PREFACE.

"Sonny, you kin reckon it dead sure, thar's something wrong 'bout a

thing that don't explain itself."

That was Old Rocky's advice, given three-and-twenty years ago--not

forgotten yet, but, in this instance, respectfully ignored.

It happened some years ago, and this was the way of it: the Fox of

Ballybotherem having served three generations--in his native Tipperary,

in Kaffraria, and in the Transvaal--seemed entitled to a rest; and when,

in the half-hour before `lights out,' which is the Little People's

particular own, the demand came from certain Autocrats of the Nightgown:

"Now, tell us something else!" it occurred to the Puzzled One to tell of

Jock's fight with the table leg. And that is how the trouble began.

Those with experience will know what followed; and, for those less

fortunate, the modest demand of one, comfortably tucked up tailorwise,

and emphasising his points by excited hand-shakes with his toes, will

convey the idea: "It must be _all true_! and don't leave out

_anything_!"

To such an audience a story may be told a hundred times, but it must be

told, as Kipling says, "Just so!" that is, in the same way; because,

even a romance (what a three-year-old once excused as "only a play

tell") must be true--to itself!

Once Jock had taken the field it was not long before the narrator found

himself helped or driven over the pauses by quick suggestions from the

Gallery; but there were days of fag and worry when thoughts lagged or

strayed, and when slips were made, and then a vigilant and pitiless

memory swooped like the striking falcon on its prey. There came a night

when the story was of the Old Crocodile, and one in the Gallery--one of

more exuberant fancy--seeing the gate open ran into the flower-strewn

field of romance and by suggestive questions and eager promptings helped

to gather a little posy: "And he caught the Crocodile by the tail,

didn't he?" "And he hung on and fought him, didn't he?" "And the Old

Crocodile flung him high into the air? High!" and, turning to the two

juniors, added "quite as high as the house?" And the narrator--

accessory by reason of a mechanical nod and an absent-minded "Yes"

passed on, thinking it could all be put right next time. But there is

no escape from the `tangled web' when the Little People sit in judgment.

It was months later when retribution came. The critical point of the

story was safely passed when--Oh; the irony and poetic justice of it--it

was the innocent tempter himself who laid his hand in solemn protest on

the narrator's shoulder and, looking him reproachfully in the eyes, said

"Dad! You have left out the best part of all. Don't you remember

how..."

And the description which followed only emphasises the present writer's

unfitness for the task he has undertaken. In the text of the story and

in the illustration by my friend Mr Caldwell (who was himself subjected

to the same influence) there is left a loophole for fancy: it is open to

any one to believe that Jock is just beginning or just ending his aerial

excursion. The Important People are not satisfied; but then the page is

not big enough to exhibit Jock at the top of that flight--of fancy!

From the date of that lesson it was apparent that reputations would

suffer if the story of Jock were not speedily embodied in some durable

and authoritative form, and during a long spell of ill health many of

the incidents were retold in the form of letters to the Little People.

Other Less Important Persons--grown-ups--read them and sometimes heard

them, and so it came about that the story of Jock was to be printed for

private circulation, for the Little People and their friends. Then the

story was read in manuscript and there came still more ambitious

counsels, some urging the human story of the early days, others the wild

animal life of South Africa. Conscious of many deficiencies the

narrator has left two great fields practically untouched, adhering to

the original idea--the story of Jock; and those who come into it, men

and animals, come in because of him and the life in which he played so

large a part. The attempt to adapt the original letters to the symmetry

of a connected story involved, as one might have known, endless trouble

and changes, necessitating complete re-writing of most parts; and the

responsibility and work became still greater when, after a casual and

unforeseen meeting, my friend Mr Caldwell accepted the suggestion to

come out to South Africa and spend six months with us in order to study

the game in its native bush and to know the conditions of the life and

put that experience into the work of illustrating "Jock."

The writer is well aware that, from the above causes and one other,

there are grave inequalities in style and system, and in plane of phrase

and thought, in different parts of the book. For this feature the `one

other' cause is alone put forward as a defence. The story belongs to

the Little People, and their requirements were defined--"It must be _all

true_! Don't leave out _anything_!" It has been necessary to leave out

a great deal; but the other condition has been fully and fairly complied

with; for it is a true story from beginning to end. It is not a diary:

incidents have been grouped and moved to get over the difficulty of

blank days and bad spells, but there is no incident of importance or of

credit to Jock which is not absolutely true. The severest trial in this

connection was in the last chapter, which is bound to recall perhaps the

most famous and most cherished of all dog stories. Much, indeed, would

have been sacrificed to avoid that; but it was unthinkable that, for any

reason, one should in the last words shatter the spell that holds Jock

dear to those for whom his life is chronicled--the spell that lies in `a

true story.'

Little by little the book has grown until it has come perilously near

the condition in which it might be thought to have Pretensions. It has

none! It is what it was: a simple record, compiled for the interest and

satisfaction of some Little People, and a small tribute of remembrance

and affection offered at the shrine of the old life and those who made

it--tendered in the hope that some one better equipped with

opportunities and leisure may be inspired to do justice to it and to

them for the sake of our native land.

Jock of the Bushveld · 第 2 / 69 题