Flora sighed. "Yes, Harry. I'm very lucky."

"Darn right." Harry nodded emphatically, eyes on the screens. "Dial me

another coflet, will you?"

* * * * *

The third Full-wall came as a surprise. Flora had taken the 1100 car

to the roboclinic on the 478th level for her annual check up. When

she returned home--there it was. She hardly noticed the chorus of

gasps cut off abruptly as the door shut in the faces of the other

wives in the car. Flora stood, impressed in spite of herself by the

fantastic panorama filling her apartment. Directly before her, the

studio audience gaped up from the massed seats. A fat man in the front

row reached inside a red plaid shirt to scratch. Flora could see the

perspiration on his forehead. Farther back, a couple nuzzled, eyes on

the stage. _Who were they_, Flora wondered; _How did they manage to get

out of their apartments and offices and sit in a real theatre...._

To the left, an owlish youth blinked from a brightly lit cage. And on

the right, the MC caressed the mike, chattering.

Flora deployed her chair, sank down, looking first this way, then

that. There was so much going on--and she was in the middle of it. She

watched for half an hour, then retracted the chair, deployed the bed.

She was tired from the trip. A little nap....

She stopped with the first zipper. The MC was staring directly at

her, leering. The owlish youth blinked at her. The fat man scratched

himself, staring up at her from the front row. She couldn't undress in

front of all of them....

She glanced around, located the switch near the door. With the click,

the scene died around her. The glowing walls seemed to press close,

fading slowly. Flora turned to the one remaining opaque wall, undressed

slowly, her eyes on the familiar pictures. The children--she hadn't

seen them since the last semi-annual vacation week. The cost of travel

was so high, and the crowding....

She turned to the bed--and the three mirror-bright walls confronted

her. She stared at the pale figure before her, stark against the wall

patched with its faded mementos. She took a step; on either side, an

endless rank of gaunt nude figures stepped in unison. She whirled,

fixed her eyes gratefully on the familiar wall, the thin crevice

outlining the door, the picture of the sea....

She closed her eyes, groped her way to the bed. Once covered by the

sheet, she opened her eyes. The beds stood in a row, all identical,

each with its huddled figure, like an infinite charity ward, she

thought--or like a morgue where all the world lay dead....

* * * * *

Harry munched his yeast chop, his head moving from side to side as he

followed the action across the three walls.

"It's marvellous, Flora. Marvellous. But it can be better yet," he

added mysteriously.

"Harry--couldn't we move to a bigger place--and maybe do away with two

of the walls. I--"

"Flora, you know better than that. I'm lucky to have gotten this

apartment when I did; there's nothing--absolutely nothing available."

He chuckled. "In a way, the situation is good job insurance. You know,

I couldn't be fired, even if the company wanted to: They couldn't get

a replacement. A man can't very well take a job if he hasn't a place

to live in the city--and I can sit on this place as long as I like; we

might get tired of issue rations, but by God we could hold on; so--not

that anybody's in danger of getting fired."

"We could move out of the city, Harry. When I was a girl--"

"Oh, not again!" Harry groaned. "I thought that was all threshed out,

long ago." He fixed a pained look on Flora. "Try to understand, Flora.

The population of the world has doubled since you were a girl. Do you

realize what that means? There are more people alive now than had been

born in all previous human history up to fifty years ago. That farm

you remember visiting as a kid--it's all paved now, and there are tall

buildings there. The highways you remember, full of private autos,

all driving across open country; they're all gone. There aren't any

highways, or any open country except the TV settings and a few estates

like the President's acre and a half--not that any sun hits it, with

all those buildings around it--and maybe some essential dry-land farms

for stuff they can't synthesize or get from the sea."

"There has to be some place we could go. It wasn't meant that people

should spend their lives like this--away from the sun, the sea...."

A shadow crossed Harry's face. "I can remember things, too, Flora," he

said softly. "We spent a week at the beach once, when I was a small

boy. I remember getting up at dawn with the sky all pink and purple,

and going down to the water's edge. There were little creatures in the

sand--little wild things. I could see tiny fish darting along in a wave

crest, just before it broke. I could feel the sand with my toes. The

gulls sailed around overhead, and there was even a tree--

"But it's gone now. There isn't any beach, anywhere. That's all

over...."

He broke off. "Never mind. That was then. This is now. They've paved

the beach, and built processing plants on it, and they've paved the

farms and the parks and the gardens--but they've given us Full-wall to

make up for it. And--"

* * * * *

There was a buzz from the door. Harry got to his feet.

"They're here, Flora. Wait'll you see...."

Something seemed to tighten around Flora's throat as the men emerged

from the lift, gingerly handling the great roll of wall screen.

"Harry...."

"Four walls," Harry said triumphantly. "I told you I was working toward

something, remember? Well, this is it! By God, the Harry Trimble's have

shown 'em!"

"Harry--I can't--not four walls...."

"I know you're a little overwhelmed--but you deserve it, Flora--"

"Harry, I don't WANT four walls! I can't stand it! It will be

all around me--"

Harry stepped to her side, gripped her wrist fiercely. "Shut up!" he

hissed. "Do you want the workmen to think you're out of your mind?" He

grinned at the men. "How about a coflet, boys?"

"You kiddin?" one inquired. The other went silently about the work of

rolling out the panel, attaching contact strips. Another reached for

the sea-scene--

"No!" Flora threw herself against the wall, as though to cover the

pictures with her body. "You can't take my pictures! Harry, don't let

them."

"Look, sister, I don't want your crummy pictures."

"Flora, get hold of yourself! Here, I'll help you put the pictures in

your floor locker."

"Bunch of nuts," one of the men muttered.

"Here, keep a civil tongue in your head," Harry started.

The man who had spoken stepped up to him. He was taller than Harry and

solidly built. "Any more crap outa you and I'll break you in half. You

and the old bag shut up and keep outa my way. I gotta job to do."

Harry sat beside Flora, his face white with fury. "You and your

vaporings," he hissed. "So I have to endure this. I have a good mind

to ..." he trailed off.

The men finished and left with all four walls blaring.

"Harry," Flora's voice shook. "How will you get out? They've put it

right across the door; they've sealed us in...."

"Don't be a bigger idiot than you have to." Harry's voice was ugly

over the thunder from the screens. He went to the newly covered wall,

groped, found the tiny pin-switch. At a touch, it slid aside as always,

revealing the blank face of the lift shaft safety door. A moment later

it too slid aside and Harry forced his way into the car. Flora caught a

glimpse of his flushed angry face as the door closed.

* * * * *

Around her, the walls roared. A saloon fight was in full swing. She

ducked as a chair sailed toward her, whirled to see it smash down a

man behind her. Shots rang out. Men ran this way and that. The noise

was deafening. That man, Flora thought; the vicious one; he had set it

too loud purposely.

The scene shifted. Horses galloped across the room; dust clouds rose,

nearly choking her in the verisimilitude of the illusion. It was as

though she crouched under a small square canopy of ceiling in the

middle of the immense plain.

Now there were cattle, wild-eyed, with tossing horns, bellowing,

thundering in an unbroken sea across the screens, charging at Flora out

of the wall, pouring past her on left and right. She screamed, shut her

eyes, and ran blindly to the wall, groping for the switch.

The uproar subsided. Flora gasped in relief, her head humming. She felt

faint, dizzy; she had to lie down--Everything was going black around

her; the glowing walls swirled, fading. Flora sank to the floor.

* * * * *

Later--perhaps a few minutes, maybe hours--she had no way of

knowing--Flora sat up. She looked out across an infinite vista of tile

floor, which swept away to the distant horizon in all directions as far

as the eye could see; and over all that vast plain, hollow-eyed women

crouched at intervals of fifteen feet, in endless numbers, waiting.

Flora stared into the eyes of the nearest reflection. It stared back,

a stranger. She moved her head quickly, to try to catch a glimpse of

the next woman--but no matter how fast she moved, the nearer woman

anticipated her, interposing her face between Flora and all the others.

Flora turned; a cold-eyed woman guarded this rank, too.

"Please," Flora heard herself pleading. "Please, please--"

She bit her lip, eyes shut. She had to get hold of herself. These were

only mirrors--she knew that. Only mirrors. The other women--they were

mere reflections. Even the hostile ones who hid the others--they were

herself, mirrored in the walls.

She opened her eyes. She knew there were joints in the glassy wall;

all she had to do was find them, and the illusion of the endless plain

would collapse. There--that thin black line, like a wire stretched from

floor to ceiling--that was a corner of the room. She was not lost in an

infinitude of weeping women on a vast plain; she was right there, in

her own apartment--alone. She turned, finding the other corners. They

were all there, all visible; she knew what they were....

But why did they continue to look like wires, setting apart the

squares of floor, each with its silent, grieving occupant...?

She closed her eyes again, fighting down the panic. She would tell

Harry. As soon as he came home--it was only a few hours--she would

explain it to him.

"_I'm sick, Harry. You have to send me away to some place where I'll

lie in a real bed, with sheets and blankets, beside an open window,

looking out across the fields and forests. Someone--someone kind--will

bring me a tray, with a bowl of soup--real soup, made from real

chickens and with real bread and even a glass of milk, and a napkin,

made of real cloth...._"

She should find her bed, and deploy it, and rest there until Harry

came, but she was so tired. It was better to wait here, just relaxing

and not thinking about the immense floor and the other women who waited

with her....

She slept.

When she awoke, she sat up, confused. There had been a dream....

But how strange. The walls of the cell-block were transparent now; she

could see all the other apartments, stretching away to every side. She

nodded; it was as she thought. They were all as barren and featureless

as her own--and Harry was wrong. They all had four Full-walls. And the

other women--the other wives, shut up like her in these small, mean

cells; they were all aging, and sick, and faded, starved for fresh air

and sunshine. She nodded again, and the woman in the next apartment

nodded in sympathy. All the women were nodding; they all agreed--poor

things.

* * * * *

When Harry came, she would show him how it was. He would see that

the Full-walls weren't enough. They all had them, and they were all

unhappy. When Harry came--

It was time now. She knew it. After so many years, you didn't need a

watch to tell when Harry was due. She had better get up, make herself

presentable. She rose unsteadily to her feet. The other husbands were

coming, too, Flora noted; all the wives were getting ready. They moved

about, opening their floor lockers, patting at their hair, slipping

into another dress. Flora went to the dial-a-ration and all around,

in all the apartments, the wives deployed the tables and dialled the

dinners. She tried to see what the woman next door was dialling, but it

was too far. She laughed at the way her neighbor craned to see what SHE

was preparing. The other woman laughed, too. She was a good sport.

"Kelpies," Flora called cheerily. "And mockspam, and coflet...."

Dinner was ready now. Flora turned to the door-wall and waited. Harry

would be SO pleased at not having to wait. Then, after dinner

she'd explain about her illness--

Was it the right wall she was waiting before? The line around the door

was so fine you couldn't really see it. She laughed at how funny it

would be if Harry came in and found her standing, staring at the wrong

wall.

She turned, and saw a movement on her left--in the next apartment.

Flora watched as the door opened. A man stepped in. The next-door woman

went forward to meet him--

To meet Harry! It was Harry! Flora whirled. Her four walls stood blank

and glassy, while all around her, the other wives greeted Harry,

seated him at their tables, and offered him coflet....

"Harry!" she screamed, throwing herself at the wall. It threw her back.

She ran to the next wall, hammering, screaming. Harry! Harry!

In all the other apartments, Harry chewed, nodded, smiled. The other

wives poured, fussed over Harry, nibbled daintily. And none of

them--not one of them--paid the slightest attention to her....

She stood in the center of the room, not screaming now, only sobbing

silently. In the four glass walls that enclosed her, she stood alone.

There was no point in calling any longer.

No matter how she screamed, how she beat against the walls, or how she

called for Harry--she knew that no one would ever hear.

The walls · 第 9 / 10 题