CONSOLATION.

“It’s lonesome without _him_!”

You may have noticed those high walls which some build about their houses

and grounds, so high you can get but a glimpse of the tree-tops above

them; the shady walks, and gushing fountains, and green grass-plats, and

bright flowers are entirely hidden from view.

A certain great man died, and the tidings was carried swiftly and far,

for his name was known to many nations. All over the land there were

public demonstrations of mourning, and numberless and eloquent were the

eulogies pronounced. Thus he who, living, had been laden with honors and

distinctions, went in pomp and honor to his burial. Yet somehow we do not

hear that any one was really very sorry because of his death, much less

that any little children wept because of it. Had his greatness been like

a high wall, concealing whatever was sunny and winsome in his nature?

On the same hillside where that great man was laid to rest there is a

new-made grave beneath the cedars, and not very many people know anything

about it; but among those who do there is a void, as when the fire goes

out upon the hearth-stone, and all is cold and desolate. “It is no small

thing to be missed by one’s friends when he is away from them.” Little

did he consider, who spoke thus, how truly those words would soon apply

to himself. And here one might pause to ponder. Which is preferable—to be

so great and renowned that when one dies the news will be told abroad in

the world, or to be so genial and lovable that even a little child will

weep at the sight of his vacant chair?

When we are sleeping in our graves so still,

When we are sleeping in our graves so low,

Ah, who will care to know?

Ah, who will?

A wee bird made its nest out in the porch last May, and lived there the

summer long. But the summer is gone, and the winter is come again, and

the bird has flown away, and the nest is empty, and the snow is on it

and on the ground, and the clouds are gray and threatening, and again

the wind wails at the casements, moans down the chimney. Lem, coming in

to replenish the fire, sees the form shivering over it in spite of the

warmth, sees the wide, tearless eyes, with the new, strange look in them,

sees the carpet strewn with remnants of a rare and fragrant bouquet,

Harry’s gift, torn to bits by nervous fingers.

“Miss Katy,” and he lays his hand gently on her head, “try to think

of something else; jess try. Think of all the poor folks you an’ Mr.

Harry’s got on the dockit, an’ what’ll become of ’em if you don’t pick up

sperrits an’ help ’im look after ’em a little. Come, they’s no time to

be settin’ here idle!” You would hardly guess his voice was choking, and

that tears were streaming down his black face.

“Oh, Lem,” she answers drearily, “I’m tired; I’m tired of living. I can’t

care for anything any more.”

“But you _must_ care, honey. What’ll become of poor old ’Liza an’ me if

Katy goes off an’ leaves us too?”

But she only hovers more closely over the fire, staring at it vacantly.

And the wind moans and wails down the chimney.

Lem returns to the kitchen to consult with his wife, Eliza, as to what

shall be done for her in whose welfare they have felt such a tender

interest since, years ago, she and her brother were left orphans. Not all

the heartfelt sympathy of young and old, and the loving little attentions

of the children, seem to be of any avail. Eliza advises to go for Edith.

“She used to ’muse Master Wallie.”

But once in the room, her toys about her, Edith soon ceases to play.

There is a change. Somebody is gone who used to be here. She may somewhat

have forgotten all that has been passing of late, scarcely can have

understood what has been told her; but whether she thinks about it or

not, or remembers, even, she feels a want. “It’s lonesome without _him_!”

Ah, that is it; and she begins to sob, creeping close to Kate. But what

new thing is this? Katy doesn’t notice her! Those queer, staring eyes,

that do not turn and smile upon her, they are not Katy’s eyes. That

white, stony face, that is not like Katy, either. And all the while the

wind is moaning and wailing, and the gloomy clouds grow gloomier, making

the day dreary and the room dreary. Everything is dreary and lonesome,

and not as it used to be. She flies into the hall, crying and calling to

Lem, below.

“Take me home! I’m afraid! Katy isn’t Katy any more!”

“Oh, come back, Edie!” calls Kate, arousing at that pitiful little cry

and holding out her hands to the child. “Don’t go away and leave Katy all

alone! She’ll be good now. She’s sorry she scared Edie; she didn’t mean

to.”

“_Are_ you all alone?” Edith has stopped crying suddenly. There is a

peculiar earnestness in her look as she questions.

“Yes, Edie, all alone! all alone!” and the answer ends almost in a wail.

“Then it’s there—there, behind the book—the paper that he did write on. I

must give it to you when you was all alone, he said—my captain. He said,

would I ’member? Ha, ha! I _did_ ’member, didn’t I?”

Kate opens the book-case, and finds, as the child said, a folded paper

behind one of the encyclopædias. It contains some lines written with

pencil, so running together, lines and words, as to be almost unreadable.

As she recognizes that handwriting and slowly deciphers it, the tears

come at last like rain. Edith, no longer afraid, wipes them away with her

little white apron, murmuring, the while, all sorts of baby talk.

About two hundred years ago there lived a blind man who was the author of

what many think to be the greatest of poems. But wherever that wonderful

work is read and admired, there, too, it is told how his daughters, with

one exception, were unkind to him and undutiful, refusing even the task

of committing to paper those immortal verses. However, it may be he was a

trifle to blame, himself. (For we have seen, as in that other case, how

greatness does sometimes build for itself a barrier, a high, impassable

wall.) Suppose day after day little eyes looked up wistfully, and he

did not see—gazing far off into other worlds and other ages; little

voices whispered timidly, and he did not hear—listening to the converse

of angels; little hands clung caressingly, but unheeded. Ah, that was

asking for bread and getting a stone. Suppose it made some little hearts

ache, some little people were “afraid,” finally, like Edith, awhile

since. So when they grew up and he grew old and sightless, what came

of it all? _Paradise Lost_, to be marveled at as long as the English

language is known and studied, and there in shadowy background, the

mighty genius, poor and blind, with his unloving daughters.

And now, girl readers, here is that writing which to her, so sorrowful,

is like a consoling message from the Beyond.

Stories and ballads for young folks · 第 60 / 102 题