BEAUTY.

Beauty of form and feature should not be, as it is now, exceptional.

It should be the rule. And there will come a time when parents will be

held as much responsible for an ill-favored, ungainly child, as they

are beginning to be for their dishonest or vicious children.

The English nobility are celebrated the world over for personal beauty

and elegant manners. What cause or causes lie back of this significant

fact?

So far as manners are concerned, we know that they are the result of

generations of culture, confirmed by generations of use. They suppose

leisure and good manners for company, as Emerson has suggested. The

bustle and hurry of the work-a-day-world afford no room for polished

manners, and only when co-operation shall have taken the place of our

present wasteful and cruel competition, shall we have time for graceful

living. Hard labor and worry will in time wear out the most charming

and inbred politeness.

With regard to the personal beauty of the class alluded to, let us

turn to its past--the past of this hereditary nobility. The blood

which held courage, self-respect, and the ability to control others,

deserved in a sense the deference and admiration it commanded. Then, as

these qualities, in themselves and their retroactive effects, favored

the production of the more masculine and striking forms of beauty,

that type was repeated through successive generations until in the

later times it has been modified by the increasing deference to human

rights, and refined by intellectual and moral culture. The hereditary

transmission of superior personal traits was the more certain because

the wife of the lord was a lady, and the wife of the duke a duchess,

and as lady and duchess, they believed that the very marrow in their

bones excelled in worth that of every man and woman ranking below

them in the social scale. And this saved them from the belittling

consciousness so debasing to their children, that, as _women_, they

were inferior to men.

We have learned in these days that blood runs out as well as in (on the

very principle I am seeking to prove), and the nobleman and woman of

genius appear quite as often outside the charmed circle of hereditary

distinction as within it. Still, the law is inflexible, and never

evaded. Beauty is not born of cowardice, subserviency, or grief. The

more culture, the more the blood is worked over, the finer the types,

provided we grow more related to humanity, and less to a class.

Pure, unselfish love is in very fact the mother of beauty, as happiness

is the mother of song. And what can awaken gladness in a wife so

certainly as the ever-watchful kindness of her husband?

Transmission; or, Variation of Character Through the Mother · 第 33 / 43 题