Lilla was approaching the music room doorway--round which some men were
standing with the respectful looks of persons at the funeral of a
stranger--when a laughing young woman intercepted her.
"Do come over here. Madame Zanidov is telling our fortunes."
Anna Petrovna Zanidov, one of the Russian aristocrats that the
revolution had scattered through the world, was a thin, black-haired
woman with a faintly Tartar cast of countenance, a dead-white
complexion that made her seem denser than ordinary flesh, and somewhat
the look of an idol before whose blank yet sophisticated eyes had been
performed many extraordinary rites. Tonight her strangeness was made
doubly emphatic by a gown of oxidized silver tissue painted over in
dull colors with a barbaric design.
She was said to be a clairvoyant. Rumor had it that she had foreseen
her husband's murder by Lenin's Mongolians, and that, since her arrival
in America, she had predicted accurately some sensational events,
including a nearly fatal accident in the polo field.
Now, turning her sharp, dead-white profile to right and left,
encountering everywhere a frivolous eagerness, Madame Zanidov protested:
"Really, I ask you if this is the proper atmosphere!"
She explained that she regarded very seriously "this gift" of hers,
which had astonished people even in her childhood. She agreed that it
was inexplicable, unless by the theory that the future, if it did not
already exist, was at least somehow prefigured. Yet she believed that
this prearrangement of events was not so rigid as to exclude a certain
amount of free will. In other words, one who had been forewarned of a
special result, if a special course were pursued, might escape the
result by pursuing another course. "For as you know," she added,
looking round her at the women who were losing their smiles, "the
impression that I receive is often far from amusing. How can one tell
beforehand? So I consent to do this only because, if what I see is
unpleasant, my warning may possibly help one to evade it."
A lady objected that prophecy frequently had just the opposite effect.
She referred to the attractive power of anticipation. Then she cited
instances where persons had made every effort to realize even the most
unfortunate predictions, as if hypnotized by their dread into a feeling
that the tragic outcome was inevitable. Of course, on the other hand,
she admitted, a happy prediction might have a tonic effect, heartening
one to pluck victory from apparent failure. Or else, just by setting
in action the magnetic power of expectancy, it might even draw
mysteriously into one's life a wealth or a fame that had seemed
unattainable, a love that had appeared to be impossible.
When she had voiced this last opinion, the other ladies' faces were
softened by a gentle acquiescence. Their necklaces flashed with the
rising of their bosoms; their heads leaned forward in thought; and the
mingled odors of their perfumes were like exhalations from the
innermost recesses of their hearts.
By this time, apparently, the proper atmosphere had been established.
Madame Zanidov consented to display her powers.
All the women drew their chairs closer.
She took the hand of a young girl whose features were alive with an
invincible gay selfishness. Madame Zanidov hardly glanced at the
other's palm. Closing her almond-shaped eyes, contracting her brows,
she let an unnatural fixed smile settle upon her lips. And now,
indeed, it seemed to them that some of the mystery of Asia had informed
her rigid person, or was escaping, together with a thick, sweet scent,
from the folds of her metallic and barbarically painted gown.
"Do not be afraid," she said, without opening her eyes.
Even the girl whose hand she held had ceased to smile.
There was a long silence, pervaded by the faint harmonies of _Vienna
Carnival_.
"For you have nothing to fear," the Russian quietly announced at last.
"All that you must pass through--how much confusion and twitter I am
conscious of!--will hardly touch you. Few heartaches, few tears. Some
day you will find yourself in a tawny land of harsh outlines: it is
probably southern Spain. There you will meet a man as lithe as a
panther, his shoulders covered with gold, driving his sword through the
neck of a bull. You are speaking to him at night. He kisses your
hands. But that, too, will soon end in laughter. You will marry three
times, but never be a widow."
She opened her eyes, to gaze thoughtfully at Lilla.
They asked Madame Zanidov if she really saw those things. She replied
that her perceptions were at times exactly like pictures. For example,
she had seen the matador's lunge, as a splendid plasticity of violet
silk and tinsel, and then the bright blood gushing from the neck of the
bull.
In subdued voices they began to discuss "the possession of human beings
by occult forces." One spoke of astounding passages set down through
automatic writing. Another mentioned psychometry. "But psychometrists
got impressions only from the past!" Whereupon they stared at the
Russian. Their eyes, which had been lightly touched with a black
pencil, were no longer sophisticated. Their rouged lips were relaxed
by that superstitious awe which, even in cultivated societies, is ever
waiting to invade the feminine mind.
Madame Zanidov was still looking at Lilla.
"Yes," some one proposed. "Try her."
"She doesn't wish it," Madame Zanidov remarked.
But after a moment of hesitation Lilla held out her hand. Once more
everybody became silent and intent. The music of Schumann softly
intruded into this stillness.
"Ah," the Russian murmured, "here is something different."
With her eyelids pressed together, she began:
"You are sitting alone. You are writing letters, which will pass
through many hands of different colors. One would think that those
hands would grow warm from touching your letters. Now you are not
writing any more letters. You are wearing a black dress." Madame
Zanidov leaned forward as if striving with her closed eyes to pierce a
sudden opacity. "This is very odd," she declared. "I can see no more
pictures. For there is a darkness which grows larger and larger, which
obscures everything. So now I must discover what this darkness means.
Please be patient for a few moments."
Some one whispered:
"It's getting quite uncanny,"
Lilla's senses reached out to clench themselves upon the normality of
her surroundings. But beneath that normality, that familiar solidity,
her innate mysticism, her instinctive habit of foreboding, seemed to
perceive a basis invisible yet similar--a solution, so to speak, from
which material things and events were continually being evolved, the
fluid containing all the elements of the crystalization. And this
foreigner, with her idol-like face and meager, rigid body, her aspect
of long acquaintance with the very essence of materiality, became the
ageless oracle, the rewarder of humanity's incorrigible credulity. So,
like the bejeweled princesses in the Mesopotamian temples, the Latin
ladies who had crept trembling into the Aventine caves, the Renaissance
beauties who, in the huts of witches, had turned whiter than their
ruffs, Lilla remained motionless, her gaze fixed apprehensively on the
clairvoyant.
The latter said:
"It will soon be plainer, for the moon is rising. No, what a nuisance!
It is still very dark, because the moonlight is shut out by great
masses of foliage, great tangles of vines. Such a place! Gigantic
thickets, through which wild beasts are prowling, and above them the
trunks of huge trees. Wait, I have found a path. It leads to a
clearing in the midst of this forest. Here I can see much better.
There are human beings here, and a feeling of sadness."
At a general stir, one of the ladies suggested nervously:
"Perhaps you'd better----"
But Madame Zanidov was saying:
"The people in the clearing are black savages. They sit round a body
that is stretched on the ground and covered with a cloth. Is it the
savages who are so sad? I think not. I cannot describe the one who
lies in the midst of them. The cloth is drawn up to cover even his
face. But I feel that it is some one who has loved you. He is dead.
That is to say, he will be dead when the scene that I am describing is
realized; but now he is alive----"
Lilla, raising her eyes, saw in the doorway, with Fanny Brassfield, a
tall man, a stranger, whose countenance was aquiline and swarthy. It
was Lawrence Teck, the explorer.