II

An enthusiast who had a new system of musical notation, wrote to me and

suggested that a magazine article from me, contrasting the absurdities

of the old system with the simplicities of his new one, would be sure to

make a “rousing hit.” He shouted and shouted over the marvels wrought by

his system, and quoted the handsome compliments which had been paid it

by famous musical people; but he forgot to tell me what his notation was

like, or what its simplicities consisted in. So I could not have written

the article if I had wanted to--which I didn't; because I hate strangers

with axes to grind. I wrote him a courteous note explaining how busy I

was--I always explain how busy I am--and casually drooped this remark:

“I judge the X-X notation to be a rational mode of representing music,

in place of the prevailing fashion, which was the invention of an

idiot.”

Next mail he asked permission to print that meaningless remark. I

answered, no--courteously, but still, no; explaining that I could not

afford to be placed in the attitude of trying to influence people with a

mere worthless guess. What a scorcher I got, next mail! Such irony! such

sarcasm, such caustic praise of my superhonorable loyalty to the public!

And withal, such compassion for my stupidity, too, in not being able to

understand my own language. I cannot remember the words of this letter

broadside, but there was about a page used up in turning this idea round

and round and exposing it in different lights.

Unmailed Answer:

DEAR SIR,--What is the trouble with you? If it is your viscera, you

cannot have them taken out and reorganized a moment too soon. I mean,

if they are inside. But if you are composed of them, that is another

matter. Is it your brain? But it could not be your brain. Possibly it is

your skull: you want to look out for that. Some people, when they get an

idea, it pries the structure apart. Your system of notation has got in

there, and couldn't find room, without a doubt that is what the trouble

is. Your skull was not made to put ideas in, it was made to throw

potatoes at.

Yours Truly.

Mailed Answer:

DEAR SIR,--Come, come--take a walk; you disturb the children.

Yours Truly.

There was a day, now happily nearly over, when certain newspapers made a

practice of inviting men distinguished in any walk of life to give their

time and effort without charge to express themselves on some subject of

the day, or perhaps they were asked to send their favorite passages in

prose or verse, with the reasons why. Such symposiums were “features”

that cost the newspapers only the writing of a number of letters,

stationery, and postage. To one such invitation Mark Twain wrote two

replies. They follow herewith:

Unmailed Answer:

DEAR SIR,--I have received your proposition--which you have imitated

from a pauper London periodical which had previously imitated the idea

of this sort of mendicancy from seventh-rate American journalism, where

it originated as a variation of the inexpensive “interview.”

Why do you buy Associated Press dispatches? To make your paper the

more salable, you answer. But why don't you try to beg them? Why do

you discriminate? I can sell my stuff; why should I give it to you? Why

don't you ask me for a shirt? What is the difference between asking me

for the worth of a shirt and asking me for the shirt itself? Perhaps you

didn't know you were begging. I would not use that argument--it makes

the user a fool. The passage of poetry--or prose, if you will--which

has taken deepest root in my thought, and which I oftenest return to and

dwell upon with keenest no matter what, is this: That the proper place

for journalists who solicit literary charity is on the street corner

with their hats in their hands.

Mailed Answer:

DEAR SIR,--Your favor of recent date is received, but I am obliged by

press of work to decline.

The manager of a traveling theatrical company wrote that he had

taken the liberty of dramatizing Tom Sawyer, and would like also the

use of the author's name--the idea being to convey to the public

that it was a Mark Twain play. In return for this slight favor the

manager sent an invitation for Mark Twain to come and see the play

--to be present on the opening night, as it were, at his (the

manager's) expense. He added that if the play should be a go in the

cities there might be some “arrangement” of profits. Apparently

these inducements did not appeal to Mark Twain. The long unmailed

reply is the more interesting, but probably the briefer one that

follows it was quite as effective.

Unmailed Answer:

HARTFORD, Sept. 8, '87.

DEAR SIR,--And so it has got around to you, at last; and you also have

“taken the liberty.” You are No. 1365. When 1364 sweeter and better

people, including the author, have “tried” to dramatize Tom Sawyer and

did not arrive, what sort of show do you suppose you stand? That is a

book, dear sir, which cannot be dramatized. One might as well try to

dramatize any other hymn. Tom Sawyer is simply a hymn, put into prose

form to give it a worldly air.

Why the pale doubt that flitteth dim and nebulous athwart the forecastle

of your third sentence? Have no fears. Your piece will be a Go. It will

go out the back door on the first night. They've all done it--the

1364. So will 1365. Not one of us ever thought of the simple device

of half-soling himself with a stove-lid. Ah, what suffering a little

hindsight would have saved us. Treasure this hint.

How kind of you to invite me to the funeral. Go to; I have attended a

thousand of them. I have seen Tom Sawyer's remains in all the different

kinds of dramatic shrouds there are. You cannot start anything fresh.

Are you serious when you propose to pay my expence--if that is the

Susquehannian way of spelling it? And can you be aware that I charge a

hundred dollars a mile when I travel for pleasure? Do you realize that

it is 432 miles to Susquehanna? Would it be handy for you to send me

the $43,200 first, so I could be counting it as I come along; because

railroading is pretty dreary to a sensitive nature when there's nothing

sordid to buck at for Zeitvertreib.

Now as I understand it, dear and magnanimous 1365, you are going to

recreate Tom Sawyer dramatically, and then do me the compliment to put

me in the bills as father of this shady offspring. Sir, do you know that

this kind of a compliment has destroyed people before now? Listen.

Twenty-four years ago, I was strangely handsome. The remains of it are

still visible through the rifts of time. I was so handsome that human

activities ceased as if spellbound when I came in view, and even

inanimate things stopped to look--like locomotives, and district

messenger boys and so-on. In San Francisco, in the rainy season I was

often mistaken for fair weather. Upon one occasion I was traveling in

the Sonora region, and stopped for an hour's nooning, to rest my

horse and myself. All the town came out to look. The tribes of Indians

gathered to look. A Piute squaw named her baby for me,--a voluntary

compliment which pleased me greatly. Other attentions were paid me.

Last of all arrived the president and faculty of Sonora University

and offered me the post of Professor of Moral Culture and the Dogmatic

Humanities; which I accepted gratefully, and entered at once upon my

duties. But my name had pleased the Indians, and in the deadly kindness

of their hearts they went on naming their babies after me. I tried to

stop it, but the Indians could not understand why I should object to so

manifest a compliment. The thing grew and grew and spread and spread

and became exceedingly embarrassing. The University stood it a couple of

years; but then for the sake of the college they felt obliged to call

a halt, although I had the sympathy of the whole faculty. The president

himself said to me, “I am as sorry as I can be for you, and would still

hold out if there were any hope ahead; but you see how it is: there are

a hundred and thirty-two of them already, and fourteen precincts to

hear from. The circumstance has brought your name into most wide and

unfortunate renown. It causes much comment--I believe that that is

not an over-statement. Some of this comment is palliative, but some of

it--by patrons at a distance, who only know the statistics without

the explanation,--is offensive, and in some cases even violent. Nine

students have been called home. The trustees of the college have been

growing more and more uneasy all these last months--steadily along with

the implacable increase in your census--and I will not conceal from you

that more than once they have touched upon the expediency of a change in

the Professorship of Moral Culture. The coarsely sarcastic editorial

in yesterday's Alta, headed Give the Moral Acrobat a Rest--has brought

things to a crisis, and I am charged with the unpleasant duty of

receiving your resignation.”

I know you only mean me a kindness, dear 1365, but it is a most deadly

mistake. Please do not name your Injun for me. Truly Yours.

Mailed Answer:

NEW YORK, Sept. 8. 1887.

DEAR SIR,--Necessarily I cannot assent to so strange a proposition. And

I think it but fair to warn you that if you put the piece on the stage,

you must take the legal consequences.

Yours respectfully,

Mark Twain's Letters — Complete (1853-1910) · 第 170 / 341 题