And on the left of the bookcase was another sofa of a richer style, and

of a more sleep-impelling exterior.

Above each sofa hung a picture, concealed by a thick curtain.

Along the northern wall of the study were disposed a sofa as

magnificent as the others, and a series of marble pedestals and

red-velvet arm-chairs. Every pedestal was crowned by an alabaster vase

or statue of white marble. There were Eve, Apollo, Canova's Venus, and

the Three Graces,--all exquisite originals or exquisite copies, in

snowy marble.

The arm-chairs were arm-chairs indeed. Red-velvet cushions and high

backs and great broad arms; they were the idea of a happy brain,

impregnated with belief in Sancho's "Blessed be the man that invented

sleep."

And this northern wall was hung with pictures in massive frames, richly

gilt; the frames were exposed, but the pictures were vailed.

In the intervals between the western windows were pedestals crowned

with vases, and mosaic tables loaded with objects of _virtu_: exquisite

trifles of all sorts, gleaned from the Old World.

And in the intervals between the eastern windows were recesses, covered

with hangings of pale crimson. What is concealed in those recesses,

doth not yet appear. Both eastern and western windows were curtained

with folds of intermingled white and damask, floating luxuriantly from

the ceiling to the floor.

The floor was covered with an Axminster carpet of the richest dyes.

Gilt mouldings ran around the ceiling, and in the center thereof, was a

cupid, encircled by a huge wreath of roses, and reposing on a day-break

cloud.

The table, of variegated marble, which stood in the center of the

study, was surrounded by three arm-chairs of the same style as those

which lined the wall. It was circular in form, and upon it, appeared an

elegant alabaster inkstand, gold pens with pearl handles, gilt-edged

paper touched with perfume, a few choice books, and an exquisite "Venus

in the Shell," done in alabaster. One of these books was a modern

edition of the Golden Ass of Apuleius; and the other was a choice

translation of Rabelais.

Altogether, the Rev. Dr. Bulgin's room was one of those rooms worthy of

a place in history; and which, may be, could tell strange histories,

were its chairs and tables gifted with the power of speech.

"And this is the study of the Rev. Dr. Bulgin!" ejaculated the MAN.

"It is," replied Herman, flinging himself into an arm-chair; "here he

composes his most elaborate theological works."

"Why is his library crowned with that bust of Leo the Tenth, the

Atheist and Sensualist?"

"He is writing a work on the age of Luther," replied Herman.

"Oh!" responded the MAN.

"And this!" the MAN drew the vail and bore one of the pictures to the

light: "and this! what does it mean?"

"You are inquisitive, sir," replied Herman, somewhat confounded by the

sudden disclosure of this singular picture, "why, in fact, Dr. Bulgin

is writing a tract _against_ immoral pictures."

"A-h!" responded the MAN, and picked from the table the Golden Ass of

Apuleius, illustrated with plates, "what does this do here? Are these

plates to be understood in a theological sense?"

"Dr. Bulgin is getting up a treatise upon the subject of immoral

literature. He has that book as an example."

"And when he writes a treatise on the infernal regions, he'd send there

for a piece of the brimstone as an example?"

"You are profane," said Herman, tartly; "let me hope that you will

proceed to business."

The MAN placed his cloak on a chair, and his cap on the table. Then

seating himself opposite the minister, he gazed steadily in his face.

Herman grew red in the face, and felt as though he had suddenly been

plunged into an oven.

"Your name is,--is,"--he hesitated.

"Don't _you_ know me?" said the MAN.

"I,--I,--why,--I,--let me see."

Herman shaded his eyes with his hand, and steadily perused the face of

the STRANGER, as though, in the effort, to recognize him.

He was a young man of a muscular frame, clad in a single-breasted blue

coat, which was buttoned over a broad chest. He was of the medium

height. His forehead was broad; his eyes clear gray; his lips wide and

firm; his nose inclining to the aquiline; his chin round and solid.

The general expression of his features was that of straightforwardness

and energy of character. There was the freshness and the warmth of

youth upon his face, and his forehead was stamped with the ideality of

genius. As he wore his brown hair in short, thick curls, it marked the

outline of his head, and threw his forehead distinctly into view.

"You are,--you are,--where did I see you?" hesitated Herman.

"I am Arthur Dermoyne," was the reply, in an even, but emphatic voice.

Then there was an embarrassing pause.

"Where have I met you?" said Herman, as if in the painful effort to

recollect.

"At the house of Mr. Burney, in the city of Philadelphia," was the

answer.

"Ah! now I remember!" ejaculated Herman; "Poor, poor Mr. Burney! You

have heard of the sad accident which took place last night, ah--ah--?"

Herman buried his face in his hands, and seemed profoundly affected.

"I saw his mangled body at the house half way between New York and

Philadelphia, only a few hours ago," the young man's voice was cold and

stern, "and now I am in New York, endeavoring to find the scoundrel who

abducted his only daughter."

Herman looked at cupid in the ceiling and pretended to brush a hair

from his nose--

"Ah, I remember, poor Mr. Burney told me last night, that his child had

been abducted. Yes,--" Herman looked at the hair, and held it between

his eyes and the light, "he told me about it just before the accident

occurred. Poor girl! Poor girl! Oh, by-the-bye," turning suddenly in

his arm-chair, but without looking into the face of Dermoyne, "you take

an interest in the Burney family. Are you a relative?"

"I have visited the house of Mr. Burney, from time to time, and have

seen Alice, his only daughter. You may think me romantic, but to see

that girl, so pure, so innocent, so beautiful, was to love her. I

will confess that had it not been for a disparity of fortune, and a

difference in regard to religious views, between her father and myself,

I would have been most happy to have made her my wife."

The tone of the young man was somewhat agitated; he was endeavoring to

suppress his emotions.

"Courage! He does not _know_," muttered Herman to himself, and then

assuming a calm look, he continued, aloud: "And she would have made you

a noble wife. By-the-bye, you spoke of your profession. A merchant, I

suppose?"

"No, sir."

"A lawyer?"

"No, sir."

"A medical gentleman?"

"No, sir."

"You are then--"

"A shoemaker."

"A WHAT," ejaculated Herman, jumping from his chair.

"A shoemaker," repeated Arthur Dermoyne. "I gain my bread by the work

of my hands, and by the hardest of all kinds of work. I am not only a

mechanic, but a shoemaker."

Herman could not repress a burst of laughter.

"Excuse me, but, ha, ha, ha! You are a shoemaker? And you visited the

house of the wealthy Burney, and aspired to his daughter's hand? You

will excuse me, ha, ha, ha!--but it is so very odd."

Dermoyne's forehead grew dark.

"Yes, I am a shoemaker. I earn my bread by the work of my hands. But

before you despise me, you will hear why I am a shoemaker. As an

orphaned child, without father or mother, there was no other career

before me, than the pauperism of the outcast or the slavery of an

apprentice. I chose the latter. The overseers of the poor bound me out

to a trade. I grew up without hope, education, or home. In the day-time

I worked at an occupation which is work without exercise, and which

continued ten years, at ten hours a day, will destroy the constitution

of the strongest man. From this hopeless apprenticeship, I passed into

the life of a journeyman, and knew what it was to battle with the world

for myself. How I worked, starved and worked, matters not, for we folks

are born for that kind of thing. But as I sat upon my work-bench,

listening to a book which was read by one of my own brother workmen, I

became aware that I was not only poor, but ignorant; that my body was

not only enslaved, but also my soul.--Therefore, I taught myself to

read; to write; and for three years I have devoted five hours of every

night to study."

"And are still a shoemaker?" Herman's smooth face was full of quiet

scorn and laughter.

"I am still a shoemaker--a workman at the bench--because I cannot,

in _conscience_, enter one of the professions called learned.--I

cannot separate myself from that nine-tenths of the human family, who

seem to have been only born to work and die--die in mind, as well as

body--in order to supply the _idle_ tenth with superfluities. Oh!

sir, you, who are so learned and eloquent, could you but read the

thoughts which enter the heart of the poor shoemaker, who, sitting at

his work-bench, in a cramped position, is forced sometimes to reflect

upon his fate!--He beholds the lawyer, with a conscience distinct from

that given to him by God; a conscience that makes him believe that

it is right to grow rich by the tricks and frauds of law. He beholds

the doctor, also with the conscience of his class, sending human

beings to death by system, and filling graveyards by the exact rule

of the schools. He beholds the minister, too often also with but the

_conscience_ of a class, preaching the thoughts of those who do not

work, and failing to give utterance to the agonies of those who do

work--who do all the labor, and suffer all the misery in the world.

And these classes are respected; honored. They are the true noblemen!

Their respectability is shared by the merchant, who grows rich by

distributing the products of labor. But as for the shoemaker--nay,

the workman, of whatever trade--whose labor produces all the physical

_wealth of the world_--who works all life long, and only rests when

his head is in the cold grave,--what of him? He is a serf, a slave, a

Pariah. On the stage no joke is so piquant as the one which is leveled

at the 'tailor,' or the 'cobbler;' in literature, the attempt of an

unknown to elevate himself, is matter for a brutal laugh; and even

grave men like you, when addressed by a man who, like myself, confesses

that he is a--shoemaker! you burst into laughter, as though the master

you profess to serve, was not himself, one day, a workman at the

carpenter's bench."

"These words are of the French school." Herman gave the word "French" a

withering accent.

"Did the French school produce the New Testament?"

Herman did not answer, but fixed his glance upon cupid in the ceiling.

"But you are educated--why not devote yourself to one of the

professions?" and Herman turned his eyes from cupid in the ceiling, to

Venus in the Shell.

Dermoyne's face gleamed with a calm seriousness, a deep enthusiasm,

which imparted a new life to every lineament.

"Because I do not wish to separate myself from the largest portion of

humanity. No, no,--had I the intellect of a Shakspeare, or the religion

of a St. Paul, I would not wish to separate myself from the greater

portion of God's family--those who are born, who work, who die. No, no!

I am waiting--I am waiting!"

"Waiting?" echoed Herman.

"Maybe the day will come, when, gifted with wealth, I can enter the

workshops of Philadelphia, and say to the workmen, 'Come, brothers.

Here is CAPITAL. Let us go to the west. Let us find a spot of God's

earth unpolluted by white or black slavery. Let us build a community

where every man shall work with his hands, and where every man will

also have the opportunity to cultivate his mind--to work with his

brain.--There every one will have a place to work, and every one will

receive the fruits of his work. And there,--oh, my God!--there will we,

without priest, or monopolist, or slaveholder, establish in the midst

of a band of brothers, the worship of that Christ who was himself a

workman, even as he is now, the workman's God.'"

Arthur Dermoyne had started from his chair; his hands were clasped; his

gray eyes were filled with tears.

"French ideas--French ideas," cried Herman. "You have been reading

French books, young man!"

Arthur looked at the clergyman, and said quietly:

"These ideas were held by the German race who settled in Pennsylvania,

in the time of William Penn. Driven, from Germany by the hands of

Protestant priests, they brought with them to the New World, the

'_French ideas_' of the New Testament."

"The Germans who settled Pennsylvania--a stupid race," observed Herman,

in calm derision; "Look at some of their descendants."

"The Germans of the present day--or, to speak more distinctly,--the

Pennsylvania Germans, descendants of the old stock, who came over about

the time of Penn, are a _conquered_ race!--"

"A _conquered_ race?" echoed Herman.

"_Conquered_ by the English language," continued Dermoyne. "As a mass,

they are not well instructed either in English or in German, and

therefore have no chance to develop, to its fullest extent, the stamina

of their race. They know but little of the real history of their

ancestors, who first brought to Pennsylvania the great truth, that God

is not a God of hatred, pleased with blood, but a God of love, whose

great law is the PROGRESS of all his children,--that is, the entire

family of man, both HERE and HEREAFTER. And the Pennsylvanian Germans

are the scoff and sneer of Yankee swindler and southern braggart; but

the day will come, when the descendants of that race will rise to

their destiny, and even as the farms of Pennsylvania now show their

_physical_ progress, so will the entire American continent bear witness

to their _intellectual_ power. They are of the race of Luther, of

Goethe, and of Schiller,--hard to kill,--the men who can work, and the

men whose work will make a people strong, a nation great and noble."

"You are of this race?" asked Herman, pulling his cloak gently with his

delicate hand.

"My father, (I am told, for he died when I was a child,) was a wealthy

farmer, whose wealth was swallowed up by an unjust lawsuit and a

fraudulent bank. My grandfather was a wheelwright; my great-grandfather

a cobbler; my great-great-grandfather a carpenter; and his father,

was a tiller of the field. So you see, I am _nobly_ descended," and a

smile crossed the lips of Dermoyne. "Not a single idler or vagabond

in our family,--all workers, like their Savior,--all men who eat the

bread of honest labor. Ah! I forgot;" he passed his hand over his

forehead--"there was a count in our family. This, I confess, is a

blot upon us; but when you remember that he forsook his countship in

Germany, to become a tiller of the fields in Pennsylvania--about the

year 1680--you will look over the fault of his title."

Herman burst into a fit of pleasant laughter.

"You have odd ideas of nobility!" he ejaculated.

"Odd as the New Testament," said Dermoyne; "and as old. By-the-bye,

this count in our family, was related to the Van Huyden family. (You,

also, are one of the seven?--Yes, your name is among the others.) Ah!

should the 25th of December give into my hands but a few thousand

dollars, I will try and show the world how workmen, united for the

common good, can live and work together."

"A few thousands!" laughed Herman, displaying himself at full length on

the capacious chair; "why, in case the Seven receive the estate at all,

they will divide among them some twenty, perhaps, forty millions of

dollars!"

"Forty millions of dollars!" Dermoyne was thunderstruck. He folded his

arms, and gazed upon vacancy with fixed eyes. "My God! what might not

be done with forty millions!"--he paused and stretched forth his hand,

as though a vision of the future dawned upon him.

"Did Mr. Burney--poor friend!--know that you were a--shoemaker?" Once

more Herman shaded his eyes with his hand, and regarded the young man

with a pleasant smile.

"He did not," answered Dermoyne. "I became acquainted with him,--it

matters not how,--and visited his house, where, more than once, I have

conversed with his daughter Alice. No, Mr. Burney did me wrong; for

while I was a shoemaker, he persisted, (in ignorance of my character,)

in thinking me--_a gentleman_! A _gentleman_--an idle vagabond, whose

gentility is supported by the labor of honest men.--Faugh!"

"Well, I must confess," Herman said with a wave of the hand and a

patronizing tone, "that from your manner, gestures, accent, et cetera,

I have always taken you for an educated gentleman. But your principles

are decidedly ungenteel,--allow me the remark."

Herman began to feel much more at ease. "He does not dream I have any

share in the abduction of Alice!" This thought was comfort and repose

to his mind.

But Arthur Dermoyne changed the tone of this pleasant dream by a single

question: "Do _you_,--" he fixed his eyes sternly upon the young

minister: "Do YOU know anything of the retreat of Alice Burney?"

"Do I know anything of the retreat--of--Alice--Burney!" he echoed:

"What a question to ask a man of my cloth!"

Dermoyne placed his hand within the breast of his coat, and drew forth

ten gold pieces, which he held in the light, in the palm of his hand.

"Every coin gained by days and nights of work--hard work," he said.

"It has taken me three years to save that sum. When I thought of Alice

as a wife, this little hoard, (such was my fancy,) might enable me to

furnish a good home. Do you understand me, sir? You who receive five

thousand dollars per year for preaching the gospel of your church, can

you comprehend how precious is this fortune of one hundred dollars, to

a poor workman, who earns his bread by sitting in a cramped position,

fourteen hours a day, making shoes?"

"Well, what have I to do with this money?"

"You comprehend that these ten gold pieces are as much to me, as a

ten hundred would be to you? These gold pieces will buy books which I

earnestly desire; they will help me to relieve a brother workman who

happens to be poorer than myself; they will help me to go to the far

west, where there is land and home for all. Well, this fortune, I have

dedicated to one purpose: To support me, here in New York, on bread and

water, until I can discover the hiding-place of Alice Burney, and meet

her seducer face to face. How long do you think my gold will furnish me

with bread, while I devote day and night to this purpose?"

The iron resolution of the young man's face, made the clergyman feel

afraid.

"You will remark," he exclaimed, stretching himself in his chair,

and contemplating the whiteness of his nails, "that a witness of our

conversation might infer, from the tenor of your discourse, that you

have an idea--an idea--" he hesitated, "that I have something to do

with the abduction of this young lady. Doubtless you do not mean to

convey this impression, and therefore I will thank you to correct the

tone of your remarks."

Herman was quite lordly.

"Then you know nothing of the retreat of Alice Burney?"

"The question is an insult--"

"Nothing of her seducer?"

"I repeat it; the question is an insult," and Herman started up in his

chair, with flashing eyes and corrugated brow.

"Will you swear that you are ignorant of her retreat, and of the name

of her seducer?" coolly continued Dermoyne.

"Men of my cloth do not swear," as coolly returned Herman.

"Allow me to congratulate you upon your ignorance," replied Dermoyne,

"for--for;--will you have the goodness to observe me for a moment?"

While Herman watched him with a wondering eye, the young man replaced

the gold pieces in his pocket, and rising from his chair, surveyed the

room with an attentive gaze. His eye rested at length upon an iron

candlestick, which stood upon a shelf of the library; it was evidently

out of place in that luxurious room; and had been left there through

the forgetfulness of the servant who took care of the Rev. Dr. Bulgin's

study. Dermoyne took this candlestick from the shelf, and then returned

to the light.

"Do you see this? It is about six inches long and one inch in diameter.

Would it not take a strong man to break that in twain with both hands?"

Herman took the candlestick; examined it attentively: "It would take a

Sampson," he said.

"Now look at my hand." Dermoyne extended a hand which, hardened by

labor in the palm, was not so large as it was muscular and bony.

"What have I to do with your hand?" exclaimed Herman, in evident

disgust.

"Watch me," said Dermoyne; and, resting the candlestick on his right

hand, he closed his fingers, and pressed his thumb against it. After an

instant he opened his hand again. The iron candlestick was bent nearly

double. Dermoyne had accomplished this feat without the appearance of

exertion.

"Why, you are a very Hercules!" ejaculated Herman,--"and yet, you are

not above the medium height. You do not look like a strong man."

"God has invested me with almost superhuman strength," replied

Dermoyne, as he stood erect before the minister, resting one hand upon

the table: "had it not been for that, hard work would have killed me

long ago. I can lift with one hand, a weight, which would task the

strength of almost any two men but to budge; I can strike a blow,

which, properly planted, would fell an ox; I can--"

"You needn't dilate," interrupted Herman, "the study of the Rev. Dr.

Bulgin is not exactly the place for gymnastic experiments--"

"Well, you'll see my drift directly," calmly continued Dermoyne--"I

have never dared to use this strength, save in the way of work or

occasional exercise. I regard it as a kind of trust, given to me by

Providence for a good purpose."

"What purpose, pray?" said Herman, opening his eyes.

"To punish those criminals whom the law does not punish; to protect

those victims it does not protect," answered Dermoyne, steadily. "Now,

for instance, were I to encounter the seducer of Alice Burney,--were

I to stand face to face with him, as I do with you,--were I to

place my thumb upon his right temple and my fingers upon his left

temple,--thus--"

"You,--you,--" gasped the minister, who suddenly felt the hand of

Arthur Dermoyne upon his forehead; the thumb pressed gently upon the

right temple and the fingers upon his left--"you,--would,--what?"

"I would, quietly, without a word, crush his skull as you might crush

an egg-shell," slowly answered Dermoyne.

He took his hand away. The face of Herman was white as a sheet. He

shook in his velvet chair. For a moment he could not speak.

"I, therefore, congratulate you, that you know nothing of the matter,"

calmly continued Dermoyne, not seeming to notice the fright of the

minister; "for, with a villain like this unknown seducer before me, I

would lose all control over myself, and (ere I was aware of it) I would

have wiped him out of existence. This would be murder, you are about

to remark! So it would. But, is not this seducer a murderer in a three

fold sense? First, he has murdered the chastity of this poor girl; and

second, in the attempt to get rid of the proof of his guilt, he _may_

(who knows?) murder her body and the body of her unborn child."

The room was still as the grave, as Dermoyne concluded the last

sentence.

Barnhurst sank back in the chair, helpless as a child. For a moment his

self-possession deserted him. His guilt was stamped upon his face.

"Here you can count three murders," continued Dermoyne, not seeming

to notice the dismay of the minister,--"the murder of a woman's

purity,--the murder of her body--the murder of her babe. Now, I don't

pretend to say, that it would be RIGHT for me to kill the three fold

murderer, but I do say, that, were I to meet him, and _know_ his guilt,

that my blood would boil,--my eyes would grow dim,--my hand would be

extended, and in an instant, would hold his mangled skull, between the

thumb and fingers."

Herman's arms dropped helplessly by his side. He was extended in the

capacious chair, a vivid picture of helpless fright.

Dermoyne, whose broad chest and bold features, caught on one side the

glow of the light, as he stood erect by the table, gazed upon the

minister with a calm look, and continued--

"So, you see, I congratulate you, that you know nothing of the matter--"

"Oh, I am shocked, shocked," and Herman made out to cover his face with

his hands, "I am shocked, at the vivid, viv-id," he stammered,--"vivid

picture which you have drawn of the crimes of this seducer."

Dermoyne sank quietly into the chair on the opposite side of the table,

and shaded his eyes with his right hand. He also was _thinking_.

For a long pause, there was profound stillness. The lamp on the table

shed its luxurious light over the vast room, peopled as it was, with

images of wealth, ease and voluptuousness, and upon the figures of

these men, seated opposite to each other, and each with his eyes shaded

by his hand.

At length, Herman recovering a portion of his self-possession,

exclaimed without raising his hands from his face:

"I trust you will end this interview at once. You have given my nerves

a severe shock. To-morrow,--to-morrow,--I will talk to you about the

Van Huyden estate, about which, I presume, you asked this interview."

Dermoyne raised his hand to his forehead,--somewhat after the manner

of Herman,--and surveyed the clergyman with a keen, searching gaze.

Gradually a smile, so faint as to be scarcely perceptible, stole over

his features.

Herman felt the force of that gaze and his smooth complexion turned

from deathly white to scarlet, and from scarlet to deathly white again.

"What next?" he muttered to himself, "does _he_ know? Had I better call

for assistance?"

Dermoyne, quietly left his seat, and advancing until he confronted

Herman, placed a small piece of paper on the table, and held it firmly

under his thumb, so that the words written upon it, were legible in the

lamp-light.

"Read that," he said, and his flashing eye was fixed on Barnhurst's

face.

Half wondering, half stupefied, Barnhurst bent forward and read:--

_Dec_. 24, 1844.

MADAM:--Your _patient_ will come to-night.

HERMAN BARNHURST.

As he read, Herman looked like a man who has received his

death-warrant. The very effort,--and it was a mortal one,--which

he made to control himself, only gave a stronger agitation to his

quivering lineaments.

"Can you tell where I found this?" whispered Dermoyne. "Near the

mangled body of the father of Alice,--at sunset, but a few hours ago,

and at the house half-way between New York and Philadelphia,--there

among the ashes, and half consumed by fire, I discovered this precious

document. Did you drop this paper from your pocket, my friend, when you

sought shelter in the house, after the accident on the railroad, last

night?"

Herman had not the power to reply. His eyes were riveted by the

half-burned fragment.

"What has the Rev. Herman Barnhurst, the clergyman, to do with MADAM

RESIMER, _the murderess of unborn children_?" continued Dermoyne; "and

the _patient_,--who is the _patient_? Is it Alice? This letter is dated

the 24th, and to-morrow night, Alice will cross the threshold of that

hell, where THE MADAM rules, as the presiding Devil!"

A gleam of hope shot across Herman's soul. "He does not know, that

Alice is already in the care of Madam Resimer. Courage,--courage!"

"Have you no answer?" Dermoyne's eye gleamed with deadly light; still

holding the paper, he advanced a step nearer to the clergyman.

"Yes, I have an answer!" exclaimed Herman, sinking back in the chair:

"that letter is a forgery."

Dermoyne was astonished.

"You never wrote it?"

"Never,--never!" Herman raised his hands to Heaven,--"it is the work of

some mortal enemy. Beside, were I guilty, is it reasonable to suppose,

that I, a clergyman, would sign my own name to a letter addressed to

Madam Resimer?"

Dermoyne was puzzled; he glanced from the letter to Barnhurst's face,

and a look of doubt clouded his features.

"A forgery?" he asked.

"An infamous forgery!" cried Barnhurst, resuming his dignity. "Now,

that you have wrung my very soul, by an accusation so utterly infamous,

so thoroughly improbable, let me hope that you will--" he pointed to

the door.

Dermoyne resumed his cap and cloak, first, carefully replacing the

letter in his vest pocket.

"By to-morrow," he said, in a voice which rang low and distinct

through the apartment, "by to-morrow, I will know the truth of this

matter; and if I discover that this is, indeed, your letter,--if you

have, indeed, dishonored poor Alice, and consigned herself and unborn

babe, to the infernal mercies of Madam Resimer, why then,"--he moved

toward the door, "then there will be one man the less, on the 25th of

December."

He opened the door, and was gone ere his words had ceased to echo on

the air.

His parting words rung in the very soul of the clergymen, as his

footsteps died away on the stairs.

"What an abyss have I escaped!" ejaculated Herman, "exposure, disgrace

and death!" He pressed his scented kerchief over his forehead, and

wiped away the cold sweat which moistened it. "Fool! he little knows

that Alice is already _there_. The Madam is a shrewd woman. Her rooms

are dark, her doors secured by double bolts; her secrets are given to

the keeping of the grave. This miserable idiot, this cobbler, cannot

possibly gain admittance into her mansion? No, no, this thought is

idle. And Alice, poor child, why can't I marry her? Her father's death

will leave her in possession of a handsome fortune,--why can't I marry

her?"

Too well he knew the _only_ answer to this question.

"We are all but mortal; she may _die_!" and an expression of remarkable

complacency came over his face. Joining his thumbs and fingers in front

of his breast, he reflected deeply. "But if she survives?"

His brow became clouded, his lips compressed; all the _vulture_ of his

soul was written on his vulture-like countenance.

"If she survives!"

While the light disclosed his slender figure, centered in the scarlet

cushions of the arm-chair, and fell upon his countenance, revealing the

purpose which was written there, Herman still muttered between his set

teeth, the question, "IF she survives?" To him, it was a question of

life and death.

But his meditations were interrupted by a burst of boisterous laughter.

"Why Barnhurst! you are grave as an owl. What's the matter, my dear?"

Herman looked up with a start, and a half-muttered ejaculation. The

Rev. Dr. Bulgin stood before him, his cloak on his arm, and a cap in

his hand.

"I thought you was out of town?" cried Herman.

"So I was; a convention of divines, speeches, resolutions, and so

forth, you know. But now I'm in town, and,--such an adventure, my dear

boy! I must tell you of it."

Before Bulgin tells his adventure, we must look at him. A man of

thirty-five years, with broad shoulders, heavy chest and unwieldy

limbs; a portly man, some would call him, dressed in black, of

course, and with a white cravat about his neck, which was short and

fat. Draggled masses of brownish hair stray, in uneven ends, about

Bulgin's face and ears; that face is round and shiny,--its hue, a

greasy florid,--its brow, broad and low; its eyes large, moist and

oyster-like. In a word, the upper part of Bulgin's head indicates the

man of intellect; the face, the eyes, mouth, nose and all, tell the

story of a nature thoroughly animal,--bestial, would be a truer word.

That head and face were but too true in their indications.

Bulgin was, in intellect, something of a god; in real life; in the

gratification of appetite; in habits, strengthened by the growth

of years, he was a beast. It may seem a harsh word, but it is the

only one that suits Bulgin's case. He was a beast. Not a quiet ox,

cropping clover at his ease, nor yet a lordly bull, madly tossing his

horns in the center of a grassy field,--of course, we mean nothing of

the kind,--but a beast on two legs, gifted with a strong intellect

and an immortal soul, and devoting intellect and soul to the full

gratification of his beastly nature. He was, withal, a good-humored

beast. He enjoyed a joke. His laugh was jovial; reminding you of

goblets of wine and suppers of terrapin. His manner was off-hand,

free and easy--out of the pulpit, of course; in the pulpit, no one so

demure, so zealous and pathetic as the Rev. Dr. Bulgin.

He regarded his ministerial office as a piece of convenient clock-work,

invented some years ago, for the purpose of supplying the masses with

_something to believe_; and men like himself, with a good salary, a

fine house, plenty to eat and drink, fair social position, and free

opportunity for the gratification of every appetite.

His creed was a part of this clock-work. It was his living. Therefore,

everything that he wrote or uttered, in regard to religion, was true

to his creed; true, eloquent, and breathing the loftiest enthusiasm.

To doubt his creed, was to doubt his living. Therefore, the Rev.

Dr. Bulgin did not doubt his creed, but took it as he found it, and

advocated it with all the energy of his intellectual nature.

As to any possible appreciation of the Bible, or of that Savior who,

emerging from the shop of a carpenter, came to speak words of hope

to all mankind, and, in especial, to that portion who bear all the

slavery, and do all the work of the world, the Rev. Dr. Bulgin never

troubled himself with thoughts like these; he was above and beyond

them; the Bible and the Savior were, in his estimation, convenient

parts of that convenient clock-work which afforded him the pleasant sum

of five thousand dollars per year.

To look at the Rev. Dr. Bulgin; to see him stand there, with his

sensual form and swinish face, you would not think that he was the

author of one of the most spiritual works in the world, entitled "Our

Communion with the Spirit."

To _know_ the Rev. Dr. Bulgin,--to know him when, his stage drapery

laid aside, he appeared the thing he was,--you could, by no means,

imagine that he was the author of an excellent work on "Private Prayer."

And yet he was no hypocrite; not, at least, in the common sense of the

word. He was an intellectual animal whose utmost hopes were bounded

by the horizon of this world. Beyond this world there was NOTHING. He

was an Atheist. Not an Atheist publishing a paper advocating Atheistic

principles, but an Atheist in the pulpit, professing to preach the

Gospel of Jesus Christ. You may shudder at the thought, but the

Reverend Doctor Bulgin was such a man.

And just such men, in churches of all kinds,--Protestants and

Catholics, Orthodox and Heterodox,--have these eighteen hundred years

been preaching a clock-work Gospel, leaving unsaid, uncared for, the

true Word of the Master--a Word which says, in one breath, temporal

and spiritual prayers--a Word which enjoins the establishment of the

kingdom of God, _on earth_, in the physical and intellectual welfare of

the greatest portion of mankind.

Too well these Atheists know that were that Word once boldly uttered,

their high pulpits and magnificent livings would vanish like cobwebs

before the sweeper's broom.

How much evil have such Atheists accomplished in the course of eighteen

hundred years?

It will do no harm to think upon this subject, just a little.

"Herman, my boy, I must tell you of my last adventure," said Bulgin,

dropping into the seat which Dermoyne had lately occupied; "it will

make your mouth water!" He smacked his lips and clapped his hands; the

lips were _oily_, and the hands fat and dumpy. "But, first, you must

tell me what's the matter with you? Anything wrong in your church?"

"That doesn't trouble me," responded Herman. "True, there is the trial

of the Bishop, and the wrangling of these Low Church fellows, about our

gowns and altars; our views of the sacrament, and our high notions of

the priesthood. These Low Church people are actually _Methodists_. They

would rob the church of all dignity, and turn the priest of the altar

into the ranter of the conventicle,--"

"We are not troubled with bishops, nor apostolic successions,"

interrupted Bulgin: "High and Low Church don't trouble us.--Our

deacons want a minister; they _call_ him and _pay_ him. Now, if our

church admitted of a bishop, I think that--" he put his thumbs in

the arm-holes of his vest, and surveyed his heavy limbs with great

complacency, "that your humble servant would make a--"

"Bishop?" cried Herman, with a laugh.

"Ay, and a capital bishop, too, if all be true that these Low Church

fellows say of the Bishop of your church. I am a man of _feeling_, eh,

my boy?"

This was a home thrust. Notwithstanding his intimacy with Bulgin,

Herman did not regard him as a _real_ priest of _the_ church, but

only as the called teacher of a congregation. Therefore, he felt the

allusion to his bishop the more heavily.

"You were speaking of an adventure?" suggested Herman, anxious to

change the subject: "What about it?"

Bulgin flung back his head, and burst into a roar of laughter.

"I'm laughing at my adventure, not at you, my dear Herman. Just imagine

my case. I have a patient on my hands, who is rich, crippled with a

dozen diseases, and troubled in his mind on some _doctrinal_ point. In

the morning I visit the old gentleman, and after hearing afresh the

list of his diseases, I _soothe_ him on the doctrinal point.--Soothe

him, and quote the Fathers, and fire him up with a word or two about

the Pope. And in the afternoon--" he closed one eye, and looked at

Herman in such a manner, that the latter could not avoid a burst of

laughter, "in the afternoon, while the old man is asleep, I visit his

wife,--young and handsome, and such a love of a woman--and soothe her

mind on another doctrinal point. Sometimes my lessons are prolonged

until evening, and--ha, ha!--I have my hands full, I assure you."

"You called there to-night, on your way home?" asked Herman, with a

smile.

"Just to see if the old gentleman was better, and,--but wait a moment,"

he rose from his chair, and hurried into the shadows of the room,

turned one of the recesses, between the western windows. There he

remained, until Herman grew impatient.

"What are you doing," he exclaimed, and as he spoke, Bulgin returned

toward the light, "what is this!" and his eyes opened with a wondering

stare.

"I'm a cardinal; that is all. The dress of Leo the Tenth, before he

became Pope. Don't you think I _look_ the character?"

He was attired in a robe of scarlet velvet, which covered his unwieldy

form from the neck to the feet, and enveloped his arms in its

voluminous sleeves. His florid face appeared beneath the broad rim of

a red hat, and upon his broad chest hung a golden chain, to which was

appended a huge golden cross. The costume was of the richest texture,

and gave something of a lordly appearance to the bulky form of the

reverend doctor.

"I'm a cardinal," said Bulgin with a wink; "There is a nice party of

us, who meet to-night, between twelve and one, to confer upon _grave_

matters. Every one wears a mask and costume. Will you go with me? There

is the robe of a Jesuit yonder, which will fit you to a hair."

Herman's eyes flashed, and he started from his chair.

"The wife of your old _patient_,"--he began.

"Goes as the cardinal's niece, you know! we didn't know the costume

of a cardinal's niece, and so I told her to wear a dress-coat and

pantaloons. Will you go?"

Herman's face glowed with the full force of his MONOMANIA.

"For wine and feasting, I care not," he cried, "but a scene where

beautiful women--" he paused, and fixed his eyes on vacancy, while that

singular monomania shone from his humid eyes, and fired his cheeks with

a vivid glow. "Where are we to go?" he asked.

"To the TEMPLE," said the Rev. Dr. Bulgin, with his finger on his

light: "You remember the night when we were there?"

"Remember?" echoed the Rev. Herman Barnhurst, with an accent of

inexpressible rapture: "Can I ever forget?" He strode hastily toward

the recess. "Where is the Jesuit robe?"

But as he touched the curtain of the recess, he was palsied by a sudden

thought.

"Ah, this cobbler, this Dermoyne! He will go to Madame Resimer's with

my note in his hand, and pretend to come in my name. He will, at least,

induce her to open the doors, and then force his way into her house. If

he enters there, I am lost."

Turning to Bulgin, he flung his cloak around him, and took up his cap.

"No, sir, I cannot go with you. Excuse me--I am in a great hurry."

He hurried to the door, and disappeared ere Bulgin could answer him

with a word.

"Dermoyne has a half an hour's start of me," muttered Herman, as he

disappeared, "I must be quick, or I am lost."

"That is cool!" soliloquized Bulgin: "some difficulty about a woman, I

suppose: our young friend must be cautious: _exposure_ in these matters

is fatal."

Without bestowing another word upon his friend, the Rev. Dr. Bulgin,

attired in the cardinal's hat and robe, sank in the arm-chair, and put

his feet upon the table, and flung back his head, thus presenting one

of the finest pictures of ecclesiastical ease, that ever gratified the

eyes of mortal man.

He suffered himself to be seduced into the mazes of an enchanting

reverie:

"Ah, that's my ideal of a man," he suffered his eye to rest upon the

head of Leo the Tenth: "Without a particle of religion to trouble him,

he took care of the spiritual destinies of the world, and at the same

time enjoyed his palace, where the wine was of the choicest, and the

women of the youngest and most beautiful. He _was_ a gentleman. While

poor Martin Luther was giving himself a great deal of trouble about

this worthless world, Leo had a world of his own, within the Vatican, a

world of wit, of wine and beauty. That's my ideal of an ecclesiastic.

Religion, its machinery, and its terrors for the masses,--for

ourselves," he glanced around his splendid room, "something like

_this_, and five thousand a year."

And the good man shook with laughter.

"I must be going,"--he rose to his feet--"It's after twelve now, and

before one, I must be at THE TEMPLE."

* * * * *

And while Barnhurst, Bulgin and Dermoyne go forth on their respective

ways, let us--although the TEMPLE is very near--gaze upon a scene, by

no means lighted by festal lamps, or perfumed with voluptuous flowers.

Let us descend into the subterranean world, sunken somewhere in the

vicinity of Five Points and the Tombs.

CHAPTER XIV.

BELOW FIVE POINTS.

It is now the hour of twelve, midnight, on the 23d of December, 1844.

We are in the region of the Five Points, near the Tombs, whose sullen

walls look still more ominous and gloomy in the wintery starlight.

Enter the narrow door of the frame-house, which seems toppling to

the ground. You hear the sound of the violin, and by the light of

tallow candles, inserted in tin sconces which are affixed to the

blackened walls, you discover some twenty persons, black, white and

chocolate-colored, of all ages and both sexes, dancing and drinking

together. It is an orgie--an orgie of crime, drunkenness and rags.

Pass into the next room. By a single light, placed on a table, you

discover the features of three or four gamblers,--not gamblers of the

gentlemanly stamp, who, in luxurious chambers, prolong the game of

"poker" all night long, until the morning breaks, or the champagne

gives out,--but gamblers of a lower stamp, ill-dressed fellows, whose

highest stake is a shilling, and whose favorite beverage is whisky, and

whisky that is only whisky in name, while in fact, it is poison of the

vilest sort--whisky classically called "red-eye."

Open a scarcely distinguishable door, at the back of the ruffian who

sits at the head of the table. Descend a narrow stairway, or rather

ladder, which lands you in the darkness, some twenty feet below the

level of the street. Then, in the darkness, feel your way along the

passage which turns to the right and left, and from left to right

again, until your senses are utterly bewildered. At length, after

groping your way in the darkness, over an uneven floor, and between

narrow walls; after groping your way you know not how far, you descend

a second ladder, ten feet or more, and find yourself confronted by a

door. You are at least two stories under ground, and all is dark around

you--the sound of voices strikes your ear; but do not be afraid. Find

the latch of the door and push it open. A strange scene confronts you.

The Black Senate!

A room or cell, some twenty feet square, is warmed by a small coal

stove, which, heated to a red heat, stands in the center, its pipe

inserted in the low ceiling, and leading you know not where. Around the

stove, by the light of three tallow candles placed upon a packing-box,

are grouped some twenty or thirty persons, who listen attentively to

the words of the gentleman who is seated by the packing-box.

This gentleman is almost a giant; his chest is broad; his limbs brawny;

and his face, black as the "ace of spades," is in strong contrast with

his white teeth, white eyeballs, white eyebrows, and white wool. He

is a negro, with flat nose, thick lips, and mouth reaching from ear to

ear. His almost giant frame is clad in a sleek suit of blue cloth, and

he wears a cravat of spotless whiteness.

His auditors are not so fortunate in the way of dress. Of all colors,

from jet black to chocolate-brown, they are clad in all sorts of

costumes, only alike in raggedness and squalor.

This is the Black Senate, which has met for business to-night, in

this den, two stories under ground. Its deliberations, in point of

decorum, may well compare with some other senates,--one in especial,

where 'Liar!' is occasionally called, fisticuffs exchanged, knives

and pistols drawn; and it embraces representatives from all parts

of the Union. Whether, like another senate, it has its dramatic

characters,--its low clown, melodramatic ruffians, genteel comedian,

and high tragedy hero, remains to be seen.

The very black gentleman, by the packing-box--book in one hand and

paper and pencil before him--is the speaker of the house. It is our old

acquaintance "ROYAL BILL," lately from South Carolina.

"The genelman frum Varginny hab de floor," said the speaker, with true

parliamentary politeness.

The gentleman from Virginia was a six-foot mulatto, dressed in a

ragged coat and trowsers of iron gray. As he rose there was an

evident sensation; white teeth were shown, and "Go in nigga!" uttered

encouragingly by more than one of the colored congressmen.

"Dis nigga rise to de point ob ordah. Dis nigga am taught a great many

tings by philosopy. One day, in de 'baccy field, dis nigga says to

hisself, says he. 'Dat are pig b'longs to massa, so does dis nigga. Dis

nigga kill dat pig un eat 'um--dat be stealin'? Lordy Moses--no! It

only be puttin' one ting dat b'longs to massa into anoder ting dat also

b'longs to massa:'--dat's philosopy--"

"S'pose de nigga be caught?" interrupted a colored gentleman, lighting

his pipe at the red-hot stove.

"_Dat_ wouldn't be philosopy," responded the gentleman from Virginia.

"It ain't philosopy to be caught. On de contrary it am dam foolishness."

A murmur of assent pervaded the place.

"Soh, reasonin' from de pig, dis nigga wor taught by philosopy to tink

a great deal--to tink berry much;--and soh, one day de nigga got a kind

o' absen' minded, and walked off, and _forgot to come back_.--Dis nigga

actooaly did."

"Dat _wor_ philosopy!" said a voice.

"An' as de nigga is in bad health, he am on his way to Canada, whar

de climate am good for nigga's pulmonaries. An' fur fear de nigga

mought hurt people's feelin', he trabels by night; an' fur fear he

mought be axed questi'n which 'ud trubble him to ansaw, he carries dese

sartificats--"

He showed his certificates--a revolving pistol and a knife. And each

one of the colored congressmen produced certificates of a similar

character from their rags.

"Lor', philosopy am a dam good ting!"

"Don't sweah, nigga!--behabe yesself!"

"Read us nudder won ob dem good chap'er from de Bible, Mistaw Speakaw,"

cried a dark gentleman, addressing old Royal.-"'_Ehud, I hab a message

from God to dee!_' Yah-hah-hah!"

"Yah-hah-a-what!" chorused the majority of the congress, showing their

teeth and shaking their woolly heads together.

"Jis tell us som'thin' more about yer ole massa, dat you lick last

night," cried a voice.

"Dat am an ole story," said old Royal, with dignity. "Suffis it to say,

dat about five o'clock last ebenin', I took massa Harry from de house

whar he'd been licked, de night afore, and tuk him in a carriage and

put 'im aboard de cars at Princeton. I gib him some brandy likewise.

His back was berry sore--"

Here one of the gentlemen broke in with a parody of a well-known song--

"Oh, carry me back to ole Varginny--

My back am berry sore--"

He began, in rich Ethiopian bass.

"Silence nigga!" said old Royal, sternly, yet, showing his white teeth

in a broad grin. "He am in New York at the present time, at de Astor

House, I 'spec'; an' de Bloodhoun' am with him--"

"De kidnapper!"

"De nigger-catcher!"

Cries like these resounded from twenty throats; and by the way in which

knives and pistols were produced and brandished, it was evident that

there was a cordial feeling--almost too cordial--entertained by the

congress, toward our old friend, Bloodhound.

"To business," said old Royal, surveying the motley crowd. "I hab come

to visit you to-night by d'rection ob _somebody dat you don't know_. It

am ob de last importance dat you all get yesselves out o' dis town to

Canada as quick as de Lord 'ill let you. Darfore I hab provided you wid

dem revolvers,"--he pointed to the pistols, "and derfore I am here, to

send you on yer ways, for de kidnappers am about."

"Oh, dam de kidnappers!" was the emphatic remark of a dark gentleman;

and it was chorused by the congress unanimously.

"It am berry easy to say 'dam de kidnappers,'--berry easy to say

dam--dam's a berry short word; but s'pose de kidnapper hab you, and tie

you, and take you down south--eh, nigga? w'at den?"

But before the gentlemen could reply to this pointed question of old

Royal's, a circumstance took place which put an entire new face upon

the state of affairs.

The door was burst open, and two persons tumbled into the room, heels

over head. Descending the stairs in the darkness, these persons had

missed their footing, and fell. The door gave way before their united

weight, and they rolled into the room in a style more forcible than

graceful.

When these persons recovered themselves and rose to their feet, they

found themselves encircled by some thirty uplifted knives,--every knife

grasped by the hand of a brawny negro. And the cry which greeted them

was by no means pleasant to hear:--

"Death to the kidnappers!"

"We're fooled. It's a trap," cried one of the persons--our old friend

Bloodhound.

"Trap or no trap, I'll cut the heart of the damned nigger that comes

near me," cried the other person, who was none other than our friend

Harry Royalton, of Hill Royal, South Carolina.

The cloak had fallen from his shoulders, the cap from his brow. He

stood erect, his tall form clad in black, with a gold chain on the

breast, dilating in every muscle. His face, with its large eyes and

bushy whiskers--a face by no means unhandsome, as regards mere _animal_

beauty--was convulsed with rage. And even as he started to his feet, he

drew a revolver from his belt, and stood at bay, the very picture of

ferocity and desperation. While his right hand grasped the revolver,

his left hand flourished a bowie-knife. Harry Royalton was dangerous.

By his side was the short, stout figure of the Bloodhound, encased

to his chin in a rough overcoat, and, with his stiff, gray hairs

straggling from beneath his seal-skin cap over his prominent

cheek-bones. His small gray eyes, twinkling under his bushy brows,

glanced around with a look half desperation, half fear.

And around the twain crowded the negroes, every hand grasping a knife;

every face distorted with hatred; and old Royal, in his sleek blue

dress and white cravat, prominent in that group of black visages and

ragged forms.

"They've got us! Judas Iscar-i-ot! It's a trap, my boy. We'll have to

cut ourselves loose."

"Back, you dogs!" shouted Harry, with the attitude and look of command.

"The first one that lays a finger on me I'll blow him to ----!"

There was a pause of a moment, ere the conflict began. Thirty uplifted

knives, awaited only a look, a gesture, from old Royal.

That gentleman, grinning until his white teeth were visible almost from

ear to ear, said calmly--"Dis am a revivin' time, wid showers of grace!

Some nigga shut dat door and make 'um fast."

His words were instantly obeyed; one of the thirty closed the door and

bolted it.

"Now, massa Harry," said old Royal, grinning and showing the whites

of his eyes, "dis am a fav'oble opportunity fur savin' your poor lost

soul. How you back feel, ole boy? Want a leetle more o' de same sort,

p'raps? S'pose you draw dat trigger? Jis try. Lor a massa, why dere's

enough niggas here to eat you up widout pepper or salt."

Harry laid his finger on the trigger and fired, at the same moment

stepping suddenly backward, with the intention of planting himself

against the wall. But he forgot the negroes behind him. As he fired,

his heels were tripped up; his ball passed over old Royal's head. Harry

was leveled to the floor, and in an instant old Royal's giant-like

gripe was on his throat. And by his side, wriggling in the grasp

of a huge negro, black as ink, and strong as Hercules, our friend

Bloodhound, rubbed his face against the floor.

Over and around these central figures gathered the remainder of the

band, filling the den with their shouts--

"Death to the dam kidnappers!"

"Yah-hah! Cut their dam throats!"

Cries like these, interspersed with frightful howls, filled the place.

The Bloodhound moaned pitifully; and Harry, with the suffocating gripe

of old Royal on his throat, and his back yet raw from the lashes of the

previous night, could not repress a groan of agony.

It was a critical moment.

"Do you know, massa Harry,"--and old Royal bent his face down until

Harry felt his breath upon his cheek--"Do you know, massa Harry, dat

you are not berry far from glory? Kingdom-come am right afore, ole

boy--and you am booked--hah! yah!--wid a through ticket."

Old Royal, (who had laid down his pistol,) took a knife from one of the

negroes, and, tightening his gripe and pressing his knee more firmly on

Harry's breast, he passed the glittering blade before his eyes.

"Oh!" groaned Royalton. The groan was wrung from him by intolerable

agony.

"Let me up--a-h!" cried Bloodhound, in a smothered voice, as his face

was pressed against the hard boards.

"Death to the dam kidnappers!"

Old Royalton clenched the knife with his left hand, and placed its

point against Harry's breast.

"You am bound for glory, massa--" and a negro held a candle over

Harry's face, as old Royal spoke.

At this critical moment, even as Harry's life hung on a thread, a

violent knocking was heard at the door, and a voice resounded through

its panels--

"Old Royal, old Royal, I say! Let me in, quick! quick!"

"Open the door, nigga. It's massa Harry's brack brudder. Let um in, so

he can see his brudder bound for glory!"

The door was opened, and Randolph, pale as death, came rushing to the

light. Wrapped in the cloak, which concealed his pistols and knives,

and which hung about his tall form in heavy folds, he advanced with a

footstep at once trembling and eager.

His pale face was stamped with hatred; his blue eyes shone with

vengeance, as he at a glance beheld the pitiful condition of his

brother.

"Soh, brother of mine, we have met again!" he cried, in a voice which

was hoarse and deep with the thirst of vengeance.

"Why, he's whitaw dan his white brudder!" cried the negro who held the

light.

"Release him," cried Randolph--"Release him, I say! Tie that fellow

there;" he touched Bloodhound with his foot; "close the door. You'll

see a fight worth seeing; a fight between the master and slave, between

brother and brother. Do you hear me, Royal? Let him get up,--"

"But massa 'Dolph!" hesitated old Royal.

"Up, I say!" and Randolph flung his cap and cloak to the floor, and

drew two bowie-knives from his belt. "Up, I say! You have heard my

history from old Royal?" he glanced around among the negroes.

"Yah-hah! an' ob de lashes dat you gib dis dam kidnapper!" said the

negro who held the candle.

"Then stand by and see us settle our last account," cried Randolph.

"Let him get up, old Royal."

Old Royal released his hold, and Harry slowly arose to his feet, and

stood face to face with his brother.

"Good evening, brother," said Randolph. "We have met again, and for the

last time. One of us will not leave this place alive. Take your choice

of knives, brother. I will fight you with my left hand; I swear it by

my mother's name!"

Harry looked around with a confused glance--

"It is easy for you to talk," he said, brushing his hand over his

forehead and eyes, as if in effort to collect his scattered senses.

"Even if I kill you, these niggers will kill me. They will not let me

leave the door alive, even if I master you."

"Old Royal, you know my history; and you know how this man has treated

me and my sister--his own flesh and blood. Now swear to me, that in

case he is the victor in the contest that is about to take place, you

will let him go from this place free and unharmed?"

"I--I--swear it massa 'Dolph; I swear it by de Lord!"

"And you?" Randolph turned to the negroes.

"We does jist as old Royal says," cried the one who held the candle;

and the rest muttered their assent.

"Take your choice of knives, brother," said Randolph, as his eyes

shone with deadly light, and his face, already pale, grew perfectly

colorless: "The handles are toward you; take your choice. Remember I am

to fight you with my left hand. You are weak, brother, from the wounds

on your back. With my left hand I will fight and kill you."

Harry Royalton took one of the knives--they were ivory handled, silver

mounted, and their blades were long, sharp and glittering--and at the

same time surveyed his brother from head to foot.

"I can kill him," he thought, and smiled; and then said aloud, "I am

ready."

The negroes formed a circle; old Royal held the light, and the brothers

stood in the center, silently surveying each other, ere the fatal

contest began. Every eye remarked the contrast between their faces.

Harry's face flushed with long-pent-up rage, and Randolph's, pallid as

a corpse, yet with an ominous light in his eyes. Both tall and well

formed; both clad in black, which showed to advantage, their broad

chests and muscular arms; there was, despite the color of their eyes

and hair, some trace of a family likeness in their faces.

"Come, brother, begin," said Randolph, in a low voice, which was

heard distinctly through the profound stillness. "Remember that

I am your slave, and that when I have killed you, I, with sister

Esther, also your slave, will inherit one seventh of the Van Huyden

estate,--remember how you have lashed and hounded us,--remember the

dying words of our father--and then defend yourself: for I must kill

you, brother. Come!"

Raising the knife with his left hand, he drew his form to its full

height, and stood on his defense.

You might have heard a pin drop in that crowded cellar.

"You damned slave!" shouted Harry, and at the same time, rushed

forward, clutching his knife in his right hand. His face was inflamed

with rage, his eye steady, his hand firm, and the point of his knife

was aimed at his brother's heart.

The intention was deadly, but the knife never harmed Randolph's heart.

Even as Harry rushed forward, his knees bent under him, and he fell

flat on his face, and the knife dropped from his nerveless fingers.

Overcome by the violence of his emotions, which whirled all the blood

in his body, in a torrent to his head, he had sunk lifeless on the

floor, even as he sprang forward to plunge his knife into his brother's

heart.

Randolph, who had prepared himself to meet his brother's blow, was

thunderstruck by this unexpected incident.

"De Lord hab touck him," cried old Royal; "he am dead."

Dead! At that word, revenge, vengeance, the memory of his wrongs, and

of his brother's baseness, all glided from Randolph's heart, like snow

before the flame. In vain he tried to combat this sudden change of

feeling. Dead! The word struck him to the soul. He dropped his knife,

and sinking on one knee, he placed upon the other the head of his

lifeless brother. Harry's eyes were closed, as if in death; his lips

hung apart, his face was colorless.

"De Lord hab touck him," again cried old Royal; and his remark was

welcomed by a burst of laughter from the thirty negroes, which broke

upon the breathless stillness, like the yell of so many devils.

"He is not dead: he has only fainted. Water! water!" cried Randolph.

But he cried in vain.

"Dis nigga am not agoin' to gib him one drop to cool him parched

tongue," said old Royal, showing his teeth. "What say, niggas?"

"Not a drop! not a dam drop!"

Reaching forth his hand, Randolph seized his cap and cloak, and then

started to his feet, with the insensible form of Harry in his arms.

Without a word, he moved to the door.

"Massa 'Dolph, massa 'Dolph!" shouted old Royal. "By de Lord, you don't

take him from dis place;" and he endeavored to place himself between

Randolph and the door.

Randolph saw the determination which was written on his face, and saw

the looks and heard the yells of the thirty negroes; and then, without

a word, felled old Royal to the floor. One blow of his right hand,

planted on the negro's breast, struck him down like an ox under the

butcher's ax. When old Royal, mad with rage, rose to his feet again,

Randolph had disappeared--disappeared with his brother, whom he bore in

his arms to upper air.

"Let's after um," shouted the foremost of the negroes.

Old Royal stepped to the door, (which Randolph had closed after him,)

but stopped abruptly on the threshold, as if arrested by a sudden

thought.

"Dis nigga meet you 'gin, massa 'Dolph," he muttered, and then,

pointing to something which was folded up in one corner, he said,

"Dar's game fur you niggas!"

He pointed to the form of poor Bloodhound, who, tied and gagged, lay

helpless and groaning on the floor.

It was, perhaps, the most remarkable hour in Bloodhound's life. His

hands and feet tightly bound, a coarse handkerchief wound over his

mouth, and tied behind his neck, he was deprived of the power of speech

or motion. But the power of vision remained. His small gray eyes

twinkled fearfully, as he beheld the faces of the thirty negroes--faces

that were convulsed with rage, resembling not so much the visages of

men as of devils. And he could also hear. He heard the yell from thirty

throats, a yell which was chorused with certain words, mingling his own

name with an emphatic desire for his blood--his life.

Bloodhound was an old man; his hair was gray with the snows of sixty

years, spent in the practice of all the virtues; but Bloodhound felt

a peculiar sensation gather about his heart, at this most remarkable

moment of his life.

"Bring forrad de pris'ner," said old Royal, resuming his seat by the

packing-box. "Put 'um on him feet. Take de kankercher from him jaw."

He was obeyed. Bloodhound stood erect in the center of the group,

his hands and feet tied, but his tongue free. The light, uplifted in

the hand of a brawny negro, fell fully upon his _corded_ face, with

its gray hair, bushy eyebrows, and wide mouth. Bloodhound's hands

shook,--not with cold, for the place was suffocatingly warm,--and

Bloodhound trembled in every atom of his short thick-set body. Glancing

before him, then to the right and left, and then backward over each

shoulder, he saw black faces everywhere, and black hands grasping sharp

knives, confronted him at every turn.

"You am a berry handsum man," said old Royal, encouragingly. "Jist look

at um, niggas. Do you know de pris'ner?"

The replies to this query came so fast and thick, that we are unable to

put them all upon paper.

"He stole me fader!"

"He took me mother from Fildelfy and sold her down south."

"He kidnapped my little boy."

"Dam kidnapper! he stole my wife!"

"I knows him, I does--he does work for da man dat sells niggas in

Baltimore."

"Don't you know how he tuk de yaller gal away from Fildelfy, making

b'lieve dat her own fader was a-dyin', and sent for her?"

Such were a few of the responses to old Royal's question. It was

evident that Bloodhound was _known_. And, although his hair had grown

gray in the practice of all the virtues, it did not give him much

pleasure to find that he was known; for he felt that he was in the

hands of the wicked.

"Don't hurt me, niggers, don't hurt me! I wasn't after any of you, upon

my word, I wasn't. I've allays been good to the niggers, when I could

get a chance,--don't hurt me!"

"Oh! we won't go fur to hurt massa, will we niggas?" replied old Royal.

"O' cos not. Don't tink of sich a ting!! Yah-hah!"

"You see I've got a child at home," faltered Bloodhound, "that is to

say, two or three of 'em. You wouldn't go to hurt the father of a

family, would you?"

"Does you know massa, dat you mos' make dis nigga cry," cried old

Royal, with an infernal grin. "Niggas, 'scure dis tear! He am de fader

ob a family, dis good man am."

Old Royal wiped away a tear,--that is, an imaginary tear,--and then

surveyed the faces of his colored brethren, with a look that turned

Bloodhound's heart to ice. He felt that he was lost.

"Don't, don't, d-o-n-'-t!" he shrieked, in agony of fear, "d-o-n-'-t!"

"Why, who's a-touchin' you? Dar am not a single, solitary, blessed

soul, layin' a fingaw on you."

As old Royal spoke, he made a sign with the thumb and forefinger

of his right hand. It was obeyed by a huge negro who stood behind

Bloodhound,--he struck the wretched man on the back of the head, with

the stock of a revolver,--struck him with all the force of his brawny

arm,--and the hard, dull sound of the blow, was heard distinctly, even

above the fiendish shouts of the negroes.

"Oh! don't, d-o-n-'-t!" shrieked Bloodhound, as the blood spurted over

his hair and forehead, and even into his eyes; "don't, d-o-n-'-t!"

Another blow.--from behind,--brought him to his knees. And then the

thirty, or as many as could get near him, closed round him, shouting

and yelling and striking. Every face was distorted with rage; every

hand grasped a knife. Old Royal, who calmly surveyed the scene, saw the

backs and faces of the negroes; saw the knives glittering, as they rose

and fell; but Bloodhound was not to be seen. But his cries were heard,

as he madly grappled with the knives which stabbed him,--for his bonds

had been cut by one of the band,--and these cries, thick and husky, as

though his utterance was choked by blood, would have moved a heart of

stone. But every shriek only seemed to give new fire to the rage of

the negroes; and gathering closer round the miserable man, they lifted

their knives, dripping with his blood, and struck and struck and struck

again, until his cries were stilled. As he uttered the last cry, he

sprang madly into light, for a moment, shook his bloody hands above his

head, and then fell to rise no more.

You would not have liked to have seen the miserable thing which was

stretched on the floor, in the center of that horrible circle, a

miserable, mangled, shapeless thing, which, only a moment ago, was a

living man.

"Now genelmen," said old Royal, calmly, "de business bein' done, dis

meetin' stand adjourn till furder ordaw. Niggas, I tink you'd bettaw

cut stick."

PART THIRD.

"THROUGH THE SILENT CITY."

DECEMBER 24, 1844.

CHAPTER I.

THE DEN OF MADAM RESIMER.

Yonder, in the still winter night, THE TEMPLE stands, all dark and

sullen without, but bright with festal lights within. Stand here in

the dark, and you will see the guests of the temple come,--now one

by one,--now two by two,--sometimes in parties of four,--and all are

carefully cloaked and masked. They come noiselessly along the dark

street: they glide stealthily up the steps, and beneath the arch of the

gloomy door. A gentle knock,--the door is slightly opened,--a password

is whispered,--and one by one, and two by two, and sometimes in parties

of four, the guests of THE TEMPLE glide over its threshold, and pass

like shadows from the sight.

Shall we also enter? Not yet. We will wait until the revel is at its

height, and until the masks begin to fall.

Meanwhile, we will follow the adventures of ARTHUR DERMOYNE.

About half-past twelve o'clock, Arthur Dermoyne stood in the street,

in front of the house of MADAM RESIMER. Wrapped in his cloak, and with

his cap drawn over his eyes, he stood in the shadows, and gazed fixedly

upon the mansion opposite. It stood in the midst of a crowded street,

joined with houses on either side, and yet it stood alone. Black and

sullen with its closed shutters and somber exterior, it seemed to bear

upon its face the stamp of the infernal crimes which had been committed

within its walls. Lofty mansions lined the street, but their wealthy

occupants little knew the real character of the woman (woman!--fiend

would be a better name) who tenanted the gloomy house.

With great difficulty,--it matters not how,--Arthur had discovered the

haunt of this murderess. Her name was one of those names which creep

through society like the vague panic which foretells the pestilence;

there were few who did not know that such a person existed, and few

whose hearts did shrink in loathing, from the very mention of her name.

But her haunt, centered in an aristocratic quarter, was comparatively

unknown; only her customers and some of the publishers of newspapers,

with whom she advertised, were aware that the sullen house which stood

in a fashionable street, was the den of MADAM RESIMER.

That such a creature should exist, and grow rich in the city of New

York, in the middle of the nineteenth century, by the pursuit of a

traffic which, in its incredible infamy, has no name in language, may

well excite the horror of every man and woman with a human heart within

their bosom.

We read of the female poisoner, and shudder; but console ourselves with

the thought, "These things happened in the dark ages, long ago, when

knowledge was buried, and the human heart was utterly depraved."

We read in the daily papers the announcement of a wretch that, for a

certain price, she will kill the unborn child,--an announcement made in

plain terms, and paid for as an advertisement,--and we are dumb. It is

the nineteenth century: will not future ages, raking the advertisement

of this infamous woman from some dark corner, guess the awful secrets

of the nineteenth century from that one infernal blot?

We see a carriage drawn by blooded steeds, whirling through

Broadway; its only occupant a handsomely-attired female. And we

say to ourselves, "There goes the murderess of mother and of the

unborn child--there goes the wretch who thrives by the slaughter

of lost womanhood; who owns a splendid carriage, a fine mansion,

and a magnificent fortune, in the very vortex of a depraved social

world--there goes the instrument of the very vilest crime known in the

annals of Hell."

These words none of us dare say aloud; we only think of them; and we

shudder as we see them written on paper,--they are so horribly true.

And as we ask--Why is such a creature _needed_ in the world? Why does

she find _employment_? Why do a hundred such as her, thrive and grow

rich in the large cities? we are forced to accept one of these two

answers:

1. A bad social state, based upon enormous wealth and enormous

poverty,--a social state which gives to the few the very extravagancies

of luxury, and deprives the countless many of the barest rights and

comforts of life,--finds its natural result in the existence of this

Madam Resimer.

Or,--

2. Human nature is thoroughly depraved. A certain portion of the race

are born to be damned in this world, as well as in the next. Such

creatures as Madam Resimer, are but the proper instruments of that

damnation.

Upon my soul, good friend, who read this book, these answers are worthy

of some moments of attentive thought.

Arthur Dermoyne stood in the gloom of that winter midnight,--a midnight

awful and profound, and only deepened in its solemnity, by the clear,

cold light of the wintery stars. A thousand thoughts flitted over his

brain, as he gazed upon the fatal house. Was Alice already a tenant

of that loathsome den? Again and again, he rejected the thought, but

still, it came back upon him, and crept like ice through his veins.

If she was, indeed, _within_ these walls, what might be her fate ere

the morrow's dawn? Arthur could not repress a cry of anguish. A vague

picture of a lost woman, put to death in the dark, by the gripe of a

fiend in human shape, seemed to pass before him, like a shadow from the

other world.

He surveyed the house. A street-lamp, which stood some paces from it,

shed a faint gleam over its walls, and served to show, that from cellar

to garret, it was closed like a tomb.

The wealthy tenants of the houses on either hand, had evidently retired

to their beds. Not a gleam of light shone from their many windows.

The street was profoundly still; a solitary footstep was heard in the

distance; above the roof was the midnight sky and the wintery stars.

Arthur crossed the street.

"I remember what the policemen told me, who showed me the way to this

place. Three cellar windows protected by sheet-iron bars; they are

before me. Beyond these windows a cellar filled with rubbish; then a

basement room, where one of the Madam's bullies is in waiting, day and

night, ready to do her bidding."

The Madam was provided with two bullies, whom she had raked from the

subterranean regions of New York. They were men of immense muscular

strength, with the print of their depraved nature upon their brutal

faces. One was six feet two inches in height; he was known among his

familiars by the succinct name of "DIRK." He used a dirk-knife in his

encounters. The other, short, bony, with broad chest and low legs, was

known as "SLUNG-SHOT." His favorite weapon was a leaden ball attached

to a cord by net-work, with a loop for his wrist. One blow with this

"Slung-Shot," rightly administered, on the temple, would kill the

strongest man.

These were the Madam's watch-dogs. They formed the police of the

mansion. One slept while the other watched, and when any little

difficulty occurred, they settled the matter _without noise_. Whether

they knew all the secrets of the Madam's mansion, or only regarded it

as one of the many haunts of vulgar infamy, which infest New York, does

not yet appear.

"Slung-Shot or Dirk, is now on the watch, in the basement room,

next the cellar. Suppose I manage to force the bars of one of these

windows,--I enter the basement room,--am confronted by one of the

bullies. If I escape the dirk and the slung-shot, I may be handed over

to the police, and sent to the Penitentiary on a charge of burglary. In

the latter case, I will remain in the Tombs while the 25th of December

passes, and thus escape all hope of participation in the settlement of

the Van Huyden estate."

It did not take long for Dermoyne to come to a determination.

"True, after all, Barnhurst may be innocent, and Madam Resimer may have

nothing to do with the affair. But I cannot remain any longer in this

state of harrowing suspense. I will to work,--and at once."

For a moment, he surveyed the street, and you may be sure, that his

gaze was keen and anxious. No one was in sight; all was breathlessly

still.

Arthur drew from beneath his cloak an iron bar, with which he had

provided himself. It was a square bar, about two inches in thickness,

and as many feet in length. Next, fixing his gaze on the central window

of the cellar, he ascertained that it was protected by three upright

bars, separated from each other, by a space of six inches. These bars,

scarcely more than an inch in thickness, were inserted into solid

pieces of granite, which formed the top and base of the window-frame.

Could he displace them from their sockets, by means of the bar which he

carried?

Again, he glances up and down the street. Not a soul in sight. He

cast an upward glance, over the wall of the house,--still closed in

every shutter, and sullen as a vault. He crouched beside the window

and began to use his iron bar. It required all the force of his almost

supernatural strength, to bend the central bar, but presently it was

accomplished. It yielded and was forced from its sockets. Then, resting

the iron bar which he grasped, against the wall on the left, he forced

the second bar from its socket, and in a few minutes, in a similar

manner, the third yielded to the force of his powerful sinews. The

three fell into the cellar, and produced a crashing sound as they came

into contact with some loose boards.

Arthur did not hesitate a moment. Grasping the iron bar, and folding

his cloak about his left arm, he crept through the window and descended

into the cellar. All was thick darkness there, but a faint ray came

from the door which opened into the basement room. Trampling over

heaps of rubbish and loose piles of boards, Arthur made his way toward

the door, and did not pause a single moment, but flinging his weight

against its rough boards, he forced the staple which secured it, and

burst it open with a crash.

Then his features were fixed, his eyes flashed, he clutched the iron

bar, and advancing one step into the basement room, stood ready for the

worst.

A candle, burning fast toward its socket, stood on a pine table, and

flung its uncertain light over a small room, with cracked ceiling and

rough walls, smeared with whitewash. A coal fire smouldered in a narrow

grate.

Slung-Shot was there,--not on the watch precisely,--but with his brawny

arms resting on the table, and his head bent on his arms. He was fast

asleep, and snoring vigorously. An empty brandy bottle which stood near

the light, explained the cause of his sleep. Arthur glanced at the

door, which opened on the stairway, and then--"Can I cross the room and

open the door without waking this wretch?" was his thought.

Slung-Shot, although by no means tall, was evidently a fellow of

muscle, as his broad shoulders, (inclosed in a red flannel shirt) and

his half-bared arms, served to show. His face was buried against the

table, and Arthur could only see the back of his head; his hair closely

cut, his long ears, and the greasy locks which draggled in front of

each ear, were disclosed in the flickering light.

Arthur, after a moment of hesitation, advanced,--the boards creaked

under his tread,--still the ruffian did not move, but snored on, in a

deep, sonorous bass. Arthur placed his hand on the latch of the door--

The ruffian then moved. He raised his sleepy head, and Arthur beheld

that brutal face, with its low forehead, broken nose and projecting

under-jaw.

"S-a-y," he cried, in that peculiar dialect, which, accompanied by an

elongation of the lower-jaw, forms the _patois_ of a class of ruffians

which infests the large cities, "what de thunder you 'bout?"

Arthur grasped his iron bar, but stood motionless as stone, awaiting

the assault of the ruffian.

"Dat you Dirk?" continued Slung-Shot, rolling his eyes with a drunken

stare; "why de thunder don't you let a feller sleep?--" and then came

a round of oaths, uttered in that peculiar dialect, with the lower-jaw

elongated and the head shaking briskly, from side to side. After which

Slung-Shot sank to sleep again. He had mistaken Arthur for his comrade.

Arthur lifted the latch, and in a moment was ascending the narrow

staircase, which led to the hall on the first floor. At the head of

the stair was a door, which he opened, and found himself on a carpeted

floor, but in utter darkness.

He could hear the beating of his heart, as pausing in the thick

darkness, he bent his head and listened.

Not a sound was heard throughout the mansion.

What should be his next step? Enter the parlor on the first floor or

ascend the stairway?

"If Alice is concealed within these walls, she must be in one of the

rooms up-stairs," he thought, and felt his way toward the staircase.

Presently, his hand encountered the banisters, and he began cautiously

to ascend to the second floor. Arrived at the head of the stairs, he

stopped again and listened: not a sound was heard. Torn as he was by

suspense, the cold sweat started upon his forehead: he folded his cloak

carefully around his left arm, and grasping the iron bar with his right

hand, he listened once more. The house was as soundless, as though a

human voice or footstep had never been heard within its walls.

At this moment Arthur was assailed by a terrible doubt--

"What if it should be all a dream?--Barnhurst may be innocent, and as

for Alice, she may be at this moment, a hundred miles away! Nay, this

house may be the residence of a peaceful family, and have nothing to do

with Madam Resimer or her crimes--"

He was shaken by the doubt. Turning in the darkness, he began to

descend the stairs--

"Ha! The ruffian in the cellar confirms the story of the policeman who

led me here, and who stated that this was the house of Madam Resimer;"

this thought flashed over him and arrested his steps. "I'll not retreat

until my suspicions are confirmed or put to rest."

He turned again, and feeling his way up the stairs, and along the hall

of the second floor, he began to ascend the second stairway. At the top

he paused and listened--all was silent--not a whisper, nor the echo of

a sound. Then stretching forth his hand he discovered that at a short

distance beyond the stairway, another staircase led upward to the

fourth floor. He also came to the conclusion, that from near the top of

the stairway, even where he stood, a long and narrow passage led into

some remote part of the mansion. For a moment he was at fault. Should

he ascend the third stairway to the fourth floor, or should he traverse

the long and narrow passage?

"I will ascend to the fourth floor," he thought, when he was arrested

by a sound.

Low, very faint, ambiguous in its character, it seemed to proceed from

the extremity of the passage, which branched from the head of the

second staircase. Was it a faint cry for help--a moan of anguish--or

the echo of voices, muffled by thick cowls?

He had no chance to determine.

For at the very moment when this sound reached his ears, it was drowned

by another sound. The bell rang through the house, peal after peal, and

died away in a dismal echo. There was a pause; it rang again, and this

time more violently, as though an angry or frenzied hand grasped the

bell-rope.--Another pause, and a light flashed in the face of Dermoyne.

It came from the extremity of the passage at the head of the stairs,

and was held in the hand of a woman, clad in a flowing wrapper, who

advanced along the passage with rapid strides.--Standing at the head of

the second stairway, Dermoyne surveyed her as she approached, and at

a glance, as she came rapidly toward him, beheld her portly form and

florid face.

That face wore a look of unmistakable chagrin.

"No time is to be lost--in a moment she will be here," thought

Dermoyne--"can it be Madam Resimer?"

He advanced and shrouded himself in the darkness of the third stairway.

Near and nearer grew the sound of footsteps--

"If she looks this way, as she descends the stairs, I am discovered,"

and Dermoyne could distinctly hear the beating of his heart.

The next moment the rustling of her dress was heard; her heavy strides

resounded as she advanced; and then emerging from the passage, she

reached the top of the second stairway. Her dress brushed Dermoyne, as

he crouched on the first steps of the uppermost stairs; her face was

visible in profile for a single instant.

"Curse this light, how it flares, and curse that bell--will it never

cease ringing? At such a moment too,--"

And without once looking behind her, she hurriedly descended the second

stairs. Dermoyne watched her tall form, with its loose gown, flowing

all about her bulky outlines, until she turned the angle of the stairs

and disappeared.

CHAPTER II.

"HERMAN, YOU WILL NOT DESERT ME?"

"Now is my time," muttered Dermoyne to himself, and at once he entered

the passage, which branched from the head of the stairs, and led to the

eastern wing of the mansion. How his heart beat, how his blood bounded

in his veins, as he drew near the open door at the extremity of the

passage!

On the threshold he paused--his form shrouded by the darkness, but the

light from within the room shining upon his forehead--he paused and

took a single glance at the scene which was disclosed to his vision.

Never till his dying hour shall he forget that scene.

A small apartment, with windows shut and sealed like the doors of a

sepulcher.--On a small table, amid vials and surgical instruments,

stands a light, whose rays tremble over the bed, which occupied the

greater part of the room. Above the bed, from the darkly papered walls,

smiles a picture of the Virgin Mary, while beneath, by the folds of the

coverlet, you may trace the outlines of a human form.

Beside the bed stands a slender man dressed in black, with a heavy

pair of gold spectacles on his hooked nose. It is Corkins, the

familiar spirit of the Madam. Corkins, whose slender frame, incased in

black, reminds you of the raven, while his face with top-knot, gold

spectacles, ferret-like eyes, and pointed beard, reminds you of the owl.

"Bad!" mutters Corkins, "bad!" and he gazes upon the occupant of the

bed, knotting his fingers together like a man who is exceedingly

perplexed.

The bed and its occupant? Ask us not to picture the full horror of the

sight which Arthur saw (from his place of concealment), as Corkins

gently drew the coverlet aside.

"Alice!" he did not pronounce the word with his lips, but his heart

uttered it--it was echoed in the depths of his soul.

He saw the pale face, and the sunny hair, which fell in a flood upon

her bared shoulders. He saw the arms outspread, with the fingers

trembling and working as with the impulse of a spasm. He saw the eyes

which opened with a dead stare, and fixed vaguely upon the ceiling, had

no look of life in their leaden glance. He saw the lips, which were

colorless and almost covered with white foam. And as the sufferer moved

her head, and flung it back upon the pillow, he saw her throat--no

longer white and beautiful--but with swollen veins, writhing with

torture, and starting from the discolored skin.

Never, never until his last hour can Arthur forget that sight.

And poor Alice, writhing thus between life and death, talked to herself

in a voice husky and faint, and said certain words that made Arthur's

blood gather in a flood about his heart:

"Herman, you will not desert me!" she said, and then while the foam was

on her lips, she babbled of her father and home--writhing all the while

in every nerve and vein.

Arthur entered the room. Corkins turned and beheld him, and uttered a

cry of fright. For at that moment Arthur's face was not a pleasant face

for any man to look upon, much less Corkins. And the iron bar which

Arthur held in his clenched hand, taken into connection with the look

on his face, reminded Corkins of stories which he had read--stories

which told of living men, bruised suddenly to death by such a hand and

such an iron bar. Corkins, therefore, uttered a cry of fright, and in

his terror shook his gold spectacles from his parrot nose.

"Down," said Arthur, in a low voice, "on your knees,"--he pointed to a

nook of the room, between the foot of the bed and the wall. "Stay there

with your face to the wall."

Corkins obeyed. Trembling to the corner, he sank on his knees, and

turned his face away from the door and turned toward the wall, there

was such a persuasive eloquence in Arthur's look.

Then Arthur, still clutching the iron bar, drew near the head of the

bed, and gazed upon Alice.

Stretching forth her arms, and opening and closing her little hands;

flinging back her head, her eyes fixed upon the same point of the

ceiling, no matter how she writhed--babbling with foaming lips about

her father and her home,--it was one of the saddest sights that ever

man beheld.

Arthur could not stand it. He turned his face away, and there was a

choking sensation in his throat, and a painful heaving of his chest.

His eyeballs were hot and tearless.--He would have given his life to

shed a single tear.

But that moment of intolerable anguish was interrupted by the sound of

footsteps resounding from the lower part of the mansion. Madam Resimer

was returning to the room of Alice.

Arthur at once shrank into the corner where Corkins knelt, and touched

the creature with his foot by way of warning. Then placing himself

against the wall in such a manner that he could not be seen until the

Madam entered the room, he awaited her return.

Her footsteps are on the stairs, and presently they are heard in the

passage. Arthur, standing bolt upright against the wall, with the

trembling Corkins at his feet, heard the rustling of her dress, as

she came brushing along, with her heavy stride. Then he heard her

voice--she was speaking to some one who accompanied her.

"There are two," he muttered, and bent his head to listen. He could

distinguish her words:

"What a foolish fancy!" this was the voice of the Madam, "to think that

any one could gain admittance to my house against my will. Why, my

dear, the idea makes me laugh."

"Yes, but he's such a desperate ruffian," answered a second voice.

It was the voice of Rev. Herman Barnhurst.

CHAPTER III.

HERMAN, ARTHUR, ALICE.

"Oh! my God, I thank thee," muttered Arthur, and clutched the iron bar

and crouched closer to the wall.

And ere a moment passed, the Madam entered the room, followed by

Barnhurst. She held the light, and he advanced toward the bed.

"It looks rather bad," cried Barnhurst, as he caught sight of the face

of Alice.

"Why, where has Corkins gone?" cried the Madam, and turning abruptly

she sought for Corkins, and uttered a shriek. At the same instant

Barnhurst raised his eyes from the face of Alice, and fell back against

the wall, as though a bullet had pierced his temple.

They had at the same instant discovered Dermoyne, who, motionless as

stone, stood against the wall, beside the door, his arms folded, and

his head sunk on his breast. Thus, with his head drooped on his breast,

he raised his eyes and silently surveyed them both, and with the same

glance.

Not a word was spoken. The Madam, unable to support herself, sank on

the foot of the bed, and Barnhurst, staggered to his feet again, looked

around the room with a visage stamped with guilt and terror.

Arthur quietly advanced a step, and closed the door of the room. Then

he locked it and put the key in his pocket.

"What do you mean?" cried the Madam the color rushing into her face.

"No noise," whispered Arthur, "unless indeed,"--and he smiled in a

way which she understood,--"unless, indeed, you mean to alarm the

neighborhood, and bring the police into the room. Would you like to

have the police examine your house?"

The Madam bit her red lip, but did not answer. Arthur passed her, and

approached the Rev. Herman Barnhurst.

"Nay, don't be afraid; I will not hurt you," he whispered, as the

clergyman stretched forth his hands and retreated toward the wall.

"Come, take courage, man,--look there!"

He pointed to the face of Alice.

Herman, ashy pale, and shaking in every limb, followed the movement of

Arthur's hand, but did not utter a word.

"A 'man of your cloth' to be 'suspected'--eh, my friend?" and Arthur,

laughed. "A minister of THE Church, to be suspected of seduction and of

murder? Is it not a lying tongue that dare charge you, Reverend sir,

with such crimes?"

Here, poor Alice, writhing in the bed, spoke a faint word about father,

and home.

Barnhurst, cringing against the wall, his smooth complexion changed to

a livid paleness, muttered an incoherent word about "reparation."

"Oh, you _shall_ make reparation,--never fear; you _shall_ make

reparation," whispered Dermoyne, his eyes fairly blazing with light.

"And you visited her father's house as a minister of God. She heard you

preach in the church, and you talked to her in her home. What words you

said, I know not; but some forty-eight hours ago you took her from her

home; but a few hours have passed since then. The father lies a mangled

corpse somewhere between this house and Philadelphia; and Alice, the

daughter, is before you. Are you not proud of your work, my reverend

friend?"

Herman's eye glanced from the ominous face of Dermoyne, and then to the

iron bar which he held in his clenched hand,--

"You will not--kill--me?" he gasped.

Arthur was silent. The veins upon his forehead were swollen; his teeth

were locked; his eyes, deep sunken under his down-drawn brows, emitted

a steady and sinister light. He was _thinking_.

"Kill you?" he said, in a measured voice, which seemed torn, word

by word, through his clenched teeth, from his heart. "Oh, if I

could believe your creed--that eternal vengeance is the only future

punishment for earthly crimes--why, I would kill you, before you could

utter another word. Do you believe that creed? No--wretch! you do not.

You have but preached it as a part of that machinery which manufactures

your salary. But now, wretch! as you stand by the death-bed of your

victim, with the face of her avenger before you, now search your heart,

and answer me--Do you not begin to feel that there is a GOD?"

It was pitiful to see the poor wretch cringe against the wall,

supporting himself with his hands, which he placed behind his back,

while his head slowly sunk, and his eyes were riveted to the face of

Dermoyne.

"You will not kill me," he faltered; and, with his left hand, tugged at

his white cravat, for there was a choking sensation at his throat.

As for the Madam, who stood at the back of Dermoyne, she began to

recover some portion of her self-possession, as a hope flashed upon her

mind: "The handle of the bell is behind Barnhurst," she muttered to

himself; "if he would only touch it, it would resound in the basement,

and call Slung-Shot to our aid."

And with flashing eyes, the Madam gazed over Dermoyne's shoulder,

watching every movement of the clergyman, and hoping that even in his

fright, he might touch the handle of the bell. That bell communicated

with the basement room; one movement of the handle, and Slung-Shot

would be summoned to the scene.

However, as Barnhurst cringed against the wall, his hands strayed all

around the handle of the bell, but did not touch it.

At this crisis, however, the Madam forming suddenly a bold resolution,

strode across the floor and placed her bulky form between Dermoyne and

the clergyman.

"What do _you_ want _here_, any how?" she said, tossing her head and

placing her arms a-kimbo. "You are neither the brother nor the husband

of this girl. Supposin' you was, what have you to complain of? Haven't

I treated her like my own child? Yes, I've been a mother to her--and

_that is_ a fact."

Dermoyne, for a moment, paused to admire the cool impudence which

stamped the florid visage of the madam. Her chin projected, her nose

upturned, and her nether lip protruded, she stood there in her flowing

wrapper, with a hand on each side of her waist.

"Look there," he said quietly, and pointed to the bed, where the poor

girl was stretched in her agony; her hands quivering and her lips

white with foam: "When that poor child entered your house, she was in

the enjoyment of good health. What is she now? Shall I go forth from

this place and bring a physician to testify as to the nature of your

_motherly_ treatment?"

The Madam retreated from the gaze of the young man, and felt the force

of his words.

Too well she knew what verdict a physician would pass upon her

treatment of the young girl.

"The bell-handle is behind you," she whispered, as she passed the

cringing Barnhurst. He did not seem to heed her; but the moment that

she passed him and resumed her former place, he fixed his stupefied

gaze once more upon the visage of Dermoyne.

As for Dermoyne, for a moment he stood buried in profound thought. The

clergyman trembled closer to the wall as he remarked the livid paleness

of Arthur's face,--the peculiar light in Arthur's eyes.

Dermoyne, after a moment, advanced and extended his hand--"Come,"

he said, and sought to grasp Barnhurst's hands. But, shuddering and

half dead with fright, Herman _crouched_ away from the extended

hand,--crouched and cringed away as though he would bury himself in the

very wall.

"Come," again repeated Dermoyne, his voice changed and husky. "Come!"

He grasped the hand of the clergyman and dragged him to the bedside.

"Oh, look upon that sight!" he groaned as the tortured girl writhed

before them--"Look upon that sight, and tell me, what fiend of hell

ever, even in thought, planned a deed like this?"

"Don't kill me, don't, don't!" faltered Herman.

"This is a strange meeting," continued Dermoyne, with a look that made

Herman's blood run cold; "here we are together, you and I and Alice!

I that loved her better than life, and would have been glad to have

called her by the sacred name of wife. You, that without loving her or

caring for her, save as the instrument of your brutal appetite, have

made her what she is,--have made her what she is, and brought her here

to die in a dark corner, something worse than the death of a dog. And

Alice, poor Alice, who saw you first in the pulpit, and then listened

to you and yielded to you in the home,--her father's home,--Alice lies

before you now. Hark!"

The poor girl stretched forth her hands, and with the foam still white

upon her livid lips, she said, in her wandering way--

"Oh! Herman, dear Herman! it was not _father_ that was hurt, was it?

Oh! are you sure, are you sure?" And then came wandering words about

father, Herman, home, and--her lost condition. There was something too,

about returning to father and asking his forgiveness when the _danger_

was over.

"And _you_ desire her death." In his agony, as he uttered these words,

Arthur clutched Herman with a gripe that forced a groan from his lips.

"You who have brought her to _this_,--" he pointed to the bed,--"while

I desire her to live; I, that by her death will become the sole

inheritor of her father's fortune."

This was a revelation that astounded Herman, half dead as he was, with

terror.

"The sole inheritor of her father's fortune!" he echoed.

At this crisis, the Madam darted forward. Arthur saw her hand extended

toward the handle of the bell.

"Oh! ring by all means," he exclaimed, "ring, my dear Madam; summon

your bullies; we will have as much noise as possible,--perchance, a

fight! And then the police will come and examine the little mysteries

of your mansion. Will you not ring?"

The Madam's hand dropped to her side, and she slunk back to her former

position, her florid face impressed with an expression which was not,

altogether, one of serenity or joy.

"You wondered, to-night, why Mr. Burney permitted the poor shoemaker

to visit his house. Let me enlighten you a little. Not many years

ago, an unknown mechanic called upon the rich merchant, in his

library, and proved to the merchant's satisfaction, that he,--the poor

mechanic,--had, in his possession, certain papers which established

the fact that the immense wealth of Mr. Burney had been obtained by a

gross fraud; a fraud which, in a court of law, would disclose itself

in the two-fold shape of _perjury_ and _forgery_. The father of the

mechanic was the victim; Burney, the criminal; the victim had died poor

and broken-hearted; but in the hands of the criminal, the property so

illy-gotten, had swelled into an immense fortune. It was the son of

the victim who, having lived through a friendless orphanage, now came

to Mr. Burney and proved that at any moment he might involve the rich

merchant in disgrace and ruin."

"Impossible!" ejaculated Barnhurst.

"The merchant made large offers to the mechanic to obtain his

silence,--believing in the true mercantile way, that every man has

his price, he offered a good round sum, and doubled it the next

moment,--but in vain. The image of his broken-hearted father was before

the mechanic,--he could not banish it,--he had but one purpose, and

that was, to bring the rich man to utter ruin. This purpose was strong

in his heart, when scorning all the offers of the merchant, he rose

from his seat and moved toward the door. But at the door his purpose

was changed. There he was confronted by the face of a happy, sinless

girl,--a girl with all the beauty of a happy, sinless heart, written

upon her young face. At the sight, the mechanic relented. Maddened by

the thirst for a full and bitter revenge, he could destroy the father,

but he had not the heart to destroy the father of that sinless girl.

For,--do you hear me,--it was Alice,--it was Alice,--Alice."

The long-restrained agony burst forth at last. With her name upon his

lips, he paused,--he buried his face in his hands.

"Alice, Alice, who lies before you now!" He raised his face again; it

was distorted by agony; it was bathed in tears.

The clergyman fell on his knees.

"Don't harm me," he faltered, "I will make reparation."

"Up! up! don't kneel to me," shrieked Dermoyne, and he dragged the

miserable culprit to his feet. "There's no manner of kneeling or

praying between heaven and hell, that can help you, if that poor

girl dies. I spared her father for her sake, (and to make my silence

perpetual, he made a will, in which he names me as his sole heir, in

case of his daughter's death); I spared her father for her sake, and

can you think that I will spare you,--you who have brought her to a

shame and death like this?"

He pointed to the bed, and once more the poor girl, writhing in pain,

uttered, in a low, pleading voice, "Herman, Herman, do not, oh! do not

desert me!"

Dermoyne, at a rapid glance, surveyed the culprit cringing against

the wall,--the florid Madam, who stood apart, her face manifesting

undeniable chagrin,--and then his gaze rested upon Corkins, who,

kneeling in the corner, seemed to have been suddenly stricken dumb. And

as he took that rapid glance, his eyes flashed, his face grew paler,

his bosom heaved, and a world of thought rushed through his brain; and,

in a moment, he had decided upon his course.

He drew near to the Madam: she could not meet the look which he fixed

upon her face.

"To-morrow morning, at ten o'clock, I will return to this house," he

said, in a low voice; "I hold you responsible for the life of this

poor girl. Nay, do not speak; not a word from your accursed lips.

Remember!--he drew a step nearer,--to-morrow morning, at ten o'clock,

and--I hold you responsible for the life of Alice Burney."

The Madam quailed before his glance; for once, her florid face grew

pale. "But how will you obtain entrance into my house?" she thought;

and a faint smile crossed her countenance.

CHAPTER IV.

THE RED BOOK.

Dermoyne flung his cloak over his arm, drew his cap over his forehead,

and grasped the iron bar with his right hand.

"Come with me," he said, in a low voice, to Barnhurst. He drew the key

from his pocket, and led the way to the door. As though fascinated by

his look, Herman followed him,--followed him trembling and with terror

stamped on every line of his face.

"At ten o'clock, to-morrow morning, remember!" said Dermoyne, turning

his face over his shoulder. He turned the key in the lock, and stood

upon the threshold. "Come with me," he said, quietly, to Barnhurst.

"Nay, take the light and walk before me."

Herman, with a quivering hand, seized a lighted lamp and led the way

from the room, along the passage. He dared not turn his head. He

heard Dermoyne's footsteps at his back, and shook with fright. "Does

he intend to murder me?" and then he thought of the iron bar; of the

strong hand of Dermoyne; and of his own defenseless head.

"Herman, don't, don't desert me," muttered Alice, in her delirium, as

they crossed the threshold.

Dermoyne turned and saw the fixed eyes, the sunny hair, the lips white

with foam; saw the writhing form and the hands clasped madly over the

half-bared bosom; and then he looked no more.

Along the passage, Herman led the way and down the stairs, Dermoyne

following silently at his heels. Thus they descended to the second

floor.

"The Madam has a room where she keeps her papers and arranges her most

important affairs. Conduct me there."

And Herman, scarce knowing what he did, led the way to the small room

in the rear of the second floor,--the small room in which we first

beheld the Madam. He entered, followed by Dermoyne, who carefully

closed the door, and then, at a glance, surveyed the place. It looked

the same as when we first beheld the Madam. The shaded lamp stood on

the desk, describing a brief circle of light around it, while the rest

of the place was vailed in twilight. On the desk was the seal and the

pearl-handled pen, and beside it, was the capacious arm-chair.

"Come here," said Arthur, still in that low voice, but with the face

unnaturally pale, and the eyes flashing with steady and ominous light;

and he led the way to the desk. Barnhurst obeyed him without a word.

"To-morrow, at ten o'clock, we will return to this mansion," said

Dermoyne, fixing his eyes upon the affrighted visage of Barnhurst. "We

will return together, and if Alice yet lives, we will go away together;

but," he laid his right hand upon the forehead of the wretch,--or

rather placed his thumb upon the right temple, and his fingers on the

left,--"but, if Alice is dead, I will kill you at her bedside."

There was a determination in his tone,--in his look,--nay, in the very

pressure of the hand which touched Barnhurst's forehead; which gave a

force to his brief words, that no pen can depict.

Barnhurst fell on his knees, and his head sank on his breast. He had no

power to frame a word. He appeared conscious that he was in the hands

of his fate.

"Get up, get up, _my friend_!" and Arthur raised him from his knees and

placed him in a chair. (Now well we know that it would have been more

in accordance with the rules provided for novel writers, for Arthur

to have said, "Arise! villain!" but as he simply said, "Get up, _my

friend_!" applying a singular emphasis to the italicized words: we feel

bound to record his words just as he spoke them).

"I have a few words to say to you," said Arthur; "there's no use of

your shuddering when I speak to you, and of crying when I touch you.

You must listen to me and listen with all your senses about you. Why,

you were courageous enough to blaspheme God, when you used his religion

as the instrument of that poor girl's ruin: don't be afraid of me."

"When you leave this place, _my friend_, I will go with you. I will

put no restraint upon your actions; you can go where you please,

but wherever you go, I will go with you. I will not lose sight of

you, until the life or death of Alice Burney is assured. Yes, you

can go where you please, talk with whom you please, sleep, eat,

drink where it suits you, but everywhere _I will go with you_. We

will be together, side by side, until the life or the death of Alice

is certain,--together, always together, like twin souls,--do you

understand, my friend? Until we are assured of the fate of Alice, I

will be your _shadow_? Do you comprehend?"

Herman _did_ comprehend. The full force of Arthur's determination

crowded upon him, impressing every fiber of his soul.

"No,--no,--this cannot be," he faltered,--"If you must wreak your

vengeance on me, kill me at once. But, to be thus accompanied, I will

not consent--"

"Kill you?" and there was a sad smile on Dermoyne's face; "do you

suppose that the mere act of physical death can atone for the moral and

physical death of poor Alice? You commit a wrong, that is murder in a

sense, that the basest physical murder can never equal; and you think

the sacrifice of your life will atone for that wrong? Faugh! If Alice

dies, I will kill you,--be assured of that--I will crush the miserable

life which now beats within your brain,--but, first, I will make you

die a thousand deaths--I will kill you in soul as well as in body--for

every throb which you have made her suffer, you shall render an exact,

a fearful account--yes, before I kill your miserable body, I will kill

you in reputation, in all that makes life dear, in everything that you

hold sacred, or that those with whom you are connected by all or any

ties, hold sacred. To do this, I must _know all about you_, and to know

all about you, I must go with you and be your shadow."

"Oh, this is infernal!" groaned Barnhurst, dropping his hands

helplessly on his knees, while his head sank back against the chair,

"Have you no mercy?"

"A preacher appeared as a demi-god, to the eyes of a sinless

girl,--clad in the light of religion, he appeared to her as something

more than mortal--aware of this fact, he passed from the pulpit where

she heard him preach to her father's home, and there dishonored her.

When her dishonor was complete, and a second life throbbed within

her, so far from thinking of hiding her shame under the mantle of an

honorable marriage, he calmly plotted the murder of his victim and her

unborn child. And this preacher now crouches before his executioner,

and falters, 'Have you no mercy?'"

"But I could not marry her," groaned Barnhurst, "it was impossible!

impossible!"

"Why?"

Barnhurst buried his face in his hands, but did not answer.

"You killed her to save your _reputation_," whispered Arthur, "and now

I have your life and reputation in my grasp. In the name of Alice, I

will use my power. Come! Let us be going. I am ready to attend you."

He took the hat and cloak of the clergyman, from a chair, (where

Barnhurst had left them before he ascended to the chamber of Alice) and

exclaimed with a low bow--

"Your hat and cloak, sir. I am ready."

Barnhurst rose, trembling and livid,--he placed the hat upon his

sleeked hair, and wound the cloak about his angular form. For a moment

his coward nature seemed stirred, by the extremity of his despair, into

something like courage. His eyes (the dark pupils of which you will

remember covered each eyeball) flashed madly from his _blonde_ visage,

and he gazed from side to side, as if in search of some deadly weapon.

At that moment he was prepared for combat and for murder.

Dermoyne caught his eye: never lunatic cowered at the sight of his

keeper, as Barnhurst before Dermoyne.

"It won't do. You haven't the 'pluck,'" sneered Arthur,--"if it was a

weak girl, there's no knowing what you might do; but as it is a man and

an--_executioner_."

"I am ready," was all that Barnhurst could reply.

"One moment, dear friend, and I'll be with you," as he spoke, Dermoyne

advanced toward the Madam's Desk. "_I must have a_ PLEDGE _before I

go_."

Before the preacher had time to analyze the meaning of these words,

Dermoyne, with one blow of the iron bar, had forced the lock of the

Madam's desk. He raised the lid and the light fell upon packages of

letters, neatly folded, and upon a large book, square in shape and

bound in red morocco.

"The red book!" the words were forced from Barnhurst's lips, as he saw

Arthur raise the volume to the light and rapidly examine its contents.

THE RED BOOK! Well he knew the character of that singular volume!

"Yes, this will do," said Arthur, as he placed the book under his

cloak. "I wanted a pledge,--that is to say, a _sure hold_ upon the

Madam and her friends. And I have one!"

He took the clergyman by the arm and they went forth together from the

private chamber,--the holy place--of the Madam. Went forth together,

and descending the stairs, passed in the darkness along the hall. The

key was in the lock of the front door. Arthur turned it, and in a

moment, they passed together over the threshold of that mansion of

crime, and stood in the light of the wintery stars.

"Who," whispered Arthur, as side by side, and arm in arm, they went

down the dark street, "who to see us walk so lovingly together, would

imagine the real nature of those relations which bind us together?"

He felt Barnhurst shudder as he held him to his side--

"The red book!" ejaculated the clergyman, with accent hard to define,

whether of fear, or wonder, or of horror.

And by the light of the midnight stars, they went down the dark street

together.

CHAPTER V.

"WHAT SHALL WE DO WITH HER?"

Scarcely had the echo of the front door, ceased to resound through

the mansion, when the Madam entered the holy place from which Arthur

and Herman had just departed. Her step was vigorous and firm, as she

crossed the threshold; her face flashed with mingled rage and triumph.

"He will return to-morrow at ten o'clock!" she cried, and burst into a

fit of laughter, which shook her voluminous bust,--"there's two ways

of tellin' that story, my duck." (The Madam, as in all her vivacious

moments, grew metaphorical.) "Catch a weasel asleep! Fool who with your

tin 'fip!' I guess I haven't been about in the world all this while, to

be out-generaled by a snip of a boy like that!"

Louder laughed the Madam, until her bust shook again--and in the midst

of her calm enjoyment she saw--the desk and the broken lock. Her

laughter stopped abruptly. She darted forward, like a tigress rushing

on her prey. She seized the lamp and raised the lid, and saw the

contents of the desk,--packages of letters, mysterious instruments and

singular vials, all,--all,--save the red book.

The Madam could not believe her eyes. Rapidly she searched the desk,

displacing its contents and researching every nook and corner, but her

efforts were fruitless. There were packages of letters, mysterious

vials, and instruments as mysterious, but,--the red book was not there.

For the first time in her life, the Madam experienced a sensation of

fear,--unmingled fear,--and for the first time saw ruin open like

a chasm at her very feet. She grew pale, sank helplessly in her

arm-chair, and sat there like a statue,--rather like an image of

imperfectly finished wax-work,--her visage blank as a sheet of paper.

"Gone,--gone," the words escaped from her lips, "ruined, undone!"

This state of "unmasterly inactivity" continued, however, but for a

few moments. All at once she bounded from her chair, and a blasphemous

oath escaped--more strictly speaking--shot from her lips. She crossed

the floor, with a heavy stride, gave the bell-rope a violent pull, and

then, hurrying to the door screamed "Corkins! Corkins!" with all her

might.

"Why don't they come! Fools, asses!" and again, she attacked the

bell-rope, and again, hurried to the door,--"Corkins, Corkins, I say!

Halloo!"

In a few moments Corkins appeared, his spectacles awry and his

right-hand laid affectionately upon his "goatee."

"The matter?"

"Don't stand there starin' at me like a stuck-pig!" was the elegant

reply of the Madam,--"down into the cellar,--quick,--quick! Tell Slung

to come here. Not a word. Go I say!"

She pushed Corkins out of the room. Then pacing up and down the small

apartment, she awaited his return with an anxiety and suspense, very

much like madness, uttering blasphemous oaths at every step she took.

Footsteps were heard, and at length, Corkins, dressed in sober black,

appeared once more, leading Slung-Shot by the hand. The ruffian

stumbled into the room, his brutal visage, low forehead, broken nose

and elongated jaw, bearing traces of a recent debauch. Folding his

brawny arms over his red flannel shirt, he gazed sleepily at the Madam,

politely remarking at the same time--

"What de thunder's de muss,--s-a-y?"

"Are you sober?" and the Madam gave Slung a violent shake; "are you

awake?"

"Old woman," responded Slung, "you better purceed to bisness, and give

us none o' yer jaw. What de yer w-a-n-t? s-a-y!"

The Madam seized him by the arm.

"Two men have just left this house. One wears a cap,--the other, a hat.

The one with the cap and cloak is the shortest of the two; and the one

with a cap carries under his cloak a book, bound in red morocco, which

he has just stolen from yonder desk. D'ye hear? I want you to track him

and get back that book at any price; even if you have to--"

"Fech him up wid dis?" and the ruffian drew a "slung-shot" from the

sleeve of his right arm.

"Yes, yes; anyhow, or by any means," continued the Madam; "only bring

back the book before morning, and a hundred dollars are yours. D'ye

hear?"

"A shortish chap with a cap an' cloak," exclaimed Slung; "there's a

good many shortish chaps with caps in this 'ere town, old woman."

"I have it! I have it!" cried the Madam; and then she conveyed her

instructions to Slung in a slow and measured voice. "Don't you think

you'd know him now?" she exclaimed, when her instructions were complete.

"Could pick 'im out among a thousand." And the ruffian closed one eye,

and increased the boundless ugliness of his face, by an indescribable

grimace.

"Go then,--no time's to be lost,--a hundred dollars, you mind;" and she

urged him to the door. He clutched the slung-shot and disappeared.

Corkins approached and looked the Madam in the face.

"The red book gone?" he asked, every line of his visage displaying

astonishment and terror.

"Gone," echoed the Madam, "to be sure it is. Our only hope is in

that ruffian. One well-planted blow with a slung-shot, will kill the

strongest man."

"The red book gone!" Corkins fairly trembled with affright. Staggering

like a drunken man, he managed to deposit himself in a chair. He took

the gold spectacles from his nose, and wiped them, in an absent way.

"Bad," he muttered. Then passing his hand from his "goatee" to his

top-knot, and from top-knot to "goatee," again he muttered, "The red

book gone! what will become of us?"

"If it is not recovered before morning, we are done for," cried the

Madam; "that's all. But this is no time for foolin'? Come, sir! stir

your stumps!"

She took the light and led the way up-stairs, followed by Corkins, who

shook in every fiber; murmuring, at every step, "Gone! gone! The red

book gone!"

Entering the passage which led to the chamber of Alice, the Madam

paused at the door of that chamber, and pointed to the door of the

closet which (you will remember) was buried under the stairway that led

to the fourth story.

A faint moan was heard; it came from the chamber of Alice. The Madam

did not heed that moan, but opening the closet door, crossed its

threshold, followed by Corkins. The light disclosed the details of that

small and gloomy place; and glittered brightly upon a mahogany chest or

box which rested on the floor. A mahogany box, with surface polished

like a mirror, and a shape that told at sight of death and the grave.

It was a coffin; and the coffin of that nameless girl who had been

removed from the bed, in the adjoining chamber, in order to make room

for Alice.

"What,--what--is--to--be--done--with--her?" said Corkins, as he touched

the coffin with his foot.

New York: Its Upper Ten and Lower Million · 第 17 / 22 章