DEAR OLD JOE,--It was a mighty good letter, Joe--and that idea of yours
is a rattling good one. But I have not sot down here to answer
your letter,--for it is down at my study,--but only to impart some
information.
For a months I had not shaved without crying. I'd spend 3/4 of an hour
whetting away on my hand--no use, couldn't get an edge. Tried a razor
strop-same result. So I sat down and put in an hour thinking out the
mystery. Then it seemed plain--to wit: my hand can't give a razor an
edge, it can only smooth and refine an edge that has already been given.
I judge that a razor fresh from the hone is this shape V--the long point
being the continuation of the edge--and that after much use the shape is
this V--the attenuated edge all worn off and gone. By George I knew
that was the explanation. And I knew that a freshly honed and freshly
strapped razor won't cut, but after strapping on the hand as a final
operation, it will cut.--So I sent out for an oil-stone; none to be
had, but messenger brought back a little piece of rock the size of a
Safety-match box--(it was bought in a shoemaker's shop) bad flaw in
middle of it, too, but I put 4 drops of fine Olive oil on it, picked out
the razor marked “Thursday” because it was never any account and would
be no loss if I spoiled it--gave it a brisk and reckless honing for 10
minutes, then tried it on a hair--it wouldn't cut. Then I trotted it
through a vigorous 20-minute course on a razor-strap and tried it on
a hair-it wouldn't cut--tried it on my face--it made me cry--gave it
a 5-minute stropping on my hand, and my land, what an edge she had!
We thought we knew what sharp razors were when we were tramping in
Switzerland, but it was a mistake--they were dull beside this old
Thursday razor of mine--which I mean to name Thursday October Christian,
in gratitude. I took my whetstone, and in 20 minutes I put two more of
my razors in splendid condition--but I leave them in the box--I never
use any but Thursday O. C., and shan't till its edge is gone--and then
I'll know how to restore it without any delay.
We all go to Paris next Thursday--address, Monroe & Co., Bankers.
With love
Ys Ever
MARK.
In Paris they found pleasant quarters at the Hotel Normandy, but it
was a chilly, rainy spring, and the travelers gained a rather poor
impression of the French capital. Mark Twain's work did not go
well, at first, because of the noises of the street. But then he
found a quieter corner in the hotel and made better progress. In a
brief note to Aldrich he said: “I sleep like a lamb and write like a
lion--I mean the kind of a lion that writes--if any such.” He
expected to finish the book in six weeks; that is to say, before
returning to America. He was looking after its illustrations
himself, and a letter to Frank Bliss, of The American Publishing
Company, refers to the frontpiece, which, from time to time, has
caused question as to its origin. To Bliss he says: “It is a thing
which I manufactured by pasting a popular comic picture into the
middle of a celebrated Biblical one--shall attribute it to Titian.
It needs to be engraved by a master.”
The weather continued bad in France and they left there in July to
find it little better in England. They had planned a journey to
Scotland to visit Doctor Brown, whose health was not very good. In
after years Mark Twain blamed himself harshly for not making the
trip, which he declared would have meant so much to Mrs. Clemens.
He had forgotten by that time the real reasons for not going--the
continued storms and uncertainty of trains (which made it barely
possible for them to reach Liverpool in time for their
sailing-date), and with characteristic self-reproach vowed that
only perversity and obstinacy on his part had prevented the journey
to Scotland. From Liverpool, on the eve of sailing, he sent Doctor
Brown a good-by word.
*****
To Dr. John Brown, in Edinburgh: