GELATINOGRAPHY.

A very rapid process to make newspaper illustrations, called

gelatinography, is described in the following:

A black glass plate or a tin plate coated with black varnish, as used by

sign-painters, is covered with plaster of Paris (gypsum) to a thickness

of four-ply cardboard. The plaster of Paris must be of the best quality

and reduced to a very fine powder. Add thereto some alum and some

sulphate of barium, and in order to prevent the coating from being too

brittle, add also a trifle of glycerine or of a gelatine solution.

This mixture must have the consistency of a thin pulp when applied to

the glass or tin with a soft camel’s-hair brush.

When dry, the artist may engrave into this coat of plaster of Paris, by

means of a lithographic engraving needle, any design or picture with the

greatest ease; the plate or glass is thereby laid bare, and design or

picture appears black through the plaster of Paris coating. Mistakes or

errors are easily remedied by filling in the plaster of Paris

preparation.

With the regular printers’ roller composition a stereotype is now made

of the picture or design on the glass or plate, in the usual way; some

bichromate of ammonia solution should be added to the roller

composition, to make the stereotype hard enough for the type press, and

it will be as durable as any electrotype, and answer the same

purpose.--_Am. Lith. and Printer._

* * * * *

STEREOSCOPIC PHOTOGRAPHY.--Of late, there is quite a revival in this

branch of our art-science, several English and many foreign amateurs

having been working with twin lenses during the last and present

seasons. The Belgian _Bulletin_ has an article on the subject, and the

last technical meeting of the Photographic Society was devoted to it.

Although Wheatstone announced the instrument in 1838, it was not until

photography had come to his aid by furnishing satisfactory diagrams, and

Brewster had popularized the matter by the invention of the lenticular

stereoscope, that much progress was made; then Wheatstone gave his

Bakerian lecture on January 15th, 1852, to put the finishing touch to

this important branch of scientific work. The earlier attempts failed by

reason of employing too wide an angle.

The American Journal of Photography, Vol. XI, No. 7, July 1890 · 第 23 / 26 题