MARK TWAIN

Elinor Glyn, author of Three Weeks and other erotic tales, was in

America that winter and asked permission to call on Mark Twain. An

appointment was made and Clemens discussed with her, for an hour or

more, those crucial phases of life which have made living a complex

problem since the days of Eve in Eden. Mrs. Glyn had never before

heard anything like Mark Twain's wonderful talk, and she was anxious

to print their interview. She wrote what she could remember of it

and sent it to him for approval. If his conversation had been

frank, his refusal was hardly less so.

*****

To Mrs. Elinor Glyn, in New York:

Jan. 22, '08.

DEAR MRS. GLYN, It reads pretty poorly--I get the sense of it, but it

is a poor literary job; however, it would have to be that because

nobody can be reported even approximately, except by a stenographer.

Approximations, synopsized speeches, translated poems, artificial

flowers and chromos all have a sort of value, but it is small. If

you had put upon paper what I really said it would have wrecked your

type-machine. I said some fetid, over-vigorous things, but that was

because it was a confidential conversation. I said nothing for print. My

own report of the same conversation reads like Satan roasting a Sunday

school. It, and certain other readable chapters of my autobiography

will not be published until all the Clemens family are dead--dead and

correspondingly indifferent. They were written to entertain me, not

the rest of the world. I am not here to do good--at least not to do it

intentionally. You must pardon me for dictating this letter; I am sick

a-bed and not feeling as well as I might.

Sincerely Yours,

S. L. CLEMENS.

Among the cultured men of England Mark Twain had no greater admirer,

or warmer friend, than Andrew Lang. They were at one on most

literary subjects, and especially so in their admiration of the life

and character of Joan of Arc. Both had written of her, and both

held her to be something almost more than mortal. When, therefore,

Anatole France published his exhaustive biography of the maid of

Domremy, a book in which he followed, with exaggerated minuteness

and innumerable footnotes, every step of Joan's physical career at

the expense of her spiritual life, which he was inclined to cheapen,

Lang wrote feelingly, and with some contempt, of the performance,

inviting the author of the Personal Recollections to come to the

rescue of their heroine. “Compare every one of his statements with

the passages he cites from authorities, and make him the laughter of

the world” he wrote. “If you are lazy about comparing I can make

you a complete set of what the authorities say, and of what this

amazing novelist says that they say. When I tell you that he thinks

the Epiphany (January 6, Twelfth Night) is December 25th--Christmas

Day-you begin to see what an egregious ass he is. Treat him like

Dowden, and oblige”--a reference to Mark Twain's defense of Harriet

Shelley, in which he had heaped ridicule on Dowden's Life of the

Poet--a masterly performance; one of the best that ever came from

Mark Twain's pen.

Lang's suggestion would seem to have been a welcome one.

*****

To Andrew Lang, in London:

NEW YORK, April 25, 1908.

DEAR MR. LANG,--I haven't seen the book nor any review of it, but only

not very-understandable references to it--of a sort which discomforted

me, but of course set my interest on fire. I don't want to have to read

it in French--I should lose the nice shades, and should do a lot of

gross misinterpreting, too. But there'll be a translation soon, nicht

wahr? I will wait for it. I note with joy that you say: “If you are lazy

about comparing, (which I most certainly am), I can make you a complete

set of what the authorities say, and of what this amazing novelist says

that they say.”

Ah, do it for me! Then I will attempt the article, and (if I succeed

in doing it to my satisfaction,) will publish it. It is long since I

touched a pen (3 1/2 years), and I was intending to continue this happy

holiday to the gallows, but--there are things that could beguile me to

break this blessed Sabbath.

Yours very sincerely,

S. L. CLEMENS.

Certainly it is an interesting fact that an Englishman--one of the

race that burned Joan--should feel moved to defend her memory

against the top-heavy perversions of a distinguished French author.

But Lang seems never to have sent the notes. The copying would have

been a tremendous task, and perhaps he never found the time for it.

We may regret to-day that he did not, for Mark Twain's article on

the French author's Joan would have been at least unique.

Samuel Clemens could never accustom himself to the loss of his wife.

From the time of her death, marriage-which had brought him his

greatest joy in life-presented itself to him always with the thought

of bereavement, waiting somewhere just behind. The news of an

approaching wedding saddened him and there was nearly always a

somber tinge in his congratulations, of which the following to a

dear friend is an example:

*****

To Father Fitz-Simon, in Washington:

June 5, '08.

DEAR FATHER FITZ-SIMON,--Marriage--yes, it is the supreme felicity of

life, I concede it. And it is also the supreme tragedy of life. The

deeper the love the surer the tragedy. And the more disconsolating when

it comes.

And so I congratulate you. Not perfunctorily, not lukewarmly, but with

a fervency and fire that no word in the dictionary is strong enough to

convey. And in the same breath and with the same depth and sincerity,

I grieve for you. Not for both of you and not for the one that shall

go first, but for the one that is fated to be left behind. For that one

there is no recompense.--For that one no recompense is possible.

There are times--thousands of times--when I can expose the half of my

mind, and conceal the other half, but in the matter of the tragedy of

marriage I feel too deeply for that, and I have to bleed it all out or

shut it all in. And so you must consider what I have been through, and

am passing through and be charitable with me.

Make the most of the sunshine! and I hope it will last long--ever so

long.

I do not really want to be present; yet for friendship's sake and

because I honor you so, I would be there if I could.

Most sincerely your friend,

S. L. CLEMENS.

The new home at Redding was completed in the spring of 1908, and on

the 18th of June, when it was entirely fitted and furnished, Mark

Twain entered it for the first time. He had never even seen the

place nor carefully examined plans which John Howells had made for

his house. He preferred the surprise of it, and the general

avoidance of detail. That he was satisfied with the result will be

seen in his letters. He named it at first “Innocence at Home”;

later changing this title to “Stormfield.”

The letter which follows is an acknowledgment of an interesting

souvenir from the battle-field of Tewksbury (1471), and some relics

of the Cavalier and Roundhead Regiments encamped at Tewksbury in

1643.

*****

To an English admirer:

INNOCENCE AT HOME, REDDING, CONNECTICUT,

Aug. 15, '08.

DEAR SIR,--I highly prize the pipes, and shall intimate to people that

“Raleigh” smoked them, and doubtless he did. After a little practice I

shall be able to go further and say he did; they will then be the most

interesting features of my library's decorations. The Horse-shoe is

attracting a good deal of attention, because I have intimated that the

conqueror's horse cast it; it will attract more when I get my hand in

and say he cast it, I thank you for the pipes and the shoe; and also

for the official guide, which I read through at a single sitting. If a

person should say that about a book of mine I should regard it as good

evidence of the book's interest.

Very truly yours,

S. L. CLEMENS.

In his philosophy, What Is Man?, and now and again in his other

writings, we find Mark Twain giving small credit to the human mind

as an originator of ideas. The most original writer of his time, he

took no credit for pure invention and allowed none to others. The

mind, he declared, adapted, consciously or unconsciously; it did not

create. In a letter which follows he elucidates this doctrine. The

reference in it to the “captain” and to the kerosene, as the reader

may remember, have to do with Captain “Hurricane” Jones and his

theory of the miracles of “Isaac and of the prophets of Baal,” as

expounded in Some Rambling Notes of an Idle Excursion.

By a trick of memory Clemens gives The Little Duke as his suggestion

for The Prince and the Pauper; he should have written The Prince and

the Page, by the same author.

*****

To Rev. F. Y. Christ, in New York:

REDDING, CONN., Aug., '08.

DEAR SIR,--You say “I often owe my best sermons to a suggestion received

in reading or from other exterior sources.” Your remark is not quite in

accordance with the facts. We must change it to--“I owe all my thoughts,

sermons and ideas to suggestions received from sources outside of

myself.” The simplified English of this proposition is--“No man's brains

ever originated an idea.” It is an astonishing thing that after all

these ages the world goes on thinking the human brain machinery can

originate a thought.

It can't. It never has done it. In all cases, little and big, the

thought is born of a suggestion; and in all cases the suggestions come

to the brain from the outside. The brain never acts except from exterior

impulse.

A man can satisfy himself of the truth of this by a single process,--let

him examine every idea that occurs to him in an hour; a day; in a

week--in a lifetime if he please. He will always find that an outside

something suggested the thought, something which he saw with his eyes or

heard with his ears or perceived by his touch--not necessarily to-day,

nor yesterday, nor last year, nor twenty years ago, but sometime or

other. Usually the source of the suggestion is immediately traceable,

but sometimes it isn't.

However, if you will examine every thought that occurs to you for the

next two days, you will find that in at least nine cases out of ten

you can put your finger on the outside suggestion--And that ought to

convince you that No. 10 had that source too, although you cannot at

present hunt it down and find it.

The idea of writing to me would have had to wait a long time if it

waited until your brain originated it. It was born of an outside

suggestion--Sir Thomas and my old Captain.

The hypnotist thinks he has invented a new thing--suggestion. This is

very sad. I don't know where my captain got his kerosene idea. (It was

forty-one years ago, and he is long ago dead.) But I know that it

didn't originate in his head, but it was born from a suggestion from the

outside.

Yesterday a guest said, “How did you come to think of writing 'The

Prince and the Pauper?'” I didn't. The thought came to me from the

outside--suggested by that pleasant and picturesque little history-book,

Charlotte M. Yonge's “Little Duke,” I doubt if Mrs. Burnett knows whence

came to her the suggestion to write “Little Lord Fauntleroy,” but I

know; it came to her from reading “The Prince and the Pauper.” In all my

life I have never originated an idea, and neither has she, nor anybody

else.

Man's mind is a clever machine, and can work up materials into ingenious

fancies and ideas, but it can't create the material; none but the gods

can do that. In Sweden I saw a vast machine receive a block of wood, and

turn it into marketable matches in two minutes. It could do everything

but make the wood. That is the kind of machine the human mind is. Maybe

this is not a large compliment, but it is all I can afford.....

Your friend and well-wisher

S. L. CLEMENS.

*****

To Mrs. H. H. Rogers, in Fair Hawn, Mass.:

REDDING, CONN, Aug. 12, 1908.

DEAR MRS. ROGERS, I believe I am the wellest man on the planet to-day,

and good for a trip to Fair Haven (which I discussed with the Captain

of the New Bedford boat, who pleasantly accosted me in the Grand Central

August 5) but the doctor came up from New York day before yesterday, and

gave positive orders that I must not stir from here before frost. It is

because I was threatened with a swoon, 10 or 12 days ago, and went

to New York a day or two later to attend my nephew's funeral and got

horribly exhausted by the heat and came back here and had a bilious

collapse. In 24 hours I was as sound as a nut again, but nobody believes

it but me.

This is a prodigiously satisfactory place, and I am so glad I don't have

to go back to the turmoil and rush of New York. The house stands high

and the horizons are wide, yet the seclusion is perfect. The nearest

public road is half a mile away, so there is nobody to look in, and I

don't have to wear clothes if I don't want to. I have been down stairs

in night-gown and slippers a couple of hours, and have been photographed

in that costume; but I will dress, now, and behave myself.

That doctor had half an idea that there is something the matter with my

brain... Doctors do know so little and they do charge so much for it. I

wish Henry Rogers would come here, and I wish you would come with him.

You can't rest in that crowded place, but you could rest here, for sure!

I would learn bridge, and entertain you, and rob you.

With love to you both,

Ever yours,

S. L. C.

In the foregoing letter we get the first intimation of Mark Twain's

failing health. The nephew who had died was Samuel E. Moffett, son

of Pamela Clemens. Moffett, who was a distinguished journalist--an

editorial writer on Collier's Weekly, a man beloved by all who knew

him--had been drowned in the surf off the Jersey beach.

*****

To W. D. Howells, Kittery Point, Maine:

Aug. 12, '08.

DEAR HOWELLS,--Won't you and Mrs. Howells and Mildred come and give us

as many days as you can spare, and examine John's triumph? It is

the most satisfactory house I am acquainted with, and the most

satisfactorily situated.

But it is no place to work in, because one is outside of it all the

time, while the sun and the moon are on duty. Outside of it in the

loggia, where the breezes blow and the tall arches divide up the scenery

and frame it.

It's a ghastly long distance to come, and I wouldn't travel such a

distance to see anything short of a memorial museum, but if you can't

come now you can at least come later when you return to New York, for

the journey will be only an hour and a half per express-train. Things

are gradually and steadily taking shape inside the house, and nature is

taking care of the outside in her ingenious and wonderful fashion--and

she is competent and asks no help and gets none. I have retired from New

York for good, I have retired from labor for good, I have dismissed my

stenographer and have entered upon a holiday whose other end is in the

cemetery.

Yours ever,

MARK.

From a gentleman in Buffalo Clemens one day received a letter

inclosing an incompleted list of the world's “One Hundred Greatest

Men,” men who had exerted “the largest visible influence on the life

and activities of the race.” The writer asked that Mark Twain

examine the list and suggest names, adding “would you include Jesus,

as the founder of Christianity, in the list?”

To the list of statesmen Clemens added the name of Thomas Paine; to

the list of inventors, Edison and Alexander Graham Bell. The

question he answered in detail.

*****

To ------, Buffalo, N. Y.

Private. REDDING, CONN, Aug. 28, '08.

DEAR SIR,--By “private,” I mean don't print any remarks of mine.

..................

I like your list.

The “largest visible influence.”

These terms require you to add Jesus. And they doubly and trebly require

you to add Satan. From A.D. 350 to A.D. 1850 these gentlemen exercised a

vaster influence over a fifth part of the human race than was exercised

over that fraction of the race by all other influences combined.

Ninety-nine hundredths of this influence proceeded from Satan, the

remaining fraction of it from Jesus. During those 1500 years the fear

of Satan and Hell made 99 Christians where love of God and Heaven landed

one. During those 1500 years, Satan's influence was worth very nearly

a hundred times as much to the business as was the influence of all the

rest of the Holy Family put together.

You have asked me a question, and I have answered it seriously and

sincerely. You have put in Buddha--a god, with a following, at one time,

greater than Jesus ever had: a god with perhaps a little better evidence

of his godship than that which is offered for Jesus's. How then, in

fairness, can you leave Jesus out? And if you put him in, how can you

logically leave Satan out? Thunder is good, thunder is impressive; but

it is the lightning that does the work.

Very truly yours,

S. L. CLEMENS.

The “Children's Theatre” of the next letter was an institution of

the New York East Side in which Mark Twain was deeply interested.

The children were most, if not all, of Hebrew parentage, and the

performances they gave, under the direction of Alice M. Herts, were

really remarkable. It seemed a pity that lack of funds should have

brought this excellent educational venture to an untimely end.

The following letter was in reply to one inclosing a newspaper

clipping reporting a performance of The Prince and the Pauper, given

by Chicago school children.

*****

To Mrs. Hookway, in Chicago:

Sept., 1908.

DEAR MRS. HOOKWAY,--Although I am full of the spirit of work this

morning, a rarity with me lately--I must steal a moment or two for a

word in person: for I have been reading the eloquent account in the

Record-Herald and am pleasurably stirred, to my deepest deeps. The

reading brings vividly back to me my pet and pride. The Children's

Theatre of the East side, New York. And it supports and re-affirms what

I have so often and strenuously said in public that a children's theatre

is easily the most valuable adjunct that any educational institution

for the young can have, and that no otherwise good school is complete

without it.

It is much the most effective teacher of morals and promoter of good

conduct that the ingenuity of man has yet devised, for the reason that

its lessons are not taught wearily by book and by dreary homily, but by

visible and enthusing action; and they go straight to the heart, which

is the rightest of right places for them. Book morals often get no

further than the intellect, if they even get that far on their spectral

and shadowy pilgrimage: but when they travel from a Children's Theatre

they do not stop permanently at that halfway house, but go on home.

The children's theatre is the only teacher of morals and conduct and

high ideals that never bores the pupil, but always leaves him sorry when

the lesson is over. And as for history, no other teacher is for a moment

comparable to it: no other can make the dead heroes of the world rise

up and shake the dust of the ages from their bones and live and move and

breathe and speak and be real to the looker and listener: no other can

make the study of the lives and times of the illustrious dead a delight,

a splendid interest, a passion; and no other can paint a history-lesson

in colors that will stay, and stay, and never fade.

It is my conviction that the children's theatre is one of the very, very

great inventions of the twentieth century; and that its vast educational

value--now but dimly perceived and but vaguely understood--will

presently come to be recognized. By the article which I have been

reading I find the same things happening in the Howland School that

we have become familiar with in our Children's Theatre (of which I am

President, and sufficiently vain of the distinction.) These things among

others;

1. The educating history-study does not stop with the little players,

but the whole school catches the infection and revels in it.

2. And it doesn't even stop there; the children carry it home and infect

the family with it--even the parents and grandparents; and the whole

household fall to studying history, and bygone manners and customs and

costumes with eager interest. And this interest is carried along to

the studying of costumes in old book-plates; and beyond that to the

selecting of fabrics and the making of clothes. Hundreds of our children

learn, the plays by listening without book, and by making notes; then

the listener goes home and plays the piece--all the parts! to the

family. And the family are glad and proud; glad to listen to the

explanations and analyses, glad to learn, glad to be lifted to planes

above their dreary workaday lives. Our children's theatre is educating

7,000 children--and their families. When we put on a play of Shakespeare

they fall to studying it diligently; so that they may be qualified to

enjoy it to the limit when the piece is staged.

3. Your Howland School children do the construction-work,

stage-decorations, etc. That is our way too. Our young folks do

everything that is needed by the theatre, with their own hands;

scene-designing, scene-painting, gas-fitting, electric work,

costume-designing--costume making, everything and all things indeed--and

their orchestra and its leader are from their own ranks.

The article which I have been reading, says--speaking of the historical

play produced by the pupils of the Howland School--

“The question naturally arises, What has this drama done for those who

so enthusiastically took part?--The touching story has made a year

out of the Past live for the children as could no chronology or bald

statement of historical events; it has cultivated the fancy and given to

the imagination strength and purity; work in composition has ceased to

be drudgery, for when all other themes fall flat a subject dealing with

some aspect of the drama presented never fails to arouse interest and a

rapid pushing of pens over paper.”

That is entirely true. The interest is not confined to the drama's

story, it spreads out all around the period of the story, and gives to

all the outlying and unrelated happenings of that period a fascinating

interest--an interest which does not fade out with the years, but

remains always fresh, always inspiring, always welcome. History-facts

dug by the job, with sweat and tears out of a dry and spiritless

text-book--but never mind, all who have suffered know what that is...

I remain, dear madam,

Sincerely yours,

S. L. CLEMENS.

Mark Twain had a special fondness for cats. As a boy he always

owned one and it generally had a seat beside him at the table.

There were cats at Quarry Farm and at Hartford, and in the house at

Redding there was a gray mother-cat named Tammany, of which he was

especially fond. Kittens capering about were his chief delight.

In a letter to a Chicago woman he tells how those of Tammany

assisted at his favorite game.

*****

To Mrs. Mabel Larkin Patterson, in Chicago:

REDDING, CONNECTICUT,

Oct. 2, '08.

DEAR MRS. PATTERSON,--The contents of your letter are very pleasant

and very welcome, and I thank you for them, sincerely. If I can find a

photograph of my “Tammany” and her kittens, I will enclose it in this.

One of them likes to be crammed into a corner-pocket of the billiard

table--which he fits as snugly as does a finger in a glove and then he

watches the game (and obstructs it) by the hour, and spoils many a shot

by putting out his paw and changing the direction of a passing ball.

Whenever a ball is in his arms, or so close to him that it cannot be

played upon without risk of hurting him, the player is privileged to

remove it to anyone of the 3 spots that chances to be vacant.

Ah, no, my lecturing days are over for good and all.

Sincerely yours,

S. L. CLEMENS.

The letter to Howells which follows was written a short time before

the passage of the copyright extension bill, which rendered Mark

Twain's new plan, here mentioned, unneeded--at least for the time.

*****

To W. D. Howells, in New York:

Monday, Oct. 26, '08.

Oh, I say! Where are you hiding, and why are you hiding? You promised

to come here and you didn't keep your word. (This sounds like

astonishment--but don't be misled by that.)

Come, fire up again on your fiction-mill and give us another good

promise. And this time keep it--for it is your turn to be astonished.

Come and stay as long as you possibly can. I invented a new copyright

extension scheme last Friday, and sat up all night arranging its

details. It will interest you. Yesterday I got it down on paper in as

compact a form as I could. Harvey and I have examined the scheme, and

to-morrow or next day he will send me a couple of copyright-experts to

arrange about getting certain statistics for me.

Authors, publishers and the public have always been damaged by the

copyright laws. The proposed amendment will advantage all three--the

public most of all. I think Congress will pass it and settle the vexed

question permanently.

I shall need your assent and the assent of about a dozen other authors.

Also the assent of all the large firms of the 300 publishers. These

authors and publishers will furnish said assent I am sure. Not even the

pirates will be able to furnish a serious objection, I think.

Come along. This place seemed at its best when all around was

summer-green; later it seemed at its best when all around was burning

with the autumn splendors; and now once more it seems at its best, with

the trees naked and the ground a painter's palette.

Yours ever,

MARK.

Clemens was a great admirer of the sea stories of W. W. Jacobs and

generally kept one or more of this author's volumes in reach of his

bed, where most of his reading was done. The acknowledgment that

follows was sent when he had finished Salthaven.

*****

To W. W. Jacobs, in England:

REDDING, CONN,

Oct. 28, '08.

DEAR MR. JACOBS,--It has a delightful look. I will not venture to say

how delightful, because the words would sound extravagant, and would

thereby lose some of their strength and to that degree misrepresent me.

It is my conviction that Dialstone Lane holds the supremacy over all

purely humorous books in our language, but I feel about Salthaven as the

Cape Cod poet feels about Simon Hanks:

“The Lord knows all things, great and small,

With doubt he's not perplexed:

'Tis Him alone that knows it all

But Simon Hanks comes next.”

The poet was moved by envy and malice and jealousy, but I am not: I

place Salthaven close up next to Dialstone because I think it has a

fair and honest right to that high position. I have kept the other book

moving; I shall begin to hand this one around now.

And many thanks to you for remembering me.

This house is out in the solitudes of the woods and the hills, an hour

and a half from New York, and I mean to stay in it winter and summer

the rest of my days. I beg you to come and help occupy it a few days the

next time you visit the U.S.

Sincerely yours,

S. L. CLEMENS.

One of the attractions of Stormfield was a beautiful mantel in the

billiard room, presented by the Hawaiian Promotion Committee. It

had not arrived when the rest of the house was completed, but came

in time to be set in place early in the morning of the owner's

seventy-third birthday. It was made of a variety of Hawaiian woods,

and was the work of a native carver, F. M. Otremba. Clemens was

deeply touched by the offering from those “western isles”--the

memory of which was always so sweet to him.

*****

To Mr. Wood, in Hawaii:

Nov. 30, '08.

DEAR MR. WOOD,--The beautiful mantel was put in its place an hour ago,

and its friendly “Aloha” was the first uttered greeting my 73rd birthday

received. It is rich in color, rich in quality, and rich in decoration,

therefore it exactly harmonizes with the taste for such things which was

born in me and which I have seldom been able to indulge to my content.

It will be a great pleasure to me, daily renewed, to have under my

eye this lovely reminder of the loveliest fleet of islands that lies

anchored in any ocean, and I beg to thank the Committee for providing me

that pleasure.

Sincerely Yours,

S. L. CLEMENS.

XLVII. LETTERS, 1909. TO HOWELLS AND OTHERS. LIFE AT STORMFIELD.

COPYRIGHT EXTENSION. DEATH OF JEAN CLEMENS

Clemens remained at Stormfield all that winter. New York was sixty

miles away and he did not often care to make the journey. He was

constantly invited to this or that public gathering, or private

party, but such affairs had lost interest for him. He preferred the

quiet of his luxurious home with its beautiful outlook, while for

entertainment he found the billiard afternoons sufficient. Guests

came from the city, now and again, for week-end visits, and if he

ever was restless or lonely he did not show it.

Among the invitations that came was one from General O. O. Howard

asking him to preside at a meeting to raise an endowment fund for a

Lincoln Memorial University at Cumberland Gap, Tennessee. Closing

his letter, General Howard said, “Never mind if you did fight on the

other side.”

*****

To General O. O. Howard:

STORMFIELD, REDDING, CONNECTICUT,

Jan, 12, '09.

DEAR GENERAL HOWARD,--You pay me a most gratifying compliment in asking

me to preside, and it causes me very real regret that I am obliged to

decline, for the object of the meeting appeals strongly to me, since

that object is to aid in raising the $500,000 Endowment Fund for Lincoln

Memorial University. The Endowment Fund will be the most fitting of

all the memorials the country will dedicate to the memory of Lincoln,

serving, as it will, to uplift his very own people.

I hope you will meet with complete success, and I am sorry I cannot be

there to witness it and help you rejoice. But I am older than people

think, and besides I live away out in the country and never stir from

home, except at geological intervals, to fill left-over engagements in

mesozoic times when I was younger and indiscreeter.

You ought not to say sarcastic things about my “fighting on the other

side.” General Grant did not act like that. General Grant paid me

compliments. He bracketed me with Zenophon--it is there in his Memoirs

for anybody to read. He said if all the confederate soldiers had

followed my example and adopted my military arts he could never have

caught enough of them in a bunch to inconvenience the Rebellion. General

Grant was a fair man, and recognized my worth; but you are prejudiced,

and you have hurt my feelings.

But I have an affection for you, anyway.

MARK TWAIN.

One of Mark Twain's friends was Henniker-Heaton, the so-called

“Father of Penny Postage” between England and America. When, after

long years of effort, he succeeded in getting the rate established,

he at once bent his energies in the direction of cheap cable service

and a letter from him came one day to Stormfield concerning his new

plans. This letter happened to be over-weight, which gave Mark

Twain a chance for some amusing exaggerations at his expense.

*****

To Henniker-Heaton, in London:

STORMFIELD, REDDING, CONNECTICUT,

Jan. 18, 1909.

DEAR HENNIKER-HEATON,--I do hope you will succeed to your heart's desire

in your cheap-cablegram campaign, and I feel sure you will. Indeed

your cheap-postage victory, achieved in spite of a quarter-century of

determined opposition, is good and rational prophecy that you will.

Wireless, not being as yet imprisoned in a Chinese wall of private cash

and high-placed and formidable influence, will come to your aid and make

your new campaign briefer and easier than the other one was.

Now then, after uttering my serious word, am I privileged to be

frivolous for a moment? When you shall have achieved cheap telegraphy,

are you going to employ it for just your own selfish profit and other

people's pecuniary damage, the way you are doing with your cheap

postage? You get letter-postage reduced to 2 cents an ounce, then you

mail me a 4-ounce letter with a 2-cent stamp on it, and I have to pay

the extra freight at this end of the line. I return your envelope for

inspection. Look at it. Stamped in one place is a vast “T,” and under it

the figures “40,” and under those figures appears an “L,” a sinister and

suspicious and mysterious L. In another place, stamped within a circle,

in offensively large capitals, you find the words “DUE 8 CENTS.”

Finally, in the midst of a desert space up nor-noreastard from that

circle you find a figure “3” of quite unnecessarily aggressive and

insolent magnitude--and done with a blue pencil, so as to be as

conspicuous as possible. I inquired about these strange signs and

symbols of the postman. He said they were P. O. Department signals for

his instruction.

“Instruction for what?”

“To get extra postage.”

“Is it so? Explain. Tell me about the large T and the 40.

“It's short for Take 40--or as we postmen say, grab 40”

“Go on, please, while I think up some words to swear with.”

“Due 8 means, grab 8 more.”

“Continue.”

“The blue-pencil 3 was an afterthought. There aren't any stamps for

afterthoughts; the sums vary, according to inspiration, and they whirl

in the one that suggests itself at the last moment. Sometimes they go

several times higher than this one. This one only means hog 3 cents

more. And so if you've got 51 cents about you, or can borrow it--”

“Tell me: who gets this corruption?”

“Half of it goes to the man in England who ships the letter on short

postage, and the other half goes to the P.O.D. to protect cheap postage

from inaugurating a deficit.”

“-------------------”

“I can't blame you; I would say it myself in your place, if these ladies

were not present. But you see I'm only obeying orders, I can't help

myself.”

“Oh, I know it; I'm not blaming you. Finally, what does that L stand

for?”

“Get the money, or give him L. It's English, you know.”

“Take it and go. It's the last cent I've got in the world--.”

After seeing the Oxford pageant file by the grand stand, picture after

picture, splendor after splendor, three thousand five hundred

strong, the most moving and beautiful and impressive and

historically-instructive show conceivable, you are not to think I would

miss the London pageant of next year, with its shining host of 15,000

historical English men and women dug from the misty books of all the

vanished ages and marching in the light of the sun--all alive, and

looking just as they were used to look! Mr. Lascelles spent yesterday

here on the farm, and told me all about it. I shall be in the middle

of my 75th year then, and interested in pageants for personal and

prospective reasons.

I beg you to give my best thanks to the Bath Club for the offer of its

hospitalities, but I shall not be able to take advantage of it, because

I am to be a guest in a private house during my stay in London.

Sincerely yours,

S. L. CLEMENS.

It was in 1907 that Clemens had seen the Oxford Pageant--during the

week when he had been awarded his doctor's degree. It gave him the

greatest delight, and he fully expected to see the next one, planned

for 1910.

In the letter to Howells which follows we get another glimpse of

Mark Twain's philosophy of man, the irresponsible machine.

*****

To W. D. Howells, in New York:

STORMFIELD, REDDING, CONN.,

Jan. 18, '09.

DEAR HOWELLS,--I have to write a line, lazy as I am, to say how your

Poe article delighted me; and to say that I am in agreement with

substantially all you say about his literature. To me his prose is

unreadable--like Jane Austin's. No, there is a difference. I could read

his prose on salary, but not Jane's. Jane is entirely impossible. It

seems a great pity that they allowed her to die a natural death.

Another thing: you grant that God and circumstances sinned against Poe,

but you also grant that he sinned against himself--a thing which he

couldn't do and didn't do.

It is lively up here now. I wish you could come.

Yrs ever,

MARK

*****

To W. D. Howells, in New York:

STORMFIELD, REDDING, CONNECTICUT,

3 in the morning, Apl. 17, '09.

[Written with pencil].

My pen has gone dry and the ink is out of reach. Howells, Did you write

me day-before-day before yesterday, or did I dream it? In my mind's

eye I most vividly see your hand-write on a square blue envelop in the

mailpile. I have hunted the house over, but there is no such letter. Was

it an illusion?

I am reading Lowell's letter, and smoking. I woke an hour ago and am

reading to keep from wasting the time. On page 305, vol. I. I have just

margined a note:

“Young friend! I like that! You ought to see him now.”

It seemed startlingly strange to hear a person call you young. It was a

brick out of a blue sky, and knocked me groggy for a moment. Ah me, the

pathos of it is, that we were young then. And he--why, so was he, but

he didn't know it. He didn't even know it 9 years later, when we saw him

approaching and you warned me, saying, “Don't say anything about age--he

has just turned fifty, and thinks he is old and broods over it.”

[Well, Clara did sing! And you wrote her a dear letter.]

Time to go to sleep.

Yours ever,

MARK.

*****

To Daniel Kiefer:

[No date.]

DANL KIEFER ESQ. DEAR SIR,--I should be far from willing to have a

political party named after me.

I would not be willing to belong to a party which allowed its members

to have political aspirations or to push friends forward for political

preferment.

Yours very truly,

S. L. CLEMENS.

The copyright extension, for which the author had been working so

long, was granted by Congress in 1909, largely as the result of that

afternoon in Washington when Mark Twain had “received” in “Uncle

Joe” Cannon's private room, and preached the gospel of copyright

until the daylight faded and the rest of the Capitol grew still.

Champ Clark was the last to linger that day and they had talked far

into the dusk. Clark was powerful, and had fathered the bill. Now

he wrote to know if it was satisfactory.

*****

To Champ Clark, in Washington:

STORMFIELD, REDDING, CONN., June 5, '09.

DEAR CHAMP CLARK--Is the new copyright law acceptable to me?

Emphatically, yes! Clark, it is the only sane, and clearly defined, and

just and righteous copyright law that has ever existed in the United

States. Whosoever will compare it with its predecessors will have no

trouble in arriving at that decision.

The bill which was before the committee two years ago when I was down

there was the most stupefying jumble of conflicting and apparently

irreconcilable interests that was ever seen; and we all said “the case

is hopeless, absolutely hopeless--out of this chaos nothing can be

built.” But we were in error; out of that chaotic mass this excellent

bill has been instructed; the warring interests have been reconciled,

and the result is as comely and substantial a legislative edifice as

lifts its domes and towers and protective lightning rods out of the

statute book, I think. When I think of that other bill, which even the

Deity couldn't understand, and of this one which even I can understand,

I take off my hat to the man or men who devised this one. Was it R. U.

Johnson? Was it the Author's League? Was it both together? I don't know,

but I take off my hat, anyway. Johnson has written a valuable article

about the new law--I enclose it.

At last--at last and for the first time in copyright history we are

ahead of England! Ahead of her in two ways: by length of time and by

fairness to all interests concerned. Does this sound like shouting?

Then I must modify it: all we possessed of copyright-justice before the

fourth of last March we owed to England's initiative.

Truly Yours,

S. L. CLEMENS.

Because Mark Twain amused himself with certain aspects of Christian

Science, and was critical of Mrs. Eddy, there grew up a wide

impression that he jeered at the theory of mental healing; when, as

a matter of fact, he was one of its earliest converts, and never

lost faith in its power. The letter which follows is an excellent

exposition of his attitude toward the institution of Christian

Science and the founder of the church in America.

*****

To J. Wylie Smith, Glasgow, Scotland:

“STORMFIELD,” August 7, 1909

DEAR SIR,--My view of the matter has not changed. To wit, that Christian

Science is valuable; that it has just the same value now that it had

when Mrs. Eddy stole it from Quimby; that its healing principle (its

most valuable asset) possesses the same force now that it possessed a

million years ago before Quimby was born; that Mrs. Eddy... organized

that force, and is entitled to high credit for that. Then, with a

splendid sagacity she hitched it to... a religion, the surest of

all ways to secure friends for it, and support. In a fine and lofty

way--figuratively speaking--it was a tramp stealing a ride on the

lightning express. Ah, how did that ignorant village-born peasant

woman know the human being so well? She has no more intellect than a

tadpole--until it comes to business then she is a marvel! Am I sorry I

wrote the book? Most certainly not. You say you have 500 (converts) in

Glasgow. Fifty years from now, your posterity will not count them by the

hundred, but by the thousand. I feel absolutely sure of this.

Very truly yours,

S. L. CLEMENS.

Clemens wrote very little for publication that year, but he enjoyed

writing for his own amusement, setting down the things that boiled,

or bubbled, within him: mainly chapters on the inconsistencies of

human deportment, human superstition and human creeds. The “Letters

from the Earth” referred to in the following, were supposed to have

been written by an immortal visitant from some far realm to a

friend, describing the absurdities of mankind. It is true, as he

said, that they would not do for publication, though certainly the

manuscript contains some of his most delicious writing. Miss

Wallace, to whom the next letter is written, had known Mark Twain in

Bermuda, and, after his death, published a dainty volume entitled

Mark Twain in the Happy Island.

“STORMFIELD,” REDDING, CONNECTICUT,

Nov. 13, '09.

DEAR BETSY,--I've been writing “Letters from the Earth,” and if you will

come here and see us I will--what? Put the MS in your hands, with the

places to skip marked? No. I won't trust you quite that far. I'll read

messages to you. This book will never be published--in fact it couldn't

be, because it would be felony to soil the mails with it, for it has

much Holy Scripture in it of the kind that... can't properly be read

aloud, except from the pulpit and in family worship. Paine enjoys it,

but Paine is going to be damned one of these days, I suppose.

The autumn splendors passed you by? What a pity. I wish you had been

here. It was beyond words! It was heaven and hell and sunset and

rainbows and the aurora all fused into one divine harmony, and you

couldn't look at it and keep the tears back. All the hosannahing strong

gorgeousnesses have gone back to heaven and hell and the pole, now, but

no matter; if you could look out of my bedroom window at this moment,

you would choke up; and when you got your voice you would say: This

is not real, this is a dream. Such a singing together, and such a

whispering together, and such a snuggling together of cosy soft colors,

and such kissing and caressing, and such pretty blushing when the sun

breaks out and catches those dainty weeds at it--you remember that

weed-garden of mine?--and then--then the far hills sleeping in a dim

blue trance--oh, hearing about it is nothing, you should be here to see

it.

Good! I wish I could go on the platform and read. And I could, if it

could be kept out of the papers. There's a charity-school of 400 young

girls in Boston that I would give my ears to talk to, if I had some

more; but--oh, well, I can't go, and it's no use to grieve about it.

This morning Jean went to town; also Paine; also the butler; also

Katy; also the laundress. The cook and the maid, and the boy and

the roustabout and Jean's coachman are left--just enough to make it

lonesome, because they are around yet never visible. However, the

Harpers are sending Leigh up to play billiards; therefore I shall

survive.

Affectionately,

S. L. CLEMENS.

Early in June that year, Clemens had developed unmistakable symptoms

of heart trouble of a very serious nature. It was angina pectoris,

and while to all appearances he was as well as ever and usually felt

so, he was periodically visited by severe attacks of acute “breast

pains” which, as the months passed, increased in frequency and

severity. He was alarmed and distressed--not on his own account,

but because of his daughter Jean--a handsome girl, who had long been

subject to epileptic seizures. In case of his death he feared that

Jean would be without permanent anchorage, his other daughter,

Clara--following her marriage to Ossip Gabrilowitsch in October

--having taken up residence abroad.

This anxiety was soon ended. On the morning of December 24th, Jean

Clemens was found dead in her apartment. She was not drowned in her

bath, as was reported, but died from heart exhaustion, the result of

her malady and the shock of cold water.

[Questionable diagnosis! D.W. M.D.]

The blow to her father was terrible, but heavy as it was, one may

perhaps understand that her passing in that swift, painless way must

have afforded him a measure of relief.

*****

To Mrs. Gabrilowitsch, in Europe:

REDDING, CONN.,

Dec. 29, '09.

O, Clara, Clara dear, I am so glad she is out of it and safe--safe! I am

not melancholy; I shall never be melancholy again, I think. You see, I

was in such distress when I came to realize that you were gone far away

and no one stood between her and danger but me--and I could die at any

moment, and then--oh then what would become of her! For she was wilful,

you know, and would not have been governable.

You can't imagine what a darling she was, that last two or three

days; and how fine, and good, and sweet, and noble-and joyful, thank

Heaven!--and how intellectually brilliant. I had never been acquainted

with Jean before. I recognized that.

But I mustn't try to write about her--I can't. I have already poured my

heart out with the pen, recording that last day or two.

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