"I lives on Mr. Eber Mason's place wid one of my chillun, a son name

Mingo. Us all work on de place; run a farm on shares. I can't do much

work and can't support myself. It's mighty hard to be 'pendent on others

for your daily rations, even if them others is your own bone and flesh.

I'd 'preciate sumpin' to help my son and wife carry on. Dats why I wants

a pension. Do you 'spect God in His mercy will hear de prayer of dis

feeble old believer? I don't beg people but de Bible give me a right to

beg God for my daily bread. De Good Book say: 'Take no consarnment 'bout

your raiment'. You can see from what I's got on, dat me nor nobody else,

is much consarned 'bout dis raiment.

"My mammy b'long to de Smiths. My master was Dr. Ira Smith. My mistress

was him wife, Miss Sarah. Deir chillun was: Marse Gad, Marse Jim, and

Marse Billie. Marse Jim was de baker of dis town all his life, after de

way of old-time oven-cookin', 'til Boy bread and Claussen bread wagons

run him out of business. Him is now on de 'lief roll and livin' in de

old McCreight house, de oldest house in Winnsboro.

"Dere was my young misses, Miss Lizzie and Miss Lennie. My mammy name

Sarah, just lak old mistress name Sarah. Her b'long to marster and

mistress but my pappy no b'long to them. Him b'long to de big bugs, de

Davis family. Him was name Mingo, and after slavery him and all us take

de name, de secon' name, Davis, and I's here today, Jesse Davis. See how

dat work out to de name? Good Book again say: 'Good name better than

riches; sweeter to de ear than honey-comb to de tongue.'

"You is well 'quainted wid Marse Amos Davis, ain't you? Well, his people

was pappy's people. I had a brudder name Gabriel, tho' they called him

Gabe. Another one name Chap; he got kilt while clearin' up a new ground.

Sister Fannie marry a Ashford nigger. Marse Ira, de doctor, have a

plantation near Jenkinsville, S. C.

"When de Yankees come thru, they come befo' de main army. They gallop

right up, jump down and say: 'Hold dese hosses! Open dat smoke-house

door!' They took what they could carry 'way. 'Bout dat time marster rode

up from a sick call him been 'tendin' to. Course you know him was a

doctor. They surround him, take his watch, money, and hoss, and ride

'way.

"De main army come nex' day, Saturday mornin' 'bout 8 o'clock. They

spread deir tents and stay and camp 'til Monday mornin'. When they leave

they carry off all de cows, hogs, mules, and hosses. Then they have us

ketch de chickens, got them all, 'cept one old hen dat run under de

house, and they didn't wait to git her. Marster have to go 'way up to

Union County, where him have kin folks, to git sumpin' to eat.

"My marster was not big rich lak de Davises, de Means, and de Harpers,

but him have all them people come to see him. Him know a heap of things

dat they 'preciate. De way to dye cloth was one of dese secrets. Marster

have a madder bed. Him take de roots of dat madder put them in de sun

just lak you put out pieces of apples and peaches to make dried fruit.

When them roots git right dry, him have them ground up fine as

water-ground meal. He put de fine dust in a pot and boil it. When he

want red cloth, he just drop de cloth in dat pot and it come out all red

to suit you. Want it blue, him have a indigo patch for dat.

"I never hear anything 'bout alum dese days. Well, de slaves could take

peach tree leaves and alum and make yellow cloth and old cedar tops and

copperas and make tan cloth. Walnut stain and copperas and make any

cloth brown. Sweet-gum bark and copperas and make any cloth a purple

color. I 'member goin' wid one into de woods to git barks. One day old

marster come 'cross a slippery elm tree. Him turn and command me to say

right fast: 'Long, slim, slick saplin' and when I say long, slim, sick

slaplin', him 'most kill hisself laughin'. You try dat now! You find it

more harder to say than you think it is. Him give me a piece of dat bark

to chew and I run at de mouth lak you see a hoss dat been on de range of

wild clover all night and slobberin' at da bits.

"Yes sah, I b'longs to de church! My wife and son, Mingo, just us three

in de house and de whole household jined de Morris Creek Baptist Church.

What's my favorite song? None better than de one dat I'll h'ist right

now. Go ahead? I thanks you. Listen:

'Am I born to die

To lay dis body down

A charge to keep I have

A God to glorify.'

"You lak dat? Yes? You is praisin' me too highly I 'spect, but since you

lak dat one just listen at dis one; maybe you change your mind, 'cause

I's gwine to h'ist it a wee bit higher and put more of de spiritual in

it. Ready? Yes? I stand up dis time.

'All de medicine you may buy

All de doctors you may try

Ain't gonna save you from de tomb

Some day you got to lay down and die.

De blood of de Son can only

Save you from de doom!

Some day you got to lay down and die.'

"You lak dat one? You just ought to hear my wife, Mingo, and Me, singin'

dat 'round de fire befo' us go to bed.

"Well, I'll toddle 'long now. Good-bye."

Project, 1885-(1)

Prepared by Annie Ruth Davis

Place, Marion, S. C.

Date, February 4, 1938

LIZZIE'S 'SPONSIBILITY

I.

The first scene of "Lizzie's 'Sponsibility" is that of the small, one

room dwelling place of Lizzie Davis, aged colored woman of Marion, S. C.

A disorderly, ill-lighted, crudely furnished room, saturated with the

odor of food. Behind the front door stands a gayly colored iron bed,

over which is thrown a piece of oilcloth to keep the rain from leaking

on it. In the center of the room are several little quaint home-made

stools and two broken rockers, while in one corner sits a roughly

finished kitchen table, the dumping place of all small articles. Still

in another corner, almost hidden from sight in the darkness, is the dim

outline of an old trunk gaping open with worn out clothing, possibly the

gift of some white person. A big fireplace in one side of the wall not

only furnishes heat for the little room, but also serves as a cooking

place for Lizzie to prepare her meals. On its hearth sits a large iron

kettle, spider, and griddle, relics of an earlier day. The room is dimly

lighted by the fire and from two small doors, together with a few tiny

streaks that peep through at various cracks in the walls and top of

house.

It is about 9 o'clock on a cold, drizzly morning in January, 1938. The

little two room house, in which Lizzie rents one room for herself,

displays an appearance of extreme coldness and dilapidation, as a

visitor approaches the doorway on this particular morning. It is with

somewhat of an effort that the visitor finally reaches the barred door

of Lizzie's room, after making a skip here and there to keep from

falling through the broken places in the little porch and at the same

time trying to dodge the continual dripping of the rain through numerous

crevices in the porch roof. Within is the sound of little feet scuffling

about on the floor, the chatter of tiny children mixed with mumblings

from Lizzie, and the noise of chairs and stools being roughly shoved

about on the floor.

A rap on the door brings Lizzie, crippled up since she was twelve years

of age, hobbling to the door. Taking her walking stick, she lifts the

latch gently and the door opens slightly. A gray head appears through

the crack of the door and Lizzie, peeping out from above her tiny rim

spectacles, immediately recognizes her visitor. She offers her usual

cheerful greeting and begins hastily to push the large wooden tubs from

the door to make room for her visitor to enter, though it is with

unusual hesitancy that she invites her guest to come in on this

occasion.

Lizzie--Come in, Miss Davis. I feelin right smart dis mornin. How you

been keepin yourself? Miss Davis, I regrets you have to find things so

nasty up in here dis mornin, but all dis rainy weather got me obliged to

keep dese old tubs settin all bout de floor here to try en catch up de

water what drips through dem holes up dere. See, you twist your head up

dat way en you can tell daylight through all dem cracks. Dat how I know

when it bright enough to start to stir myself on a mornin.

Yes'um, I tell Miss Heddie here de other day dat I had promise you I was

gwine study up some of dem old time songs to give you de next time you

come back. Miss Heddie, she lookin to a right sharp age, I say. Yes'um,

she been here a time, honey. I tell her to be gettin her dogs together

cause I was sho gwine point her out to you de next time I see you.

I tell you, Miss Davis, I got a 'sponsibility put on me here to look

after all dese chillun. Yes'um, it sho a 'sponsibility cause I think

dere five of dem dere, en it de truth in de Lord sight, dey has me

settin up so straight to keep a eye on dem dat I can' never settle my

mind on nothin. Dey won' let me keep nothin clean. Ain' no use to scrub

none, I say. You see, cripple up like I is, I ain' able to get no work

off nowhe' en I keeps dem while dey parents work out. Dey mammas have a

job to cook out en dey brings dem here bout 6 o'clock in de mornin for

me to see after till dey get home in de afternoon. Cose dey helps me

along, but it takes what little dey give me to keep dem chillun warm

cause I has to try en keep a fire gwine, dey be so little. Dere Bertha

Lee en Joseph, dey start gwine to school dis year en I has to see dey

gets fix decent en march dem off to school every mornin. Dem other three

dere, dey name: Possum en June en Alfred. Ain' but just one girl en

dat--

(Lizzie's attention turns to June, who comes in crying from the back

yard, where all the children went to play during Lizzie's conversation

with her visitor).

Lizzie--What de matter wid you, June?

June--Aun' Izzie, Possum knock me wid de ax.

Lizzie--Great King! What a peculiar thing to hit you wid. How-come he to

do dat?

June--He was bustin up dem stick out dere side de wood pile.

Lizzie--Oh, well, you just go en butt up on de ax. Dat ain' no fault of

he own den. Clean up dat face en gwine on way from here.

(June, crying to himself, remains seated on the little stool).

Lizzie--Let me see now, Miss Davis, I tryin to get some of dem old time

songs together to turn for you what you been axin me bout de other time

you come here. Yes'um, I tryin to blow my dogs--

(Possum enters the room).

Possum--Aun' Izzie, I was bustin up dem splinters dat my daddy brung for

you to cook wid en June come en set right under de ax.

Lizzie--Um-huh, ain' I tell you so? Whe' de ax, Possum? Fetch it here en

put it in de corner. Ain' none of you had no business wid dat ax nohow.

Ain' I tell you to mind your way round dat ax?

(Possum runs back out in the yard).

Lizzie--Like I tellin you, Miss Davis, if de people had a song in de old

days, dey would put it down on a long strip called a ballad, but honey,

I been through de hackles en I can' think of nothin like I used to

could. Is anybody sing dis one for you, Miss Davis? It a old one, too,

cause I used to hear--

(Alfred comes in to tell his tale).

Alfred--Aun' Izzie, June set on Possum's pile of splinters dat he was

makin en Possum let de ax fall right on June's head.

Lizzie--Dey is cases, Miss Davis. I tellin you, dese chillun just gets

everything off my mind. Most makes me forget to eat sometimes. Dere Miss

Julia Woodberry, poor creature, she been down mighty sick en I ain' been

able to go en see bout her no time. Don' know what ailin her cause I

don' gets bout nowhe' much. No, mam, dese chillun don' have no manners

to go visitin en I can' left dem here widout nobody to mind bout dat dey

don' run--

Joseph--Aun' Izzie, I ain' gwine wear no coat to school dis mornin.

Lizzie--Boy, is you crazy? What de matter wid you, ain' you know de

ground been white wid Jack Frost dis mornin? En you clean up dat nose

fore you get dere to school, too. You ain' say your ma send you here

widout no pocket rag to wipe your nose wid? You ma, she know better den

to 'spect me to hunt rags for you. Come here en let me fasten up dat

coat round de neck. You look like a turkey buzzard wid it gapin open

dat way. Whe' Bertha Lee? It time both you been in dat road gwine to

school dere.

(Bertha Lee and Joseph go out the door to leave for school).

Lizzie--Lord a mercy, Miss Davis, my mind just a windin. How dat song

turn what I had for you?

One for Paul,

En one for Sidas--

Lizzie--Joseph, how-come you ain' tell dese chillun good-bye?

Joseph--Good-bye Possum, good-bye June, good-bye Alfred.

Possum, June, Alfred--Good-bye Joseph.

Lizzie--Is you got dat one now, Miss Davis? What de next? Great

Jeruselum! Dem chillun done carry dat tune way wid dem. I can' turn dat

one to save my neck. Just can' come to de turn table as de old man would

say. (12 o'clock mill whistle blows, time teller for many colored people

of the community). Lord a mercy, what dat whistle say? It done come 12

o'clock en dat pot ain' thought bout to kick up none yet. I tell you,

honey, it sho a 'sponsibility I got put on me here to cook for all dese

chillun en see dey ration is cook mighty done, too, so as dey won' be

gwine round gruntin wid dey belly hurtin all de evenin.

(Lizzie begins to stir up the fire to make the pot boil and her visitor

decides to return later to hear the songs).

Date, February 7, 1938

II

It is a damp, chilly mornin about three weeks later, when Lizzie's

visitor returns to hear her sing old time songs. June, Bertha Lee, and

Alfred are playing in the street before the little house.

Visitor--Is Aun' Lizzie at home?

June, Alfred, Bertha Lee--Yes'um, she in dere. She in de house.

Visitor--You children better mind how you run about in all this damp

weather, it might make you sick.

June--Possum's got de chicken pox.

Alfred--Possum's got de chicken pox.

June--Me sick, too.

Bertha Lee--I got a cold.

Alfred--I sick, too.

Visitor--Poor little Possum. Is he sick much?

Alfred--Yes'um, he stay right in dat room dere. (Room next to Lizzie's

room with a separate front door).

Bertha Lee--He mamma had de chicken pox first en den Possum, he took

down wid it.

June--Dere he now! Dere Possum! (Possum appears from around the corner

of the house with both hands full of cold fish).

(Alfred goes to Lizzie's door to tell her that she has a visitor)

Alfred--Aun' Izzie, somebody out dere wanna see you.

Lizzie--Holy Moses! Who dat out dere? Boy, you ain' tellin me no story,

is you? Mind you now, you tell me a story en I'll whip de grease out

you.

Bertha Lee--Aun' Izzie, ain' nobody but Miss Davis out dere.

(Lizzie hobbles to the door on her stick).

Lizzie--How you is, Miss Davis? I ain' much to speak bout dis mornin. I

tell you de truth, Miss Davis, dese chillun keeps me so worried up dat I

don' know whe' half my knowin gone, I say. Great Lord a mercy, dere

Possum out dere in de air now en he been puny, too.

Visitor--The children tell me Possum has the chicken pox.

Lizzie--No'um, he ain' got no chicken pox, Miss Davis. Dey thought he

had it cause he mamma been ailin dat way, but I don' see nothin de

matter wid him 'cept what wrong wid he mouth. Possum, stand back dere

way from Miss Davis, I say. Yes'um, he been sorta puny like dis here

last week. He mamma must been feed him too much en broke he mouth out

dat--

June--Miss Davis, I know how to spell my name.

Bertha Lee--I know how to spell my name, too. Me likes to go to school.

Visitor--Oh, I think it is nice to like to go to school. What do you do

at school?

June--Pull off your hat.

Bertha Lee--Us writes.

Visitor--Lizzie, how about those old time songs you promised to study up

for me? You ought to have a mind running over with them by this time.

Lizzie--Lord, Lord, honey, I had study up a heap of dem old tunes here

de other day, but I tellin you de truth, Miss Davis, dese chillun got me

so crazy till nothin won stick--

(Willie, age 10, comes over to play with the children and begins to

whistle.).

Lizzie--Willie, ain' you know it ill manners to whistle in anybody

house? Dere now, it impolite to walk by anybody house whistlin, too. You

is too big a boy for dat. Ain' gwine stand for you learnin dese chillun

no such manners for me to beat it out dem. No, boy, mind yourself way

from here now, I got to hunt up dat tune for Miss Davis. Yes'um, I got

one of dem old tune poppin now. Let me see--Great Happy! Dat pot done

gwine out all my sparks. (Lizzie rushes in the house to look after a pot

that she hears boilin over on the fire).

June--Bertha Lee, de lady don' know whe' us sleeps, do she?

Bertha Lee--Dere us house over dere.

(Bertha Lee gets up to point the house out and June immediately slides

into her seat on the bench next to the visitor).

Bertha Lee--Move way, June.

June--No, dis place whe' I been.

Bertha Lee--June, go further, I say.

June--No, Bertha Lee, dis whe' I been.

Bertha Lee--No, go further. (June holds his place) I go tell Aun' Izzie

den.

Visitor--Tell Lizzie I'm waitin to hear that tune she promised to sing.

Bertha Lee--Aun' Izzie, June settin in my place.

Lizzie--Fetch yourself on back out dere now, Bertha Lee, en settle your

own scrap. Ain' you shame of yourself en you bigger den June, too? Go

way from here, I say. I ain' got no time to monkey up wid you. I got to

get dese collards boilin hard, else dey ain' gwine get done time you

chillun start puffin for your dinner. Go way, I tell you. Miss Davis, I

comin toreckly.

(Bertha Lee returns to the porch quietly and takes her place on the

opposite side of the visitor, while June clings to his place).

June--Miss Davis, does you know Mr. Rembert?

Visitor--Is he your father?

Bertha Lee and June--No, he ain' us daddy.

June--Mr. Rembert, he bought me everything I got. He shoe horses. Don'

you know him now?

Bertha Lee--He bought June's sweater, but dem my overalls he got on.

June--Dem dere pretty buttons you got on you, Miss Davis.

Bertha Lee--Sho is, en dem little chain dere.

June--Me got a sweater just like her coat.

Bertha Lee--Ain' just like it.

June--It most like it.

Bertha Lee--No, it ain' cause dis here wool.

(Lizzie returns to the porch and sits on a little stool near her door).

Lizzie--Lord, Miss Davis, dat tune done left me. Now, de next time dat I

get a tune in my mind. I gwine sho get somebody to place it for me. It

de Lord truth, my mind gwine just so wid so much of chillun worryations

till--

June--Me can sing.

Possum--Aun' Izzie, I ain' got nothin to eat.

(Lizzie returns to her room again to stir up the fire and get Possum

some bread).

Bertha Lee--Sing den, June.

June--Un-uh, I can'. Aun' Izzie might hear me.

Bertha Lee--I gwine sing den.

June--

"I sees de lighthouse--amen,

I sees de lighthouse--amen,

I sees de lighthouse--amen."

(Lizzie and Possum return to porch. Possum has three muffins).

Lizzie--Clean up your nose dere, Alfred. Miss Davis, I ready. Sho got a

mind to turn dat tune dis----

Alfred--Possum wouldn' fetch me no bread, Aun' Izzie.

Lizzie--Dere dey go again, Miss Davis. No, you can' have none of

Possum's bread. Gwine on in dere en catch you a piece out your own pan.

You eat up Possum's bread en den he'll be de one howlin bout he ain' got

none.

(Alfred goes in the room and comes back with a biscuit).

Lizzie--I pretty certain I ready now, Miss Davis. Let dem all get dey

belly full en den dey head won' be turnin so sharp. Dat how-come I

tries--

Possum--Aun' Izzie, Alfred eatin June's bread.

Lizzie--Alfred, look here, boy, you know dat ain' none of your bread.

You sho gwine get a lickin for dat. (Lizzie slaps him). Your ma, she

ain' never left nothin but corn hoecake in your pan since you been born

en you know dat, too. Dem chillun carries me in de clock sometimes, Miss

Davis. Dis one en dat one callin me en de Lord help me, I forgets what I

doin--Clean up dat nose dere, boy.

June--My nose clean.

Lizzie--Possum know I talkin to him. Get on in dere en tell Miss Mammie

to give you a pocket rag, Possum. (Miss Mammie is Possum's aunt who came

to spend the day with them).

Bertha Lee--

"Peter Rabbit, Ha! Ha! Ha!

Make Your Ears Go, Flop! Flop! Flop!"

Lizzie--I has to ax you to bear wid me, Miss Davis. I sorry you come

here on a dead shot en ain' gettin no birds. Lord knows, I tryin to get

my mind--

June--Oo, Aun' Izzie, Joseph been cuttin out Willie's book.

(Lizzie's attention is attracted to Willie, who looks worried about his

torn book.)

Lizzie--Great mercy, boy, you ought to have a pain in de chest. Look,

you settin dere wid your bosom wide open. Fasten up your neck dere, I

say.--Possum, come here, is you do like I tell you? Is you ax Miss

Mammie for somethin to clean up dat nose wid?

Possum--Yes'um.

Lizzie--Look out now, I'll whip you for tellin a story. Whe' de rag? No,

you ain' ax her neither. Gwine on en clean up dat nose fore I wear you

out.

(Possum goes around corner of house).

Lizzie--Help me Lord not to forget it dis time. I sho got dat tune----

June--Aun' Izzie, Aun' Izzie, Possum fall in de tub of water what settin

under de pump.

(Possum appears from around the corner of the house just at that moment

drenched and almost frozen).

Lizzie--Great Lord a mercy! Possum, you looks like a drowned possum sho

enough. Why ain' you do like I tell you to do? You know I don' never

allow you chillun ramblin round dat pump tub no time. Ain' nobody want

to drink out no tub you wash your snotty nose in. Fetch yourself in dere

to de fire en dry yourself fore you is catch a death of cold. Gwine on,

boy. Don' stand dere en watch me like a frizzle chicken. Dere Mr. John

Fortune comin now. I gwine tell him to catch Possum en cook him up.

Possum--I gwine run.

Lizzie--You say you gwine run?

Possum--No'um, I ain' say I gwine run.

Lizzie--Mind you now, Possum, you know what I tell you bout a

story-teller.

Mammie--Miss Lizzie, I just don' believe he know right from wrong.

Lizzie--Well, I gwine learn him den. Ain' nothin I despises worser den a

story-teller. (Lizzie slaps Possum on the shoulder several times and

sends him in the house to dry, shivering from both cold and fear.).

Lizzie--Miss Davis, Mr. John Fortune helps me out wonderfully wid dese

chillun. Say, when dey bad, he gwine cook dem up en eat dem. Yes, mam, I

tellin de truth, honey, dese chillun keeps me settin here listenin wid

all my ears en lookin wid all my eyes, but dey is right sorta

entertainin like. Yes'um, dey got so much of sense till dey done took

what little I is had.

(Alfred comes running in and leans up on Lizzie).

Lizzie--Clean up dat snotty nose, Alfred. You ought to been name Snotty

wid your mouth all de time lookin like you ain' hear tell of no pocket

rag. Move way from dere, June. Don' blow your nose settin side Miss

Davis.

Date, February 10, 1938

III

It is three days later. Lizzie is sitting on her little porch enjoying

the warm sunshine of a bright February day. The children have gone just

across the street to play on the sidewalk and while Lizzie keeps a

watchful eye on them, she is trying once more to call back to her mind

some of the old time songs that she used to sing in her early days. Her

visitor sits on a bench nearby ready to make notes of these old songs as

she sings them. Lizzie's attention is not only distracted by the

children at intervals but also by different ones of her friends

constantly passing along the street in front of the small home.

Lizzie--Lord, Miss Davis, look like everything a hustlin dis mornin.

Yes'um, dis here Monday mornin en everybody is a bustlin gwine to see

bout dey business. Seems like everything just gwine on, just gwine on. I

tell you de truth, Miss Davis, I studied so hard bout dem songs de other

night, I beg de Massa to show me de light en he hop me to recollect dis

one for you. See, when you gets to de age I is, you is foolish--

(Joseph runs across the street to tell Lizzie something).

Joseph--Aun' Izzie, Possum teachin June to hit Jerry.

Lizzie--Uh-huh, I gwine sho beat him, too. (Lizzie turns to her visitor)

Possum, he teachin June to knock dat little one wid de speckle coat on.

Visitor--Is he another child that you are taking care of?

Lizzie--No'um, he grandma raise him en de poor little creature, he don'

have nobody to play wid. Look like nobody don' care when he come or whe'

he go. I say, I tries to collect mine up en take care of dem cause it

dis way, if you don' take time en learn chillun, dey old en dey ain'

old; dey fool en dey ain' fool. Yes'um, I tryin to drill dem, Miss

Davis, but it does take time en a little whip, too. Has to punish dem

right smart sometimes. I tellin you, dem chillun sho a 'sponsibility.

Dem what put all dem gray hair up dere on my topknot. I tell dis one en

dat one to set to a certain place till I say to get up en den I'll get

my studyin on somethin else en de child, he'll be out yonder--

(Heddie Davis, age 72, a neighbor of Lizzies, comes over to join in the

conversation).

Lizzie--Here come de hoss (horse). Come in, Miss Heddie. Miss Davis

wants us to sing one of dem old back tunes dis mornin.

Heddie--Well, I is studied up one tune what I been hear de old people

sing when I wasn' nothin much more den a puppy--Lord a mercy, Miss

Lizzie, dere dem people comin from de trial. Look, dere dey fetchin dat

girl to Dr. Graham now. En my Lord, got de poor child's head all wrapped

up dat way. Dat man, he ought to have he head plucked. He know better

den to cut dat child so close de senses. Don' know what de matter wid de

people nohow.

Slave Narratives: A Folk History of Slavery in the United States from Interviews with Former Slaves, Volume XIV, South Carolina Narratives, Part 1 · 第 15 / 19 段