CHAPTER VI.

A LAWYER’S STUBBORNNESS.

Edward Salmon was one of the brilliant and successful lawyers of New

York. His office contained family secrets that would tear wide open

the very vitals of society, if he but chose to speak. But he was oily

and discreet, and maid, matron, and millionaire as well, knew that

what went into that massive safe and into Salmon’s wily brain, never

came out again unless it was proper. That was the reason of his great

success. Mr. Salmon was a great success. He had a wondrous practice,

a splendid library, a rich and lovely home; but he had a daughter,

Marie, who had seen fit, as young girls will do sometimes, to fall in

love without parental consultation, and the result was that both father

and daughter were very unhappy. She would not yield to his wishes, and

he would not consent to the man of her choice. Now, Milton Royle, the

sweetheart of Marie, was a noble fellow, but twenty years prior to the

commencement of this story, Royle’s father and the lawyer had a great

difficulty over a law suit, and Salmon had never forgotten or forgiven

what he had always alleged, was the betrayal of Royle’s father, and

he had sworn that he would rather see Marie go wifeless to the grave,

rather than that she should marry a man in whose veins flowed the blood

of the elder Royle. In all other respects he was an indulgent parent,

and was particularly tender to Marie, as the girl had lost her mother,

and was almost alone in the world, not liking or indulging in the

usual frivolities of society and fashion. Her life was spent in art,

and among artists. She was a great friend and admirer of Ouida, and it

was at the studio of the latter, where she had met young Royle, who was

one of the students much favored by the great sculptress.

Salmon was in his office dictating a number of very important

communications to his stenographer. Happening to glance out of the

window overhanging the street, he saw something that evidently caused

him great annoyance. A moment later there was a quick, nervous rap at

the door, and a young girl exquisitely dressed, entered, and coming up,

threw her arms around the lawyer’s neck and kissed him. He received the

embrace with coldness.

“Why, father, what is the matter?” said Marie.

“Matter? It is ridiculous for you to ask such a question. I saw you

just a moment ago on the street, part company with Milton Royle. You

know you always displease me by your association with him.”

“I can’t help it,” said the girl, her voice tinged with unutterable

sadness. “I make no concealment of my love for Milton. I like to be

with him, and am with him whenever he can spare the time from his

studies.”

“And yet you know it angers me beyond expression.”

“And, I think, sir, without reason. You have not a word to say against

Milton’s character, and because you had trouble with his father before

we were born, you want to make us miserable.”

“Now, Marie, you know that is not all. I want you to marry a man worthy

of you.”

“Then let me have Milton,” she pleaded.

“I want no artist in my family,” he sternly said; “they are all a

shiftless and unreliable lot, and one was never known to make a woman

happy. Their attachments are as fleeting as their artistic conceptions.”

“Such argument will not move us. You know, father, I have some of your

blood in my veins, and our race has always been stubborn.”

The old man looked on his daughter with admiration, and going over to

where she sat, he kissed her tenderly.

“Now you are like the dear old dad you used to be.” She gently stroked

his gray hair, and fondling him softly, said: “And you won’t be angry

with my Milton any more?”

“You sly puss; just like your mother was,” and the hardened man of

the world breathed a touching sigh, in the memory of a past that was

fraught with delicious happiness, but which had gone forever.

“Not meaning to change the subject, my dear girl, but about a month ago

I received a large mass of legal documents from Russia, which conveyed

information of a very valuable character to a Russian lad, whose

father had abandoned him here in New York City. I have had a horde

of detectives employed, and they have been unable thus far to locate

him. The last news is contained in a report today, that a person of

that description was employed somewhere in an art studio. Now, you get

around among this class of cattle quite often. His name is Paul--”

“Paul Strogoff?”

“Yes. Do you know anything about him?”

“Yes. He is employed by Ouida Angelo as a model.”

“Good. The fee in the case shall be yours.”

“Cash?” cried out the mercenary little wretch.

“Yes, cash,” said the delighted father, and he forthwith went into the

safe and brought a roll of bank notes, which he gave to Marie.

“Do you desire a receipt for this,” she said, with a smile.

“No,” said Mr. Salmon, “but you might tell your old dad what you are

going to do with so much money.”

“No, I cannot do that,” she replied, with assumed fear.

“Going to waste it on your staff of paupers?”

“No.”

“New dress?”

“No.”

“Pray, what then?”

“Going to buy Milton a birthday present,” as in a mocking fit of

laughter she skipped through the door and vanished from the office.

“The little devil has tricked me,” he said, but there was no anger in

his tone.

"A Modern Hercules," the Tale of a Sculptress · 第 6 / 29 章