An insect, the Xylocopa violacea, related to the humblebee,

from which it differs in several anatomical characters, and by

the dark violet tint of its wings, brings an improvement to the

formation of the shelter which it makes in wood for its larvæ.

Instead of hollowing a mere retreat to place there all its eggs

indiscriminately, it divides them into compartments, separated by

horizontal partitions. It is the female alone who accomplishes this

task, connected with the function of perpetuating the race. She

chooses an old tree-trunk, a pole, or the post of a fence, exposed to

the sun and already worm-eaten, so that her labor may be lightened.

She first attacks the wood perpendicularly to the surface, then

suddenly turns and directs downward the passage, the diameter of

which is about equal to the size of the insect’s body. The Xylocopa

thus forms a tube about thirty centimetres in length. Quite at the

bottom she places the first egg, leaving beside it a provision

of honey necessary to nourish the larva during its evolution;

she then closes it with a partition. This partition is made with

fragments of the powder of wood glued together with saliva. A first

horizontal ring is applied round the circumference of the tube; then

in the interior of this first ring a second is formed, and so on

continuously, until the central opening, more and more reduced, is at

last entirely closed up. This ceiling forms the floor for the next

chamber, in which the female deposits a new egg, provided, like the

other, with abundant provisions. The same acts are repeated until the

retreat becomes transformed into a series of isolated cells in which

the larvæ can effect their development, and from which they will

emerge either by themselves perforating a thin wall which separates

them from daylight, or by an opening which the careful mother has

left to allow them to attain liberty without trouble.

The second class of habitation, which I have called the woven

dwelling, proceeds at first from the parceling up of substances, then

of objects capable of being entangled like wisps of wood or straw,

then of fine and supple materials which the artisan can work together

in a regular manner, that is to say, by felting or weaving.

There are, first, cases in which the will of the animal does not

intervene, or at least is very slightly manifested. The creature

is found covered and protected by foreign bodies which are often

living beings. Spider-crabs (Maïa), for example, have their carapaces

covered with algæ and hydroids of all sorts. Thus garnished, the

Crustaceans have the advantage of not being recognized from afar when

they go hunting, since beneath this fleece they resemble some rock.

H. Fol has observed at Villefranche-sur-Mer a Maïa so buried beneath

this vegetation that it was impossible at first sight to distinguish

it from the stones around. Under these conditions the animal submits

to a shelter rather than creates it. Yet it is not so passive as one

might at first be led to suppose. When the algæ which flourish on

its back become too long and impede or delay its progress, it tears

them off with its claws and thoroughly cleans itself. The carapace

being quite clean, the animal finds itself too smooth and too easy

to distinguish from surrounding objects; it therefore takes up again

fragments of algæ and replaces them where they do not delay to take

root like cuttings and to flourish anew.

The sponge-crab (Dromia vulgaris) also practices this method of

shelter. It seizes a large sponge and maintains it firmly over its

carapace with the help of the posterior pair of limbs. The sponge

continues to prosper and to spread over the Crustacean who has

adopted it. The two beings do not seem to be definitely fixed to

each other; the contact of a sudden wave will separate them. When

the divorce is effected, the Dromia immediately throws itself on its

cherished covering and replaces it. M. Künckel d’Herculais tells

of one of these curious Crustaceans which delighted the workers

in the laboratory of Concarneau. The need for covering themselves

experienced by these crabs is so strong that in aquariums when their

sponge is taken away they will apply to the back a fragment of wrack

or of anything which comes to hand. A little white cloak with the

arms of Brittany was manufactured for one of these captives, and it

was very amusing to see him put on his overcoat when he had nothing

else wherewith to cover himself.

An Australian bird, the Catheturus Lathami, as described by Gould, is

still in the rudiments, and limits itself to preparing an enormous

pile of leaves. It begins its work some weeks before laying its eggs;

with its claws it pushes behind it all the dead leaves which fall on

the earth and brings them into a heap. The bird throws new material

on the summit until the whole is of suitable height. This detritus

ferments when left to itself, and a gentle heat is developed in the

centre of the edifice. The Catheturus returns to lay near this coarse

shelter; it then takes each egg and buries it in the heap, the larger

end uppermost. It places a new layer above, and quits its labor for

good. Incubation takes place favored by the uniform heat of this

decomposing mass, hatching is produced, and the young emerge from

their primitive nest.

Birds are not alone in constructing temporary dwellings in which

to lay their eggs; some fish are equally artistic in this kind of

industry, and even certain reptiles. The alligator of the Mississippi

would not perhaps at first be regarded as a model of maternal

foresight. Yet the female constructs a genuine nest. She seeks a

very inaccessible spot in the midst of brushwood and thickets of

reeds. With her jaw she carries thither boughs which she arranges

on the soil and covers with leaves. She lays her eggs and conceals

them with care beneath vegetable remains. Not yet considering her

work completed, she stays in the neighborhood watching with jealous

eye the thicket which shelters the dear deposit, and never ceases

to mount guard threateningly until the day when her young ones can

follow her into the stream.

A hymenopterous relative of the bees, the Megachile, cuts out in

rose-leaves fragments of appropriate form which it bears away to a

small hole in a tree, an abandoned mouse nest or some similar cavity.

There it rolls them, works them up, and arranges them with much art,

so as to manufacture what resemble thimbles, which it fills with

honey and in which it lays.

The Anthocopa acts in a similar manner, carpeting the holes of which

it takes possession with the delicate petals of the corn poppy.

The retreats of nocturnal birds of prey do not differ in method of

construction from these two kinds of nests. They are holes in trees,

in ruins, in old walls, and are lined with soft and warm material.

These dwellings are related, not to the type of the hollowed cave,

but to that of the habitation manufactured from mingled materials.

They constitute an inferior form in which the pieces are not firmly

bound together, but need support throughout. The cavity is the

support which sustains the real house.

Diurnal birds of prey are the first animals who practice skilfully

the twining of materials. Their nests, which have received the name

of eyries, are not yet masterpieces of architecture, and reveal the

beginning of the industry which is pushed so far by other birds.

Usually situated in wild and inaccessible spots, the young are there

in safety when their parents are away on distant expeditions. The

abrupt summits of cliffs and the tops of the highest forest trees

are the favorite spots chosen by the great birds of prey. The eyrie

generally consists of a mass of dry branches which cross and mutually

support one another, constituting a whole which is fairly resistant.

The abodes of squirrels, though exhibiting more art, are

constructions of the same nature; that is to say, they are formed

of interlaced sticks. This animal builds its home to shelter itself

there in the bad season, to pass the night in, and to rear its young.

Very agile, and not afraid of climbing, it places its domicile near

the tops of our highest forest trees. Rather capricious also, and

desiring change of residence from time to time, it builds several of

them; at least three or four, sometimes more. The materials which it

needs are collected on the earth among fallen dead branches, or are

torn away from the old abandoned nest of a crow or some other bird.

The squirrel first builds a rather hollow floor by intermingling the

fragments of wood which it has brought. In this state its dwelling

resembles a magpie’s nest. But the fastidious little animal wishes

to be better protected and not thus to sleep in the open air. Over

this foundation he raises a conical roof; the sticks which form it

are very skilfully disposed, and so well interlaced that the whole

is impenetrable to rain. The house must still be furnished, and this

is done with Oriental luxury; that is to say, the entire furniture

consists of a carpet, a carpet of very dry moss, which the squirrel

tears from the trunks of trees, and which it piles up so as to have

a soft and warm couch. An entrance situated at the lower part gives

access to the aerial castle; it is usually directed toward the east.

On the opposite side there is another orifice by which the animal can

escape if an enemy should invade the principal entrance. In ordinary

times also it serves to ventilate the chamber by setting up a slight

current of air. The squirrel greatly fears storms and rain, and

during bad weather hastens to take refuge in his dwelling. If the

wind blows in the direction of the openings, the little beast at once

closes them with two stoppers of moss, and keeps well shut in as long

as the storm rages.

The great Anthropoid apes have found nothing better for shelter than

the squirrels’ method. It must, however, be taken into account that

they have much more difficulty in arranging and maintaining much

heavier rooms, and in building up a shelter with larger surface.

The orang-outang, which lives in the virgin forests of the Sunda

Archipelago, does not feel the need of constructing a roof against

the rain. He is content with a floor established in the midst of a

tree, and made of broken and interlaced branches. He piles up on this

support a considerable mass of leaves and moss; for the orang does

not sleep seated like the other great apes, but lies down in the

manner of man, as has often been observed when he is in captivity.

When he feels the cold he is ingenious enough to cover himself with

the leaves of his couch.

In Upper and Lower Guinea the chimpanzee (Troglodytes niger) also

establishes his dwelling on trees. He first makes choice of a large

horizontal branch, which constitutes a sufficient floor for the agile

animal. Above this branch he bends the neighboring boughs, crosses

them, and interlaces them so as to obtain a sort of framework. When

this preliminary labor is accomplished, he collects dead wood or

breaks up branches and adds them to the first. Before commencing he

had taken care when choosing the site that the whole was so arranged

that a fork was within reach to sustain the roof. He thus constructs

a very sufficient shelter.

The Troglodytes calvus, a relative of the preceding, inhabiting

the same regions, as described by Du Chaillu, shows still more

skill in raising his roof. A tree is always chosen for support. He

breaks off boughs and fastens them by one end to the trunk, by the

other to a large branch. To fix all these pieces he employs very

strong creepers, which grow in abundance in his forests. Above this

framework, which indicates remarkable ingenuity, the animal piles

up large leaves, forming in layers well pressed down and quite

impenetrable to the rain. The whole has the appearance of an open

parasol. The ape sits on a branch beneath his handiwork, supporting

himself against the trunk with one arm. He has thus an excellent

shelter against the midday sun as well as against tropical showers.

There exists in Australia a bird with very curious customs. This is

the satin bower-bird. The art displayed in this bird’s constructions

is not less interesting than the sociability he gives evidence of,

and his desire to have for his hours of leisure a shelter adorned

to his taste. The bowers which he constructs, and which present on

a small scale the appearance of the arbors in our old gardens, are

places for reunion and for warbling and courtship, in which the birds

stay during the day, when no anxiety leads them to disperse. They

are not, properly speaking, nests built for the purpose of rearing

young; for at the epoch of love each couple separates and constructs

a special retreat in the neighborhood of the bower. These shelters

are always situated in the most retired parts of the forest, and

are placed on the earth at the foot of trees. Several couples work

together to raise the edifice, the males performing the chief part

of the work. At first they establish a slightly convex floor, made

with interlaced sticks, intended to keep the place sheltered from the

moisture of the soil. The arbor rises in the centre of this first

platform. Boughs vertically arranged are interlaced at the base

with those of the floor. The birds arrange them in two rows facing

each other; they then curve together the upper extremities of these

sticks, and fix them so as to obtain a vault. All the prominences

in the materials employed are turned toward the outside, so that

the interior of the room may be smooth and the birds may not catch

their plumage in it. This done, the little architects, to embellish

their retreat, transport to it a number of conspicuous objects, such

as very white stones from a neighboring stream, shells, the bright

feathers of the paroquet, whatever comes to their beak. All these

treasures are arranged on the earth, before the two entries to the

bower, so as to form on each side a carpet, which is not smooth, but

the varied colors of which rejoice the eye. The prettiest treasures

are fixed into the wall of the hut. These objects are intended solely

for the delight of these feathered artists. They are very careful

also only to collect pieces which have been whitened and dried by the

sun.

Certain humming-birds also, according to Gould, decorate their

dwellings with great taste. “They instinctively fasten thereon,” he

stated, “beautiful pieces of flat lichen, the larger pieces in the

middle, and the smaller on the part attached to the branch. Now and

then a pretty feather is intertwined or fastened to the outer sides,

the stem being always so placed that the feather stands out beyond

the surface.”

In spite of their lack of skill and the inadequacy of their organs,

fish are not the most awkward architects. The species which construct

nests for laying in are fairly numerous; the classical case of the

stickleback is always quoted, but this is not the only animal of its

class to possess the secret of the manufacture of a shelter for its

eggs.

A fish of Java, the gourami (Osphronemus olfax), establishes an ovoid

nest with the leaves of aquatic plants woven together. It makes its

work about the size of a fist, takes no rest until it is completed,

and is able to finish it in five or six days. It is the male alone

who weaves this dwelling; when it is ready a female comes to lay

there, and generally fills it; it may contain from six hundred to a

thousand eggs.

Without doubt the class of birds furnishes the most expert artisans

in the industry of the woven dwelling. In our own country we may see

them seeking every day to right and left, carrying a morsel of straw,

a pinch of moss, a hair from a horse’s tail, or a tuft of wool caught

in a bush. They intermingle these materials, making the framework

of the construction with the coarser pieces, keeping those that are

warmer and more delicate for the interior. These nests, attached to

a fork in a branch or in a shrub, hidden in the depth of a thicket,

are little masterpieces of skill and patience. To describe every

form and every method would fill a volume. But I can not pass in

silence those which reveal a science sure of itself, and which are

not very inferior to what man can do in this line. The Lithuanian

titmouse (Ægithalus pendulinus), whose works have been well described

by Baldamus, lives in the marshes in the midst of reeds and willows

in Poland, Galicia, and Hungary. Its nest, which resembles none met

with in England, is always suspended above the water, two or three

metres above the surface, fixed to a willow branch. All individuals

do not exhibit the same skill in fabricating their dwelling; some are

more careful and clever than others who are less experienced. Some

also are obliged by circumstances to hasten their work. It frequently

happens that magpies spoil or even altogether destroy with blows

of their beaks one of these pretty nests. The unfortunate couple

are obliged to recommence their task, and if this accident happens

two or three times to the same household, it can easily be imagined

that, discouraged and depressed by the advancing season, they hasten

to build a shelter anyhow, only doing what is indispensable, and

neglecting perfection. However this may be, the nests which are

properly finished have the form of a purse, twenty centimetres high

and twelve broad. At the side an opening, prolonged by a passage

which is generally horizontal, gives access to the interior.

Sometimes another opening is found without any passage. Every nest

in the course of construction possesses this second entry, but it

is usually filled up when the work is completed. When the bird has

resolved to establish its retreat, it first chooses a hanging branch

presenting bifurcations which can be utilized as a rigid frame on

which to weave the lateral walls of the habitation. It intercrosses

wool and goats’ hair so as to form two courses which are afterward

united to each other below, and constitute the first sketch of the

nest, at this moment like a flat-bottomed basket. This is only the

beginning. The whole wall is reinforced by the addition of new

material. The architect piles up down from the poplar and the willow,

and binds it all together with filaments torn from the bark of trees,

so as to make a whole which is very resistant. Then a couch is formed

by heaping up wool and down at the bottom of the nest.

The American Baltimore oriole, also called the Baltimore bird, is a

distinguished weaver. With strong stalks and hemp or flax, fastened

round two forked twigs corresponding to the proposed width of nest,

it makes a very delicate sort of mat, weaving into it quantities

of loose tow. The form of the nest might be compared to that of a

ham; it is attached by the narrow portion to a small branch, the

large part being below. An opening exists at the lower end of the

dwelling, and the interior is carefully lined with soft substances,

well interwoven with the outward netting, and it is finished with an

external layer of horse-hair, while the whole is protected from sun

and rain by a natural canopy of leaves.

The rufous-necked weaver bird, as described by Brehm, shows itself

equally clever. Its nest is woven with extreme delicacy, and

resembles a long-necked decanter hung up with the opening below.

From the bottom of the decanter a strong band attaches the whole to

the branch of a tree. The yellow weaver bird of Java, as described by

Forbes, constructs very similar retort-shaped nests.

These birds have no monopoly of these careful dwellings; a

considerable number of genera have carried this industry to the same

degree of perfection.

When animals apply themselves in association to any work, they nearly

always exhibit in it a marked superiority over neighboring species

among whom the individuals work in isolation. The construction of

dwellings is no exception, and the nests of the sociable weaver

birds of South Africa are the best constructed that can be found.

These birds live together in considerable colonies; the members of

an association are at least two hundred in number, and sometimes

rise to five hundred. The city which they construct is a marvel of

industry. They first make with grass a sloping roof, giving it the

form of a mushroom or an open umbrella, and they place it in such a

way that it is supported by the trunk of a tree and one or two of

the branches. This thatch is prepared with so much care that it is

absolutely impenetrable to water. Beneath this protecting shelter

each couple constructs its private dwelling. All the individual nests

have their openings below, and they are so closely pressed against

one another that, on looking at the construction from beneath, the

divisions can not be seen. One only perceives a surface riddled with

holes like a skimmer; each of these holes is the door of a nest. The

work may endure for several years; as long as there is room beneath

the roof the young form pairs near their cradle; but at last, as the

colony continues to increase, a portion emigrate to found a new town

on another tree in the forest.

The industry of the woven dwelling does not flourish among mammals;

but there is one which excels in it. This is the dwarf mouse (Mus

minutus), certainly one of the smallest rodents. It generally lives

amid reeds and rushes, and it is perhaps this circumstance which has

impelled it to construct an aerial dwelling for its young, not being

able to deposit them on the damp and often flooded soil. This retreat

is not used in every season; its sole object is for bringing forth

the young. It is therefore a genuine nest, not only by the manner

in which it is made, but by the object it is intended to serve. The

nest is made with as much delicacy as that of any bird, and no other

mammal except man is capable of executing such weaver’s work.

There are birds which have succeeded in solving a remarkable

difficulty. Sewing seems so ingenious an art that it must be reserved

for the human species alone. Yet the tailor-bird, the Orthotomus

longicauda, and other species possess the elements of it. They place

their nests in a large leaf which they prepare to this end. With

their beaks they pierce two rows of holes along the two edges of

the leaf; they then pass a stout thread from one side to the other

alternately. With this leaf, at first flat, they form a horn in which

they weave their nest with cotton or hair. These labors of weaving

and sewing are preceded by the spinning of the thread. The bird makes

it itself by twisting in its beak spiders’ webs, bits of cotton, and

little ends of wool. Sykes found that the threads used for sewing

were knotted at the ends. It is impossible not to admire animals

who have skilfully triumphed over all the obstacles met with in the

course of these complicated operations.

Certain spiders, while they do not actually sew in the sense that

they perforate the leaves they use to build their nest, and draw the

thread through them, yet subject the leaves to an operation which can

not well be called anything else but sewing it.

Certain wasps, by the material of their dwellings, approach the

Japanese; they build with paper. This paper or cardboard is very

strong and supplies a solid support; moreover, being a bad conductor

of heat, it contributes to maintain an equable temperature within

the nest. The constructions of these insects, though they do not

exhibit the geometric arrangement of those of bees, are not less

interesting. The paper which they employ is manufactured on the spot,

as the walls of the cells develop. Detritus of every kind enters into

its preparation: small fragments of wood, sawdust, etc.; anything is

good. These Hymenoptera possess no organ specially adapted to aid

them; it is with their saliva that they glue this dust together and

make of it a substance very suitable for its purpose. The dwellings

often reach considerable size, yet they are always begun by a single

female, who does all the work without help until the moment when the

first eggs come out; she is thus furnished with workers capable of

taking a share in her task. The Vespa sylvestris builds a paper nest

of this kind, hanging to the branch of a tree, like a great gray

sphere prolonged to a blunt neck. The hornet’s nest is similar in

construction.

Gelatine nests are made by certain swallows who nest in grottoes or

cliffs on the edge of the sea. After having collected from the water

a gelatinous substance formed either of the spawn of fish or the

eggs of mollusca, they carry this substance on to a perpendicular

wall, and apply it to form an arc of a circle. This first deposit

being dry, they increase it by sticking on to its edge a new deposit.

Gradually the dwelling takes on the appearance of a cup and receives

the workers’ eggs. These dwellings are the famous swallows’ nests, so

appreciated by the epicures of the extreme East, which are edible in

the same way as, for example, caviare.

Certain animals, whose dwelling participates in the nature of a

hollow cavern, make additions to it which claim a place among the

constructions with which we are now occupied.

The story of the universe. Volume 4 (of 4) · 第 22 / 28 段