CHAPTER IV

MAKING CLOTHING IN CHICAGO

On arriving in Chicago I addressed myself to the ladies of Hull House,

asking for a tenement family who would take a factory girl to board. I

intended starting out without money to see at least how far I could go

before putting my hand into the depths where an emergency fund was

pinned in a black silk bag.

It was the first day of May. A hot wind blew eddies of dust up and down

the electric car tracks; the streets were alive with children; a group

swarmed in front of each doorstep, too large to fit into the house

behind it. Down the long, regular avenues that stretched right and left

there was a broken line of tenements topped by telegraph wires and

bathed in a soft cloud of black soot falling from a chimney in the

neighbourhood. The sidewalks were a patchwork of dirt, broken

paving-stones and wooden boards. The sunshine was hot and gloomy. There

were no names on the corner lamps and the house numbers were dull and

needed repainting. It was already late in the afternoon: I had but an

hour or two before dark to find a lodging. The miserable, overcrowded

tenement houses repelled me, yet I dreaded that there should not be room

among them for one more bread-winner to lodge. I hailed a cluster of

children in the gutter:

"Say," I said, "do you know where Mrs. Hicks lives to?"

They crowded around, eager. The tallest boy, with curly red hair and

freckles, pointed out Mrs. Hicks' residence, the upper windows of a

brick flat that faced the world like a prison wall. After I had rung and

waited for the responding click from above, a cross-eyed Italian woman

with a baby in her arms motioned to me from the step where she was

sitting that I must go down a side alley to find Mrs. Hicks. Out of a

promiscuous heap of filth, a broken-down staircase led upward to a row

of green blinds and a screen door. Somebody's housekeeping was scattered

around in torn bits of linen and tomato cans.

The screen door opened to my knock and the Hicks family gushed at

me--ever so many children of all ages and an immense mother in an

under-waist and petticoat. The interior was neat; the wooden floors were

scrubbed spotless. I congratulated myself. Mrs. Hicks clucked to the

family group, smiled at me, and said:

"I never took a boarder in my life. I ain't got room enough for my own

young ones, let alone strangers."

[Illustration: "THE BREATH OF THE BLACK, SWEET NIGHT REACHED THEM,

FETID, HEAVY WITH THE ODOUR OF DEATH AS IT BLEW ACROSS THE STOCKYARDS"]

There were two more names on my list. I proceded to the nearest and

found an Irish lady living in basement rooms ornamented with green

crochet work, crayon portraits, red plaid table-cloths and chromo

picture cards.

She had rheumatism in her "limbs" and moved with difficulty. She was

glad to talk the matter over, though she had from the first no intention

of taking me. From my then point of view nothing seemed so desirable as

a cot in Mrs. Flannagan's front parlour. I even offered in my eagerness

to sleep on the horsehair sofa. Womanlike, she gave twenty little

reasons for not taking me before she gave the one big reason, which was

this:

"Well, to tell you the truth, I wouldn't mind having you myself, but

I've got three sons, and you know _boys is queer_."

It was late, the sun had set and only the twilight remained for my

search before night would be upon me and I would be driven to some

charity refuge.

I had one more name, and climbed to find its owner in a tenement flat.

She was a German woman with a clubfoot. Two half-naked children

incrusted with dirt were playing on the floor. They waddled toward me as

I asked what my chances were for finding a room and board. The mother

struck first one, then the other, of her offspring, and they fell into

two little heaps, both wailing. From a hole back of the kitchen came the

sympathetic response of a half-starved shaggy dog. He howled and the

babes wailed while we visited the dusky apartment. There was one room

rented to a day lodger who worked nights, and one room without a window

where the German family slept. She proposed that I share the bed with

her that night until she could get an extra cot. Her husband and the

children could sleep on the parlour lounge. She was hideous and dirty.

Her loose lips and half-toothless mouth were the slipshod note of an

entire existence. There was a very dressy bonnet with feathers hanging

on a peg in the bedroom, and two gala costumes belonging to the tearful

twins.

"I'll come back in an hour, thank you," I said. "Don't expect me if I am

not here in an hour," and I fled down the stairs. Before the hour was up

I had found, through the guidance of the Irish lady with rheumatism, a

clean room in one street and board in another. This was inconvenient,

but safe and comparatively healthy.

My meals were thirty-five cents a day, payable at the end of the week;

my room was $1.25 a week, total $3.70 a week.

My first introduction to Chicago tenement life was supper at Mrs.

Wood's.

I could hear the meal sputtering on the kitchen stove as I opened the

Wood front door.

Mrs. Wood, combining duties as cook and hostess, called to me to make

myself at home in the front parlour. I seated myself on the sofa, which

exuded the familiar acrid odour of the poor. Opposite me there was a

door half open leading into a room where a lamp was lighted. I could see

a young girl and a man talking together. He was sitting and had his hat

on. She had a halo of blond hair, through which the lamplight was

shining, and she stood near the man, who seemed to be teasing her. Their

conversation was low, but there was a familiar cry now and then, half

vulgar, half affectionate.

When we had taken our places at the table, Mrs. Wood presented us.

"This is Miss Ida," she said, pointing to the blonde girl; "she's been

boarding over a year with me, and this," turning to the young man who

sat near by with one arm hanging listlessly over the back of a chair,

"this is Miss Ida's intended."

The other members of the household were a fox terrier, a canary and

"Wood"--Wood was a man over sixty. He and Mrs. Wood had the same devoted

understanding that I have observed so often among the poor couples of

the older generation. This good little woman occupied herself with the

things that no longer satisfy. She took tender care of her husband,

following him to the door with one hand on his shoulder and calling

after him as he went on his way: "Good-by; take care of yourself." She

had a few pets, her children were married and gone, she had a miniature

patch of garden, a trust in the church guild--which took some time and

attention for charitable works, and she did her own cooking and

housework. "And," she explained to me in the course of our conversation

at supper, "I never felt the need of joining these University Settlement

Clubs to get into society." Wood and his wife were a good sort. Miss Ida

was kind in her inquiries about my plans.

"Have you ever operated a power machine?" she asked.

"Yes," I responded--with what pride she little dreamed. "I've run an

electric Singer."

"I guess I can get you a job, then, all right, at my place. It's

piece-work; you get off at five, but you can make good money."

I thanked her, not adding that my Chicago career was to be a checkered

one, and that I was determined to see how many things I could do that I

had never done before.

But social life was beginning to wear on Miss Ida's intended. He took up

his hat and swung along toward the door. I was struggling to extract

with my fork the bones of a hard, fried fish. Mrs. Wood encouraged me in

a motherly tone:

"Oh, my, don't be so formal; take your knife."

"Say," called a voice from the door, "say, come on, Ida, I'm waiting for

you." And the blonde fiancée hurried away with an embarrassed laugh to

join her lover. She was refined and delicate, her ears were small, her

hands white and slender, she spoke correctly with a nasal voice, and her

teeth (as is not often the case among this class, whose lownesses seem

suddenly revealed when they open their mouths) were sound and clean.

The man's smooth face was all commonness and vulgarity.

"He's had appendicitis," Mrs. Wood explained when we were alone. "He's

been out of work a long time. As soon as he goes to his job his side

bursts out again where they operated on him. He ain't a bit strong."

"When are they going to be married?" I asked.

"Oh, dear me, they don't think of that yet; they're in no hurry."

"Will Miss Ida work after she's married?"

"No, indeed."

Did they not have their share of ideal then, these two young labourers

who could wait indefinitely, fed by hope, in their sordid, miserable

surroundings?

I returned to my tenement room; its one window opened over a narrow

alley flanked on its opposite side by a second tenement, through whose

shutters I could look and see repeated layers of squalid lodgings. The

thermometer had climbed up into the eighties. The wail of a newly born

baby came from the room under mine. The heat was stifling. Outdoors in

the false, flickering day of the arc lights the crowd swarmed, on the

curb, on the sidewalk, on the house steps. The breath of the black,

sweet night reached them, fetid, heavy with the odour of death as it

blew across the stockyards. Shouts, calls, cries, moans, the sounds of

old age and of infancy, of despair and of joy, mingled and became the

anonymous murmur of a hot, human multitude.

The following morning I put ten cents in my pocket and started out to

get a job before this sum should be used up. How huge the city seemed

when I thought of the small space I could cover on foot, looking for

work! I walked toward the river, as the commercial activity expressed

itself in that direction by fifteen-and twenty-story buildings and

streams of velvet smoke. Blocks and blocks of tenements, with the same

dirty people wallowing around them, answered my searching eyes in blank

response. There was an occasional dingy sign offering board and lodging.

After I had made several futile inquiries at imposing offices on the

river front I felt that it was a hopeless quest. I should never get work

unknown, unskilled, already tired and discouraged. My collar was wilted

in the fierce heat; my shabby felt sailor hat was no protection against

the sun's rays; my hands were gloveless; and as I passed the plate glass

windows I could see the despondent droop of my skirt, the stray locks of

hair that blew about free of comb or veil. A sign out: "Manglers

wanted!" attracted my attention in the window of a large steam laundry.

I was not a "mangler," but I went in and asked to see the boss. "Ever

done any mangling?" was his first question.

"No," I answered, "but I am sure I could learn." I put so much ardour

into my response that the boss at once took an interest.

"We might give you a place as shaker; you could start in and work up."

"What do you pay?"

"Four dollars a week until you learn. Then you would work up to five,

five and a half."

Better than nothing, was all I could think, but I can't live on four a

week.

"How often do you pay?"

"Every Tuesday night."

This meant no money for ten days.

"If you think you'd like to try shaking come round Monday morning at

seven o'clock."

Which I took as my dismissal until Monday.

At least I had a job, however poor, and strengthened by this thought I

determined to find something better before Monday. The ten-cent piece

lay an inviting fortune in my hand. I was to part with one-tenth of it

in exchange for a morning newspaper. This investment seemed a reckless

plunge, but "nothing venture, nothing have," my pioneer spirit prompted,

and soon deep in the list of _Wanted, Females_, I felt repaid. Even in

my destitute condition I had a choice in mind. If possible I wanted to

work without machinery in a shop where the girls used their hands alone

as power. Here seemed to be my heart's content--a short, concise

advertisement, "Wanted, hand sewers." After a consultation with a

policeman as to the whereabouts of my future employer, it became evident

that I must part with another of my ten cents, as the hand sewers worked

on the opposite side of the city from the neighbourhood whither I had

strayed in my morning's wanderings. I took a car and alighted at a busy

street in the fashionable shopping centre of Chicago. The number I

looked for was over a steep flight of dirty wooden stairs. If there is

such a thing as luck it was now to dwell a moment with one of the

poorest. I pushed open a swinging door and let myself into the office of

a clothing manufacturer.

The owner, Mr. F., got up from his desk and came toward me.

"I seen your advertisement in the morning paper."

"Yes," he answered in a kindly voice. "Are you a tailoress?"

"No, sir; I've never done much sewing except on a machine."

"Well, we have machines here."

"But," I almost interrupted, beginning to fear that my training at Perry

was to limit all further experience to an electric Singer, "I'd rather

work with my hands. I like the hand-work."

He looked at me and gave me an answer which exactly coincided with my

theories. He said this, and it was just what I wanted him to say.

"If you do hand-work you'll have to use your mind. Lots of girls come in

here with an idea they can let their thoughts wander; but you've got to

pay strict attention. You can't do hand-work mechanically."

"All right, sir," I responded. "What do you pay?"

"I'll give you six dollars a week while you're learning." I could hardly

control a movement of delight. Six dollars a week! A dollar a day for an

apprentice!

"But"--my next question I made as dismal as possible--"when do you pay?"

"Generally not till the end of the second week," the kindly voice said;

"but we could arrange to pay you at the end of the first if you needed

the money."

"Shall I come in Monday?"

"Come in this afternoon at 12:30 if you're ready."

"I'm ready," I said, "but I ain't brought no lunch with me, and it's too

late now to get home and back again."

The man put his hand in his pocket and laid down before me a fifty-cent

piece, advanced on my pay.

"Take that," he said, with courtesy; "get yourself a lunch in the

neighbourhood and come back at half-past twelve."

I went to the nearest restaurant. It was an immense bakery patronized by

office girls and men, hard workers who came for their only free moment

of the day into this eating-place. Everything that could be swallowed

quickly was spread out on a long counter, behind which there were

steaming tanks of tea, coffee and chocolate. The men took their food

downstairs and the ladies climbed to the floor above. I watched them.

They were self-supporting women--independent; they could use their money

as they liked. They came in groups--a rustling frou-frou announced silk

underfittings; feathers, garlands of flowers, masses of trimming weighed

down their broad-brimmed picture hats, fancy veils, kid gloves, silver

side-bags, embroidered blouses and elaborate belt buckles completed the

detail of their showy costumes, the whole worn with the air of a

manikin. What did these busy women order for lunch? Tea and buns,

ice-cream and buckwheat cakes, apple pie _a la mode_ and chocolate were

the most serious ménus. This nourishing food they ate with great nicety

and daintiness, talking the while about clothes. They were in a hurry,

as all of them had some shopping to do before returning to work, and

they each spent a prinking five minutes before the mirror, adjusting the

trash with which they had bedecked themselves exteriorly while their

poor hard-working systems went ungarnished and hungry within.

This is the wound in American society whereby its strength sloughs away.

It is in this class that campaigns can be made, directly and

indirectly, by preaching and by example. What sort of women are those

who sacrifice all on the altar of luxury? It is a prostitution to sell

the body's health and strength for gewgaws. What harmony can there be

between the elaborate get-up of these young women and the miserable

homes where they live? The idolizing of material things is a religion

nurtured by this class of whom I speak. In their humble surroundings the

love of self, the desire to possess things, the cherished need for

luxuries, crowd out the feelings that make character. They are but one

manifestation of the egoism of the unmarried American woman.

For what and for whom do they work?

Is their fundamental thought to be of benefit to a family or to some

member of a family? Is their indirect object to be strong, thrifty

members of society? No. Their parents are secondary, their health is

secondary to the consuming vanity that drives them toward a ruinous

goal. They scorn the hand-workers; they feel themselves a _noblesse_ by

comparison. They are the American snobs whose coat of arms marks not a

well-remembered family but prospective luxuries.... Married, they bring

as a portion thriftless tastes, to satisfy which more than one business

man has wrecked his career. They work like men; why should they not live

as men do, with similar responsibilities? What should we think of a

class of masculine clerks and employees who spent all their money on

clothes?

The boss was busy when I got back to the clothing establishment. From

the bench where I waited for orders I could take an inventory of the

shop's productions. Arrayed in rows behind glass cases there were all

manner of uniforms: serious uniforms going to the colonies to be shot to

pieces, militia uniforms that would hear their loudest heart-beats under

a fair head; drum-majors' hats that would never get farther than the

peaceful lawn of a military post; fireman's hats; the dark-blue coat of

a lonely lighthouse guardian; the undignified short jacket of a

"buttons." All that meant parade and glory, the uniforms that make men

identical by making each proud of himself for his brass buttons and gold

lace. Even in the heavy atmosphere of the shop's rear, though they

appeared somewhat dingy and tarnished, they had their undeniable charm,

and I thought with pity of the hands that had to sew on plain serge

suits.

[Illustration: IN A CHICAGO THEATRICAL COSTUME FACTORY]

As soon as the boss saw me, the generous Mr. F. who advanced me the

fifty cents smiled at the skeptical Mr. F. who had never expected to see

me again. One self said to the other: "I told you so!" and all the

kindly lines in the man's face showed that he had looked for the best

even in his inferiors and that he had found mankind worth trusting. He

was the most generous employer I met with anywhere; I also took him to

be the least businesslike. But, as though quickly to establish the law

of averages, his head forewoman counterbalanced all his mercies by her

ferocious crossness. She terrorized everybody, even Mr. F. It was to

her, I concluded, that we owed our $6 a week. No girl would stay for

less; it was an atelier chiefly of foreign employees; the proud American

spirit would not stand the lash of Frances' tongue. She had been ten

years in the place whose mad confusion was order to her. Mr. F. did not

dare to send her away; he preferred keeping a perpetual advertisement in

the papers and changing hands every few days.

The workroom on our floor was fifty or sixty feet long, with windows on

the street at one end and on a court at the other. The middle of the

room was lighted by gas. The air was foul and the dirt lay in heaps at

every corner and was piled up under the centre tables. It was less like

a workshop than an old attic. There was the long-accumulated disorder of

hasty preparation for the vanities of life. It had not at all the aspect

of a factory which makes a steady provision of practical things. There

were odds and ends of fancy costumes hanging about--swords, crowns,

belts and badges. Under the sewing machines' swift needles flew the

scarlet coats of a regiment; gold and silver braid lay unfurled on the

table; the hand-workers bent over an armful of khaki; a row of young

girls were fitting military caps to imaginary soldier's heads; the

ensigns of glory slipped through the fingers of the humble; chevrons and

epaulets were caressed never so closely by toil-worn hands. In the midst

of us sits a man on a headless hobby horse, making small gray trunks

bound in red leather, such boxes as might contain jewels for Marguerite,

a game of lotto, or a collection of jack-straws and mother-of-pearl

counters brought home from a first trip abroad. The trunk maker wears a

sombrero and smokes a corn-cob pipe. He is very handsome with dark eyes

and fine features, and he has the "average figure," so that he serves as

manikin for the atelier; and I find him alternately a workman in

overalls and a Turkish magnate with turban and flowing robes. It is into

this atmosphere of toil and unreality that I am initiated as a hand

sewer. Something of the dramatic and theatrical possesses the very

managers themselves. Below, a regiment waits impatient for new brass

buttons; we sew against time and break all our promises. Messengers

arrive every few minutes with fresh reports of rising ire on the part of

disappointed customers. Down the stairs pell-mell comes an elderly

partner of the firm with a gold-and-purple crown on his head and after

him follows the kindly Mr. F. in an usher's jacket. "If you don't start

now," he calls, "that order'll be left on our hands."

Amid such confusion the regular rhythm of the needle as it carries its

train of thread across the yards of coloured cloth is peaceful,

consoling. I have on one side of me a tailor who speaks only Polish, on

the other side a seamstress who speaks only German. Across the frontier

I thus become they communicate with signs, and I get my share of work

planned out by each. Every woman in the place is cross except the girl

next to me. She has only just come in and the poison of the forewoman

has not yet stung her into ill nature. She is, like all the foreigners,

neatly, soberly dressed in a sensible frock of good durable material.

The few Americans in the shop have on elaborate shirt-waists in

light-coloured silks with fancy ribbon collars. We are well paid, there

is no doubt of it. We begin work at 8 A.M. and have a generous half-hour

at noon. Most of the girls are Germans and Poles, and they have all

received training as tailoresses in their native countries. To the sharp

onslaught of Frances' tongue they make no response except in dogged

silent obedience, whereas the dressy Americans with their proper spirit

of independence touch the limit of insubordination at every new command.

Insults are freely exchanged; threats ring out on the tired ears.

Frances is ubiquitous. She scolds the tailors with a torrent of abuse,

she terrorizes the handsome manikin, she bewilders the kindly Mr. F.,

and before three days have passed she has dismissed the neat little

Polish girl, in tears. This latter comes to me, her face wrought with

emotion. She was receiving nine dollars a week; it is her first place in

America. This sudden dismissal, its injustice, requires an explanation.

She cannot speak a word of English and asks me to put my poor German at

her service as interpreter.

Mr. F. is clearly a man who advocates everything for peace, and as there

is for him no peace when Frances is not satisfied, we gain little by our

appeal to him except a promise that he will attend later to the troubles

of the Polish girl. But later, as earlier, Frances triumphs, and I soon

bid good-by to my seatmate and watch her tear-stained face disappear

down the dingy hallway. She was a skilled tailoress, but she could not

cut out men's garments, so Frances dismissed her. I wonder when my turn

will come, for I am a green hand and yet determined to keep the American

spirit. For the sake of justice I will not be downed by Frances.

It is hard to make friends with the girls; we dare not converse lest a

fresh insult be hurled at us. For every mistake I receive a loud, severe

correction. When night comes I am exhausted. The work is easy, yet the

moral atmosphere is more wearing than the noise of many machines. My job

is often changed during the week. I do everything as a greenhorn, but I

work hard and pay attention, so that there is no excuse to dismiss me.

"I am only staying here between jobs," the girl next me volunteers at

lunch. "My regular place burnt out. You couldn't get _me_ to work under

_her_. I wouldn't stand it even if they do pay well." She is an

American.

"You're lucky to be so independent," says a German woman whose dull

silence I had hitherto taken for ill nature. "I'm glad enough to get the

money. I was up this morning at five, working. There's myself and my

mother and my little girl, and not a cent but what I make. My husband is

sick. He's in Arizona."

"What were you doing at five?" I asked.

"I have a trade," she answers. "I work on hair goods. It don't bring me

much, but I get in a few hours night and morning and it helps some.

There's so much to pay."

She was young, but youth is no lover of discomfort. Hardships had chased

every vestige of _jeunesse_ from her high, wrinkled brow and tired brown

eyes. Like a mirror held against despair her face reflected no ray of

hope. She was not rebellious, but all she knew of life was written there

in lines whose sadness a smile now and again intensified.

Added to the stale, heavy atmosphere there is now a smell of coffee and

tobacco smoke. The old hands have boiled a noon beverage on the gas; the

tailors smoke an after-dinner pipe. Put up in newspaper by Mrs. Wood, at

my matinal departure, my lunches, after a journey across the city, held

tightly under my arm, become, before eating, a block of food, a

composite meal in which I can distinguish original bits of ham sandwich

and apple pie. The work, however, does not seem hard to me. I sew on

buttons, rip trousers, baste coat sleeves--I do all sorts of odd jobs

from eight until six, without feeling, in spite of the bad air, any

great physical fatigue which ten minutes' brisk walk does not shake off.

But never have the hours dragged so; the moral weariness in the midst of

continual scolding and abuse are unbearable. Each night I come to a firm

decision to leave the following day, but weakly I return, sure of my

dollar and dreading to face again the giant city in search of work.

About four one afternoon, well on in the week, Frances brings me a pair

of military trousers; the stripes of cloth at the side seam are to be

ripped off. I go to work cheerfully cutting the threads and slipping one

piece of cloth from the other.

Apparently Frances is exasperated that I should do the job in an easy

way. It is the only way I know to rip, but Frances knows another way

that breaks your back and almost puts your eyes out, that makes you

tired and behindhand and sure of a scolding. She shows me how to rip her

way. The two threads of the machine, one from above and one from below,

which make the stitch, must be separated. The work must be turned first

on the wrong, then on the right side, the scissors must lift first the

upper, then the under thread. I begin by cutting a long hole in the

trousers, which I hide so Frances will not see it. She has frightened me

into dishonesty. Arrived at the middle of the stripe I am obliged to

turn the trousers wrong side out and right side out again every other

stitch. While I was working in this way, getting more enraged every

moment, a bedbug ran out of the seam between my fingers. I killed it. It

was full of blood and made a wet red spot on the table. Then I put down

the trousers and drew away my chair. It was useless saying anything to

the girl next me. She was a Pole, dull, sullen, without a friendly word;

but the two women beyond had told me once that they pitied Frances'

husband, so I looked to them for support in what I was about to do.

"There's bedbugs in them clothes," I said. "I won't work on 'em. No,

sir, not if she sends me away this very minute."

In a great hurry Frances passed me twice. She called out angrily both

times without waiting for an answer:

"Why don't you finish them pants?"

Frances was a German. She wore two rhinestone combs in her frizzes,

which held also dust and burnt odds and ends of hair. She had no lips

whatever. Her mouth shut completely over them after each tirade. Her

eyes were separated by two deep scowls and her voice was shrill and

nasal.

On her third round she faced me with the same question:

"Why don't you finish them pants?"

"Because," I answered this time, "there's bedbugs in 'em and I ain't

goin' to touch 'em!"

"Oh! my!" she taunted me, in a sneering voice, "that's dreadful, ain't

it? Bedbugs! Why, you need only just look on the floor to see 'em

running around anywhere!"

I said nothing more, and this remark was the last Frances ever addressed

to me.

"Mike!" she called to the presser in the corner, "will you have this

_young lady's_ card made out."

She gave me no further work to do, but, too humiliated to sit idle, I

joined a group of girls who were sewing badges.

We had made up all description of political badges--badges for the

court, for processions, school badges, military badges, flimsy bits of

coloured ribbon and gold fringe which go the tour of the world, rallying

men to glory. In the dismal twilight our fingers were now busied with

black-and-silver "in memoriam" badges, to be worn as a last tribute to

some dead member of a coterie who would follow him to the grave under

the emblem that had united them.

We were behindhand for the dead as well as for the living. At six the

power was turned off, the machine hands went home, there was still an

unfinished heap of black badges.

I got up and put on my things in the dark closet that served for

dressing-room. Frances called to the hand sewers in her rasping voice:

"You darsn't leave till you've finished them badges."

How could I feel the slavery they felt? My nerves were sensitive; I was

unaccustomed to their familiar hardships. But on the other hand, my

prison had an escape; they were bound within four walls; I dared to

rebel knowing the resources of the black silk emergency bag, money

lined. They for their living must pay with moral submission as well as

physical fatigue. There was nothing between them and starvation except

the success of their daily effort. What opposition could the German

woman place, what could she risk, knowing that two hungry mouths waited

to be fed beside her own?

With a farewell glance at the rubbish-strewn room, the high, grimy

windows, the group of hand sewers bent over their work in the increasing

darkness, I started down the stairs. A hand was laid on my arm, and I

looked up and saw Mike's broad Irish face and sandy head bending toward

me.

"I suppose you understand," he said, "that there'll be no more work for

you."

"Yes," I answered, "I understand," and we exchanged a glance that meant

we both agreed it was Frances' fault.

In the shop below I found Mr. F. and returned the fifty cents he had

advanced me. He seemed surprised at this.

"I'm sorry," he said, in his gentle voice, "that we couldn't arrange

things."

"I'm sorry, too," I said. But I dared not add a word against Frances.

She had terrorized me like the rest, and though I knew I never would see

her again, her pale, lifeless mask haunted me. I remembered a remark the

German woman had made when Frances dismissed the Polish girl: "People

ought to make it easy, and not hard, for others to earn a living."

At the end of this somewhat agitating day I returned to my tenement

lodgings as to a haven of rest. There was one other lodger besides

myself: she was studying music on borrowed money at four dollars a

lesson. Obviously she was a victim to luxury in the same degree as the

young women with whom I had lunched at the bakery. Nothing that a rich

society girl might have had been left out of her wardrobe, and borrowed

money seemed as good as any for making a splurge.

Miss Arnold was something of a snob, intellectual and otherwise. It was

evident from my wretched clothes and poor grammar that I was not

accustomed to ladies of her type, but, far from sparing me, she

humiliated me with all sorts of questions.

"I'm tired of taffeta jackets, aren't you?" she would ask, apropos of my

flimsy ulster. "I had taffeta last year, with velvet and satin this

winter; but I don't know what I'll get yet this summer."

After supper, on my return, I found her sitting in the parlour with Mrs.

Brown. They never lighted the gas, as there was an electric lamp which

sent its rays aslant the street and repeated the pattern of the window

curtains all over Mrs. Brown's face and hands.

Drawn up on one end of the horsehair sofa, Miss Arnold, in a purple

velvet blouse, chatted to Mrs. Brown and me.

"I'm from Jacksonville," she volunteered, patting her masses of curly

hair. "Do you know anybody from Jacksonville? It's an elegant town, so

much wealth, so many retired farmers, and it's such an educational

centre. Do you like reading?" she asked me.

"I don't get time," is my response.

"Oh, my!" she rattles on. "I'm crazy about reading. I do love blank

verse--it makes the language so choice, like in Shakespeare."

Mrs. Brown and I, being in the majority as opposed to this autocrat,

remain placid. A current of understanding exists between us. Miss

Arnold, on the other hand, finds our ignorance a flattering background

for her learning and adventures. She is so obviously a woman of the

world on the tenement horsehair sofa.

"In case you don't like your work," she Lady Bountifuls me, "I can get

you a stylish place as maid with some society people just out of

Chicago--friends of mine, an elegant family."

"I don't care to live out," I respond, thanking her. "I like my Sundays

and my evenings off."

Mrs. Brown pricks up her ears at this, and I notice that thereafter she

keeps close inquiry as to how my Sundays and evenings are spent.

But the bell rings. Miss Arnold is called for by friends to play on the

piano at an evening entertainment. Mrs. Brown and I, being left alone,

begin a conversation of the personal kind, which is the only resource

among the poor. If she had had any infirmity--a wooden leg or a glass

eye--she would naturally have begun by showing it to me, but as she had

been spared intact she chose second best.

"I've had lots of shocks," she said, rocking back and forth in a squeaky

rocking-chair. The light from over the way flickered and gleamed. Mrs.

Brown's broad, yellow face and gray hair were now brilliant, now somber,

as she rocked in and out of the silver rays. Her voice was a metallic

whine, and when she laughed against her regular, even, false teeth there

was a sound like the mechanical yelp of a toy cat. Married at sixteen,

her whole life had been Brown on earth below and God in His heaven

above. Childless, she and Brown had spent over fifty years together. It

was natural in the matter of shocks the first she should tell me about

was Brown's death. The story began with "a breakfast one Sunday morning

at nine o'clock.... Brown always made the fire, raked down the ashes,

set the coffee to boil, and when the toast and eggs were ready he called

me. And that wasn't one morning, mind you--it was every morning for

fifty years. But this particular morning I noticed him speaking strange;

his tongue was kind o' thick. He didn't hardly eat nothing, and as soon

as I'd done he got up and carried the ashes downstairs to dump 'em. When

he come up he seemed dizzy. I says to him, 'Don't you feel good?' but he

didn't seem able to answer. He made like he was going to undress. He put

his hand in his pocket for his watch, and he put it in again for his

pocketbook; but the second time it stayed in--he couldn't move it no

more; it was dead and cold when I touched it. He leaned up against the

wall, and I tried to get him over on to the sofa. When I looked into his

eyes I see that he was gone. He couldn't stand, but I held on to him

with all my force; I didn't let his head strike as he went down. _When

he fell we fell together_." Her voice was choked; even now after three

years as she told the story she could not believe it herself.

Presently when she is calm again she continues the recital of her

shocks--three times struck by lightning and once run over. Her simple

descriptions are straightforward and dramatic. As she talks the wind

blows against the windows, the shutters rattle and an ugly white china

knob, against which the curtains are draped, falls to the floor.

Tenderly, amazed, she picks it up and looks at it.

"Brown put that up," she says; "there hasn't no hand touched it since

his'n."

Proprietor of this house in which she lives, Mrs. Brown is fairly well

off. She rents one floor to an Italian family, one to some labourers,

and one to an Irishman and his wife who get drunk from time to time and

rouse us in the night with tumult and scuffling. She has a way of

disappearing for a week or more and returning without giving any account

of herself. Relations are strained, and Mrs. Brown in speaking of her

says:

"I don't care what trouble I was in, I wouldn't call in that Irish

woman. I don't have anything to do with her. I'd rather get the Dago

next door." And hereafter follows a mild tirade against the

Italians--the same sentiments I have heard expressed before in the

labouring centres.

[Illustration: CHICAGO TYPES]

"They're kind folks and good neighbours," Mrs. Brown explains, "but

they're different from us. They eat what the rest of us throw away, and

there's no work they won't do. They're putting money aside fast; most of

'em owns their own houses; but since they've moved into this

neighbourhood the price of property's gone down. I don't have nothing to

do with 'em. We don't any of us. They're not like us; they're

different."

Without letting a day elapse I started early the following morning in

search of a new job. The paper was full of advertisements, but there was

some stipulation in each which narrowed my possibilities of getting a

place, as I was an unskilled hand. There was, however, one simple "Girls

wanted!" which I answered, prepared for anything but an electric sewing

machine.

The address took me to a more fashionable side of the city, near the

lake; a wide expanse of pale, shimmering water, it lay a refreshing

horizon for eyes long used to poverty's quarters. Like a sea, it rolled

white-capped waves toward the shore from its far-away emerald surface

where sail-freighted barks traveled at the wind's will. Free from man's

disfiguring touch, pure, immaculate, it appeared bridelike through a

veil of morning mist. And at its very brink are the turmoil and

confusion of America's giant industries. In less than an hour I am

receiving wages from a large picture frame company in East Lake Street.

Once more I have made the observation that men are more agreeable bosses

than women. The woman, when she is not exceptionally disagreeable, like

Frances, is always annoying. She bothers and nags; things must be done

her way; she enjoys the legitimate minding of other people's business.

Aiming at results only, the masculine mind is more tranquil. Provided

you get your work done, the man boss doesn't care what methods you take

in doing it. For the woman boss, whether you get your work done or not,

you must do it her way. The overseer at J.'s picture frame manufactory

is courteous, friendly, considerate. I have a feeling that he wishes me

to coöperate with him, not to be terrorized and driven to death by him.

My spirits rise at once, my ambition is stimulated, and I desire his

approval. The work is all done by the piece, he explains to me, telling

me the different prices. The girls work generally in teams of three,

dividing profits. Nothing could be more modern, more middle-class, more

popular, more philistine than the production of J.'s workrooms. They are

the cheap imitations fed to a public hungry for luxury or the semblance

of it. Nothing is genuine in the entire shop. Water colours are imitated

in chromo, oils are imitated in lithograph, white carved wood frames are

imitated in applications of pressed brass. Great works of art are

belittled by processes cheap enough to be within reach of the poorest

pocket. Framed pictures are turned out by the thousand dozens, every

size, from the smallest domestic scene, which hangs over the baby's crib

in a Harlem flat, to the large wedding-present size placed over the

piano in the front parlour. The range of subjects covers a familiar

list of comedies or tragedies--the partings before war, the interior

behind prison bars, the game of marbles, the friendly cat and dog, the

chocolate girl, the skipper and his daughter, etc., etc.

My job is easy, but slow. With a hammer and tacks I fasten four tin

mouldings to the four corners of a gilt picture frame. Twenty-five cents

for a hundred is the pay given me, and it takes me half a day to do this

many; but my comrades don't allow me to get discouraged.

"You're doing well," a red-haired _vis-a-vis_ calls to me across the

table. And the foreman, who comes often to see how I am getting along,

tells me that the next day we are to begin team-work, which pays much

better.

The hours are ten a day: from seven until five thirty, with twenty-five

minutes at noon instead of half an hour. The extra five minutes a day

mount up to thirty minutes a week and let us off at five on Saturdays.

The conversation around me leads me to suppose that my companions are

not downtrodden in any way, nor that they intend letting work interfere

with happiness. They have in their favour the most blessed of all

gifts--youth. The tragic faces one meets with are of the women

breadwinners whose burdens are overwhelming and of the children in whom

physical fatigue arrests development and all possibility of pleasure.

My present team-mates and those along the rest of the room are Americans

between fourteen and twenty-four years of age, full of unconscious hope

for the future, which is natural in healthy, well-fed youth, taking

their work cheerily as a self-imposed task in exchange for which they

can have more clothes and more diversions during their leisure hours.

The profitable job given us on the following day is monotonous and

dirty, but we net $1.05 each. There is a mechanical roller which passes

before us, carrying at irregular intervals a large sheet of coloured

paper covered with glue. My _vis-à-vis_ and I lay the palms of our right

hands on to the glue surface and lift the sheet of paper to its place on

the table before us, over a stiff square of bristol board. The boss of

the team fixes the two sheets together with a brush which she

manipulates skilfully. We are making in this way the stiff backs which

hold the pictures into their frames. When we have fallen into the proper

swing we finish one hundred sheets every forty-five minutes. We could

work more rapidly, but the sheets are furnished to us at this rate, and

it is so comfortable that conversation is not interrupted. The subjects

are the same as elsewhere--dress, young men, entertainments. The girls

have "beaux" and "steady beaux." The expression, "Who is she going

with?" means who is her steady beau. "I've got Jim Smith _now_, but I

don't know whether I'll keep him," means that Jim Smith is on trial as

a beau and may become a "steady." They go to Sunday night subscription

dances and arrive Monday morning looking years older than on Saturday,

after having danced until early morning. "There's nothing so smart for a

ball," the mundane of my team tells us, "as a black skirt and white silk

waist."

About ten in the morning most of us eat a pickle or a bit of cocoanut

cake or some titbit from the lunch parcel which is opened seriously at

twelve.

The light is good, the air is good, the room where we work is large and

not crowded, the foreman is kind and friendly, the girls are young and

cheerful; one can make $7 to $8 a week.

The conditions at J.'s are too favourable to be interesting, and, having

no excuse to leave, I disappear one day at lunch time and never return

to get my apron or my wages. I shall be obliged to draw upon the

resources of the black silk bag, but before returning to my natural

condition of life I wish to try one more place: a printing job. There

are quantities of advertisements in the papers for girls needed to run

presses of different sorts, so on the very afternoon of my

self-dismissal I start through the hot summer streets in search of a

situation. On the day when my appearance is most forlorn I find

policemen always as officially polite as when I am dressed in my best.

Other people of whom I inquire my way are sometimes curt, sometimes

compassionate, seldom indifferent, and generally much nicer or not

nearly as nice as they would be to a rich person. Poor old women to whom

I speak often call me "dear" in answering.

Under the trellis of the elevated road the "cables" clang their way.

Trucks and automobiles, delivery wagons and private carriages plunge

over the rough pavements. The sidewalks are crowded with people who are

dressed for business, and who, whether men or women, are a business

type; the drones who taste not of the honey stored in the hives which

line the streets and tower against the blue sky, veiling it with smoke.

The orderly rush of busy people, among whom I move toward an address

given in the paper, is suddenly changed into confusion and excitement by

the bell of a fire-engine which is dragged clattering over the cobbles,

followed closely by another and another before the sound of the horses'

hoofs have died away. Excitement for a moment supersedes business. The

fire takes precedence before the office, and a crowd stands packed

against policemen's arms, gazing upward at a low brick building which

sends forth flames hotter than the brazen sun, smoke blacker than the

perpetual veil of soot.

I compare the dingy gold number over the burning door with the number in

print on the newspaper slip held between my thumb and forefinger.

Decidedly this is not one of my lucky days. The numbers correspond. But

there are other addresses and I collect a series of replies. The

employer in a box factory on the West Side takes my address and promises

to let me know if he has a vacancy for an unskilled hand. Another boss

printer, after much urging on my part, consents to give me a trial the

following Monday at three dollars a week. A kindly forelady in a large

printing establishment on Wabash Avenue sends me away because she wants

only trained workers. "I'm real sorry," she says. "You're from the East,

aren't you? I notice you speak with an accent."

By this time it is after three in the afternoon; my chances are

diminishing as the day goes on and others apply before me. There is one

more possibility at a box and label company which has advertised for a

girl to feed a Gordon press. I have never heard of a Gordon press, but I

make up my mind not to leave the label company without the promise of a

job for the very next day. The stairway is dingy and irregular. My

spirits are not buoyant as I open a swinging door and enter a room with

a cage in the middle, where a lady cashier, dressed in a red silk waist,

sits on a high stool overlooking the office. Three portly men, fat, well

nourished, evidently of one family, are installed behind yellow ash

desks, each with a lady typewriter at his right hand. I go timidly up to

the fattest of the three. He is in shirt sleeves, evidently feeling the

heat painfully. He pretends to be very busy and hardly looks up when I

say:

"I seen your ad. in the paper this morning."

"You're rather late," is his answer. "I've got two girls engaged

already."

"Too late!" I say with an intonation which interrupts his work for a

minute while he looks at me. I profit by this moment, and, changing from

tragedy to a good-humoured smile, I ask:

"Say, are you sure those girls'll come? You can't always count on us,

you know."

He laughs at this. "Have you ever run a Gordon press?"

"No, sir; but I'm awful handy."

"Where have you been working?"

"At J.'s in Lake Street."

"What did you make?"

"A dollar a day."

"Well, you come in to-morrow about eleven and I'll tell you then whether

I can give you anything to do."

"Can't you be sure now?"

Truly disappointed, my voice expresses the eagerness I feel.

"Well," the fat man says indulgently, "you come in to-morrow morning at

eight and I'll give you a job."

The following day I begin my last and by far my most trying

apprenticeship.

The noise of a single press is deafening. In the room where I work

there are ten presses on my row, eight back of us and four printing

machines back of them. On one side of the room only are there windows.

The air is heavy with the sweet, stifling smell of printer's ink and

cheap paper. A fine rain of bronze dust sifts itself into the hair and

clothes of the girls at our end of the room, where they are bronzing

coloured advertisements. The work is all done standing; the hours are

from seven until six, with half an hour at noon, and holiday at one

thirty on Saturdays. It is to _feed_ a machine that I am paid three

dollars a week. The expression is admirably chosen. The machine's iron

jaws yawn for food; they devour all I give, and when by chance I am slow

they snap hungrily at my hand and would crush my fingers did I not

snatch them away, feeling the first cold clutch. It is nervous work.

Each leaf to be printed must be handled twice; 5,000 circulars or

bill-heads mean 10,000 gestures for the printer, and this is an

afternoon's work.

Into the square marked out for it by steel guards the paper must be

slipped with the right hand, while the machine is open; with the left

hand the printed paper must be pulled out and a second fitted in its

place before the machine closes again. What a master to serve is this

noisy iron mechanism animated by steam! It gives not a moment's respite

to the worker, whose thoughts must never wander from her task. The

girls are pale. Their complexions without exception are bad.

We are bossed by men. My boss is kind, and, seeing that I am ambitious,

he comes now and then and prints a few hundred bill-heads for me. There

is some complaining _sotto voce_ of the other boss, who, it appears, is

a hard taskmaster. Both are very young, both chew tobacco and

expectorate long, brown, wet lines of tobacco juice on to the floor.

While waiting for new type I get into conversation with the boss of

ill-repute. He has an honest, serious face; his eyes are evidently more

accustomed to judging than to trusting his fellow beings. He is

communicative.

"Do you like your job?" he asks.

"Yes, first rate."

"They don't pay enough. I give notice last week and got a raise. I guess

I'll stay on here until about August."

"Then where are you going?"

"Going home," he answers. "I've been away from home for seven years. I

run away when I was thirteen and I've been knocking around ever since,

takin' care of myself, makin' a livin' one way or another. My folks

lives in California. I've been from coast to coast--and I tell you I'll

be mighty glad to get back."

"Ever been sick?"

"Yes, twice. It's no fun. No matter how much licking a boy gets he

ought never to leave home. The first year or so you don't mind it so

much, but when you've been among strangers two years, three years, all

alone, sick or well, you begin to feel you must get back to your own

folks."

"Are you saving up?" I ask.

He nods his head, not free to speak for tobacco juice.

"I'll be able to leave here in August," he explains, when he has

finished spitting, "for Omaha. In three months I can save up enough to

get on as far as Salt Lake, and in another three months I can move on to

San Francisco. I tell you," he adds, returning to his work, "a person

ought never to leave home." He had nine months of work and privation

before reaching the goal toward which he had been yearning for years.

With what patience he appears possessed compared to our fretfulness at

the fast express trains, which seem to crawl when they carry us full

speed homeward toward those we love! Nine months, two hundred and

seventy days, ten-hour working days, to wait. He was manly. He had the

spirit of adventure; his experience was wide and his knowledge of men

extended; he had managed to take care of himself in one way or another

for seven years, the most trying and decisive in a boy's life. He had

not gone to the bad, evidently, and to his credit he was homeward bound.

His history was something out of the ordinary; yet beyond the circle

where he worked and was considered a hard taskmaster he was a

nonentity--a star in the milky way, a star whose faint rays, without

individual brilliancy, added to the general luster.

The first day I had a touch of pride in getting easily ahead of the new

girl who started in when I did. From my machine I could see only the

back of her head; it was shaking disapproval at every stroke she made

and had to make over again. She had a mass of untidy hair and a slouchy

skirt that slipped out from her belt in the back. If not actually

stupid, she was slow, and the foreman and the girl who took turns

teaching her exchanged glances, meaning that they were exhausting their

patience and would readily give up the job. I was pleased at being

included in these glances, and had a miserable moment of vanity at lunch

time when the old girls, the habitués, came after me to eat with them.

The girl with the untidy hair and the long skirt sat quite by her self.

Without unfolding her newspaper bundle, she took bites of things from

it, as though she were a little ashamed of her lunch. My moment of

vanity had passed. I went over to her, not knowing whether her

appearance meant a slipshod nature or extreme poverty. As we were both

new girls, there was no indiscretion in my direct question:

"Like your job?"

I could not understand what she answered, so I continued: "Ever worked

before?"

She opened her hands and held them out to me. In the palm of one there

was a long scar that ran from wrist to forefinger. Two nails had been

worn off below the quick and were cracked through the middle. The whole

was gloved in an iron callous, streaked with black.

"Does that look like work?" was her response. It was almost impossible

to hear what she said. Without a palate, she forced the words from her

mouth in a strange monotone. She was one of nature's monstrous failures.

Her coarse, opaque skin covered a low forehead and broad, boneless nose;

her teeth were crumbling with disease, and into her full lower lip some

sharp tool had driven a double scar. She kept her hand over her mouth

when she talked, and except for this movement of self-consciousness her

whole attitude was one of resignation and humility. Her eyes in their

dismal surroundings lay like clear pools in a swamp's midst reflecting

blue sky.

"What was you doing to get your hands like that?" I asked.

"Tipping shoe-laces. I had to quit, 'cause they cut the pay down. I

could do twenty-two gross in a day, working until eight o'clock, and I

didn't care how hard I worked so long as I got good pay--$9 a week. But

the employer'd been a workman himself, and they're the worst kind. He

cut me down to $4 a week, so I quit."

"Do you live home?"

"Yes. I give all I make to my mother, and she gives me my clothes and

board. Almost anywhere I can make $7 a week, and I feel when I earn that

much like I was doing right. But it's hard to work and make nothing. I'm

slow to learn," she smiled at me, covering her mouth with her hand, "but

I'll get on to it by and by and go as fast as any one; only I'm not very

strong."

"What's the matter with you?"

"Heart disease for one thing, and then I'm so nervous. It's kind of hard

to have to work when you're not able. To-day I can hardly stand, my

head's aching so. They make the poor work for just as little as they

can, don't they? It's not the work I mind, but if I can't give in my

seven a week at home I get to worrying."

Now and then as she talked in her inarticulate pitiful voice the tears

added luster to her eyes as her emotions welled up within her.

The machines began to roar and vibrate again. The noon recess was over.

She went back to her job. Her broad, heavy hands began once more to

serve a company on whose moderate remuneration she depended for her

daily bread. Her silhouette against the window where she stood was no

longer an object for my vain eyes to look upon with a sense of

superiority. I could hear the melancholy intonation of her voice,

pronouncing words of courage over her disfigured underlip. She was one

of nature's failures--one of God's triumphs.

Saturday night my fellow lodger, Miss Arnold, and I made an expedition

to the spring opening of a large dry-goods shop in the neighbourhood of

Mrs. Brown's. I felt rather humble in my toil-worn clothes to accompany

the young woman, who had an appearance of prosperity which borrowed

money alone can give. But she encouraged me, and we started together for

the principal street of the quarter whose history was told in its

show-case windows. Pawnshops and undertakers, bakeries and soda-water

fountains were ranged side by side on this highway, as the necessity for

them is ranged with incongruous proximity in the existence of those who

live pell-mell in moral and material disorder after the manner of the

poor. There was even a wedding coach in the back of the corner

undertaker's establishment, and in the front window a coffin, small and

white, as though death itself were more attractive in the young, as

though the little people of the quarter were nearer Heaven and more

suggestive of angels than their life-worn elders. The spotless tiny

coffin with its fringe and satin tufting had its share of the ideal,

mysterious, unused and costly; in the same store with the wedding coach,

it suggested festivity: a reunion to celebrate with tears a small

pilgrim's right to sleep at last undisturbed.

The silver rays of the street lamps mingled with the yellow light of

the shop windows, and on the sidewalk there was a cosmopolitan public.

Groups of Italian women crooned to each other in their soft voices over

the bargains for babies displayed at the spring opening; factory girls

compared notes, chattered, calculated, tried to resist, and ended by an

extravagant choice; the German women looked and priced and bought

nothing; the Hungarians had evidently spent their money on arriving.

From the store window wax figures of the ideal woman, clad in latest

Parisian garb, with golden hair and blue eyes, gazed down benignly into

the faces uplifted with envy and admiration. Did she not plainly say to

them "For $17 you can look as I do"?

The store was apparently flourishing, and except for such few useful

articles as stockings and shirts it was stocked with trash. Patronized

entirely by labouring men and women, it was an indication to their

needs. Here, for example, was a stand hung with silk dress skirts,

trimmed with lace and velvet. They were made after models of expensive

dress-makers and were attempts at the sort of thing a Mme. de Rothschild

might wear at the Grand Prix de Paris.

Varying from $11 to $20, there was not one of the skirts made of

material sufficiently solid to wear for more than a few Sunday outings.

On another counter there were hats with extravagant garlands of flowers,

exaggerated bows and plumes, wraps with ruffles of lace and long

pendant bows; silk boleros; a choice of things never meant to be

imitated in cheap quality.

[Illustration: THE REAR OF A CHICAGO TENEMENT]

I watched the customers trying on. Possessed of grace and charm in their

native costumes, hatless, with gay-coloured shawls on their shoulders,

the Italian women, as soon as they donned the tawdry garb of the

luxury-loving labourer, were common like the rest. In becoming

prosperous Americans, animated by the desire for material possession

which is the strength and the weakness of our countrymen, they lost the

character that pleases us, the beauty we must go abroad to find.

Miss Arnold priced everything, compared quality and make with

Jacksonville productions, and decided to buy nothing, but in refusing to

buy she had an air of opulence and taste hard to please which surpassed

the effect any purchase could have made.

Sunday morning Mrs. Brown asked me to join her and Miss Arnold for

breakfast They were both in slippers and dressing-gowns. We boiled the

coffee and set the table with doughnuts and sweet cakes, which Miss

Arnold kept in a paper bag in her room.

"I hardly ever eat, except between meals," she explained. "A nibble of

cake or candy is as much as I can manage, my digestion is so poor."

"Ever since Brown died," the widow responded, "I've had my meals just

the same as though he were here. All I want," she went on, as we seated

ourselves and exchanged courtesies in passing the bread and butter,

"all I want is somebody to be kind to me. I've got a young niece that

I've tried to have with me. I wrote to her and says: 'Your auntie's

heart's just crying out for you!' And I told her I'd leave her all I've

got. But she said she didn't feel like she could come."

As soon as breakfast is over the mundane member of the household starts

off on a day's round of visits. When the screen door has shut upon her

slender silhouette, Mrs. Brown settles down for a chat. She takes out

the brush and comb, unbraids her silver locks and arranges them while

she talks.

"Miss Arnold's always on the go; she's awful nervous. These society

people aren't happy. Life's not all pleasure for them. You can be sure

they have their ups and downs like the rest of us."

"I guess that's likely," is my response.

"They don't tell the truth always, in the first place. They say there's

got to be deceit in society, and that these stylish people pretend all

sorts of things. Well, then, all I say is," and she pricks the comb into

the brush with emphasis, "all I say is, you better keep out of society."

She had twisted her gray braids into a coil at the back of her head, and

dish-washing is now the order of the day. As we splash and wipe, Mrs.

Brown looks at me rather closely. She is getting ready to speak. I can

feel this by a preliminary rattle of her teeth.

"You're a new girl here," she begins; "you ain't been long in Chicago. I

just thought I'd tell you about a girl who was workin' here in the

General Electric factory. She was sixteen--a real nice-lookin' girl from

the South. She left her mother and come up here alone. It wasn't long

before she got to foolin' round with one of the young men over to the

factory. They were both young; they didn't mean no harm; but one day she

come an' told me, cryin' like anythin', that she was in trouble, and her

young man had slipped off up to Michigan."

Here Mrs. Brown stopped to see if I was interested, and as I responded

with a heartfelt "Oh, my!" she went on:

"Well, you ought to have seen that girl's sufferin', her loneliness for

her mother. I'd come in her room sometimes at midnight--the very room

you have now--and find her on the floor, weepin' her heart out. I want

to tell you never to get discouraged. Just you listen to what happened.

The gentleman from the factory got a sheriff and they started up north

after the young man, determined to get him by force if they couldn't by

kindness. Well, they found him and they brought him back; he was willin'

to come, and they got everythin' fixed up for the weddin' without

tellin' her a thing about it, and one day she was sittin' right there,"

she pointed to the rocking chair in the front parlour window, "when he

come in. He was carryin' a big bunch of cream roses, tied with long

white ribbons. He offered 'em to her, but she wouldn't look at them nor

at him. After awhile they went together into her room and talked for

half an hour, and when they come back she had consented to marry him. He

was real kind. He kept askin' me if she had cried much and thankin' me

for takin' care of her. They were married, and when the weddin' was over

she didn't want to stay with him. She said she wanted her mother, but we

talked to her and told her what was right, and things was fixed up

between them."

She had taken down from its hook in the corner sunlight the canary bird

and his cage. She put them on the table and prepared to give the bird

his bath and fresh seed.

"You see," she said, drawing up a chair, "that's what good employers

will do for you. If you're working in a good place they'll do right by

you, and it don't pay to get down-hearted."

I thanked her and showed the interest I truly felt in the story.

Evidently I must account for my Sundays! It was with the bird now that

Mrs. Brown continued her conversation. He was a Rip Van Winkle in

plumage. His claws trailed over the sand of the cage. Except when Mrs.

Brown had a lodger or two with her, the bird was the only living thing

in her part of the tenement.

"I've had him twenty-five years," she said to me. "Brown give him to

me. I guess I'd miss him if he died." And presently she repeated again:

"I don't believe I even know how much I'd miss him."

On the last evening of my tenement residence I was sitting in a

restaurant of the quarter, having played truant from Mrs. Wood's, whose

Friday fish dinner had poisoned me. My hands had been inflamed and

irritated in consequence, and I was now intent upon a good clean supper

earned by ten hours' work. My back was turned to the door, which I knew

must be open, as I felt a cold wind. The lake brought capricious changes

of the temperature: the thermometer had fallen the night before from

seventy to thirty. I turned to see who the newcomer might be. The sight

of him set my heart beating faster. The restaurant keeper was

questioning the man to find out who he was.... He was evidently

nobody--a fragment of anonymous humanity lashed into _debris_ upon the

edge of a city's vortex; a remnant of flesh and bones for human

appetites to feed on; a battleground of disease and vice; a beggar

animated by instinct to get from others what he could no longer earn for

himself; the type _par excellence_ who has worn out charity

organizations; the poor wreck of a soul that would create pity if there

were none of it left in the world. He was asking for food. The

proprietor gave him the address of a free lodging-house and turned him

away. He pulled his cap over his head; the door opened and closed,

letting in a fresh gale of icy air. The man was gone. I turned back to

my supper. Scientific philanthropists would have means of proving that

such men are alone to blame for their condition; that this one was in

all probability a drunkard, and that it would be useless, worse than

useless, to help him. But he was cold and hungry and penniless, and I

knew it. I went as swiftly as I could to overtake him. He had not

traveled far, lurching along at a snail's pace, and he was startled when

I came up to him. One of his legs was longer than the other; it had been

crushed in an accident. They were not pairs, his legs, and neither were

his eyes pairs; one was big and blind, with a fixed pupil, and the other

showed all his feelings. Across his nose there was a scar, a heavy scar,

pale like the rest of his face. He was small and had sandy hair. The

directors of charity bureaus could have detected perhaps a faint

resemblance to the odour of liquor as he breathed a halo of frosty air

over his scraggly red beard.

Through the weather-beaten coat pinned over it his bare chest was

visible.

"It's a cold night!" I began. "Are you out of a job?"

With his wistful eye he gave me a kind glance.

"I've been sick. There's a sharp pain right in through here." He showed

me a spot under his arm. "They thought at the hospital that I 'ad

consumption. But," his face brightened, "I haven't got it." He showed in

his smile the life-warrant that kept him from suicide. _He wanted to

live._

"Where did you sleep last night?" I asked. "It was a cold night."

"To tell you the truth," he responded in his strong Scotch accent, "I

slept in a wagon."

I proposed that we do some shopping together; he looked at me gratefully

and limped along to a cheap clothing store, kept by an Italian. The

warmth within was agreeable; there was a display of garments hung across

the ceiling under the gas-light. My companion waited, leaning against

the glass counter, while I priced the flannel shirts. To be sure, my own

costume promised little bounty. The price of the shirt was seventy-five

cents, and as soon as he heard this the poor man said:

"Oh, you mustn't spend as much as that."

Looking first at the pauper, then at me, the Italian leaned over and

whispered to me, "I think I understand. You can have the shirt for

sixty, and I'll put in a pair of socks, too."

Thus we had become a fraternity; all were poor, the stronger woe helping

the weaker.... When his toilet was complete the poor man looked half a

head taller.

"Shall I wrap up your old cap for you?" the salesman asked, and the

other laughed a broken, long-disused laugh.

"I guess I won't need it any more," he said, turning to me.

His face had changed like the children's valentines that grow at a touch

from a blank card to a glimpse of paradise.

Once in the street again we shook hands. I was going back to my supper.

He was going, the charity directors would say, to pawn his shirt and

coat.

The man had evidently not more than a few months to live; I was leaving

Chicago the following day. We would undoubtedly never meet again.

As his bony hand lay in mine, his eyes looked straight at me. "Thank

you," he said, and his last words were these:

"I'll stand by you."

It was a pledge of fraternity at parting. There was no material

substance to promise. I took it to mean that he would stand by any

generous impulses I might have; that he would be, as it were, a patron

of spontaneous as opposed to organized charity; a patron of those who

are never too poor to give to some one poorer; of those who have no

scientific reasons for giving, no statistics, only compassion and pity;

of those who want to aid not only the promising but the hopeless cases;

of those whose charity is tolerant and maternal, patient with the

helpless, prepared for disappointments; not looking for results, ever

ready to begin again, so long as the paradox of suffering and inability

are linked together in humanity.

* * * * *

THE MEANING OF IT ALL

* * * * *

The Woman Who Toils Being the Experiences of Two Gentlewomen as Factory Girls · 第 4 / 9 章