THE END OF THE RAFT
We were now only sixty-five miles from Baghdad, and with luck we should
reach it next day. We travelled on all night, and on waking up next
morning found ourselves floating past cultivated banks and creaking
waterwheels, and sighted in the distance dark patches of palm-groves.
But, in spite of Ali's prayers to the "God of the favouring breeze,"
our enemy the wind rose up once more and compelled us to put to shore.
From this point it was only a few hours by land to Baghdad. We could
faintly see the town itself on the distant horizon line to the east,
separated from us by a great expanse of sandy desert. We were told,
however, that the river wound in and out so much that it was still a
day's journey off by water.
We kicked our heels disconsolately on shore--a sandy shore this time;
little sandy hillocks alternated with patches of struggling tufts of
grass. We sat there all day. The sand blew into our faces, and the
river rolled on past us--and just behind me a rat put its head
occasionally out of a hole to see if we were still there. Arten also at
intervals put his head out of the hut and held up his hand in the
hurricane to feel if the wind was blowing. "There is still much wind,"
he would say, and as no one paid any attention to his original remark
he retired again into the hut, and the rat looked out of his hole. I
always mixed up Arten with rats after that day. By and by a goufa
appeared on the scene. A goufa is a native boat made of pomegranate
branches laced together with ropes and covered inside and out with
bitumen. It is like a circular coracle, eight to ten feet across and
about four feet deep, and is propelled with a single paddle. The crew
disembarked just above us. First came half a dozen Arabs, then a veiled
woman, then a donkey, then a buffalo, then another woman, then three
more men. One donkey still remained inside with two men. He refused to
be jumped over the side like his predecessors. All the people on shore
yelled at him and the men in the boat hit him. Hits and cries were of
no avail; he sneered at the yellers and kicked at the hitters. The
donkey on land gazed mournfully at his companion and brayed. Finally
the offender put his two fore feet on the edge of the boat and the men
behind seized his hind legs and heaved him overboard. He rolled over in
the water, shook himself unconcernedly, and started to browse the
withered grass. Then everybody disappeared behind sandy hillocks, the
goufa floated past us, and we were once more left alone with the wind
and the rat.
Towards sunset we made a start again, and floated on most of the night.
Small mud villages and plantations of palms and orange-trees were
scattered thickly on each side of the river. We seemed to be quite
close to Baghdad; gilded domes and minarets stood up on the sky-line
above confused masses of flat-topped houses and groups of palm-trees.
But all the morning we wound slowly round and round endless loops of
the river and hardly seemed to get any nearer to our destination. The
banks now teemed with life; goufas shot across past us from one bank to
another with mixed consignments of men and animals; mules plodded up
and down drawing skins of water over windlasses; groups of Arabs lay
about on the sunny banks and shouted inquiries at the kalekjis as we
passed. The houses, which had been mud hovels higher up the river, now
looked more substantial, and were each surrounded by high walls
enclosing shady orange gardens. Finally we hove in sight of the bridge
of boats which guards the entrance to the town, and ran into the shore
just above it. The bridge, we learnt, had to be broken down before the
raft could pass through, and as this seemed likely to take some hours
we landed and drove up to the Consulate. H.M. Vice-Consul was away, and
so we proceeded to the Babylon Hotel.
[Illustration: "DRAWING SKINS OF WATER."]
Baghdad can be reached in a normal way up the Persian Gulf to Busra and
from thence by the weekly mail steamer; it contains, therefore, certain
concessions to the ideas of occasional European agents and commercial
travellers. The Babylon Hotel is one of these concessions. There was a
dining-room hung all round with the framed self-assertions of various
wine and spirit merchants whose names, strangely familiar, mocked us
from the wall as a first greeting from the borders of civilisation.
Hassan stood in the middle of the room and gazed at them open-mouthed.
These were to him English works of art, decorations of great English
houses, in keeping with the gaudily covered chairs and meaningless
glass ornaments. Each one had unmistakable pictorial aspects of the
bottle. He pointed at first one and then another.
"Ingilhiz," he said in a tone of congratulation. He was always pleased
when we met with anything which would seem to remind us of our native
land. We were irresponsive; he studied them further.
"Raki?" (Whisky) he added, the note of inquiry tinged with apologetic
scorn.
The hotel was built, like all the better modern houses, along the banks
of the river, with overhanging balconies. I escaped from the further
evidences of Western vulgarity, and, leaning over the rail of the
balcony, let the passing river wash them away from the disturbed
crevices of my brain. Just beneath, on one side, the narrow street
which led to the hotel was continued past it down to the shore; and
here came an incessant stream of natives; women with waterskins to fill
and men with mules carrying baskets of town refuse to empty; the same
spot served admirably for both purposes. The Eastern has an
overwhelming love for "taze su" (fresh water); he drinks it, he sings
to it, he worships it, he makes an emblem of it, and yet--with his
extraordinarily consistent inconsistency--he makes the town midden and
the town watering-place one and the same spot.
A nearly naked child sprawled about amongst the dirt and rubbish,
unearthing hidden treasures in the form of bright tin lids. The mules
strayed about at the water's muddy edge, putting in a drink on their
own account whilst their masters, having emptied the loads, filled
waterskins for the return journey.
A big, lumbering sailing boat was being unloaded just below me; the men
swung themselves to and fro together as they pitched heavy bales
overboard.
"Allah, Allah, Allah," they sang out as they swung. Round their heads
circled and swooped white gulls talking of the sea.
And now, through the distant broken bridge, clumsily floating down the
current, came our raft, square and stubborn amongst the twirling,
swiftly paddled goufas. Like a great, uncertain, bewildered animal,
turning now this way and now that, guided by the unwieldy poplar poles,
it lurched up the watering-place and stuck on the midden.
From every corner of the narrow, winding street sprang out half-clothed,
jabbering Arab forms; gesticulating, fighting, jostling, they proffered
their services in the task of unloading.
In a few moments all our belongings were removed; the cooking-pots, the
rugs, the beds, all the personal requirements which had made it into
our home for so many weeks. Stripped and deserted, looking almost
ashamed of itself, it lay there in all its naked clumsiness. By
to-morrow even this vestige of our journey will have disappeared for
ever from the realms of historic evidence. The felt strips, the walls
which have sheltered us through so many stormy nights, will be sold to
the highest bidder; they will serve henceforth as carpets in some
native hovel, on which the Mahomedan will kneel to say his prayers or
squat to smoke his pipe. The poles and oars will go as firewood; and
the skins, deflated, will return to the country we have left. Nothing
will remain but the memory of it to a few human minds. We are glad that
it is to be so; as it has been exclusively ours in the past, so will it
remain ours only in the future. We made it what it was, and without us
it will cease to be.
The waters gave it a farewell lap as they passed on. We had stopped;
but they went hurrying on, taking with them all those mixed memories of
peace and danger, of contemplation and exertion, of idleness and hurry
which they, and they only, had shared with us. They had borne us from
the wilds and fastnesses of the unconquered East to the gateway of the
Western invasion; through the dreariness and desolation of desert
lands, through the magnificent isolation of gorgeous mountain scenery,
past the ruined evidences of ancient Western civilisations still mocked
by the persistence of squalid tribal huts; and now, having deposited us
to draw our own conclusions in this decayed city of the Khalifs, they
hurried on, lapping scornfully in their course at the rocking
pleasure-boat of Messrs. Sassoon's representatives and the white steam
launch of H.M. British Vice-Consulate.
Impartially, as they had borne us up, so down here they bore up alike
the brass trinkets shipped in their thousands from Manchester, the
emissary of the British and Foreign Bible Society, the golf clubs and
society papers for the English Club; and with an indescribable roar, as
of grim laughter, rushed headlong into the salt blue waters of the
Persian Gulf, where, surrendering irretrievably their own bounded
individuality, they merged themselves in the larger life of the
untrammelled Eastern seas.
PART III
BAGHDAD TO DAMASCUS
"I read on a porch of a palace bold,
In a purple tablet letters cast--
'A house though a million years old,
A house of earth comes down at last;
Then quarry thy stones from the crystal All,
And build the dome that shall not fall.'"
CHAPTER XIX
BABYLON
The eastern gate of heaven was unbarred; Shamash, the Sun-god of
Babylonia, flamed forth and stepped upon the Mount of Sunrise at the
edge of the world. As he had poured the light of heaven upon the
luxuriant gardens and fertile corn-lands of the Babylonians, so was he
pouring it upon the same spot, now an arid and deserted wilderness. We
were crossing it on our way to visit Babylon. It was pitch dark when we
had left Baghdad in the procession of covered arabas which conveyed
pilgrims to Kerbela and merchants to Hillah. We had been roused at 2
a.m., and had threaded our way silently through the sleeping streets by
the light of a dim lantern. Huddled human forms lay about in angles and
on doorsteps, and at every moment we stumbled over the outstretched
limbs of a yellow dog. We crossed the Tigris in one of the round native
boats, and landed within a few minutes' walk of the khan from where the
arabas started. We had an araba to ourselves: an oblong wooden box on
four wheels, with a light canvas top and canvas sides that could be
rolled up or let down at pleasure; a narrow wooden plank, with a
singularly sharp edge and an uncomfortably hard face, ran down each
side, and was called a seat. We were going to sit on it for twelve
hours. We were drawn by four mules harnessed abreast. Our driver had
knotted the reins and hooked them on to his seat; his hands were rolled
inside his cloak, and he sat huddled up on the box in the freezing air
of sunrise. The mules galloped ahead at their own discretion; the araba
lurched over ruts; sudden jerks shot us against one another, or threw
us in the air, from whence we descended with some emphasis in the
vacuum between the two sharp edges.
Now the horizon on the left blazed orange and red, and the desert sands
were pink. Stunted tufts of grey-green grass tried to assert themselves
in the barren soil; mounds, marking the site of ancient villages,
occurred at random; walls of sand, indicating the course of old
irrigating canals, broke the level plain; they could almost be taken
for the work of Nature, for the hand of Time had obliterated the marks
of man. Every twenty minutes the arabas came to a sudden stop to give
the mules breathing time; there is a general dismounting of the
passengers; the plain is suddenly dotted with bending, praying forms,
groups of excited talking Arabs, isolated, contemplative, smoking
individuals, fussy superior Turkish officers flicking the specks of
travel off their smart uniforms; veiled women peep from behind the
curtain of a closely packed conveyance; a small Arab child plants
himself with outstretched legs in front of us, and sucks his thumb in
complete absorption as he gazes upon us like a little wild animal. Then
the whole scene dissolves itself into a sudden rush for the carriages,
as of so many rabbits bolting into a warren at the sound of an alarm,
and off goes the whole train at a gallop; belated loiterers hang
perilously on the step of any conveyance they can catch, and try to
snatch the lash of the whip with which the driver good-humouredly
flicks them. Finally, we approach a collection of mud huts; we dash
through them, scattering hens and children, and draw up in a long line
opposite a large khan in the centre of the village. This is one of the
regular halting places for caravans, and we have a short wait while the
mules are being changed. A stall close by is already closely besieged
by our fellow-travellers clamouring for tea, which is sold in small
glasses after the Persian custom. We buy a little blue dish of thick
cream from an Arab girl in a blue smock, and make a sumptuous breakfast
off it and dates.
With a fresh set of mules we start off again; the party is more lively.
We dash up the sides of an embankment, catch a glimpse of a silted-up
canal as we waver for a moment on the top; then a fearful double lurch
throws us about as the two front wheels go downwards whilst the two
back ones are still going upwards. A short, sharp descent follows, then
comes a level stretch; the driver boys shout and race one another, we
overtake and are overtaken, we jeer and are jeered at.
And the Sun-god pursues his journey in silence and unconcern across the
dome of heaven.
We pass bands of Persian pilgrims on their way to the sacred Tomb of
Hosein, son of Ali and grandson of the Prophet. Many of them trudge
along on foot, grasping only the stout staff which one's mind
associates with pilgrims; these give a true feeling of sackcloth and
ashes. Some ride mules and carry a few worldly goods in saddle-bags.
There is a Pasha mounted on a fine Arab horse and followed by servants;
large pack trunks on mules in his train make one doubt the existence of
his hair shirts. The women sit in covered wicker cradles suspended on
each side of mules; donkeys bear rude coffins strapped crossways over
their backs, for the ambition of the true believer is not only to make
the pilgrimage during life, but that after death his bones may rest in
peace in the holy ground of Hosein's martyrdom.
At Mushayhib we halt again to get a fresh relay of mules. Here the
roads branch and we part company with the rest of the party, who are
going to Kerbela. We jerk along over the ridged and rutty ground. I
find myself wondering whether cushions in the chariots were amongst the
luxuries of wicked Babylon; and if so, whether it was part of the
punishment of the fourth generation that we should be deprived of them.
We come to a marshy tract with water standing in pools; the driver
thrashes the mules vigorously and shouts, the animals plunge forward,
and the boy bends his body to and fro with them as they plunge. We go
headlong into the marsh and stick; the boy uses his whip unsparingly;
the light, energetic members of our party dismount, the fat and heavy
ones remain seated; we all shout in anger or encouragement, and by
means of these strenuous endeavours are landed on the other side.
On the horizon in front we see a black line; it is formed, we are told,
by the rows of palm-trees which border the Euphrates. We are now
soberly trotting towards a great mound which, rising abruptly out of
the level plain, appears in the distance like a sudden thought of
Nature's, tired of the monotony of her own handiwork. But as we
approach, its symmetrical sides and flat table-top proclaim it to be
the work of man. Our native escort tell us, in subdued tones of awe,
how Marut and Harut, the fallen angels, are suspended by their heels in
the centre awaiting the Day of Judgment. We leave it at some distance
to the right. In front of us stretches a tract of land more desolate
and naked even than that through which we have been driving; small
heaps are scattered amongst a few larger mounds, and all are enveloped
in a network of high-banked canals, now mostly silted up. There are
marshy pools here and there, and rough tussocks of coarse grass catch
the blown sand.
"And Babylon shall become heaps," said Jeremiah. It was the heaps of
Babylon we were looking upon. Babylon, the "glory of nations," was laid
out in front of us.
The Sun-god had reached the pinnacle of his height, and covered the
spot with the brightness of heaven.
We made a detour round the edge to avoid the embankments and marshy
places, and then struck to the right across the uneven ground, at a
jolting foot's pace, towards a clump of palms on the banks of the
river. The trees partially concealed the one stone house of the
district, the home of three German professors who are superintending
the work of excavation now going on. A mud wall separated it from a
collection of mud huts; here live the natives employed in removing the
sand which buries the architectural monuments of ancient times.
We were at the foot of one of the larger mounds; it is called the
Kasr by travellers and Mujelibe (the overturned) by the Arabs, and
represents the only part of Babylon which is not altogether buried.
We climbed up the great square mass composed entirely of the debris
of former habitations; the surface was strewn with broken bricks
and tiles; in the centre stood the remains of solid blocks of
masonry. Looking down into a large ravine at the further end we
saw--half-blocked with rubbish--walls, courtyards, doorways,
pilasters, and buttresses built of pale yellow-coloured bricks, each
bearing the name of Nebuchadnezzar. Here and there architectural
ornaments were built in with the walls; bits of bright-coloured enamel
and pieces of broken pottery lay about. We wandered amongst the huge
ruin, balancing ourselves on the edges of low remaining walls and
clambering from one courtyard to another. A jackal darted from under
our feet with a shrill bark; he was answered from behind distant walls
by innumerable hidden companions. An owl flew out of a dark corner and
perched, blinking, a little way off; a great black crow hovered
uneasily overhead. The broad walls of Babylon were indeed utterly
broken, and her houses were indeed full of doleful creatures. We sat
down and listened to the wild beasts crying in her desolate houses; it
was indeed "a dwelling-place for dragons, an astonishment, and an
hissing without an inhabitant."
Shamash, the Sun-god, was nearing the western gate of heaven. The
gate-bolts of the bright heavens were giving him greeting.
The Euphrates and its wooded banks lay between us and the horizon;
above the river-line we saw a row of jet black palms in an orange
setting, and below it a row of jet black palms standing on their heads
in the rippled golden water. Shamash has reached the summit of the
Mount of Sunset; he slowly descends; the orange changes to red, the
general conflagration becomes streaked and barred; the waters of the
river grow black, almost as black as the reflected palms, the streaks
slowly die away. Shamash has entered into the Kirib Shame, the
"innermost part of heaven, that mysterious realm beyond the heavenly
ocean, where the great gods dwell apart from mankind."
"O Shamash, thou art the judge of the world,
Thou directest the decisions thereof...."
Thus prayed the dwellers of the city four thousand years ago. And with
the same light with which you lit the pomp and splendour of the works
of their time, you light the decay and ruin and hideous desolation of
the present.
"Verily there is a God which judgeth the earth," say we, four thousand
years later.
And as you smiled on those who worshipped you as the supreme God and
Creator of all things, so you smile on us who look upon you, bound and
fixed, with no will of your own, following the inevitable laws of
Nature. Will you, four thousand years hence, light with the same light
sojourners in this land, and will they wonder at our conception of your
nature and function, as we wonder at the faith that your ancient
worshippers had in you? Or will you, before them, have run your
allotted course and consumed the whole world, whether in the fiery
furnace of your wrath or in the uncontrolled madness of your broken
bonds?
The next morning we visited Babel, the mound we had passed the day
before. We walked for more than a mile through the palm-groves by the
river. Under the shade of the trees were numerous huts made of mud,
covered and enclosed with piles of fine brushwood. There were various
signs of human occupations. Two cows were toiling peacefully up and
down an entrenchment, drawing water in skins over a rough windlass; the
skins emptied themselves into a channel, and the water wandered about
in vaguely directed irrigation. On the bank beside them lolled an Arab
with a long pole, who prodded the sleepy beasts in the moments when he
was more awake than they were. A large mass of brushwood was moving in
front of us; it looked like one of the huts endowed with a pair of very
thin brown legs. As we overtook it the mass half-turned towards us, and
a woman's form, doubled in two, looked small in the middle of it.
At the doors of the enclosures naked children sprawled about, all with
gleaming white teeth and closely shaven heads, save for the one lock of
hair, with which they are to be pulled up to heaven; women with
tattooed faces and dangling ornaments pounded barley in primitive stone
mortars, and baked thin cakes of bread on flat stones.
Leaving the river-side we struck out to the right for half a mile
across the bare, parched ground, where tufts of rough grass were trying
to get a footing in the white, barren soil. We climbed up the mound,
passing bands of workmen tunnelling in the sides and removing the
bricks which lay about in tumbled heaps or in bits of standing walls.
From the top of Babel we could look right over the tract of land once
enclosed by the walls of Babylon. The descriptions of Herodotus enable
the traveller to call up some sort of idea of the scene in his time. We
learn from him that the city was built in the form of a square,
surrounded by walls of enormous strength; each side of the square was
fourteen miles long, each side had twenty-five gates of solid brass and
was defended by square towers built above the wall; twenty-five streets
went straight across the city each way from gate to gate. The city was
thus cut into squares. The houses, three or four stories high, faced
the street and were built at a little distance apart from each other;
between them were gardens and plantations. A branch of the river ran
through the city; its banks were one long quay. The larger buildings
stood in the centre of a square, each apparently fortified and
surrounded by walls of its own. It is of these smaller walls only that
any trace can be detected. From the foot of Babel, where we stood,
remains of earthen ramparts could be traced for two or three miles
southwards; they then turned at right angles towards the river and
extended as far as its eastern bank. The mounds they enclosed were
presumably the site of the more important buildings. Babel itself is
supposed to represent the temple of Belus. The Mujelibe, or Kasr, lying
to the south of us, is identified with the Palace of Nebuchadnezzar and
the hanging gardens; further south still was a lesser mound, Amram. We
knew that Birs Nimroud, the great ruin which is looked upon as the
Tower of Babel, lay beyond this again, although we could not see it
from where we stood.
The whole gleamed white in the strong sunshine. On our right the
Euphrates rolled along, as unconcerned in his course as the Sun-god
overhead. We could trace the direction of the river southwards to the
horizon, marked by the palms along its banks. They made a thin, dark
line across a wide, light plain--an alluvial tract which is only
waiting to yield its hidden gifts on the day when Man joins hands with
Nature and distributes the waters of the river. But not so the actual
soil of Babylon; that soil, consisting as it does of building dust and
debris, is of a nature which destroys vegetation. "The Lord of Hosts
hath swept it with the besom of destruction," and it is doomed
perpetually to be a "dry land, a wilderness, a land wherein no man
dwelleth."
As we looked upon the great plain which stretched away all round until
it carried the eye on into the sky above, we could almost believe with
the ancients that the edge of the earth joined the dome of heaven and
that both were supported by the waters of Apsn--the deep.
A great wave of silence rolled out of the desert and broke over us. It
seemed natural to be immersed in silence; could anything else be
expected from a land which had never been alive with the stir of
humanity even in far-off ages, of which one might now feel the hush
while listening for the echo? The desert had always been silent and
would be silent for ever more--a dead, unconscious silence, with no
significance save of absence of life. But when we looked at the site of
Babylon stretched just beneath us, we became vividly conscious of a
real, living silence; we were listening to the "hum of mighty
workings"; voices of souls long since dead, the dust of whose bodies
lay at our feet, were "wakening the slumbering ages." Had not
Nebuchadnezzar entered into the House of the Dead in the great cavern
Araltu, the Land of No Return? The dead had been stirred up, even the
chief ones of earth, to greet him as he entered hell: "Art thou also
become weak as we? Art thou become like unto us? Thy pomp is brought
down to the grave, and the noise of thy viols: the worm is spread under
thee, and the worms cover thee, ..." and they looked at him narrowly,
saying, "Is this the man that made the earth to tremble?"
And yet still for us "the wind uttered" and "the spirit heard" his
vainglorious cry: "Is not this the great Babylon that I have built for
the house of the kingdom by the might of my power and for the honour of
my majesty?"
The silent answer to it lay at our feet. And, listening, we heard the
solemn warnings of Daniel, the sorrowful forebodings of Jeremiah, and,
above all, the ironical voice of Isaiah:--
"Let them stand up and save thee,
Mappers of heavens, Planet observers, Tellers of new moons,
From what must befall thee."
As we listened again we heard the noise "like as of a great people; a
tumultuous noise of the kingdoms of nations gathered together....
"A sound of battle is in the land and of great destruction....
"A sound of a cry cometh from Babylon and great destruction from the
land of the Chaldeans....
"One post ran to meet another post, and one messenger to meet another
to shew the king of Babylon that his city is taken."
Then we heard a sound of much feasting and revelling; we heard a solemn
hush when there came forth fingers of a man's hand and wrote upon the
wall. Even as we listened to the hush it seemed to grow into the great
hush of ages, and we remembered that we stood alone in the living
silence of these great dead, surrounded by the dead silence of an
uninhabited land.
Overhead the Sun-god silently vaunted his eternal existence; at our
feet the Euphrates rolled fresh waters of oblivion from an eternal
source to an eternal sea.
CHAPTER XX
THE SOUND OF THE DESERT
The Syrian desert between Baghdad and Damascus; two white tents, a
prowling jackal, and a starry sky.
* * * * *
There was a sense of stir in camp; a rattle of tins and a neighing of
animals; a faint odour of lighted charcoal was wafted in at the tent
door. I opened one eye; X still slumbered peacefully at the opposite
side of the tent. Arten appeared at the door with a jug of water and a
light. "One o'clock," he said laconically as he placed them on the
ground and retired. The stars were still shining, my bed was very warm.
True, it was one o'clock in Turkish time only, but no Christian ought
to be roused at that hour. X fell out of bed with a determined thump.
"It's late," she said. I made no response, but, knowing from experience
that X was always right, tried to reconstruct my ideas about time and
reconcile the fact that it was late with its being one o'clock in the
morning. Besides, if X ordained that it was late, in another half-hour
the tent ropes would be loosened regardless of the stage our toilet had
reached, and a falling tent, when one has just got one's back hair into
shape, is exasperating if not damaging. I got up, and just managed to
hurl myself through the door, mostly clothed, as the tent collapsed on
the ground. X was already seated cross-legged on a rug outside, holding
one blue hand over a few charcoal embers while she munched a piece of
dry bread held in the other. "You need not think I have eaten all the
butter," she said, "because there wasn't any." Satisfied with the
explanation, I munched my bread in silence and swallowed a cup of thick
tea; we had been carrying water for three days and it was getting
opaque.
The stillness of the night which reigned outside was being invaded by
the cries and movements of men; dark forms flitted about as they
watered the animals and adjusted the nose-bags for the morning's feed.
A horse, impatient of his tether, had broken loose and was galloping
defiantly round the camp, inspired to further mischief by the methods
of his pursuers, whose idea of reassuming their authority over him was
to rush in his direction flourishing whips and uttering piercing cries.
He was finally brought to bay entangled in some tent ropes, and a
sudden lull fell on the disturbed atmosphere. The Oriental can work
himself into a pitch of excitement which would keep a European in
hysterics for several hours, and then suddenly drop the matter and
become instantly silent and unconcerned. There seems no half-way stage
between excessive noise and an indifferent silence.
Somewhat awakened by this incident, the men set to work to pack up the
camp; the mules were unloosed and stood about with looks of resignation
as the loads were adjusted on the creaking pack-saddles and secured
with ropes. There was a subdued din and confusion without any sense of
hurry. "Allah! Allah!" the native cries when he exerts himself in
any way. "Aha, aha!" he cries with equal ardour, mingled with
satisfaction, when his task is accomplished.
And now the last knot has been tied, the last cloak laid across the
saddle; the last ember of the dying charcoal fire has been carefully
raked out to light the cigarette, and we straggle slowly out into the
gloom, leaving one charred spot and a sardine tin in the sandy waste.
There had been a suggestion of redness in the gathering light for the
last few moments; streaks of silver and bars of gold lined the dusky
sky. It is disconcerting to be travelling westwards when one wishes to
be aware of a rising sun. I twisted myself round in the saddle and,
leaving my horse to pick his way, advanced backwards. The whole scene
was soon a vast glow of colour, the yellow sand of the desert holding
and reflecting the brilliant reds and yellows; and now the sun appeared
on the horizon line and slowly rose, until the whole disc of fire stood
out in glowing magnificence and then gradually grew paler as he shared
his substance with the surrounding sky. The long straggling line of our
caravan, which had looked like a black serpent twisting through a sea
of fire, became less black in the growing light, and men and animals
assumed individual shapes.
In another half-hour the broad light of day showed the surroundings in
their common aspect. I twisted round again in the saddle, and, having
turned my back on poetry and romance, became only conscious of the
temperature of my extremities. The cold was intense; X and the soldiers
were far ahead; the caravan lagged behind; I was alone with cold hands
and feet. Poets and philosophers have talked of being alone with the
sun and the earth: if ever conditions were favourable for enjoying the
sole companionship of these two elements, it might seem to be under the
present circumstances. But in the desert one can be more alone even
than this, for in some frames of mind the sky and the earth give one no
sense of companionship. Cold and implacable the grim silent desert
stretched away in front beyond the realms of space; the hard blue sky
overhead stared into the abyss of Time, offering no link between Nature
and Man. There was nothing one could take hold of; no cloud in the sky
of which to ask the question "Whither?"; no shadow on the earth to
which one could say "Whence?" You were thrown back on yourself, were
only conscious of your beating heart and a void. The words of a great
lover of nature rose up in my mind: "There is nothing human in nature.
The earth, though loved so dearly, would let you perish on the ground
and neither bring forth food nor water. Burning in the sky the great
sun, of whose company I have been so fond, would merely burn on and
make no motion to assist me." You felt keenly alive in the middle of
this cold dead space, and you knew there was something alive in you
which demanded something of it: had you no place in the economy of this
great silent Universe? was there no way of making yourself heard or
felt? Is it that the soul of man must be there to make things alive,
and you were now crossing earth where no soul of man had crossed
before, and all things were dead? From sheer agony I cried out; no
answering echo followed; the sound fell flat and dead. The cold heavens
stared placidly on, the surface of the earth was unruffled. I drew rein
and listened intently: I heard the roar of London streets; the cry of
the newsboy, the milkman's call, the tramp of a million hurrying feet;
I heard the rush of trains and the screech of engines; I heard a
thousand discordant voices in divers tongues where men were struggling
and rushing after material ends. And dominating all this, infinitely
louder and more distinct, making itself heard supreme and all powerful,
filling the great space in which one had seemed eternally lost, I
heard--the Silence of the desert. Why wish to make one's self
heard?--better be still and listen to the voice of silence; let its
words sink into you and become part of you, and so take some of its
quiet and peace back with you into those crowded cities of men.
If there is a link between anything in you and this grim stretch of
barren sand and impassive depth of distant sky, it is the response of
its silence to the silence in you. It is the material aspect of silence
in its crudest form appealing to and recognising in you the unspeakable
realms of silence which exist in the region you are dimly conscious of
beyond your senses. As we pray to the sea for its depth and calm, to
the wind for its freedom, to the sun for its light, so we pray to the
desert for its silence. Let your nature expand to the width of this
horizon, to the height and depth of this sky, and fill it all with the
eternity of this silence.
Ask of the sun why it shines, and if there is light in you it will
answer; ask of the wind why it blows, and to fettered and free alike it
gives its answer; ask of the desert why it is silent, and if there is
silence in you you need no answer.
Is there any calm for you in the sea until you put it there? Do you
feel any freedom in the wind until you have created it? But can you, in
any mood or under any circumstance, evade the silence of the desert?
Its influence extends alike to those who receive it and those who
resent it.
The men who have no region of silence in themselves are under the power
of its physical aspect; to them it is oppressive, wearying, and
deadening; there is an absence of life, a presence of monotony from
which there is no escape. But once we recognise its silence as being of
the nature of what we possess in ourselves, the shadow of monotony and
oppressiveness is lifted. Can its effect be better described than it is
in that fundamental doctrine of Islam, where it almost coincides with
the teachings of Christianity in its endeavour to give expression to
the truth? "Islam," that is the resignation of our own will to that of
one great power, the effacement of self, the futility of putting our
own will or mind against that of the great, silent, all powerful,
inevitable laws of Nature--the Moslem idea of Fate and Power--the
Christian's blending of his own will with the Divine will--the
scientist's recognition of Law--you may put it how you will; are they
not but different interpretations of the unseen power, which, silent in
itself and only understood in silence, holds supreme sway in moments of
silence, and, when expressed in its physical aspect in these barren
regions of the earth, appeals through our eyes and ears to the regions
in us, beyond these senses, where it exists in its essential condition?
I rode on; the sun had warmed my left side through and the right was
beginning to thaw. My shadow, which had been keeping pace with the
horse on the right, now began to creep in front as the sun rose higher.
By the time its burning rays poured straight down overhead the
foreshortened shadow seemed to be leading the way along the desert
track. In time the heat became almost unbearable, and, suddenly
awakening to the stern realities of physical discomfort, I brought my
whip down on the horse's flank; he leaped, startled, in the air, and
then flew after his shadow in a settled gallop. Air, of which one had
become unconscious, rushed past one's face, and the muffled thud of his
hoofs on the sand seemed to measure time and space. I dashed up to X
and stopped dead beside her. She looked round inquiringly. "Let's eat,"
I said. She looked at her watch. "We have been riding four hours," she
said; "we might stop at the next good place." I looked ahead
significantly. "One place looks much the same as another," I said. "I
think there is a dip in the ground further on," she answered, "where we
might get a little shelter." There did seem to be a slight wave in the
flat expanse and we rode on to it, but, like all dips in this country,
when we arrived at it, it did not seem to be there. We had had so much
experience in riding after delusive dips that we decided to stop here,
and slid off our horses. The cook unpacked the lunch from his
saddle-bags and placed hard-boiled eggs, biscuits, and dates beside us.
He carefully filled a cup with a thick, brown liquid from the bottom of
his waterskin. "Bitdi," he said, by which expression he conveyed that
the fresh water was now finished. Then he and the men retired a few
yards and ate their lunch. Nothing was heard but the steady munch of
human jaws. Then they stretched themselves on the sand and absolute
silence reigned, broken by occasional snores. We too lay back, each
concealed from the other under two huge umbrellas, which seemed rather
to focus the sun's rays than shade them from us.
When one was alone the desert had seemed full of unqualified silence;
in company with others the silence seemed even greater, for the slight
sounds which there were made one more conscious of the sound which was
not. The clank of the horses' bits, the quiet breathing of one's
companions, the stir of a foot, made one realise the intensity of the
silence of the whole vast expanse. The far-off tinkling of the mule
bells in the approaching caravan gave one a sense of distance in a way
one would hardly experience by simply gazing at an unapproachable
horizon. The heat and the slight fatigue added a feeling of drowsiness
which would make even the solid things around one seem shadowy and
distant. It was a waking sleep; one's senses were numb because of the
absence of anything to call them into play, though one might "see,
hear, feel, outside the senses." In the same way that one is alone in a
London street one can live in a whirl in the desert; the throb of
humanity---- X's umbrella shut with a bang. "Wake up, the caravan is
coming." A cloud of dust, a stamping of animals, a shouting of men, and
we were off once more. It was our habit to keep pace with the camp in
the latter half of the day, and for the next three hours we dawdled
along at caravan pace. It was a motley crew. The muleteers trudge along
behind the laden animals, taking turns on the back of a patient,
sorrowful donkey, on which they ride sideways with dangling legs,
pricking its side with a long needle, the secondary object of which is
the repairing of broken straps. The pack-mules go doggedly on in front,
jostling one another with their unwieldy loads. Occasionally one gets
off the track and wanders aside, only to be urged back into line with
yells and blows. Another stops dead, feeling its load slip round
sideways. The men rush at it with shouts of "Allah! Allah!" the
load is shoved up and the ropes tightened. There is a general din of
shouting and swearing and jangling of bells; and above it all the
disdainful camel moves deliberately on with measured step and arched
neck, unmindful of the petty skirmishes so far below it; its owner,
infected by its spirit, rocking on the top, surveys the whole scene
with a dejected, uninterested air. Bringing up the rear, motionless and
erect on small donkeys, ride one or two older Arabs, wrapped in long
sheepskin cloaks, their faces entirely concealed in the folds of a
keffiyeh, save where two stern and solemn eyes gaze unceasingly at you
with expressionless imperturbability. Wild sons of the desert, product
of this eternal silence, are you so much a part of it that you are
unconscious of its power?
The only gay and careless element is introduced by the Turkish
soldiers. Mounted on splendid Arab mares they ride in front, sometimes
dashing ahead at a wild gallop, holding out their rifles at arm's
length, wheeling suddenly round and coming to a dead stop in front of
an imaginary enemy, upright in their stirrups; in their more subdued
moments breaking into song with the mournful Eastern refrains.
And so, forming one small world of our own, we "follow and follow the
journeying sun," and as it sinks lower on the horizon and its fierce
rays cease to beat pitilessly down on the parched ground and thirsty
animals, a silence falls on the moving band. The spirit of the desert
again holds sway. The men cease quarrelling, the animals' heads sink
lower, the donkey looks more resigned, the mule more dogged, the camel
more superior, the silent Arab more stern and forbidding; the soldier
hums where he sang before. Then at last the walls of a solitary
guard-house heave in sight. The men hail it with joyful cries, the
soldiers dash ahead, the pack-animals prick their ears and quicken
their steps to an amble. There is a general rush and tumble,
culminating in a dead halt on the ground which has formed the place for
caravans since caravans crossed the desert. All is noise and confusion.
The loads are unloosed and fall in promiscuous heaps amongst the medley
of animals, who, released of their burdens, roll over on their backs
kicking up the dust. A line of men draw water from the well, pulling at
a squeaky chain and invoking the aid of Allah in chorus as they pull. A
fight is going on in one corner; men are knocking one another down,
encouraged by a circle of yelling spectators. The din of excited
quarrelling voices, the hammering of tent pegs, dominates everything,
broken at times by the sudden neigh of a horse bitten by its neighbour
or the harsh, imperious cry of the camel for its supper. And in the
middle of it all the Turkish soldier spreads his cloak upon the ground,
turns his face to Mecca, and offers up his murmured prayer to Allah,
the one restful form in this scene of chaos.
"Allah Akbar" (God is great), prays this son of Islam, and with his
hands upon his knees, he bows his head; "Subhana 'llah" (I praise God),
and he falls upon his knees; "Allah Akbar" (God is great), and he bows
his head to touch the earth; "Subhana 'llah, subhana 'llah, subhana
'llah," and he sits upon his heels; "Allah Akbar," and he again
prostrates himself; "Allah Akbar, subhana 'llah."
And on this scene the sun casts his final rays of gold and red. As the
shades of night draw in, quiet reigns once more; the men collect round
the blazing camp-fire, and in its light we see the outline of their
dark forms seated cross-legged, as they eat out of the common bowl or
take turns at the bubbling narghile; to one side the mules are tethered
in two lines forming a half square; a muleteer is grooming them, and
one hears the rattle of his scraper and the ever tinkling bell. The
cook is stirring our evening meal in a pot on the fire outside our
tent. Hassan fetches our rugs and spreads them on the ground; we lie
down and he covers us over with his sheepskin cloak. "Rahat" (Rest),
he says, and lifts his hands over us as if pronouncing a blessing. Then
he sits down beside us and lights a cigarette. "Bourda ehe," he goes
on, describing the universe with a sweep of his hand. "Kimse yok" (It
is well here--there is no one). "Is Allah here?" asks X. "Allah is
here," he answers with simple reverence, "Allah is everywhere"; and we
all lie motionless under the stars, unwilling to probe the silence by
the sound of uttered thoughts. The murmur of the men's voices gradually
dies away as, one by one, they doze off; a jackal cries in the
distance; a star falls down to earth. The day is over, and in this land
of the Oriental there is no thought of the morrow.
The passive silence of sleep; the active silence of communing souls;
the silence of night--all fitful expressions of the one great Silence
brooding over all, be one asleep or awake, by night and by day, in
desert places and in busy haunts of men.
CHAPTER XXI
PALMYRA
It burst upon us all at once, Palmyra, in the desert--a chaos of golden
pillars in the glow of the setting sun. We had been riding all day
towards an indefinite shape on the horizon; slowly it had resolved
itself into a barrier of yellow rock with dark lines becoming
distinguishable against it. We had passed through the patches of rising
corn, making green holes in the brown desert; we had wound through the
gardens of pomegranate and plantations of palm trees and turned the
corner of the ugly konak which barred the ruins from our view; and
there it lay, the desert-girt city, in the unutterable lonely
magnificence of its reckless confusion.
We drew rein under the Triumphal Arch; from here the eye is led on down
the great colonnade from column to column, now upright, now fallen, to
where a mile away a castle crowns a peak of the range under which
Palmyra crouches--an old time harbour for the sand sea beyond.
[Illustration: PALMYRA. TRIUMPHAL ARCH.]
Behind us the present village of Tadmor was concealed inside the walls
of the great Temple of the Sun; its mud hovels lie rotting behind the
gigantic columns of the inner court in the dirt which chokes the
massive archways. Here it is that the present life of Palmyra, such as
it is, is slowly obliterating the remaining evidences of her past;
while on the opposite side of the ruins, where the hills cleave to form
a lonely valley, the dead of Palmyra, buried in a line of square
tomb-towers, still keep alive the memory of her ancient greatness.
* * * * *
Was it the sun only, with its light on the yellow columns, that made
one think of Palmyra purely as a city of gold? Or were one's thoughts
unconsciously influenced by the fact that its traditions all rest on
the getting of gold; its power was built up on trade; its great men
were the successful traffickers of the desert; its statues and columns
were raised to the memory of those who brought the caravans of goods
from India and Persia unharmed through the dangers of the desert; its
temples were dedicated to the Sun-god by those whose lives were spared
in their getting of great wealth, or to the memory of those who
perished in the attempt.
Those were the days when it was a man's boast that the blood of a
merchant ran in his veins--when a youth could aspire to no higher goal
than that of being a merchant prince of his proud city.
Her prosperity had been her ruin; the gold had led to her undoing; and
now the Sun, to whom the temples had been raised at the time of her
pride, mocked her ruins by giving them the semblance of scattered gold.
* * * * *
This is the best way to realise Palmyra--to make it the culmination of
a long and tedious journey through the desert. The first sight of it
under any conditions must indeed be wonderful, but coming in from
Damascus, which is the natural approach for visitors to the ruins, one
could never feel about it in quite the same way. Civilisation is only
five days behind you; the country you pass through, moreover, although
desert enough in a way, does not give you the same sense of being
utterly cut off from everything in limitless space; there are chains of
mountains to be seen in the distance, and cultivated patches stretching
round villages are more frequent. Then when you arrive at Palmyra you
ride first through the valley of tombs--it is the dead that give you
the first greeting; you get glimpses through the opening ahead of the
highest columns, and are slowly prepared for what is coming, until,
emerging finally through the gap, the whole scene is laid out before
you, with the gleaming desert beyond.
* * * * *
But approach it from the desert side, and all the meaning and force of
its one time existence is borne in upon you with an overwhelming
realisation. For three weeks you have been following the old trade
route from the Persian Gulf. You have made one of a caravan amongst the
doggedly jogging mules and the slow stepping camels, both heavily laden
with the clumsy pack-saddles holding bales of merchandise; the sound of
their jangling bells is the only sound you hear through the long,
monotonous ride under the blazing sun; you have spent night after night
in the circle round the camp-fire, with the men crouched under the
bales of goods piled up on the ground to form a rude shelter; the
places where you stop have been the regular halting places for caravans
for all time--now they are oases big enough to support a village, now
it is merely a well and a guard-house. As you ride through the
immeasurable expanse every dark object on the horizon line forms a
subject for speculation. Its appearance is a signal for the hasty
consolidation of the straggling line of men and animals, arms are
looked to, you all close up and ride on, apparently unconcerned, but
equally prepared for a sudden onslaught or a friendly greeting. For it
is not only the difficulties and dangers due to Nature's barrenness
that have to be guarded against. What must it have been in the days
when the countless hordes of wealth of a huge caravan were at stake,
and when the whole desert was beset with marauding tribes specially on
the look-out for such prey? What must have been the feelings of those
responsible for its safe conduct when they once more saw the first dim
outline of the Palmyra hills in the distance? The goal would be reached
that day; the troubles, the anxieties, the sleeplessness of the
watching nights would be over; proud and triumphant they would ride
down the long colonnade, the pack animals jostling one another in the
unaccustomed crush of the bounded way, and the noise of shouting
drivers and jangling bells sounding strangely loud and near in the
confining space. Down on them from the columns above would look the
statues put up to honour those who had achieved the same feat which
they themselves had just accomplished. Their names too would now be
written up and handed down from generation to generation in remembrance
of the service they had rendered their State. For such deeds as these
had built up the great city, and their fellow-citizens honoured them in
this way.
[Illustration: HASSAN.]
At first it would seem that Tadmor was merely an Arab encampment, a
stopping place amongst others for the passing caravans. The abundance
of its water and its position on the meeting point of two great trade
routes would gradually cause it to become an important centre. Dues
were levied on all goods passing in and out, and even the privilege of
using the wells was heavily taxed. Slowly it became the market-place of
the East and the West; its inhabitants were the carriers between the
Persian Gulf and the Mediterranean Sea. As the foundations of the city
were built up on trade, so commerce was a pursuit for its aristocracy,
involved as it was with all the elements of warfare and danger. Its
merchants would be pure Arabs of good blood, welcomed as equals by the
shaykhs of the desert tribes through whose territory their goods had to
pass. Palmyra had thus gradually built up her own existence as an
independent State. Political events then added to her power. The wars
of Rome with Persia made her an important military post; recognised by
Rome more as a partner State than a dependency, she was able to pursue
her own policy with such effect that she tried to assert her entire
independence and cut herself adrift from the Western power. Taking
advantage of the temporary ascendance of Persia over the Roman arms,
the desert Queen, Zenobia, fulfilled her ambition as sole Queen of the
East. After her defeat by Aurelian the town was partially destroyed; a
change in the political factors which had contributed to her importance
now hastened her downfall by lessening the significance of her
geographical position; safer trade routes further south led to the
decay of her commercial prosperity. Bit by bit she loses her place in
historical records, and at the present day Palmyra stands a lonely ruin
on a deserted trade route, inhabited by a score of Arab families.
In one sense Time has dealt gently with her; there is no decay from the
growth of vegetation in this dry climate. Neither moss nor ivy has
softened the aspect of destruction; the overturned columns show as true
and sharp a face now as the day they were set up, and the ornate
carving stands out in the same relief. One thinks of the place as built
entirely of columns; they lie in rank profusion everywhere, like a
great forest of trunks overturned by a gale. The great central avenue
runs from the Temple of the Sun in a north-westerly direction to the
castle on the range of hills which bounds the city to the north. It has
been calculated that it alone contains 1,500 columns. Much of this
still remains standing, but the gaps become more frequent, until at the
castle end the whole thing has collapsed, forming a perfect sea of
broken columns and fragments of carved pilasters. It is evident that
the minor streets also were lined with pillars in the same way; short
rows of them stand up here and there in various directions. Groups of
twos and threes suggest also their attachment to some public building
or temple. The statues were placed on brackets projecting from the
upper part of the pillars, and the inscriptions below, which have
escaped destruction, give the names and dates of those whom they were
intended to honour.
* * * * *
As we had entered Palmyra with a vivid conception of its life, so we
left it with an equally vivid conception of its death.
Standing guard like a row of sentinels at the base of the hills are the
square tomb-towers in which Palmyra buried its dead. The proud
merchants seem to have been imbued with two main ideas: the erection of
columns in their lifetime and of resting places for their families in
death. Many of the towers are over a hundred feet high and consist of
five and six stories. The bodies were arranged in tiers in the recesses
on either side of a central chamber. Some of these buildings are still
nearly perfect, others are practically heaps of ruins. The bones of the
proud merchants are mingled with the bones of the wild beasts who have
sought refuge there through the long ages.
We turn our backs on the city and ride away through the gap in the
hills. The city is hidden from view, but the tomb-towers still stand in
silent rows down the valley on either side.
We forget the golden pillars and all the ruined magnificence; we can
think of nothing but these ghostly towers seeing us out, as it were,
from this city of the dead.
High up on the hill above, in the still morning air, a shepherd boy
pipes merrily at them, and flocks of goats and sheep browse
unconcernedly at their feet.
CHAPTER XXII
AN ARMENIAN AND A TURK
I. ARTEN.
Arten was an Armenian; he was quick, thin, methodical, dirty,
intelligent, and untruthful; he was also the cook. I say _the_ cook
advisedly, for _a_ cook he was not. No doubt he would have made an
excellent cook if he had known anything about the art; but it was not
till after we had engaged him in this capacity that we discovered that
he had not thought this qualification necessary. At any rate, he knew,
being a hungry man himself, that we were in need of food of some sort
at stated intervals. In this he was a decided improvement on the Greek
cook we had just dismissed; this man had a habit of coming to us,
after we had been waiting hours in momentary expectation of a meal,
and saying with a languid air, "Do you wish to eat?" He was a good
cook, but always seemed overcome with astonishment when we expected
him to cook.
Arten was a dirty man, and he looked dirtier than he was owing to his
dark complexion and hairy hands; besides this, his unbrushed and greasy
black European clothes showed off to disadvantage amongst the simpler
Eastern garments of his companions.
"Arten is not a clean cook," Hassan would say, and Arten would smile
sadly. He must have been slightly conscious of this defect, for he
never handed me a plate or a spoon without saying "Temiz" (clean) as a
forestalling measure before I had even looked at it. He spent a good
deal of time rubbing smeary plates with a blackish cloth, murmuring
"Temiz, temiz."
He had a sincere desire to please us; but he always imagined this
object was attained by the vigorous assertion of any fact that seemed
necessary for our pleasure. "Taze" (fresh) he would say every time he
handed me an egg; and, when I cut off the top and an explosion
followed, "Taze" he would say again.
"Eat it yourself then," I would suggest, handing it back to him; after
putting his great nose right into it, "Taze," he would say. But he
never ate it; he kept it for omelettes.
His nose was his chief feature. One saw the nose first and then the man
behind it. On cold days, when we all wrapped our heads and faces
entirely in keffiyehs, Arten would be always distinguishable from the
others by this protrusion. He had a jet black drooping moustache which
he was always wiping furtively with a jet black pocket-handkerchief,
for Arten was a greedy man and the only person who loved the taste of
his own cookery.
"I like to see him getting fat," X would say; "he looked half starved
when he came to us."
But Hassan and I were not so charitable.
"Look," Hassan would say, "the door of the tent is shut; that pig Arten
is stealing the food," and he would go and kick at the tent until Arten
looked out, guiltily wiping his moustache.
"You are cold, I suppose," says Hassan with lofty sarcasm. Arten mops
his perspiring brow--he was always perspiring.
"How cold?" he answers with well feigned surprise.
"Because you shut the tent door," answers Hassan.
"Aman," rejoins Arten, "what am I to do? if the muleteers see me
cooking they come and ask for food; they are such greedy men, the
muleteers."
Hassan returns to us snorting.
"Arten says the muleteers are greedy men. Mashallah! greedy men! We
know who is the greedy man!" And he slaps his thigh vehemently.
Arten's notions of cookery were, as I have said, limited. His staple
dish was a mixture of mutton, potatoes, onions, and rice, which were
all cooked up together in the same pot, each ingredient being thrown in
according to the length of time it took to cook. It certainly tasted
very good, and I would suggest the method to those in England who
dislike washing many saucepans. His other idea of cooking mutton was
less satisfactory in results, though simpler in method, and I have no
hesitation in not recommending it to English housewives, though I
append the recipe as a matter of interest from its originality.
Take a piece of sheep, and with an axe cut it into chunks, regardless
of bones or gristle; take a chunk and throw it on to red-hot charcoal
in a brazier; when there is a distinct smell of burning and the hissing
has nearly ceased, turn it over on the other side. When it resembles a
piece of burnt charcoal, remove it and serve at once; swallow whole, as
if you try to bite it your teeth will remind you of it for a
considerable time, and in any case you will be conscious of its
resting-place for the remainder of the day.
When staying at a consulate in the middle of our tour, the consul's
wife, horrified at our fare, offered to let her cook teach Arten a few
simple dishes which would considerably add to our comfort. Arten
acquiesced with very good grace, and was inducted, amongst other
things, in the art of making cutlets. On our departure our kind
hostess, moreover, provided us with a piece of meat suitable for
cutlets. The first evening there was an undercurrent of excitement in
the air; there were to be cutlets for dinner. Arten had an important,
self-conscious bustle about him and looked mysterious; the Zaptiehs
seemed awed and asked questions under their breath; the greedy
muleteers were distinctly interested; we pretended to be unmoved.
Finally, with a modest air, through which bumptiousness glared
furiously, Arten announced that supper was ready. There was a covered
dish keeping warm under the brazier; Arten very deliberately placed it
before us and with a dramatic flourish removed the cover. We were only
conscious of a yellow-looking crumby paste.
"Where are the cutlets?" we asked, keeping up our courage nobly.
"That is cutlets, Pasha."
We tasted it; it appeared to consist of fried eggs and breadcrumbs. We
felt justified in contradicting him, but he still persisted that it was
cutlets.
"But we want the cutlets, like those the Effendi's cook showed you how
to make."
"Yes, that is it, Pasha; that is what the Effendi's cook showed me."
"But cutlets are meat," we persisted.
"Yes, Pasha; but that is cutlets without the meat."
This reasoning was incontrovertible. We tried to fill up with dates and
rice and went to bed crestfallen and hungry. The next day we returned
to the charge. I undertook to show Arten how to cook cutlets, though I
had not the smallest idea myself how it ought to be done. I had an
inkling, however, that egg and breadcrumbs were in it somehow.
"Arten," I said, "cut the meat as the Effendi's cook did for cutlets."
Arten obeyed.
"Make egg and breadcrumb," I said. He did this also.
"Now do with it what the Effendi's cook did," I said. Arten smeared the
meat with it. I began to see light and breathed more freely, but I had
still one venture to make.
"Now cook the meat as the Effendi's cook did," I said.
I held my breath; for all I knew they might now have to be boiled in a
saucepan or toasted on a fork. But Arten appeared to know what he was
doing. He took a frying-pan and fried them in fat. A glow of
satisfaction crept all over me as I watched them beginning to resemble
the finished appearance I was acquainted with. When they were actually
on a dish, I said loftily:--
"Please remember for the future that when we say we want cutlets, this
is what we mean."
"As you please," he answered affably; "I call them frisolen. I knew how
to cook them before the Effendi's cook showed me," he went on.
"Why did you never let us have them, then?" I said severely.
"How could I know you would like them?" he answered with injured
innocence.
"How did you know we liked tough chunks burnt on a brazier?" was my icy
retort.
Arten shrugged his shoulders; there never has been any accounting for
the whims of women.
Small differences of opinion such as these were continually cropping up
between us; and I would tell him in calm and measured tones, though in
forcible English, what I thought of him. As the language was
unintelligible to him, this method had the advantage of relieving my
feelings without hurting his. But there were secret bonds of sympathy
between us. We both suffered intensely from the cold, and Arten would
carefully wrap things round me so that the apertures and crevices were
not on the windward side. There is a good deal of art in this, and he
did it very scientifically.
"Little things feel the cold," he would say compassionately, and in
such a kindly spirit that, for the moment, I forgave him his greed and
forgot to feel undignified.
We were also on common ground when I tried to cook dishes which I did
not know how to cook. Currents of great sympathy ran between us when
things did not seem to be turning out right and Arten would tentatively
suggest various ways and means. But he never did what a foolish or
disagreeable person would have done: he never expressed in his looks
that I was no better than himself, which obviously would not have been
true, since I did not pretend to be a cook, while Arten did.
And then when the critical moments of our existence arrived and we
placed the dish before X, we both watched with the same intensity for
the expression of her face after the first mouthful. X was singularly
appreciative, and, when she kept assuring us how excellent it was,
Arten would glance at me encouragingly and appear to share the delight
I experienced at my own prowess. X thought Arten's cookery good, too,
but then she never knew what she was eating, and, if you do not know
the name of the dish, how can you judge whether or not it is cooked as
it ought to be?
"What is this?" X would ask one day.
"Mutton," Arten would answer.
"What is this?" she would say the next day, when the identical
substance was handed to her.
"Chicken," Arten would answer. And X was perfectly satisfied.
The next day it would be "tinned meat," and it was all the same to
her--and to me; but then I knew what a liar Arten was.
His kindness of heart and his desire to please us made it all the more
difficult not to be irritated with him when circumstances did not draw
out the better side of his nature. It is uncomfortable to despise
people in a qualified manner, and I found it impossible to despise
Arten unreservedly and therefore happily. There was no doubt that he
was a horrible coward. If he had said, "I am a coward--I am afraid," he
would have enlisted my sympathy for what it was worth, because I was a
coward myself and admired sincerity. If he had even preserved a decent
silence on the subject I should have been unable altogether to despise
him, for that was the course I pursued myself. But when any real or
imaginary danger was past he would come out with assumed and aggressive
hilarity, and make tales about it and his prowess, which latter he had
already made conspicuous enough by its absence. Yet his position was no
doubt complicated: he knew that the Turks in our train despised not
only him but his race; there was no one to suggest his courage if he
did not do it himself, and, as he was unable to exhibit it in deeds, I
have no doubt he saw no other course to pursue but that of publishing
it by word of mouth. Moreover, he had suffered personally from bad
treatment; the tale was a piteous one. Near his native town of Adana he
had a small mill where he ground corn through the season. On one
occasion he had done well and was on his way back to his wife and
children in the town, carrying his earnings, which were to keep them
through the winter. Half way home he was attacked by a band of robbers,
who relieved him not only of his gold but of all his clothes. He had to
remain in hiding by the roadside until some one passed from whom he
could borrow a garment in which to return starved and penniless to his
expectant family. Small wonder that the poor man shuddered at the word
"Khursus" (brigand) which we laughingly joked about.
"What is it to you?" he said one day; "you have rich relations, kind
friends, and a just Government. If you are robbed, justice is done to
you. But what can I expect but more abuse and ill-treatment?--and I
have a wife and small children into the bargain!"
When he was not posing as a hero, he was posing as a feature in the
landscape. This was particularly exasperating, for no amount of pity
for his condition would turn him into a picturesque martyr, even in the
foreground of ancient ruins. No sooner was my camera produced than
Arten produced himself. The only occasion on which I knew him keep out
of sight was when I was trying to get a snap-shot of the band of Kurds
who held us up on the Tigris. He seemed to have no desire to show
himself, although I was considerate enough to invite him to occupy a
prominent position for once. His appearance was not calculated to
enhance the effect of any picture. He was like a starved black
scarecrow dressed up in tight and clerical garments, with a fez on the
top--and then there was the nose. He would have made any warm desert
scene look cold, as it would not be obvious that he was perspiring, and
in any group of picturesque natives he would look ludicrous.
I recall, as I write, isolated moments of exasperation--when, for
instance, he sat, singing a hymn, kicking up the dust with his heels,
when we were trying to inflate ourselves with worthy feelings on the
contemplation of Babylon, awed by the silence and desolation of the
scene around us. Or again, how in a fit of nervousness he hurled the
whole of our dinner in agitation on the floor, while we, after an
unusually long fast, could have cried for food.
But reviewing him calmly at a distance, one remembers a man that one
alternately laughed at and pitied; who annoyed one by his transparent
faults, but who commanded one's sympathy by his tragic condition, and
one's admiration by his cheerful willingness in trying circumstances. A
man who was meant by nature to be light-hearted and happy, kind to his
fellows, energetic and interested in his work, ambitious for his
children; but who fate dictated was to have his spirit quenched, his
nature hardened, and mean and cowardly qualities developed owing to the
fear, injustice, and poverty in which, like the rest of his countrymen,
he was condemned to live.
II. HASSAN.
Hassan was an Albanian Turk; he belonged to one of the old Turkish
families and looked every inch the gentleman that he was. Introduced to
us by a common friend, he accompanied us during our seven months'
wandering through Asiatic Turkey in a semi-professional capacity, but
what that capacity was it would be difficult to define by any
particular name. A dragoman he was not, though he called himself our
"tergeman." "Tergeman," literally translated, being "interpreter," he
could claim nothing entitling him to this function, for he spoke no
European language, and it was not till we learnt Turkish that we could
hold any spoken communication with him. Briefly, he acted as a sort of
amateur dragoman without any of the qualifications usually expected of
these gentlemen--and possessing a great many of the virtues in which,
as a rule, they are sadly lacking. Essentially he was our Figure-head,
and a splendid one he made, six foot six in stature and broad in
proportion, as straight as a die and as supple as a willow, with a
handsome head set well back on strong shoulders, and keen, kindly eyes
which looked out very straight from under shaggy eyebrows. When he
walked he put into his great stride a grace and dignity which soon
earned for him the nickname of "the Prince." His chief characteristics
were that gentleness which comes of great strength under perfect
command; the courtesy which arises from a sense of other people's worth
measured by a sense of his own; and an imperturbability which could be
as irritating as it was admirable. "Ne faidet?" (what is the use?), was
a favourite expression of his, and "ne faidet," he looked all over. In
scenes of human quarrel, excitement, or danger, one was chiefly
conscious of his calm indifference of mind and manner as he silently
surveyed his companions in fear of brigands or in joy over a piece of
meat. Yet he was a man full of the passions of his race, capable of an
iron self-control when he thought fit to make use of it, but
occasionally roused into a state of temper bordering on madness. On
these occasions he would afterwards say his "jan" had had him by the
throat, and he did not know what he was doing.
A great man with a great imprisoned soul, as free and light-hearted as
a careless boy when roaming in the great forests or on the bare
mountain-side of his native home, fettered and fretful when the bonds
of artificial civilisation held him.
"What a Kallabalak! what is the use of this Kallabalak?" he would say
with a wave of disgust when he got into the middle of a noisy crowd.
"This is good, this is keyf," was his comment, with great gasps of
enjoyment, when we three sat on the ground together in some lonely spot
of a lonely desert. One felt he was breathing freely again. A silent
man by nature, he could not bear loquacious people. "Burra, burra,
burra," he would say, pointing his thumb at them; "burra, burra, burra,
what is the use of all this talking?" If the remarks were addressed to
him, they were always answered with stern courtesy. A talkative young
Armenian rode with us one day and tried to draw him into conversation.
"Is not that mirage in front of us? What a wonderful sight--trees and
water and mountains! Do you not think it must be mirage, Effendi?"
"With the eyes that Allah has given me, it does seem to be so, young
man," was Hassan's grim answer, and he rode on without turning his head
to right or left.
Yet on occasion he enjoyed a refined "Kallabalak." One night in Cairo,
when we had done for the time with camping and were seated in
cleanliness and finery in the hotel garden, a confetti feast was going
on. Serious young men and maidens, larky old men and festive matrons,
were diverting themselves in the essentially hilarious proceeding of
scattering confetti on one another. The garden was hung with Chinese
lanterns; fireworks hissed and spluttered, shooting flames of colour.
Hassan sat in convulsed enjoyment of the gay scene. It was a revelation
to him of the lighter side of life. And when a charming young lady,
bolder than the many who cast coy and curious glances at the handsome
Turk, came and administered a dose of confetti down the back of his
neck, he was overcome with glee and merriment. Afterwards, on
subsequent wanderings in wilds and deserts, he would turn to us after
hours of silence, and, bursting into a deep roar of laughter, would
say, "Do you remember the paper and the foolish men and women?"
His function, as I have said, was first and foremost that of
Figure-head; he escorted us on our visits to Turkish officials and
dignitaries, and, with grave dignity and courtly manner, unembarrassed
by his own unshaven chin or the stains and dust of travel on our
weather-worn and unwashed garments, he would make the most of anything
entitling us to belong to "the great ones of England." He cast a
general air of respectability over us, and we always felt it was
largely due to him that we were shown so much consideration in a land
where all travellers are treated with suspicion, and where women are
not regarded in a particularly chivalrous light.
But beside this, he was general caretaker of our personal comforts: he
put up our camp-beds and arranged our tent; he always sat beside us at
meals, which we took seated cross-legged on the ground, either outside
by the camp-fire, or in bad weather on the floor of the tent. His first
self-constituted duty was to peel the oranges with which we generally
finished a meal; he removed the peel to form two cups, in which he
neatly piled the sections and placed them beside us, carefully counting
the pieces to make sure that he had treated us alike. "Shimdi" (now) he
would say when we had finished the first course and we would ask for
dates. "Shimdi" he would say again when the last of these were
demolished. "Shimdi Kahiveh," and coffee would come in its turn.
"Shimdi." "Nothing more." "Nothing," he would exclaim; "nothing?" "We
will smoke now." "Tuetuen (tobacco), aha, Shimdi tuetuen," and he would
light us each a cigarette. Then, when this too was finished,
"Shimdi"--"Shimdi Rahat" (now rest), we answer--and he makes pillows
for us with our saddle-bags and covers us over with rugs. This process
was repeated every day until it became a stock joke. His jokes were all
of this kind; there were certain standing ones which had to be gone
through periodically. My Turkish was limited to about fifty words, so
that conversation between us did not flow, but X, who had learned to
speak more fluently, would ride with him for hours together, holding
endless conversations on Turkish religion, habits, and ideas. When X
and he fell out he would come and joke with me: one day I teazed him
about being a better friend to her than to me.
"How can that be?" he said gravely.
"Because," I answered, "you quarrel with the Vali Pasha" (X was the
Vali Pasha and I was the Padishah), "and then you make it up and are
great friends again. But you are never cross with me. If I were your
friend you would quarrel with me, too. But I am glad I am not your
friend, or you would get angry with me." This idea seemed to tickle him
immensely, and every day after this conversation there would be a
moment when he would ride alongside of me, and, feigning an air of
great disgust, would shrug his shoulders and say, "Istemen, istemen" (I
do not want you). It was his singularly primitive way of acting a
quarrel with me, and thereby showing that he and I were also friends. X
would also attack him on the subject.
"Why don't you go and scold the Padishah?" she said on one occasion;
"she thinks the same as I do about these things, only she cannot talk
Turkish, so she does not say them."
"The Padishah is but a child," he answered; "it would hurt her. It
would be a shame to hurt a child."
As a matter of fact I was older than X in months, but her bodily
proportions were larger than mine, and everything goes by size in the
East.
As time went on, however, we too had our little rubs, and his methods
of making friends again were what one would expect from his schoolboy
nature. If I was in the tent, he would throw stones at it until I
looked out smiling; this was taken as a sign that the quarrel was over;
he would roll up an extra large cigarette for me, and we would sit on
the ground and have a smoke of peace together. Our friendship was of a
silent nature. I made my fifty words express everything I had to say,
and to simplify matters only used the verbs in the infinitive and nouns
in the nominative. Long custom had established a certain meaning to
various sentences between us which would have been unintelligible to
any other Turk.
"What Turkish, aman, what Turkish she speaks!" he used to say to X,
holding up his hands in amused dismay.
We taught him a few English sentences, of which he was very proud.
"Pull it up," he invariably said when he held out his hand to help us
off the ground.
"Pull it down," was his formula when he arranged our habit skirts after
mounting us.
"Pull it off," when he helped us off with our oats.
When he was in a temper I made him say, "I am a silly man," which he
pronounced:
"I am----
"A Silliman."
Although he did not know the meaning of the words, he connected them
with his own misdemeanours.
"Silliman yok (not), silliman yok," he used to say fiercely when he was
beginning to repent and get ashamed of himself. He always said
"Good-bight" for "Goodbye," confusing it with "Good-night."
Great was his pleasure whenever in the course of our travels we came
across a European, or any one who could speak a language which I
understood.
"See now," he would exclaim at the unwonted sight of me talking with
any one, "she has found a friend!" And then, when we parted and I
relapsed into silence: "See now, how sad she looks! She is thinking of
her friend."
And he would ride up to me compassionately.
"Where is your friend now, Padishah?"
"Where, indeed?" I answer. "I have no friend; you must buy me one in
the bazaars next time we get to a town."
"And how much money must I give for him, Padishah?"
"You must not give much, because I am poor, but you must get a very
good one."
"Aman, ama, see now what she says: I must get a good one, and
yet not give much money. Do you hear, Vali Pasha?"
And when he came back from the bazaars:
"I have bought the friend, Padishah."
"Where is he? I don't see him."
"He is here, in my bag."
"How much did you give for him?"
"Ten piastres."
"He cannot be a good one if he is as cheap as that, and so small that
he will go in your bag."
"Oh yes, he is a good friend," and he produces a roll of tobacco; "a
good friend and little money. That was what you said, wasn't it,
Padishah?"
And I reflect that there is many a true word spoken in jest.
"Has she no friend in England," he asked X one day, "or does she never
speak in England either?"
"Yes," said X, "she has a friend in England, and she does not speak
because she is thinking of him."
"And you, Vali Pasha, have you also a friend in England?"
"Yes," I answered for X; "she has twenty-nine friends in England, and
you are only the thirtieth."
And Hassan would ride on in silence, pondering over the strange ways of
English ladies.
Amongst his other duties he had to purchase the food, pay the muleteers
and soldiers, and give tips; and it fell to my lot to do up the
accounts with him periodically. The unusual mental exertion required by
this he found very trying. His imperturbability would forsake him
completely. On the first occasion he broke down altogether. "What can I
do with figures?" he said, the tears rolling down his cheeks; "let me
go back to my hills and forests; I am only a poor hunter. She brings
out her little book and I shall not know how the piastres have gone,
and she will think I have taken her piastres," and he laid his head on
his knees and groaned aloud.
When we became better acquainted, however, "hisab" (accounts) became a
joke, though they always caused him to perspire profusely.
At first my entire ignorance of the language made our intercourse over
the account-book somewhat difficult. We would sit on the ground
opposite one another, and Hassan would fumble in the folds of his belt
until he had found his spectacles and his account-book.
"Are you ready?"
"Yes."
"Peki (very good), Effendim; yimurta (eggs), 2 piastres." I would write
it down.
"Yasdin me?"
"Ne yasdin me?" (what is "yasdin me?").
"Yasdin me? yasdin me? yasdin me?"
I have not the smallest idea what "yasdin me" means, but I pretend to
write it down and then say:
"How many piastres was it?"
Hassan makes a gesture of despair.
"Yasdin me? yasdin me? yasdin me?" he repeats again.
"X," I shout across the tent, "what does 'yasdin me' mean? I suppose
it's some sort of food, only he won't tell me how many piastres it
costs."
"It means 'Have you written it?'" said X calmly.
"Yasdin me?" repeats Hassan again.
"Yes," I answer meekly.
"Aha, now she know," says Hassan, and he mops his forehead vigorously.
"I say 'Yasdin me' and she says, 'How many piastres?' Aman, aman!"
"Peki, Effendim" (very good), he goes on. "Etmek (bread), 3 piastres.
Have you written it?"
"Yes."
"Peki, Effendim. Et (meat), 12 piastres. Have you written it?"
"Yes."
"Peki, Effendim. Pilij (chicken), 3 piastres."
"Ne Pilij?" (what is pilij?).
"Pilij, _pilij_, PILIJ."
"Yes, but what is it?"
"Pilij, pilij--she doesn't know pilij, and she learns it every day."
He begins to crow like a cock.
"Oh yes, I know."
"Ah, ah, now she knows! Peki; pilij 3 piastres. Have you written it?"
"Yes."
"Peki, Effendim."
And so we go on through all the items, and finally add up the total in
our respective languages. By means of holding up our ten fingers a
large number of times, we ascertain whether the results tally, for in
those early days I could only count in Turkish up to twenty-nine, and
knew the words for a hundred and a thousand. Then Hassan would give a
great sigh, close his book, fold his spectacles, take off his fez, and
wipe his head all over, and finally forget his troubles under the
soothing influence of tobacco.
[Illustration: ERECH. SYRIAN DESERT.]
And so the days slipped away. At the end of six months we landed out of
the Syrian desert into Damascus. An immense change came over Hassan
when he was released from the anxieties of piloting us through
impossible places and rumoured dangers. He became more boyish and
cheerful and amused at everything. His first care on arriving at the
end of our journey was, after spending several hours in a public bath,
to go a clean and happy man to the Mosque, to return thanks to Allah
for having brought us safely through.
We had been to call at the consulate, and, as we drove up to the hotel
on our return, I caught sight of Hassan in the street with a crowd
round him; he was strutting up and down in his shirt-sleeves, with his
head even more thrown back than usual and a wild look in his eye.
"Good heavens," I said to X, "the Prince must have got into one of his
tempers and killed a few people in the street," and I anxiously looked
round for signs of gore. The Prince took no notice of us, but stalked
up and down, the crowd making way before him with looks of awe.
"What are we to do?" I said; "he looks as if he had gone off his head
and would knock down any one who comes near him."
"He does look like a prize-fighter," said X; "I have never seen him
look like that before."
Our cook was standing on the steps.
"What is the matter with Hassan?" I said to him.
The man stared.
"Nothing," he said, "it's only his new shirt."
We went inside, telling him to fetch Hassan to us.
The Prince stalked into the room with the same air with which he had
been stalking the streets, and stood in front of us with an excited and
expectant expression.
"The cook is right," said X; "it is his new shirt. He is overcome with
pride and conceit; he is on parade, that's all."
He certainly had something to be conceited about. The shirt was of fine
silk in gorgeous yellow and red stripes; round his waist was a wide,
bright-coloured kammerband, round his head a new keffiyeh flashed all
the colours of the rainbow. Clean and shaven, his tight-fitting shirt
showing up the strong outline of his muscular frame, he exhibited, to
say the least of it, a striking spectacle.
We were evidently expected to be overcome at the magnificence of his
appearance, and certainly we did not disappoint him in this respect.
"You are grand," said X to him in his own language; "you quite surprise
us."
Hassan put his hands into his trouser pockets and strutted up and down
the room, speechless with delight.
"Who would have thought you could be such a turkey-cock, you old
gander!" I said in English.
"What is she saying?" said Hassan to X.
"She says you are just like a very magnificent bird we have in
England," answered X.
Hassan beamed triumphantly.
"You have fine clothes," he said; "I must not disgrace you."
"Is he always going about in his shirt-sleeves, I wonder?" I inquired.
X asked him.
"It is quite usual in my country not to wear a coat in hot weather," he
said; "my coat is old and dirty, and my shirt is new and clean: why
should I wear my coat?"
And he rarely put it on again.
He loved to see us in nice clothes, and took great delight in wandering
about the bazaars with us buying presents for the "twenty-nine friends"
in England. But we used to sigh over the good old camping days.
"Hebsi bitdi" (all is over), he would say dolefully, when anything
particularly brought them back to our thoughts.
We rode down Palestine and took him over to Egypt with us. Evading with
difficulty the importunities of Cook, and the rush of tourists on the
beaten track, we tried to steal days which brought back a sense of our
old free-and-easy times.
But there came a day when there was an end to it all, an end to the
long silent rides, an end to the quiet smokes in desert places, an end
to the little daily jokes, an end to the serious talks and the foolish
quarrels, an end to the Kallabalaks and the Keyfs.
We stood on the steamer which was to take Hassan back to his old life
in the forests of the Turkmendagh.
"You will soon be going a long journey with some one else," said X
cheeringly.
Hassan shook his head.
"No, indeed," he said; "I should take care not to go with two ladies
again, and I shall not go with a man, for no man would be so much of a
fool as to wish to go such a mad journey."
The steamer gave vent to its first hideous whistle. We put our fingers
to our ears.
"Good-bight, little Padishah," he said, as we clasped hands for the
last time; "good-bight. Go home to your friend in England; he will be
glad to see you looking so fat."
"Silly man," I said with a lump in my throat.
"Silliman yok," he answered.
The whistle blew again, we turned and went our different ways. If there
had been a stone he would have thrown it after me; as it was, when I
turned he made a face and shouted, "Istemen, istemen!"
And now, looking back on those days, there rises invariably before us
the memory of this companion in our many adventures--the memory of a
simple-minded, honourable man, a trusted friend, a pleasant companion,
and a devoted servant, who, whether he was sharing the discomforts and
dangers of winter travel in a wild and lawless country, or experiencing
the joyous freedom of the roaming desert life we loved so well, or
enduring the terrors of critical and carping civilisation, invariably
put us in the foremost place, and, without swerving an inch from the
traditions of his race, never offended the susceptibilities of ours.
CHAPTER XXIII
RETROSPECTIVE
Last night we were dirty, isolated, and free; to-night we are clean,
sociable, and trammelled. Last night the setting sun's final message
written in flaming signs of gold was burnt into us, and the starry
heights carried our thoughts heavenward and made them free as
themselves. To-night the sunset passed all unheeded and we gaze, as we
retire from the busy rush of the trivial day, at a never-ending,
twisting, twirling pattern on the four walls that imprison us,
oppressed by the confining ceiling of our room in the Damascus Palace
Hotel.
We are no longer princesses whose hands and feet are kissed, whose word
is law, sharing the simple hospitality of proud and dignified wayfarers
in desert kingdoms. Our word is law according to the depth of our
purses, our hands and feet are kissed according to the height of our
floor in the hotel. We are no longer in a land where men and women are
judged by their capacities for being men and women: the cost of our
raiment apportions our rank.
We are now no longer amongst people to whom we say what we mean and are
silent when we have nothing to say. We are in surroundings where to say
what you mean is an offence, where silence is not understood and looked
upon askance as an uncanny visitor. The less we have to say, the more
we make an effort to say it; and the more we have to say, the greater
the effort to suppress it.
Everything seems unreal or unnecessary, everything is dressed up.
All these people moving about, sitting still, in a hurry, catching
trains, eating long dinners, dressing themselves, looking at each other
dressed--what does it all mean? Was all this going on when we were in
that other world which we have just left, that great silent world where
everything was itself and big, and not confused by accessories? Was all
this din and bustle going on? It is strange that we should have had no
inkling of it, for it seems of so much importance to all these people,
idle with a great restlessness; it seems essential to them.
It is hard, too, to realise that that other world still exists out
there in the distance, and that it would be quite possible to reach it
by merely riding out on a camel. Can it indeed be true that the same
sun which lights all these moving streets, these buyers and sellers,
these catchers of trains, is lighting the desert out there as
imperturbably as it lit us, journeying on after it day after day in the
silent places; did it see all these people from its inaccessible
height, and, sharing its gifts equally with them and with us, give us
no hint of what it was looking down upon? It showed then no more favour
to us than to these dwellers in towns, and yet was it not more to us?
Were we not more conscious of its innumerable gifts; and did we not
receive more from it as a result of our greater appreciation? No bars
of windows, no roofy outlines, no sleepy oblivion hid the glory of its
first appearance for us. As far as its rays could range, so far, and
further, could we see. Not a pale silver thread or wiry line of gold,
or faint reflection of its glowing colours on the opposite horizon, was
lost to our vision; and, as we rode through the chilly morning air,
were we not conscious of every separate ray of warmth as it grew and
grew until we were bathed in its delicious heat, and all day it served
as our sole guide, indicating direction in boundless space and hour in
limitless time. No finger-posts, no winding up of clocks; only this sun
with its fixed and unalterable decrees.
The sun, then, we share, although apparently in divers degrees. But was
not the moon more for us alone? For they can shut it out from their
lives altogether. It, too, looked down upon this city, but not on the
noise and chaos of it. As far as it was concerned all the bustlers were
dead, buried away in their roofed houses behind their shuttered
windows. The silence of night is the moon's heritage, and it exercises
its autocratic sway to the full; it admits no disturbing rush or
unseemly hurry beneath its gaze. What do they know of you who pull down
blinds and light up the gas and dwell in curtained rooms? Accident may
cause a benighted traveller to look at you with a passing sense of
rest, a casual tossing sleeper may be half conscious of your charm, the
weary toiler at the end of a long day may momentarily bless your
soothing light, and in so far as they take hold of you they make
themselves akin with us out there. But you are not a part of them, as
you are a part of us; you do not enter into the very heart of their
existence and carry their minds up, night after night, to the realms
where you live serene and calm, making us forget the saddle rubs, the
parching thirst, the driven sand, the fire that would not light, the
kettle that would not boil--all the little near things, the things
which matter so much in the day, and which you remind us do not matter
at night. But here they matter so much more at night, all shut up with
us inside these confining walls--inside these muslin curtains. The
darkness and the enclosed space make them assume exaggerated
dimensions; all the little trivialities in the room accentuate their
importance. We see them cropping up again and again in that blue flower
on the wall paper, or running round and round the red coils on the
dado. We raise our eyes to heaven and encounter the fixed, inane smile
of a painted lady with a wand, seated in a wreath of flowers. We shut
our eyes, determined to forget her, but a terrible fascination makes us
peep again and again, and always that same inane smile; and when at
last the kindly shades of night hide it altogether in darkness, we are
still conscious of her only, smiling away there, looking at us while we
cannot see her. And all the time outside the steadfast moon and the
stars eternally twinkling are telling the same tale that they told out
in that other world, but we have shut them out and will not listen to
their silent teaching.
In vain the Prophet of the Desert has said:
"And we have adorned the lower heaven with lamps and set them to pelt
the devils with ... we touched the heavens, and found them filled with
a mighty guard and shooting stars, and we did sit in certain seats
thereof to listen; but whoso of us listens now finds a shooting star
for him on guard."
Emblems of all the great abiding truths have been set up on high,
where, one would have thought, every poor, striving mortal could not
fail to see them; vastness and distance is displayed as a rest to those
wearied with the smallness and nearness of things; solidity and
eternity are there to comfort the grievers over passing men and
disappointed hopes; the kindly darkness which hides us intermittently
from our fellows is pierced with points of guiding light. And yet we do
not habitually, and as a matter of course, accept these gifts for which
no price is asked; we go blundering on, intensifying the grim blackness
of night by shutting ourselves up with it, surrounded with all the
small things of earth, and this when we might forget them by reason of
their very smallness in the vast distances of the vaulted heavens. It
almost seems as though we would deliberately wish to hide from
ourselves and each other the few simple sufficient laws of existence,
for in this as in other things we not only avoid the truth but appear
ashamed of it, and dress it up in every possible accessory of human
invention.
We dress everything up--our bodies, our minds, our food. I look down
this long _table d'hote_, and what do I see? I see a crowd of people
dressed up, exchanging dressed-up commonplaces, eating dressed-up
food.
I feel that nothing is real.
But this unreality is so real that I ask:
"Have, then, the unrealities, the non-essentials of existence become
the realities, and have we, emerging from a world where only the
essentials of existence concerned us, given them an undue importance?
Coming out of a state of primitive civilisation, are we unable to
appreciate the true meaning of our surroundings? These people wear the
burdens of fashion so lightly, they talk these complicated nothings so
simply, they toil so contentedly discontented through these endless
disguised dishes: what is it behind it all that our minds cannot
grasp?" I look again: I talk to them and they answer me; I eat another
dressed-up dish. Here I feel a weary heart, there I touch a bored mind;
now one gets a flash of intellect, now a gleam of soul, all alike so
carefully wrapped up, and yet with a longing to be out. Why this
unnatural dread of truth and simplicity? I am getting positively
affected by it. I sit here amongst these smart people in my travelling
clothes, and I confess to a new strange sense of discomfort in
consequence. I feel ashamed of my old clothes. Opposite to me is a lady
with a kindly face and a comfortable look about her; her mauve dress
gives a pleasing sense of colour, but as she moves two beaded flaps
keep jumping about, which detracts from the sense of repose suggested
by her comfortable look; when she leans back an array of stitched beads
catches on the carved projection of the chair, and she has to be
disengaged by the waiter. Her sleeves drooping gracefully from the
elbow require elaborate gymnastics to prevent them dipping into her
plate as she eats, and twice they caught in the pepper-pot and
overturned its contents on the floor. But she bore it all with a
pleasant apologetic smile which called out my admiration for such a
display of schooled temper under these trying circumstances. Then, with
an unconscious transition of thought, I found myself comparing her to
the Arab woman who brought the bowl of youart off which we supped last
night. I recalled how I envied her the dignified carriage of her free
unfettered form, the natural grace of her untrammelled manners. I
recalled the simple graceful folds of her clinging single garment, so
much a part of herself that she was quite unconscious of it, and I
compare this lady trying to adapt herself to the elaborate creation in
which she is enthralled. Long custom prevents her from realising how
her form and movements are rendered artificial and ungraceful. As the
Chinese lady, unconscious of her deformity in feet, would resent or
wonder at our pity for her enslaved by the idea of a barbarous custom,
so would my neighbour resent or wonder should I feel pity for her at
this moment, equally a slave to a Western idea.
* * * * *
I glanced at my battered old coat and was pervaded with a sense of
remorse at having been ashamed of it.
Here, in the middle of this bewildering appearance of unreality, it
was telling me of so many solid facts. How often had it not covered
the aching pangs of hunger, and the satisfied sense of that hunger
appeased; it had felt the thumping of my heart stirred by danger, or
hastened by exhilarating motion; it had known the long-drawn breaths of
quiet enjoyment at a peaceful scene. That tear was made on the rocks
the day we climbed to the "written stone" at the top of the Boulghar
Mountains, and I mended it one long quiet evening by the Euphrates. I
lost this button the night we scrambled up to the castle at Palmyra, my
little friend Maydi pulled me up a rock by it and it broke. That burnt
mark was made by Mahmet, who dropped the live charcoal with which I was
lighting my cigarette in the shaykh's hut at Harran. All this and more
is what my coat says to me.... I am no longer ashamed of it. I feel
sure if the kind lady opposite realised all this she would not regard
me as an outcast, for there is something very honest about the coat.
But I had got no further away from the feeling of unreality. I tried to
recall what it had felt like to live in civilisation, but all I could
remember was how difficult it had been to disentangle ourselves from
it. While we were still in it, we had not known what we should want
outside it. But, once outside, all these difficulties had disappeared:
everything at once seemed to happen naturally; we missed nothing of the
things we had left behind. And as it had been difficult while we were
still in it to get disentangled from it, so now we experienced a
difficulty in entering it again--a difficulty in once more taking up
and using the things we had discarded for a time. It was as if we had
never used them, so strange did they seem, and so little did we
understand their meaning. Entering it differed, moreover, in this way
from our entrance into the new life outside it; once in it nothing
seemed to happen naturally. This was the more disconcerting since
civilisation was not altogether a new world to us, in the sense that
the other had been. We had spent many long years in it, and yet on
returning we found it all strange and incomprehensible.
* * * * *
We rose and left the table. Hassan joined us at the door, and we all
sat down on a red plush settee. Waiters hurried past us with trays of
coffee and stronger drinks; ladies in bright colours rustled about the
passage; and in the corners men in evening dress lounged and smoked.
Hassan stroked the settee gingerly. "It is very soft," he said, "but
the sand was better." Then he looked round and paused. "What are all
these people doing?" he asked irritably; "why can't they sit down and
be quiet. There is no quiet here; the sand was better." Earlier in the
day he had been pleased with the bright colours and the sense of
movement, but now they seemed to vex him.
"Why do they keep on looking at us?" he went on; "is it because you are
great Pashas?"
"No," I answered, "they have no idea that we are great Pashas."
"My countrymen in the desert looked at you because you were strangers
from another country and they had not seen women like you before; but
these are your own countrymen: why do they stare at you?"
"It is because we are not dressed like them," I said; "we have not got
our beautiful clothes yet; when these come they will no longer look at
us."
"But can they not see that you are travelling?" he said. "The people of
my country, the Valis and the Kaimakams who prepared feasts for us,
knew that you also had beautiful clothes in your own country."
"Yes, but our travelling clothes are not quite the same as those worn
by our countrymen here," I explained, "so they do not understand us."
"But why," persisted Hassan, "should that cause them not to understand
you?"
"We all do alike in our country," I explained; "if one person wears no
pockets and big sleeves, then we all do the same."
"Who is this person then?" said Hassan; "he must be a very great
Pasha."
"We none of us know who he is," I said; "in fact, he is not any one
particular person; it is more like a sort of jinn who spreads about an
unwritten law."
Hassan looked perplexed.
"And are there no written words," he said, "to tell you the meaning of
this law?"
"Yes," I said; "the people in our land who have the most money write
out the meaning of the law."
"And if you do not follow the law, what then?"
"Your fellow-creatures are rather afraid of you; they do not ask you to
their feasts, neither do they give you places of command, however
capable you may be."
"Is it this jinn that makes your men wear the hard black hats and the
tight black clothes?"
I nodded assent.
"And it is not only our clothes," I added; "the jinn says we may not
think differently from other people, or if we do, we must hide it."
"Is it a sin that your country has committed that it is thus
condemned," he went on, "or is the jinn an evil spirit under whose
curse it lies?"
"We do not know," I said. "There are some of the younger men who are
trying to discover; they do not do as the jinn says, and so they do not
live happily amongst others; many of them live apart, and we call them
cranks and are afraid of them."
"Are they wicked men, then?"
"No, they are good men as a rule, but in our country we do not
understand the people who do not do what others do."
"But if you all do the same," said Hassan, "how can you progress? We in
the East have not changed our customs, so we do not progress. Do you
never change then either, you in the West?"
"We change very slowly," I answered, "because we tend to the thought
that if a thing has always been, then it is good."
"Aman, aman," said Hassan.
APPENDIX
ITINERARY OF JOURNEY
KONIA TO TARSUS.
Chumra.
Kisilkeui.
Karaman.
Adeteppe.
Buadjik.
Eregli.
Tchaym.
Ulu Kishla.
Boulghar Maden.
Chiftekhan.
Ak Kupru.
Gulek Boghaz.
A Khan.
Tarsus.
(These stages are from 5 to 8 hours.)
ADANA TO DIARBEKR. (18 stages.)
Hours.
Missis 4 Small village with khan.
Hamidieh 4-1/2 Cotton-mills and town.
Kalakeui 5 Small Kurdish village.
Osmanieh 1-1/2 Town.
Bagtsche 6 Village.
Shekasskeui 5 Village with khan.
Avjilar 5 Small Kurdish village. No khan.
Aintab 5 Town.
Urral 5 Village with khan.
Birejik 5 Town. Ferry across Euphrates.
Abermor 6 Kurdish huts.
Karekeui 6 Kurdish huts.
Urfa 3-1/2 Town.
Sheksheligher 7 Khan.
Mismischen 7 Large khan.
Severek 6 Town.
Kaimach 7 Large khan.
Gergeli 6 Small Kurdish village.
Diarbekr 3-1/2
BAGHDAD TO DAMASCUS. (27 stages.)
Hours.
Menasseyeh No village.
Fellujah 6 Village on Euphrates.
Rumadeyeh 6 Village on Euphrates.
_Hit_ 10 Town on Euphrates.
Bagdadi 8 Ruined water-mill on Euphrates.
Hadittah 8 Village on Euphrates.
Fukaymeh 6-1/2 Large khan on Euphrates.
_Ana_ 7 Town on Euphrates.
Niteyah 8 Guard-house on Euphrates.
Gayyim 9-1/2 Guard-house on Euphrates.
Abu Kamal 5 Village on Euphrates.
Salihiyyeh 7 Khan with a few Arab huts.
Micardin 9-1/2 Village.
Deir-el-Zor 7 Town.
Pools of
brackish water 2-1/2
Guard-house 8 Well of bad water.
Bir Jeddid 8 Well of bad water.
Suknak 9 Village with hot sulphur springs.
Erek 8-1/2 Village.
Tadmor 6 Palmyra.
Baytha 6 Khan with bad water.
Gusayr 16 (Camping-place half-way, where water
is found early in the year).
Karietein 7 Village.
Nasariyeh 12 Village.
Kutayfah 5 Village.
Guard-house 2
Damascus 4
THE END.
End of Project Gutenberg's By Desert Ways to Baghdad, by Louisa Jebb