only paid for its recasting, we do not know. In certain parishes the bells
are tolled before midnight on the thirty-first of December for the dying
year; then comes a few minutes pause, and a joyous peal heralds the advent
of the new year. This is done, amongst other places, at Kirton-in-Lindsey;
the writer heard 1893 tolled out and 1894 ushered in with a peal on those
beautiful bells; and we know that it was the custom there in 1632, for we
find under that date in the churchwardens' accounts:--"Item to the ringers
of new yeare day morninge xijd." The church of this parish is dedicated to
S. Andrew, and in 1658, there is an entry as follows:--"It' to the ringers
on St. Andrewes day 0 1 0." The patron saint of Scotland seems in some
parts of England to be held in high esteem; in Lincolnshire alone there
are no less than sixty-eight churches dedicated to him. There is a curious
tradition about the most widely known bell in Lincolnshire; it is to the
effect that, when at the recasting of "Great Tom of Lincoln" in the
Minster Yard, sometime during the January of 1610-11, that certain of the
pious citizens determined to do all that lay in their power to make the
tone of the bell as pure as possible, and therefore threw into the molten
mass of metal much treasure in the form of silver tankards, spoons, and
sundry other objects formed of that precious metal. That there is not the
slightest truth in the story was clearly proved when the bell was once
more recast in 1834, for upon a piece of the metal of which it was
composed being assayed, it was found to contain a very small proportion of
silver. It is strange that this belief in the power of silver to add
sweetness to the tone of bells should be such a general one; we find it
existing in almost all the countries of Europe, in spite of the fact that
the experiment of mixing an undue proportion of this metal has always been
found to impair their sound. The writer was once informed that the reason
the bells of S. Martin's-in-the-Fields, London, are so wonderfully sweet
and clear in tone is owing to the fact that Nell Gwynn, who gave them to
the church, insisted upon having a quantity of silver thrown into the
metal when it was fusing. Poor pretty, sinning Nell, she was religious
after a manner, and she has lain in S. Martin's Church upwards of two
hundred years, whilst the bells she gave have sounded, and still sound,
above her grave. She left a bequest to the ringers, the interest of which
was to be devoted to purchasing a leg of mutton for them to sup upon every
Monday evening.
Sacring bells were, it is believed, to be found in all churches before the
Reformation; they were rung to inform the congregation that the Elevation
of the Host was about to take place. There is some difficulty in
distinguishing between this bell and the Sanctus Bell, they seem in many
cases to be the same, and in others separate. A small sacring bell was
discovered in Bottesford Church (Lincolnshire) during its restoration in
1870. When the plaster was removed from the west end of the southern aisle
it was seen that one of the stones in the wall was merely loosely placed
in position, not built firmly in like the rest of the masonry; it was
removed, and behind it, in a hole evidently made on purpose to receive
it, was the bell. This bell is now in the possession of the Society of
Antiquaries, and a full description of it is given in _Proceedings of the
Society of Antiquaries_, 2nd series, vol. 5, p. 24.
There was formerly a small bell at Hemswell, named the Agnus Bell; it may
perhaps have been so called by reason of its being rung at the Elevation,
which was immediately followed by the singing of the _Agnus Dei_. The
following alludes to it:--"Itm ... an agnus bell gone owtt of the fore
sayd churche, no man knoweth how, ano dome a thowssand five hundreth three
schore and fowre."[2]
In many churches, bells and other articles were returned in 1566 as lost
or missing, and no reasonable explanation of the apparently gross
carelessness given. There can be but little doubt that they were secretly
taken away in order that they might escape destruction; in some cases it
may be that they were hidden like the bell at Bottesford, but it is
probable that more often they were taken to the houses of the people who
saved them; and that in after years they were lost or destroyed. Under
Glenthworth, there is an entry, which seems to point to the fact that the
bell was thus disposed of "A hand bell--gone, we cannot tell how, the same
year," (1566).[3]
It seems to have been by no means uncommon to turn these small hand bells
into mortars; we find this was done at Hemswell in 1566: "ij. hande
belles, sold to Robertt Aestroppe one of the sayd churchwardens to make a
mortar off."[4]
Queen Elizabeth ascended the throne on November 17th, 1558, S. Hugh's Day,
and there are many entries to be found in churchwardens' accounts for
ringing the bells upon that day after this date. At Kirton-in-Lindsey
there is the following statement in 1581:--"Item for mending the belles
aganst Sant Hew day viij{d};" and then again in 1597:--"Item vpon Sante
Hue daye viij." No doubt the first entry means that either the wooden
framework, or else the cords of the bells needed some slight repairs; it
could not have been the bells themselves. There is another entry in the
Kirton-in-Lindsey accounts that is interesting, though of a somewhat later
date. In 1630 we find:--"Item bestowed of the ringers in ayle for Joye of
the younge Prince xij." This was for ringing the bells upon the birth of
Charles II.
In reading of these loyal payments one is reminded of the inscription upon
the first bell at Witham-on-the-Hill, which evinces a very different
spirit:--
"'TWAS NOT TO PROSPER PRIDE OR HATE
WILLIAM AUGUSTUS JOHNSON GAVE ME;
BUT PEACE AND JOY TO CELEBRATE,
AND CALL TO PRAYER TO HEAV'N TO SAVE YE:
THEN KEEP THE TERMS AND E'ER REMEMBER
MAY 29{TH} YE MUST NOT RING
NOR YET THE FIFTH OF EACH NOVEMBER
NOR ON THE CROWNING OF A KING."[5]
The Harvest Bell was rung in various parts of the country; at
Barrow-on-Humber it was heard very early in the morning at daybreak in the
eighteenth century, and then again late in the evening during the weeks of
harvest. In some parishes it used to be the custom to ring a bell at eight
o'clock in the morning as a signal that people might then begin to glean.
In the Louth churchwardens' accounts, in 1556, is the following:--"To
william east for knylling the bell in harvest forgathering of the pescodes
iiij{d}." The _Daily Telegraph_, of 1st September, 1893, says:--"The
'harvest bell' is rung at the Parish Church, Driffield, at five a.m. and
eight p.m. every day during harvest, the custom is a very old one."
Advent was celebrated in some places by the ringing of the bells, usually,
but not invariably, in the evening; the reason for this being that the
ringers were at work during the day, and therefore it could only be done
when the hours of labour were ended. On S. Thomas's Day the bells were
often rung; and it was a very widely spread, though not a universal,
custom to ring them very early on the morn of Christmas Day. In the
Kirton-in-Lindsey churchwardens' account we see what the ringers obtained
for so doing in 1630:--"It' given to the Ringers at Christenmaise day at
morne xij{d}." The bells are, or were until lately, rung at five o'clock
on Christmas morning at South Kelsey. In various parts of England they
were rung in a great variety of ways during Lent and upon Good Friday; on
Easter Sunday, too, there has always been great divergence as to the
custom of bell-ringing. The Banns Peal is still to be heard in some
places; this is a peal rung after the publication of banns of marriage, it
is usually chimed after morning service on the first Sunday that the banns
are "put up," but this is by no means the universal practice, in some
parishes it is rung on the first and third Sundays, in others on the third
alone, and it varies yet again at Elsham and Searby, where it is given
upon all three Sundays. Peals at Baptism are much rarer, but still there
are parishes where it has been from time unknown usual to ring them. The
curfew is yet to be heard in many places, though the hour varies, it being
often rung at nine, and in some instances at seven o'clock, instead of at
eight.
In pre-Reformation times the Passing Bell, instead of being rung as it now
is after death, was then really and truly a "passing-bell," for it was
heard when a person was supposed to be at the point of death, in order
that those in whose ears it sounded might of their charity pray for a soul
so soon to be beyond human help. After the spirit had returned unto Him
who gave it, the Soul Bell was rung, that the living might pray for the
dead; this soul-bell, besides being rung a few hours after death, was
sounded again at stated intervals, at the month's end, the three months'
end, and so on. Surtees, the northern antiquary, alludes to this custom in
the ballad of _Sir John le Spring_:--
"Pray for the soul of Sir John le Spring,
When the black monks sing and the chantry bells ring.
Pray for the sprite of the murdered knight,
Pray for the rest of Sir John le Spring.
* * * * *
And aye the mass-priest sings his song,
And patters many a prayer,
And the chantry bell tolls loud and long,
And aye the lamp burns there."
There are numerous ways of indicating the age and sex of the departed by
the manner in which the passing-bell is tolled; we have been informed that
in Lincolnshire alone there are between seventy and eighty different
methods by which this is done.
Some few bells have upon them inscriptions showing they were meant to be
rung as passing-bells. The third bell at Brant Broughton has on it:--
"Beg ye of God your soul to save
Before we call you to the grave."
It is possible that some of the customs here spoken of as now existing may
recently have fallen into oblivion, but the term "existing" must only be
taken to mean that it was in use at the place named when the note
concerning it was made.
Inscriptions on Bells.
BY WILLIAM ANDREWS.
High up in the dusty belfry, whose grey shadows rarely see the face of
man, the bells swing to and fro with unwearying zeal. But in addition to
the lessons which pour from their eloquent mouths, should we scale the
tall ladders of the bell tower and invade the regions of the owl and the
bat, we shall find other teaching--that graven on the sides of the bells
themselves--the inscriptions. Let us therefore glance over the wide field
of interesting information thus presented to us. Allusions to the pitch of
the bell are often the subject. A bell of Churchill, Somerset, has the
following:--
Although my waiste is small
I will be heard amainst you all,
Sing on my jolly sisters.
While Berrow, Somerset, is more brief:--
My treble voice
Makes hearts rejoice.
Bruton has a recast bell saying--
Once I'd a note that none could beare,
But Bilbie made me sweet and clear.
And similarly Compton Martin--
My sound is good that once was bad,
Lett's sing my sisters and be glad.
Badgworth, Gloucester, has a similar inscription--
Badgworth ringers they were mad
Because Rigbe made me bad,
But Abel Rudhall you may see
Hath made me better than Rigbe.
At Blakesley, Northamptonshire, the tenor bears--
I ring to sermon with a lusty bome,
That all may come and none may stay at home.
More pronounced is the self-congratulation of a bell of East Dean--
Me melior vere,
Non est Campana sub aere,
and one of Hurstpierpoint, which says--
If you have a judicious ear
You'll own my voice is sweet and clear.
Rye Church, in Sussex, alludes in its bells to the marriage chimes induced
by the liberality of the bridegroom--
In wedlock bands, all ye who join
With hands your hearts unite.
So shall our tuneful tongues combine
To bless the nuptial rite.
At other times it is the shape that is celebrated. At Combe, Somerset, a
bell says--
My sound is good, my shape is neat,
'Twas Bayley made me so compleat.
Or the size, as at Bexhill, Sussex--
Although I am both light and small,
I will be heard above you all.
S. Mary's, at Devizes, has another version--
I am the first, altho' but small,
I will be heard above you all.
Again, names of donors are often inscribed upon bells, and these are
handed down to us from very early dates; or sometimes the fact of
subscription is mentioned in general terms of gratitude. So Bagborough,
Somerset, says--
Bouth owld and young did agree full well
To pay for casting of this bell,
Because a true tale it should tell.
And Bath Abbey has a very terse bell couplet,
All you of Bath that heare mee sound
Thank Lady Hopton's hundred pound.
A Devon bell has--
Squire Arundel the great my whole expense did raise,
Nor shall our tongues abate to celebrate his praise.
These hints, or downright references on bells to the pecuniary means of
their erection, may be supplemented by the inscription at Buxted, which
promises as follows--
At proper times my voice I'll raise
And sound to my subscribers' praise.
But in the last two centuries such expressions of gratitude for
subscriptions to casting or re-casting are common enough. So in a similar
strain speaks the bell of Alderton,
I'm given here to make a peal
And sound the praise of Mary Neale.
At Binstead, too, a bell says
Dr. Nicholas gave five pound
To help cast this peal tuneable and sound.
Bells at first bore strictly religious inscriptions; afterwards that rule
became more relaxed, and irrelevant matters often find expression. After
1600 the claims of religion to be alone regarded on bells may be said to
be almost entirely passed over. Marlborough's victories are commemorated
on the bells of S. Helen's, Worcester, and those of Ottery and S. Martin,
Exeter, have medals on which are represented grotesque pieces levelled at
the churchmen in the most approved style of mediaeval satire. Sometimes,
nay, most often, the poetical attempts in the inscriptions are, to say
the least, somewhat wanting in an indefinite something that goes to make
true poetry. Yet the simple appeals of some of them do not fall
unregarded. So when rich men give bells we find such an inscription as
this--
Of your charite prai for the soulles of John Slutter, John
Hunt, and Willem Slutter.
An instance has been given of historical events being inscribed upon
bells. A further one is that of the bell of Ashover, Derbyshire, which
upon re-casting was inscribed--
This old bell rung the downfall of Buonaparte and broke, April, 1814.
At Tadcaster it is recorded on the fifth bell--
It is remarkable that these bells were moulded in the great frost,
1783. C. and R. Dalton, Fownders, York.
An extremely curious inscription appears on a bell at Pucknowle,
Dorsetshire, dated 1629. It reads without stop or space--
Hethatvillpvrchashonovrsgaynemvstancientlatherstilmayntayne.
"Lather" is an old English term meaning "to make a noise." A bell at
Lichfield, which was destroyed in 1652, bore the following:--
I am ye bell of Jesus, and Edward is our King,
Sir Thomas Heywood first caused me to ring.
Many inscriptions on bells are, or contain, allusions to the vigilance of
monastic times. Such is one at Ashill, Somerset, which simply says--
I call to wake you all.
As pithy an inscription appears on the bell of S. Ives, which is rung
early in the morning. It is--
Arise, and go about your business.
A Coventry bell, dated 1675, says--
I ring at six to let men know
When too and fro their worke to goe.
Patriotic expressions are common; among such is Brusford,
Come let us ring
For Church and King.
And Hurstpierpoint,
Ye people all who hear us ring
Be faithful to your God and King.
Sometimes a whole set of bells bore inscriptions which may be read
continuously. An instance is at S. Mary's, Ticehurst, where the bells
have--
1. I am she that leads the van,
Then follow me now if you can.
2. Then I speak next, I can you tell,
So give me rope and ring me well.
3. Now I am third, as I suppose,
Mark well now time and fourth close.
4. As I am fourth, I will explain
If you'll keep time you'll credit gain.
5. Now I am fifth, as I suppose,
Then ring me well and tenor close.
6. This is to show for ages yet to come
That by subscription we were cast and hung
And Edward Lulham is his name
That was the actor of the same.
Northfield bells, Worcestershire, give an account of the contest in the
vestry-room which led to the completion of the peal--
1. Though once but five we now are six.
2. And 'gainst our casting some did strive.
3. But when a day of meeting there was fixed.
4. Appeared nine 'gainst twenty-six.
5. It was Wm. Kettle that did contrive
To make us six that were but five.
Another bell bears the date and churchwardens' names. At Coventry on a
peal of bells, cast in 1774, are the following inscriptions--
1. Though I am but light and small
I will be heard above you all.
2. If you have a judicious ear
You will own my voice both sweet and clear.
3. Such wondrous power to music given,
It elevates the soul to heaven.
4. Whilst thus we join in cheerful sound,
May love and loyalty abound.
5. To honour both God and King
Our voices shall in concert ring.
6. Music is medicine to the mind.
7. Ye ringers all that prize
Your health and happiness,
Be sober, merry, wise,
And you'll the same possess.
8. Ye people all who hear me ring
Be faithful to your God and King.
9. In wedlock's bands all ye who join
With hands your hearts unite:
So shall our tuneful tongues combine
To laud the nuptial rite.
10. I am and have been called the common bell
To ring when fire breaks out to tell.
On the bells of S. Peter's, Nottingham, the appended lines appear:--
Our voices shall with joyful sound
Make hills and valleys echo round.
We celebrate th' auspicious morn
On which the Son of God was born.
Our voices shall in concert ring
To honour God and King.
The bride and groom we greet in holy wedlock join'd,
Our sounds are emblems of hearts in love combined.
I toll the funeral knell,
I hail the festal day.--
The fleeting hour I tell,
I summon all to pray.
The longest continuous bell inscriptions we have noted are from Bakewell,
Derbyshire, and on a peal of eight bells. They run thus:--
1. When I begin Our merry Din,
This Band I lead from Discord Free;
And for the Fame of human Name,
May ev'ry Leader copy Me.
2. Mankind like Us, too oft are found
Possess'd of Nought but empty Sound.
3. When of departed Hours We toll the Knell,
Instruction take & spend the future well.
4. When Men in Hymen's Bands unite,
Our Merry Peals produce Delight;
But when Death goes his dreary Rounds,
We send forth sad and solemn Sounds.
5. Thro' Grandsires and Tripples with Pleasure men range,
Till Death calls the Bob & brings on the Last Change.
6. When Vict'ry crowns the Public Weal
With Glee We give the merry Peal.
7. Would Men Like Us join & agree
They'd live in tunefull Harmony.
8. Possess'd of deep sonorous Tone
This Belfry King sits on his Throne;
And, when the merry Bells go round,
Adds to & mellows ev'ry Sound;
So in a just & well pois'd State,
Where all Degrees possess due Weight,
One greater Pow'r, One greater Tone
Is ceded to improve their own.
During a recent visit to Bakewell church we copied an epitaph blending in
a remarkable degree business, loyalty and religion:--
To the Memory of
Matthew Strutt.
Of this town, farmer, long famed in these parts for veterinary skill.
A good neighbour, and a staunch friend to Church and King. Being
churchwarden at the time the present peal of bells were hung. Through
zeal of the House of God, and unremitting attention to the airy
business of the belfry he caught a cold, which terminated his
existence May 25, 1798, in the 68 year of his age.
A beautiful Latin inscription has one--a Rutland bell--
Non clamor sed amor cantat in aure dei, _i.e._, It is not noise, but
love that sings in the ear of God.
And it is in the same county that we find the modern use of the death-bell
described,
I sound not for the souls of the dead but the ears of the living.
Cheltenham, too, bears out the spirit of this inscription in the
following:--
I to prayer the living do combine
The dead shall hear a greater sound than mine.
The offices of the various bells form a large proportion of their legends,
particularly those uses which are the most common. Thus the death bell at
Axbridge, Somerset, states,
For homesoever this bell doth toll
The Lord have mercy on that sole!
Many Somersetshire bells have the following and similar inscriptions:--
I to the church the living call,
And to the grave I summon all.
Brent, Somerset, has a bell with--
When I doth toll pray mind your souls
And in God put your trust,
As may be well with you at last
When you come to doust.
And Backwell, in the same county--
I sound to bid the sick repent,
In hopes of life when breath is spent.
A bell at Stratton, Cornwall, is shorter--
I call the quick to church and dead to grave.
A bell in Ghent describes the purposes for which it was used: it is not an
uncommon form in the Netherlands. Translated it reads:--
My name is Roelant;
When I toll it is for a fire,
When I swing then there is storm in Flanders.
Religious sentiments and quotations are found in thousands on bells old
and new. Such are--
Te deum Laudamus.
On the bell at Peterborough Cathedral
Venite Exultemus Domino.
In Westminster Abbey
Christie audi nos.
Sometimes a letter of the inscription is found inverted; rarely a whole
word. Such, however, is the case at Clapham, in Bedfordshire, where the
line runs--
God save the = hcruhC
The prayers for the dead mark the religious changes of the country, and
not less the invocations to the saints, which form one branch of bell
lore. Elstead has a bell inscribed--
Sancta Paule, ora pro nobis.
Washington, in Sussex, one bearing--
O Sancte Stephane.
And Balcombe, in the same county, one--
Vox Augustini Sonat in aure Dei.
The uses to which bells were dedicated may be further exampled from their
inscriptions. S. Michael, Coventry, has a bell bearing--
I am, and have been called the common bell
To ring when fire breaks out to tell.
And at Sherborne, in Dorsetshire, dated 1652, a bell piously says--
Lord, quench this furious flame,
Arise, run, help put out the same.
We may here appropriately conclude with some lines inscribed upon the
tower of Batley Church, Yorkshire, in memory of a former set of bells:
"The Requiem of the late three bells of Batley Church, two of which
were introduced into the tower in the 17th century, and the third or
last in the 18th century, and were taken down in the 19th century, at
the close of the year of our Lord 1851, bearing the following
respective dates and inscriptions, viz., upon the middle bell: Tho.
Deighton G. O. 1658; largest bell, 1684 Gloria in Altissimis Deo. Ric.
Mann, Churchwarden; last and least bell, Dalton of York fecit 1791. To
Father, Son, and Holy Ghost Eternal glory raise.
"Author of the following lines, Mr. Luke Blakeley, of Upper Batley;
third of that name in the family, and nephew of Mr. Luke Blakeley of
the same place, who died Jan. 17th, in the year of our Lord 1836, and
was interred in Batley Churchyard.
"One hundred years, yea almost two,
We've hung in that turret grey,
And many changes we have seen
As time has fled away.
We seen the bride and bridegroom gay,
We've chimed their joy to tell;
Alas! before the day has clos'd
We've toll'd the funeral knell.
We've merrily rung for victories gain'd
O'er Britain's enemies;
Then mourned for the brave who bled
To gain those victories.
We've highly lauded pomp and power,
Then call'd on men to pray,
A requiem rung with the weeping and sad,
Then revell'd with the gay.
We've seen the scourge of civil war
Approach where we have stood.
We've seen oppression's cruel hand
Reeking with kindred blood.
Our solemn tolling for the dead
Falls on the mourner's ear,
Then the bereav'd and aching heart
Feels desolate and drear.
Dirges we've rung for Kings and Queens
As they to the tomb went down,
Then joyfully welcom'd the heir
Who came to wear the crown.
We saw the star of Brunswick rise
And beam upon our strand,
We see its full refulgent ray
Illumine this happy land.
Victoria the sceptre sways,
And bright her virtues shine,
Long may she live, long may she reign
Best of her royal line.
We joyfully hail'd her natal day,
We hail'd her to the throne,
We blithely hail'd her nuptial hour,
For her we ne'er shall moan.
We're taken from that turret grey
Where we for long have hung,
Like worn out lumber thrown away,
Forever mute, each tongue.
And now our changes all are rung
Here ends our dying song;
Our last our final peal is done:
Farewell! Farewell! Ding Dong."[6]
Laws of the Belfry.
BY WILLIAM ANDREWS.