A man of true genius.—_Edgar A. Poe._

A man’s heart beats in his every line.—_George

Gilfillan._

Of all our poets Longfellow best deserves the title of

artist.—_Griswold._

They (Longfellow’s poems) appear to me more beautiful

than on former readings, much as I then admired

them. The exquisite music of your verses dwells more

agreeably than ever on my ear, and more than ever

am I affected by their depth of feeling and their

spirituality, and the creative power with which

they set before us passages from the great drama of

life.—_William Cullen Bryant in letter to Longfellow._

Santa Filomena.

Whene’er a noble deed is wrought,

Whene’er is spoken a noble thought,

Our hearts, in glad surprise,

To higher levels rise.

The tidal wave of deeper souls

Into our inmost being rolls,

And lifts us unawares

Out of all meaner cares.

Honor to those whose words or deeds

Thus help us in our daily needs,

And by their overflow

Raise us from what is low!

Thus thought I, as by night I read

Of the great army of the dead,

The trenches cold and damp,

The starved and frozen camp,—

The wounded from the battle-plain,

In dreary hospitals of pain,

The cheerless corridors,

The cold and stony floors.

Lo! in that house of misery

A lady with a lamp I see

Pass through the glimmering gloom,

And flit from room to room.

And slow, as in a dream of bliss,

The speechless sufferer turns to kiss

Her shadow, as it falls

Upon the darkening walls.

As if a door in heaven should be

Opened and then closed suddenly,

The vision came and went,

The light shone and was spent.

On England’s annals, through the long

Hereafter of her speech and song,

That light its rays shall cast

From portals of the past.

A Lady with a Lamp shall stand

In the great history of the land,

A noble type of good,

Heroic womanhood.

Nor even shall be wanting here

The palm, the lily, and the spear,

The symbols that of yore

Saint Filomena bore.

Rural Life in Sweden.

There is something patriarchal still lingering about rural life

in Sweden, which renders it a fit theme for song. Almost primeval

simplicity reigns over that Northern land—almost primeval solitude

and stillness. You pass out from the gate of the city, and, as if by

magic, the scene changes to a wild, woodland landscape. Around you are

forests of fir. Overhead hang the long, fan-like branches, trailing

with moss, and heavy with red and blue cones. Under foot is a carpet

of yellow leaves; and the air is warm and balmy. On a wooden bridge

you cross a little silver stream; and anon come forth into a pleasant

and sunny land of farms. Wooden fences divide the adjoining fields.

Across the road are gates, which are opened by troops of children. The

peasants take off their hats as you pass; you sneeze, and they cry,

“God bless you!” The houses in the villages and smaller towns are all

built of hewn timber, and for the most part painted red. The floors of

the taverns are strewn with the flagrant tips of fir boughs. In many

villages there are no taverns, and the peasants take turns in receiving

travelers. The thrifty housewife shows you into the best chamber, the

walls of which are hung round with rude pictures from the Bible; and

brings you her heavy silver spoons—an heirloom—to dip the curdled milk

from the pan. You have oaten cakes baked some months before, or bread

with anise-seed and coriander in it, or perhaps a little pine bark.

Meanwhile the sturdy husband has brought his horses from the plough,

and harnessed them to your carriage. Solitary travelers come and go in

uncouth one-horse chaises. Most of them have pipes in their mouths,

and, hanging around their necks in front, a leather wallet, in which

they carry tobacco, and the great bank-notes of the country, as large

as your two hands. You meet, also, groups of Dalekarlian peasant-women,

traveling homeward or townward in pursuit of work. They walk barefoot,

carrying in their hands their shoes, which have high heels under the

hollow of their foot, and soles of birch bark.

Near the churchyard gate stands a poor-box, fastened to a post by iron

bands, and secured by a padlock, with a sloping wooden roof to keep off

the rain. If it be Sunday, the peasants sit on the church steps and con

their psalm-books. Others are coming down the road with their beloved

pastor, who talks to them of holy things from beneath his broad-brimmed

hat. He speaks of fields and harvests, and of the parable of the sower,

that went forth to sow. He leads them to the Good Shepherd, and to

the pleasant pastures of the spirit-land. He is their patriarch, and,

like Melchizedek, both priest and king, though he has no other throne

than the church pulpit. The women carry psalm-books in their hands,

wrapped in silk handkerchiefs, and listen devoutly to the good man’s

words. But the young men, like Gallio, care for none of these things.

They are busy counting the plaits in the kirtles of the peasant girls,

their number being an indication of the wearer’s wealth. It may end in

a wedding.

Nor must I forget the suddenly changing seasons of the Northern clime.

There is no long and lingering spring, unfolding leaf and blossom one

by one; no long and lingering autumn, pompous with many-colored leaves

and the glow of Indian summers. But winter and summer are wonderful,

and pass into each other. The quail has hardly ceased piping in the

corn, when winter from the folds of trailing clouds sows broadcast over

the land snow, icicles, and rattling hail. The days wane apace. Erelong

the sun hardly rises above the horizon, or does not rise at all. The

moon and the stars shine through the day; only, at noon, they are pale

and wan, and in the southern sky a red, fiery glow, as of sunset, burns

along the horizon, and then goes out. And pleasantly under the silver

moon, and under the silent, solemn stars, ring the steel-shoes of the

skaters on the frozen sea, and voices, and the sound of bells.

Passages from Longfellow.

If you borrow my books do not mark them, for I shall not be able to

distinguish your marks from my own, and the pages will become like the

doors in Bagdad, marked by Morgiana’s chalk.

A torn jacket is soon mended; but hard words bruise the heart of a

child.

THE CATHEDRAL OF ROUEN.—I unexpectedly came out in front of the

magnificent cathedral. If it had suddenly risen from the earth the

effect would not have been more powerful and instantaneous. It

completely overpowered my imagination; and I stood for a long time

motionless, gazing entranced upon the stupendous edifice. I had before

seen no specimen of Gothic architecture, save the remains of a little

church at Havre, and the massive towers before me, the lofty windows

of stained glass, the low portal, with its receding arches and rude

statues, all produced upon my untrained mind an impression of awful

sublimity. When I entered the church the impression was still more deep

and solemn. It was the hour of vespers. The religious twilight of the

place, the lamps that burned on the distant altar, the kneeling crowd,

the tinkling bell, and the chant of the evening service that rolled

along the vaulted roof in broken and repeated echoes, filled me with

new and intense emotions. When I gazed on the stupendous architecture

of the church, the huge columns that the eye followed up till they were

lost in the gathering dusk of the arches above, the long and shadowy

aisles, the statues of saints and martyrs that stood in every recess,

the figures of armed knights upon the tombs, the uncertain light that

stole through the painted windows of each little chapel, and the form

of the cowled and solitary monk, kneeling at the shrine of his favorite

saint, or passing between the lofty columns of the church—all I had

read of, but had not seen—I was transported back to the Dark Ages, and

felt as I can never feel again.—_Outre-Mer._

Bear through sorrow, wrong and ruth,

In thy heart the dew of youth,

On thy lips the smile of truth.

—_Maidenhood._

As turning the logs will make a dull fire burn, so change of studies a

dull brain.

If we could read the secret history of our enemies, we should find in

each man’s life sorrow and suffering enough to disarm all hostility.

We often excuse our want of philanthropy by giving the name of

fanaticism to the more ardent zeal of others.

[End of Required Reading for January.]

The Chautauquan, Vol. 04, January 1884 A Monthly Magazine Devoted to the Promotion of True Culture. Organ of the Chautauqua Literary and Scientific Circle. · 第 43 / 140 题