CHAPTER XLII

IN THE CHAUTAUQUA BELT

The centre of Indiana is a region of calm and simplicity, untroubled to

a large extent, as I have often felt, by the stormy emotions and

distresses which so often affect other parts of America and the world.

It is a region of smooth and fertile soil, small, but comfortable homes,

large grey or red barns, the American type of windmill, the American

silo, the American motor car—a happy land of churches, Sunday schools,

public schools and a general faith in God and humanity as laid down by

the Presbyterian or the Baptist or the Methodist Church and by the ten

commandments, which is at once reassuring and yet disturbing.

This day as we traveled through Wabash, Peru (the winter home of

Hagenbeck’s and Wallace’s combined shows, b’gosh!), Kokomo, where the

world very nearly came to an end for Speed and where James Whitcomb

Riley once worked in a printer’s shop (I understood he had no love for

my work)—and so on through Westfield, an old Quaker settlement, and to

Carmel (where Franklin lives), and really to Indianapolis, for Carmel is

little more than a suburb of the former,—I was more and more struck with

the facts as I have outlined them here. Certain parts of the world are

always in turmoil. Across the rasping grasses of Siberia or the dry

sands of Egypt blow winds cold or hot, which make of the people

restless, wandering tribes. To peaceful Holland and Belgium, the

lowlands of Germany, the plains of France and Italy, and indeed all the

region of the ancient world, come periodic storms of ambition or hate,

which make of those old soils burying grounds not only of individual

souls but of races. Here in America we have already had proof that

certain sections of our land are destined apparently to tempestuous

lives—the Atlantic and Pacific seaboards, Texas, Colorado, Kentucky,

various parts of the South and the West and the Northwest, where

conditions appear to engender the mood dynamic. From Chicago, or

Colorado, or San Francisco one may expect a giant labor war or social

upheaval of any kind; from Boston or Pennsylvania or New Mexico new

religious movements may come—and have; New York, Pennsylvania, Kansas,

Nebraska and Illinois can and have contributed vast political upheavals.

This is even true of Ohio, its next door neighbor.

But Indiana lies in between all this—simple, unpretentious, not

indifferent but quiescent,—a happy land of farms and simple industries

which can scarcely be said to have worked any harm to any man.

Its largest cities have grown in an unobtrusive and almost unheralded

way. Its largest contributions to American life so far have been a

mildly soporific love literature of sorts, and an uncertain political

vote. Anyone could look at these towns—all that we saw—and be sure that

the natives were of an orderly, saving, genial and religious turn. I

never saw neater small towns anywhere, nor more imposing churches and

public buildings, nor fewer saloons, nor cleaner streets, nor better

roads. A happy land, truly, where the local papers give large and

serious attention to the most innocuous of social doings and the farmers

take good care that all their land is under cultivation and well looked

after.

As we were passing through Wabash, for instance—or was it Peru?—we came

upon a very neat and pleasing church and churchyard, the front lawn of

which an old man of a very energetic and respectable appearance—quite

your “first citizen” type—was mowing with a lawnmower.

“Why should a man of that character be doing that work this weekday, do

you suppose?” I inquired of Franklin.

“To get to heaven, of course. Can’t you see? Heaven is a literal,

material thing to him. It’s like this church building and its grass. The

closer he can identify himself with that here the nearer he will come to

walking into his heaven there. I’ve noticed at home that the more

prosperous and well to do farmers are usually the leaders in the church.

They apply the same rules of getting on in religion that they do to

their business. It is all a phase of the instinct of a man to provide

for himself and his family. I tell you, these people expect to find more

or less a duplication of what they have here—with all the ills and

pinches taken out and all the refinements of their fancy, such as it is,

added.”

I felt as I thought of that old man that this was true. He reminded me

of my father, to whom to do the most menial work about a Catholic church

was an honor—such as carrying in wood, building a fire, and the like.

You were nearer God and the angels for doing it. Actually you were just

outside the pearly gates. And if one could only die in a

church—presto!—the gates would open and there you would be inside.

Truly, this day of riding south after my depressing afternoon in Warsaw

was one of the most pleasant of any that had come to me. Now that I had

recovered from my mood of the night before—a chemic and psychic

disturbance which quite did for me—I was in a very cheerful frame of

mind. Long before either Franklin or Speed had risen this morning—they

had spent the evening looking around the town—I was up, had a cold bath,

and had written various letters and visited the post office and studied

the town in general.

It was a halcyon morning, partly grey with a faint tint of pink in the

East, when I first looked out, and such an array of house martins on

five telegraph or telephone wires over the way as I had not seen in a

long time. Birds are odd creatures. Their gregariousness without speech

always fascinates me. These, ranged as they were on the different wires,

looked exactly like the notes of a complicated and difficult fugue—so

much so that I said to a passing citizen who seemed to show an interest:

“Now, if you had a piano or an organ just how would you play that?”

He looked up at the wires which a wave of my hand indicated, then at me.

He was a man of over forty, who looked as though he might be a traveling

salesman or hotelkeeper.

“They do look like notes, don’t they?” he agreed.

We both smiled, and then he added: “Now you make me wonder.” And so we

parted.

Towns of this size, particularly in the Middle West—and I can scarcely

say why—have an intense literary and artistic interest for me. Whether

it is because of a certain comic grandioseness which accompanies some of

their characters or an ultra seriousness entirely out of proportion to

the seeming import of events here—or whether one senses a flow of secret

and subconscious desires hindered or trammeled perhaps by cluttering or

suffocating beliefs or weaknesses, or a lightness and simplicity of

character due to the soil and the air—I do not know; but it is so. In

this region I am always stirred or appealed to by something which I

cannot quite explain. The air seems lighter, the soil more grateful; a

sense of something delicately and gracefully romantic is abroad.

Like children they are, these people, so often concerned with little

things which do not matter at all—neighborhood opinions, neighborhood

desires, neighborhood failures and contempts which a little more mind

could solve or dissolve so readily. Whenever I see a town of this size

in Indiana I think of our family and its relation to one or many like

it. My mother and sisters and brothers suffered so much from

conventional local notions. They made such a pathetic struggle to rid

themselves of trammeling, minor local beliefs.

And did they succeed?

Not quite. Who does? Small life surrounds one like a sea. We swim in it,

whether we will or no. In high halls somewhere are tremendous councils

of gods and supermen, but they will not admit us. Zeus and Apollo will

not suffer the feeble judgments of humble man. And so here we sit and

slave and are weary—insects with an appointed task.

North Manchester, like all the small Indiana towns, appealed to me on

the very grounds I have outlined. As I went up the street this early

morning with my letters I encountered an old man, evidently a citizen of

importance—present or past—being led down by his daughter (I took her to

be). The latter was a thin, anæmic person who looked endless devotion—a

pathetic, yearning solicitude for this man. He was blind, and yet quite

an impressive figure, large, protuberant as to stomach, a broad,

well-modeled face somewhat like that of the late Henry Ward Beecher,

long, snow white hair, a silk hat, a swinging cutaway coat of

broadcloth, a pleated soft-bosomed shirt ornamented with a black string

tie, and an ivory-headed cane. Under his arm were papers and books. His

sightless eyes were fixed on nothing—straight ahead. To me he looked

like a lawyer or judge or congressman or politician—a local big-wig of

some kind yet stricken in this most pathetic of all ways. The girl who

was with him was so intent on his welfare. She was his eyes, his ears,

his voice, really. It was wonderful—the resignation and self-effacement

of her expression. It was quite moving.

“Who is that man?” I asked of a grocer clerk putting out a barrel of

potatoes.

“That? Oh, that’s Judge Shellenberger—or he was judge. He’s a lawyer now

for the Monon (a railroad that runs through here). He used to be judge

of the circuit court.”

I watched them down the street, and as they turned into a block of

buildings where I suppose was his office, my mind was busy conjuring up

the background which enmeshed them. Life is so full of great tales—every

life in its way a masterpiece if seen in its entirety and against the

vast background of life itself. Poor, fluttering, summer loving man! The

bones of him make the chalk cliffs of time.

To the curb in front of another grocery store as I was coming back to

the hotel drew up a small, rickety buggy—so dilapidated and antique,

scarcely worthy or safe to be hauled about rough country roads any

longer. In it were “my Grandfather Squeers”—jackknife legs and all—and

his wife, a most spare and crotchety female, in a very plain black

dress, so inexpensive, a grey linseywoolsey shawl and a grey poke

bonnet. She looked so _set_ and fixed and yet humanly interesting in her

way. I felt sorry for the two of them at once, as I always do for age

and that limited array of thoughts which has produced only a hard,

toilsome life. (We laugh at ignorance or dullness or condemn them so

loudly, but sometimes they are combined with such earnestness and effort

that one would rather cry.) “My Grandfather Squeers” was plainly a

little rheumatic and crotchety, too. He reminded me of that Mr. Gridley

who was occupying my old room in Warsaw, only he was much older and not

quite so intelligent. He was having a hard time getting down between the

wheels and straightening out some parcels under the seat, the while Aunt

Sally stared on straight ahead and the horse looked back at them—a not

overfed bay mare which seemed very much concerned in their affairs and

what they were going to do next.

“Now, don’t you forget about them seed onions,” came a definite caution

from the figure on the seat.

“No, I won’t,” he replied.

“And ast about the potatoes.”

“Yes.”

He cricketed his way into the store and presently came out with a small

bag followed by a boy carrying a large bag—of potatoes, I assumed.

“I guess we can put them right in front—eh, mother?” he called.

“Yes, I suppose so,” she assented, rather sharply, I thought, but not

angrily.

The while the boy roughly bestowed the bag between them he went back for

something, then came out and readjusted the potatoes properly.

“He didn’t have any red tape,” he called loudly, as though it was a

matter of considerable importance.

“Well, all right,” she said. “Come on and get in.”

With much straining of his thin, stiff legs he got up and as he did so I

noticed that his coat and trousers were home-made—cut, oh! most

amazingly—and out of some old, faded wine colored cloth to begin with,

probably worn years before by someone else. It made me think of all the

old people I had known in my time, scrimping along on little or nothing,

and of the thousands and thousands perhaps in every land for whom life

is so hard, so meagre! If an artist takes a special case in hand and

depicts it, one weeps, but no scheme has been devised to relieve the

intense pressure on the many; and we forget so easily. I most of all. If

I were a god, I have often said to myself, I would try to leaven the

whole thing a little more evenly—but would I? Perhaps if I were a god I

would see a reason for things as they are—a strangeness, a beauty, a

requital not present to these mortal eyes.

These streets of North Manchester were hung with those same triangular

banners—red, white, blue, green, pink, orange—which we had seen in the

East and which announced the imminence of a local Chautauqua. I do not

know much about that organization, but it certainly knows how to

advertise in country towns. In the store windows were quite striking

pictures of Stromboli, the celebrated band leader, a chrysanthemum

haired, thin bodied Italian in a braided white suit, who had been

photographed crouching, as though he were about to spring, and with one

thin hand raised high in the air holding a bâton. His appearance was

that of one who was saying: “One more crash now and I have won all.” And

adjoining him in every window was the picture of Madame Adelina Scherzo,

the celebrated soprano prima donna “straight from the Metropolitan Opera

House, New York,” who was shown photographed with manager and friends on

the observation platform of her private car. Madame Scherzo was in black

velvet, with bare arms, shoulders and throat, an entrancing sight. She

was rather pretty too, and a line under the picture made it clear that

she was costing the management "$800.00 a day," a charge which

interested me, considering the size of the town and county and the

probable audiences which could be got out to see anything.

“How large is the hall where the Chautauqua entertainments are held?” I

asked of the local bookstore man where I was buying some picturecards.

“It isn’t a hall; it’s a tent,” he replied. “They bring their own tent.”

“Well, how many will it seat or hold?”

“Oh, about fifteen hundred people.”

“And how many can they count on at any given performance?”

“Oh, about a thousand.”

“Not more than that?” I queried.

“A thousand is a good crowd for a fair night,” he persisted.

“And how much can they average per head?” I continued.

“Oh, not more than twentyfive cents. The seats run fifteen, twentyfive,

thirtyfive and fifty cents.”

“Then say they average forty cents,” I said to myself. “That would mean

that they took in four hundred dollars at a single performance—or if

there are two a day, between seven and eight hundred dollars a day. And

this one singer costs them eight hundred.”

I saw the horns and hoofs of the ubiquitous press agent.

“Do you think that Madame Scherzo gets the sum they say she does?” I

asked of this same bookstore man, wondering whether he was taken in by

their announcement. He looked fairly intelligent.

“Yes, indeed! She comes from the Metropolitan Opera House. I don’t

suppose she’d come out here for any less than that.”

I wondered whether he intended this as a reflection on Indiana or a

compliment to North Manchester. It was a little dubious.

“Well, that’s a good deal for a tent that only seats fifteen hundred,” I

replied.

“But you don’t want to forget that they play to two audiences a day,” he

returned solemnly, as though he had solved it all.

I thought it unkind to argue with him. Why shouldn’t North Manchester

have a celebrated prima donna costing eight hundred dollars a day? Think

how the knowledge of that would add to the natives' enjoyment of her

music!

“You’re right,” I said. “I hadn’t thought of that.” And out I went.

While we were trifling about getting ready to start, a singular

combination of circumstances produced an odd case of repetition or

duplication of a set of facts which had occurred the year before, which

impressed me greatly, the more so as it corresponded exactly with a

number of similar instances in my own life.

I might preface my remarks by saying that throughout my life experiences

and scenes have to a certain extent tended to duplicate or repeat

themselves. Nietzsche remarks somewhere that we all have our typical

experiences. It is not a particularly brilliant deduction, considering

the marked predilections of certain temperaments. But when we connect up

the fact with chemical or physical law, as we are likely some day to do,

it becomes highly significant. Personally, I am one who believes that as

yet we have not scratched the surface of underlying fact and law. I once

believed, for instance, that nature was a blind, stumbling force or

combination of forces which knew not what or whither. I drew that

conclusion largely from the fumbling nonintelligence (relatively

speaking) of men and all sentient creatures. Of late years I have

inclined to think just the reverse, i. e., that nature is merely dark to

us because of her tremendous subtlety and our own very limited powers of

comprehension; also that in common with many other minor forces and

forms of intelligence—insects and trees, for example—we are merely tools

or implements—slaves, to be exact—and that collectively we are used as

any other tool or implement would be used by us.

Thus there is a certain species of ant, the Dorylii, which is plainly a

scavenger so far as the surface of the earth is concerned, appearing at

the precise moment when a dead body is becoming offensive and burying

and devouring it. This may be said to be equally true of buzzards,

jackals, carrion crows, creatures which a Darwinian naturalist would

explain as the result of an unintentional pressure—and natural

selection. On the other hand, current biology tends to indicate that all

is foreshadowed, prearranged; that indications of what will be are given

ages before it is permitted to appear. Ontogenetic Orthogenesis it is

called, I believe. The creative forces have an amazing way of working.

They may use strange means—races of men and insects, of no particular

value to them—to accomplish certain results. Thus man might well be a

tool intended to release certain forces in the soil—coal, iron, stone,

copper, gold—and all his social organization and social striving merely

the physico-legal aspects or expression of the processes by which all

things are done. Multiple unit forces must work in some harmonious way,

and all these harmonious processes would therefore need to be provided

for. They may be the chemical and physical laws by which we are

governed. How otherwise can one explain the fact that although there is

apparently sufficient wisdom in the universe to sustain immense sidereal

systems in order and to generate all the complex organisms which we see

and can examine at our leisure, yet man remains blind and dumb as to the

processes by which he comes and goes? He has examined a little. He has

prepared a lexicon of laws whose workings he has detected. Beyond these

must be additional laws, or so he suspects, but what are they? In the

meantime, instead of nature permitting him to go on (once he has his

mind prepared for thought along these lines), it strikes him down and

puts new, ignorant youth in his place—new, ignorant generations of

youths.

Actually (I sincerely believe this) it is not intended that man should

ever be permitted to know anything. The temperaments of the powers to

whom we pray are not magnanimous. Man is a slave, a tool. The fable of

Prometheus and the divine fire has more of fact than of poetry in it. At

every turn of man’s affairs he is arbitrarily and ruthlessly and

mockingly confused. New generations of the dull and thick are put forth.

False prophets arise. Religionists, warriors, dreamers without the

slightest conception of the import of that which they seek or do, arise,

slay, burn, confuse. Man stands confounded for a time, a slave to

illusion, toiling with forces and by aid of forces which he does not

understand, and effecting results the ultimate use of which he cannot

possibly grasp. We burn gas! For ourselves alone? We generate

electricity! For ourselves alone? We mine coal, iron, lead, etc.—release

it into space eventually. For ourselves alone? Who knows, really? By

reason of the flaming, generative chemistry of our bodies we are

compelled to go on. Why?

At the critical moment when man becomes too inquisitive he may be once

more chained to the rock, Prometheus-like, and the eagles of ignorance

and duty set at his vitals. Why the astounding bludgeoning of each other

by the nations of Europe? Cosmically—permanently—what can they gain?

A Hoosier holiday · 第 42 / 61 章