SAM'L L. CLEMENS.

The “Roughing It” chapters proved a success, and continued in high

favor through the rest of the season.

*****

To James Redpath, in Boston:

LOGANSPORT, IND. Jan. 2, 1872.

FRIEND REDPATH,--Had a splendid time with a splendid audience in

Indianapolis last night--a perfectly jammed house, just as I have had

all the time out here. I like the new lecture but I hate the “Artemus

Ward” talk and won't talk it any more. No man ever approved that choice

of subject in my hearing, I think.

Give me some comfort. If I am to talk in New York am I going to have a

good house? I don't care now to have any appointments cancelled. I'll

even “fetch” those Dutch Pennsylvanians with this lecture.

Have paid up $4000 indebtedness. You are the last on my list. Shall

begin to pay you in a few days and then I shall be a free man again.

Yours,

MARK.

With his debts paid, Clemens was anxious to be getting home. Two

weeks following the above he wrote Redpath that he would accept no

more engagements at any price, outside of New England, and added,

“The fewer engagements I have from this time forth the better I

shall be pleased.” By the end of February he was back in Hartford,

refusing an engagement in Boston, and announcing to Redpath, “If I

had another engagement I'd rot before I'd fill it.” From which we

gather that he was not entirely happy in the lecture field.

As a matter of fact, Mark Twain loathed the continuous travel and

nightly drudgery of platform life. He was fond of entertaining, and

there were moments of triumph that repaid him for a good deal, but

the tyranny of a schedule and timetables was a constant

exasperation.

Meantime, Roughing It had appeared and was selling abundantly. Mark

Twain, free of debt, and in pleasant circumstances, felt that the

outlook was bright. It became even more so when, in March, the

second child, a little girl, Susy, was born, with no attending

misfortunes. But, then, in the early summer little Langdon died.

It was seldom, during all of Mark Twain's life, that he enjoyed more

than a brief period of unmixed happiness.

It was in June of that year that Clemens wrote his first letter to

William Dean Howells the first of several hundred that would follow

in the years to come, and has in it something that is characteristic

of nearly all the Clemens-Howells letters--a kind of tender

playfulness that answered to something in Howells's make-up, his

sense of humor, his wide knowledge of a humanity which he pictured

so amusingly to the world.

*****

To William Dean Howells, in Boston:

HARTFORD, June 15, 1872.

FRIEND HOWELLS,--Could you tell me how I could get a copy of your

portrait as published in Hearth and Home? I hear so much talk about it

as being among the finest works of art which have yet appeared in that

journal, that I feel a strong desire to see it. Is it suitable for

framing? I have written the publishers of H & H time and again, but they

say that the demand for the portrait immediately exhausted the edition

and now a copy cannot be had, even for the European demand, which has

now begun. Bret Harte has been here, and says his family would not be

without that portrait for any consideration. He says his children get up

in the night and yell for it. I would give anything for a copy of that

portrait to put up in my parlor. I have Oliver Wendell Holmes and Bret

Harte's, as published in Every Saturday, and of all the swarms that

come every day to gaze upon them none go away that are not softened and

humbled and made more resigned to the will of God. If I had yours to put

up alongside of them, I believe the combination would bring more souls

to earnest reflection and ultimate conviction of their lost condition,

than any other kind of warning would. Where in the nation can I get that

portrait? Here are heaps of people that want it,--that need it. There

is my uncle. He wants a copy. He is lying at the point of death. He has

been lying at the point of death for two years. He wants a copy--and I

want him to have a copy. And I want you to send a copy to the man that

shot my dog. I want to see if he is dead to every human instinct.

Now you send me that portrait. I am sending you mine, in this letter;

and am glad to do it, for it has been greatly admired. People who are

judges of art, find in the execution a grandeur which has not been

equalled in this country, and an expression which has not been

approached in any.

Yrs truly,

S. L. CLEMENS.

P. S. 62,000 copies of “Roughing It” sold and delivered in 4 months.

The Clemens family did not spend the summer at Quarry Farm that

year. The sea air was prescribed for Mrs. Clemens and the baby, and

they went to Saybrook, Connecticut, to Fenwick Hall. Clemens wrote

very little, though he seems to have planned Tom Sawyer, and perhaps

made its earliest beginning, which was in dramatic form.

His mind, however, was otherwise active. He was always more or less

given to inventions, and in his next letter we find a description of

one which he brought to comparative perfection.

He had also conceived the idea of another book of travel, and this

was his purpose of a projected trip to England.

*****

To Orion Clemens, in Hartford:

Mark Twain's Letters — Complete (1853-1910) · 第 79 / 341 题