NEIGHBOR EDITH.

The north-west wind, driving feathery flakes of snow before it, heaps

up gray masses of cloud over the sunny afternoon, and then, as if bent

on subduing what cheeriness remains among the shadows it has brought,

howls dismally down the chimneys, moans at the casements dismally. The

Lieutenant throws himself down on the lounge, and draws a long sigh. Kate

slips quietly out of the room, catches up her shawl and hat from the rack

in the hall, and her brother, hearing her go down the steps into the

street, wonders where she is bound for, and why she didn’t say something

about it, and then falls back into his gloomy reverie.

“It may be ‘sweet for one’s country to die’; but to live on, a shattered,

helpless wreck”—and, at the thought, he gripes the curving frame of the

lounge with his one hand, and his firm-set lips quiver; when, suddenly,

without the faintest footfall to indicate the approach of any one, two

little arms creep about his neck, and between silvery peals of laughter

a shower of kisses falls over forehead and sightless eyes, on either

cheek, on nose, mouth and chin. “There!” cries a childish, laughing

voice, “I surpized you, didn’t I? Ha, ha, ha!”

“Ha, ha!” echoes the Lieutenant, coming directly from a horizontal to a

sitting posture, his arm around the wee mite, “so you did ‘surpize’ me,

midget. And where did you come from? Did you drop out of the sky?”

“Out of the sky!” repeats the little maiden, with a great deal of scorn

and emphasis. “Why, I comed right from our house! Katy comed after me,

and we went round to the back door, so you wouldn’t hear, and then Katy

took off my shoes, and I comed up on tiptoe in my stocking-feet. Ha, ha!

I surpized you, didn’t I? I’m go’n to ’gin!” and away she rushes across

the room and back against him, pell-mell, arms about his neck, and kisses

raining all over his face. “There! how do you like it?” and the room

rings with her musical laughter—in which the Lieutenant once more joins,

with—

“My dear young lady, I must confess that I haven’t the least objection to

the proceeding.”

“Young—_la_-day!” is the slow and scornful rejoinder; “young _la_-dy!

Why, I’m a little girl!”

“Why, so she is, just a mere baby.”

“A _ba_-by! (the italics are to mark the emphasis) I’m four-years-old

big! _I_’m no _ba_-by! Willie’s the baby. He’s got a new tooth! That

makes three—six—five! He’s got five teeth!”

“You don’t say! And what is this Edith has in her hands—a doll?”

“Yes, it’s my dolly.”

“What curly hair she has. And this ruffled affair—is it an apron?”

“An _a_-pron! It’s an over-skirt!”

“Oh, I beg pardon! an ‘over-skirt,’ is it? So she’s a fashionable doll.

What might be her name?”

“Guess.”

“Keturah?”

“No.”

“Jerusha?”

“No.”

“Mary Ann, Sacharissa, Sophia, Clarissa, Joan, Melissa, Eloise,

Elizabeth, Jane—”

“No-o-o-o-o!”

“Victoria, Eugenia, Augusta, Paulina, Virginia, Aurelia, Geraldine,

Mollie—”

“Yes! Mollie! that’s what it is; but none of your other old—elephants.

There, you’re laughing! You knowed what it was all the time; you was only

pertendin’. You’ve seen my dolly before.”

“Where’s Katy?”

“She stayed down-stairs to pop some corn for me and you.”

“Shall we go down and see her do it?”

“Yes.”

“Very well.” And the Lieutenant, rising, manages to shift little dot up

to his shoulder. “There, now, you’re a feather on top of a barn-door.”

“You’re _not_ a barn-door!”

“What am I, then?”

“You’re my brave captain boy.” (That was in a whisper.)

“Shall I tell you what _you_ are? You’re my little angel.” And, holding

her carefully, he goes down the stairs, feeling his way, now and then,

with the remnant of an arm in his dangling right sleeve.

“I’m almost through,” cries Kate, from the kitchen, her face all

aglow with the heat. And Edith, from her lofty perch, watches the few

yellow kernels that are nearly lost sight of in the bottom of the wire

corn-popper, after a shake or two over the hot coals, suddenly—“Snap,

snap, snap!” and look! it is full to the brim with something white and

savory, which, seasoned with salt and the least bit of butter, she deals

out (with great fairness and impartiality) to herself and her “captain

boy,” after they have gone up-stairs again. By and by a thought strikes

her.

“Katy, my doll hasn’t got any apron.”

“Why, so she hasn’t. We’ll have to make her one, won’t we?” And a box of

ribbons and laces and pieces of silk is produced from somewhere, and the

two sit down on the floor near the Lieutenant’s chair, talking all the

time and planning out this wonderful apron.

“Now which of all these colors does Edie like best?” asks Kate.

“Well, I think the red’s the nicest.”

So an apron (with pockets, observe!) is soon manufactured out of a bit

of a broad scarlet sash, and braided, too, with white silk braid; and

straightway on it goes, in feverish haste (one is anxious to study the

effect, you know), over the stylish (but serene) Mademoiselle’s black

satin gown. (The effect isn’t bad.)

After due admiration from Edith, some other diversion is in order, and a

book of engravings is brought for inspection. As the leaves are turned

for her she glances for an instant at one picture after another, giving

the word to proceed; but they finally come to something over which she

pores a long while—so long that Kate is passing to the next without

waiting for the “Go on” from little Miss, when the latter immediately

takes the book into her own hands, returns to this picture, and continues

to gaze at it. “What does it mean?” at length she asks.

“Had I better tell her?” Kate, in an under-tone, questions of her

brother. “It’s Gustave Doré’s ‘The Deluge’—people and wild beasts

huddled together upon a rock rising out of the waste of water, and the

great, lashing waves reaching up for them greedily, like wide-mouthed

monsters. Odd, isn’t it, that she should notice it so, among so many more

attractive prints? She wouldn’t be likely to comprehend if I were to

explain, would she? Good, there goes the tea-bell!” And Kate closes the

book, glad of an excuse to escape telling the story of the flood to this

blithesome little being, whom, she has a dim notion, it might give bad

dreams.

Seated at the supper-table, and elevated to the common level by aid

of three sofa-cushions, Edith for a few moments bestows particular

attentions upon a sauce-plate of canned peaches, to the utter disregard

of more substantial food. After which she sits back in her chair, and,

inclining her head toward her hostess, whispers—

“Some of the cake, if you please.”

“But you haven’t eaten your bread and butter yet; eat that first, and

then you shall have some cake.”

“I want it now,” responds the small person, with much firmness, and is

directly supplied with the desired article—a measure which might meet

with protest if Edith’s mamma were present. No, it wouldn’t, either,

come to think of it, for Edith’s mamma knows what are Kate’s ideas

concerning sweetmeats. Has she not, on a similar occasion, heard her

express herself after this manner?—

“If unfeeling people _will persist_ in denying dainties to the wee folks,

they may just keep the stuff out of sight. Set it right where the poor

little things can watch it with wistful eyes, and then pass it around

to the favored few, but for them—‘No, _you_ can’t have any. It isn’t

healthy for you!’ If grown-up people can’t deny themselves such things,

they haven’t any right to expect the children to. To require children to

show more strength of character than they have themselves!—oh, it’s a

downright shame! And then, leaving open the places where the forbidden

fruit is kept, and when the midgets climb up the closet-shelves and take

a bite, on the sly, finding fault with them! Leading them into temptation

(and isn’t that what responsible people even _pray_ to be delivered

from?) and then, when the poor little things fall into the very trap

they have set, finding fault with them, and lecturing them, and all that

nonsense! Oh, it’s a cruel shame!”

The speaker, you see, is the children’s zealous advocate; and, little

people, if ever there is anything you especially covet, or if ever you

get into trouble, just go to her. She will plead your cause with burning

cheeks, and flashing eyes, and such withering eloquence that the stern

household judges will not fail to relent.

But it is after dark, and the snow is falling heavily, and mamma will

want her little Edith home. So Kate sets forth with her small charge,

well wrapped and protected from the cold—although they have but a few

steps to go, as Edith lives in the next house.

Stories and ballads for young folks · 第 44 / 102 题