explained.

The anecdotes, however, which Mr. Gillman has added to the personal

history of Coleridge, are as little advantageous to the effect of his

own book as they are to the interest of the memorable character which he

seeks to illustrate. Always they are told without grace, and generally

are suspicious in their details. Mr. Gillman we believe to be too

upright a man for countenancing any untruth. He has been deceived. For

example, will any man believe this? A certain 'excellent equestrian'

falling in with Coleridge on horseback, thus accosted him--'Pray, Sir,

did you meet a tailor along the road?' '_A tailor_!' answered Coleridge;

'_I did meet a person answering such a description, who told me he had

dropped his goose; that if I rode a little further I should find it; and

I guess he must have meant you._' In Joe Miller this story would

read, perhaps, sufferably. Joe has a privilege; and we do not look too

narrowly into the mouth of a Joe-Millerism. But Mr. Gillman, writing

the life of a philosopher, and no jest-book, is under a different law of

decorum. That retort, however, which silences the jester, it may seem,

must be a good one. And we are desired to believe that, in this case,

the baffled assailant rode off in a spirit of benign candor, saying

aloud to himself, like the excellent philosopher that he evidently was,

'Caught a Tartar!'

But another story of a sporting baronet, who was besides a Member of

Parliament, is much worse, and altogether degrading to Coleridge.

This gentleman, by way of showing off before a party of ladies, is

represented as insulting Coleridge by putting questions to him on the

qualities of his horse, so as to draw the animal's miserable defects

into public notice, and then closing his display by demanding what he

would take for the horse 'including the rider.' The supposed reply

of Coleridge might seem good to those who understand nothing of true

dignity; for, as an _impromptu_, it was smart and even caustic. The

baronet, it seems, was reputed to have been bought by the minister; and

the reader will at once divine that the retort took advantage of that

current belief, so as to throw back the sarcasm, by proclaiming that

neither horse nor rider had a price placarded in the market at which any

man could become their purchaser. But this was not the temper in which

Coleridge either did reply, or could have replied. Coleridge showed, in

the _spirit_ of his manner, a profound sensibility to the nature of

a gentleman; and he felt too justly what it became a self-respecting

person to say, ever to have aped the sort of flashy fencing which might

seem fine to a theatrical blood.

Another story is self-refuted: 'A hired partisan' had come to one of

Coleridge's political lectures with the express purpose of bringing the

lecturer into trouble; and most preposterously he laid himself open

to his own snare by refusing to pay for admission. Spies must be poor

artists who proceed thus. Upon which Coleridge remarked--'That, before

the gentleman kicked up a dust, surely he would down with the dust.'

So far the story will not do. But what follows is possible enough.

The _same_ 'hired' gentleman, by way of giving unity to the tale, is

described as having hissed. Upon this a cry arose of 'Turn him out!' But

Coleridge interfered to protect him; he insisted on the man's right to

hiss if he thought fit; it was legal to hiss; it was natural to hiss;

'for what is to be expected, gentlemen, when the cool waters of reason

come in contact with red-hot aristocracy, but a hiss?' _Euge!_

Amongst all the anecdotes, however of this splendid man, often trivial,

often incoherent, often unauthenticated, there is one which strikes us

as both true and interesting; and we are grateful to Mr. Gillman for

preserving it. We find it introduced, and partially authenticated, by

the following sentence from Coleridge himself:--'From eight to fourteen

I was a playless day-dreamer, a _helluo librorum_; my appetite for which

was indulged by a singular incident. A stranger, who was struck by my

conversation, made me free of a circulating library in King's Street,

Cheapside.' The more circumstantial explanation of Mr. Gillman is this:

`The incident indeed was singular. Going down the Strand, in one of his

day-dreams, fancying himself swimming across the Hellespont, thrusting

his hands before him as in the act of swimming, his hand came in contact

with a gentleman's pocket. The gentleman seized his hand, turning round,

and looking at him with some anger--"What! so young, and yet so wicked?"

at the same time accused him of an attempt to pick his pocket. The

frightened boy sobbed out his denial of the intention, and explained to

him how he thought himself Leander swimming across the Hellespont. The

gentleman was so struck and delighted with the novelty of the thing, and

with the simplicity and intelligence of the boy, that he subscribed,

as before stated, to the library; in consequence of which Coleridge was

further enabled to indulge his love of reading.'

We fear that this slovenly narrative is the very perfection of bad

story-telling. But the story itself is striking, and, by the very

oddness of the incidents, not likely to have been invented. The effect,

from the position of the two parties--on the one side, a simple child

from Devonshire, dreaming in the Strand that he was swimming over from

Sestos to Abydos, and, on the other, the experienced man, dreaming

only of this world, its knaves and its thieves, but still kind and

generous--is beautiful and picturesque. _Oh! si sic omnia!_

But the most interesting to us of the _personalities_ connected with

Coleridge are his feuds and his personal dislikes. Incomprehensible to

us is the war of extermination which Coleridge made upon the political

economists. Did Sir James Steuart, in speaking of vine-dressers, (not

_as_ vine-dressers, but generally as cultivators,) tell his readers,

that, if such a man simply replaced his own consumption, having no

surplus whatever or increment for the public capital, he could not be

considered a useful citizen? Not the beast in the Revelation is held up

by Coleridge as more hateful to the spirit of truth than the Jacobite

baronet. And yet we know of an author--viz., one S. T. Coleridge--who

repeated that same doctrine without finding any evil in it. Look at the

first part of the _Wallenstein_, where Count Isolani having said, 'Pooh!

we are _all_ his subjects,' _i. e._, soldiers, (though unproductive

laborers,) not less than productive peasants, the emperor's envoy

replies--'Yet with a difference, general;' and the difference implies

Sir James's scale, his vine-dresser being the equatorial case between

the two extremes of the envoy. Malthus again, in his population-book,

contends for a mathematic difference between animal and vegetable life,

in respect to the law of increase, as though the first increased by

geometrical ratios, the last by arithmetical! No proposition more

worthy of laughter; since both, when permitted to expand, increase

by geometrical ratios, and the latter by much higher ratios. Whereas,

Malthus persuaded himself of his crotchet simply by refusing the

requisite condition in the vegetable case, and granting it in the

other. If you take a few grains of wheat, and are required to plant all

successive generations of their produce in the same flower-pot for ever,

of course you neutralize its expansion by your own act of arbitrary

limitation. [Footnote: Malthus would have rejoined by saying--that the

flowerpot limitation was the actual limitation of nature in our present

circumstances. In America it is otherwise, he would say, but England

is the very flowerpot you suppose; she is a flowerpot which cannot be

multiplied, and cannot even be enlarged. Very well, so be it (which we

say in order to waive irrelevant disputes). But then the true inference

will be--not that vegetable increase proceeds under a different law from

that which governs animal increase, but that, through an accident of

position, the experiment cannot be tried in England. Surely the levers

of Archimedes, with submission to Sir Edward B. Lytton, were not the

less levers because he wanted the _locum standi_. It is proper, by the

way, that we should inform the reader of this generation where to look

for Coleridge's skirmishings with Malthus. They are to be found chiefly

in the late Mr. William Hazlitt's work on that subject: a work which

Coleridge so far claimed as to assert that it had been substantially

made up from his own conversation.] But so you would do, if you tried

the case of _animal_ increase by still exterminating all but one

replacing couple of parents. This is not to try, but merely a pretence

of trying, one order of powers against another. That was folly. But

Coleridge combated this idea in a manner so obscure, that nobody

understood it. And leaving these speculative conundrums, in coming to

the great practical interests afloat in the Poor Laws, Coleridge did so

little real work, that he left, as a _res integra_, to Dr. Alison,

the capital argument that legal and _adequate_ provision for the poor,

whether impotent poor or poor accidentally out of work, does not extend

pauperism--no, but is the one great resource for putting it down. Dr.

Alison's overwhelming and _experimental_ manifestations of that truth

have prostrated Malthus and his generation for ever. This comes of not

attending to the Latin maxim--'_Hoc_ age'--mind the object before you.

Dr. Alison, a wise man, '_hoc_ egit:' Coleridge '_aliud_ egit.' And we

see the result. In a case which suited him, by interesting his peculiar

feeling, Coleridge could command

'Attention full ten times as much as there needs.'

But search documents, value evidence, or thresh out bushels of

statistical tables, Coleridge could not, any more than he could ride

with Elliot's dragoons.

Another instance of Coleridge's inaptitude for such studies as political

economy is found in his fancy, by no means 'rich and rare,' but meagre

and trite, that taxes can never injure public prosperity by mere excess

of quantity; if they injure, we are to conclude that it must be by their

quality and mode of operation, or by their false appropriation, (as,

for instance, if they are sent out of the country and spent abroad.)

Because, says Coleridge, if the taxes are exhaled from the country as

vapors, back they come in drenching showers. Twenty pounds ascend in a

Scotch mist to the Chancellor of the Exchequer from Leeds; but does it

evaporate? Not at all: By return of post down comes an order for twenty

pounds' worth of Leeds cloth, on account of Government, seeing that

the poor men of the ----th regiment want new gaiters. True; but of this

return twenty pounds, not more than four will be profit, _i.e._, surplus

accruing to the public capital; whereas, of the original twenty pounds,

every shilling was surplus. The same unsound fancy has been many times

brought forward; often in England, often in France. But it is curious,

that its first appearance upon any stage was precisely two centuries

ago, when as yet political economy slept with the pre-Adamites, viz., in

the Long Parliament. In a quarto volume of the debates during 1644-45,

printed as an independent work, will be found the same identical

doctrine, supported very sonorously by the same little love of an

illustration from the see-saw of mist and rain.

Political economy was not Coleridge's forte. In politics he was happier.

In mere personal politics, he (like every man when reviewed from a

station distant by forty years) will often appear to have erred; nay,

he will be detected and nailed in error. But this is the necessity of us

all. Keen are the refutations of time. And absolute results to posterity

are the fatal touchstone of opinions in the past. It is undeniable,

besides, that Coleridge had strong personal antipathies, for instance,

to Messrs. Pitt and Dundas. Yet _why_, we never could understand. We

once heard him tell a story upon Windermere, to the late Mr. Curwen,

then M. P. for Workington, which was meant, apparently, to account

for this feeling. The story amounted to this; that, when a freshman at

Cambridge, Mr. Pitt had wantonly amused himself at a dinner party

in Trinity, in smashing with filberts (discharged in showers like

grape-shot) a most costly dessert set of cut glass, from which

Samuel Taylor Coleridge argued a principle of destructiveness in his

_cerebellum_. Now, if this dessert set belonged to some poor suffering

Trinitarian, and not to himself, we are of opinion that he was faulty,

and ought, upon his own great subsequent maxim, to have been coerced

into 'indemnity for the past, and security for the future.' But, besides

that this glassy _mythus_ belongs to an æra fifteen years earlier than

Coleridge's so as to justify a shadow of scepticism, we really cannot

find, in such an _escapade_ under the boiling blood of youth, any

sufficient justification of that withering malignity towards the name

of Pitt, which runs through Coleridge's famous _Fire, Famine,

and Slaughter_. As this little viperous _jeu-d'esprit_ (published

anonymously) subsequently became the subject of a celebrated

after-dinner discussion in London, at which Coleridge (_comme de

raison_) was the chief speaker, the reader of this generation may wish

to know the question at issue; and in order to judge of _that_, he must

know the outline of this devil's squib. The writer brings upon the scene

three pleasant young ladies, viz., Miss Fire, Miss Famine, and Miss

Slaughter. 'What are you up to? What's the row?'--we may suppose to

be the introductory question of the poet. And the answer of the ladies

makes us aware that they are fresh from larking in Ireland, and

in France. A glorious spree they had; lots of fun; and laughter _a

discretion_. At all times _gratus puellæ risus ab angulo_; so that we

listen to their little gossip with interest. They had been setting

men, it seems, by the ears; and the drollest little atrocities they do

certainly report. Not but we have seen better in the Nenagh paper, so

far as Ireland is concerned. But the pet little joke was in La Vendee.

Miss Famine, who is the girl for our money, raises the question--whether

any of them can tell the name of the leader and prompter to these high

jinks of hell--if so, let her whisper it.

'Whisper it, sister, so and so,

In a dark hint--distinct and low.'

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