CONSTRUCTIVENESS AND ARTISTIC TENDENCY.

Jannette, a well-balanced, conscientious young woman, had married a

sign-painter, who kept strictly within the limits of his business. She

had now three children, healthy, nice-looking, docile children, but

without any special characteristics. They had been living in a rented

house, but now Jannette’s father, having met with success in some

business venture, purchased for his daughter a good lot, on which they

were able to build a moderate house. Mrs. T. at this time was pregnant

with her fourth child, and she entered, with the zest such good fortune

would naturally call out, into the planning and replanning the new

home, so as to secure the maximum of space, comfort, and architectural

beauty out of their modest means. With this her thoughts were occupied

during the day, and the evenings were passed advising together over the

height of doors and windows, the odd spaces for closets, the precise

wood for the different floors. This was during the latter half of the

rainy season. The storms once over, the lumber was hauled, and the

house put up forthwith.

It now became necessary, with the last remnant of the savings before

her, as basis and limit to her operations, to calculate what, of the

new furniture needed, could be bought. The papering also must be

considered.

“I want a touch of what is called the artistic in our room and

the sitting-room, if we can’t do more. Let me help to choose the

wall-paper. _I_ shall have to see it every minute of the day,” she said.

A first-class Brussels carpet, somewhat worn, was bought at auction.

This was so remodeled as to appear new and elegant. A fringed

lambrequin for the mantel-shelf (which was _not_ marble); a few

pretty, but cheap, brackets; a few photographs of fine paintings,

which had lain out of sight for years, made into passe-partouts, and

hung judiciously. Pretty imitation chintz curtains, with lambrequin

top, for the bed-room; sheer muslin, lined with Turkey-red, for the

living-room; well-fitting chintz covers for the old couch and armchair,

the colors made to harmonize with carpet and wall-paper, which latter

was, of course, neutral-tinted; a hanging-basket, already well-filled

and growing, in each window; a few inexpensive, urn-shaped vases

for flowers; a graceful evening lamp. This last Jannette feared an

extravagance, but “it will be so restful to our eyes; think of it,

dear, _every_ evening.”

When all was ready, a house-warming was given, and was not our little

wife proud of her success? She really had not realized before her own

talent and good taste. “I am sure, Mr. T., you must have spent hundreds

of dollars on all this,” said Mr. T.’s partner’s wife, who frowned

severely on all extravagance. Jannette shook her head and smiled.

And now, in a few weeks, all was ready for the newcomer--Master Thomas

Bliss Trescott, as he was named. In after years the mother still

remembered the pleasure she had had in the arrangement of their lovely

home, but she did not connect that fact with the sterling intellect

and marked artistic ability of her fourth child (and second son),

notwithstanding that he was seen by all to be head and shoulders above

the rest in all that makes a man.

Transmission; or, Variation of Character Through the Mother · 第 24 / 43 题