CHAPTER X

MAGGIE TELLS WHAT BEFEL HER

I think I came to the rescue, but I was so flurried, so completely

driven out of myself, that ordered recollection begins only in the

middle of the blather which usually serves as conversational counters

at such meetings. I made myself known to Mrs. Hutchinson, and she,

worthy soul, much perplexed by certain mysterious incidents soon to be

made clear (after a fashion), extricated us from a difficult situation

by the true motherliness of her surprise and admiration at finding Karl

grown to be a bigger man than his father.

She was a Scotswoman, and she delighted in proclaiming the fact. Thus,

although a lady of good birth and refined manners, she did not disdain

to use the homely phrases of “her ain people” when they expressed

her thoughts better than the polished slang which passes current for

English in society nowadays.

“Eh, but it’s a cure for sair e’en to see you, honey,” she cried, when

she had assured herself that this six-footer was really the young Grier

whom she had heard so much about of late. (This cryptic remark will

explain itself presently.) “I was sure my letter to your mother would

bring you quickly to us if you were not abroad. Did she telegraph to

you? I suppose she could not have written in the time. And how kind it

is of you to hurry up to London in time to receive us! Did you say you

came from Oxford? Well, from what I have heard of young gentlemen at

the ’Varsity, they seldom object to an urgent call that brings them to

London.”

Now that sort of rattling talk is admirably calculated to dissipate

metapsychic puzzles into thin air. I was exceedingly grateful to Mrs.

Hutchinson. From that moment dated my lasting admiration for her dear,

outspoken, open-hearted qualities. Excellent soul! She was trustworthy

as oak, and quite as dense to anything beyond the circle of her

comprehension.

The two young boobies gazing so pathetically at each other were enabled

in the interim to recover their speech and their every-day faculties.

Karl’s eyes kindled with a friendly interest which threatened

developments, and Maggie gazed at him with a smiling, fawn-like

wistfulness calculated to drive any heart-whole and well-regulated

young man frantic in five minutes by the clock.

It was my first actual, if vicarious, acquaintance with that pleasant

malady known as love at first sight, and, judging by the symptoms of

this well-matched pair, the disease is one which, like measles in

childhood, is calculated to do the cynic good.

I suppose it is my duty, right here, as Hooper would say, to describe

Maggie Hutchinson. I would prefer to give a definition of the

differential calculus--one can hunt up these things so readily in

any work of reference--but to what encyclopedia can a man turn when

he wishes to limn in mere words the elusive charms of a beautiful,

well-educated girl, in whom a delightful femininity is blended with the

rare artistic temperament--blended, too, with the deftness of a skilled

gardener who grafts one lovely and sweet-scented plant on another? If

the human soul were ever visible to our mortal senses it must most

nearly attain tangible form in fragrant young womanhood. Every artist

who seeks inspiration in nature, every poet who writes a stanza to

Spring or the Dawn, knows that this is so. And that is why it is not

good for mankind that woman should, by training or environment, weaken

the God-given maternal instinct which is the golden halo of the Madonna.

Some such thought came to me when I first set eyes on Maggie

Hutchinson. She realized an ideal and that is saying much. Not that

she was so strikingly handsome that men must stare and women sniff

merely because she passed, nor that her pose of head and general

shapeliness would have enraptured a Greek sculptor. No, I am compelled

to state that by the generality of critics Maggie would only be placed

among the nondescript “good-looking” section of young ladies, and she

might, or might not, be molded like the Capuan Venus for all that her

orthodox “tailor-built” (that is the right description, I believe)

traveling costume revealed.

But the peculiar circumstances under which I met her, and the rapt

spirituality of that look which she flashed at Karl through the

gathering tears, added a spice of romance to an otherwise colorless

incident. The musician who extracts a thousand tumultuous words out

of a single _lied ohne wörte_ can best understand the emotional flood

of thought which conveys a whole volume of meaning. For an instant I

experienced some glimmering perception of Karl’s sixth sense. I fancied

I actually felt the physical and psychic influence of that “magnetic

personality” which we all of us talk about but seldom endeavor to

explain.

And then “Miss Hutchinson” told me that she was not tired, “not the

least little bit”; that mother and she had “dined on the train”;

that it was, indeed, most kind on my part to have secured a private

sitting-room for the joint and several use of our party and our

party’s friends. So you see, the first impression fled quickly

enough, leaving behind it a glowing streak of recollection like unto

the half-remembered track of a shooting star. But, thank Heaven,

in Maggie’s case it was renewed and developed and perfected until,

whether under the spell of her unwavering friendship or thrilled to

ecstasy by the inarticulate rapture which, at times, she drew from the

infinite storehouse of the violin, in order to please those near and

dear to her, I can say candidly that she was the goddess of one small

circle, its Athéne and Euterpe rolled into one. Nor was it long before

my wife claimed her as her greatest friend. That last saving clause

is necessary. This is not _my_ love story, but, as the astute reader

must have perceived long since, Maggie’s and Karl’s. Yet I shall be

exceedingly surprised--almost as greatly taken aback as I was by the

discoveries of the next hour--if the said reader, though an expert

dissector of love stories, from the long-drawn-out wooing of Rachel

by Jacob, down to the _motif_ of the very latest _crime passionel_ in

Paris, shall have guessed already the reason why Maggie wept when first

she met Karl in the vestibule of the Pall Mall Hotel.

Apparently, we have all been standing there an unconscionably long

time. Really, we have done nothing of the sort, for I am quite adept

in bringing about the right combination of luggage porters, lift

attendants, chambermaids and waiters, to secure the best and quickest

results in making people at home in a modern big hotel.

“I am so glad to be off the steamer,” sighed Mrs. Hutchinson,

gratefully, as she sank into a spacious chair in our sitting-room.

“Walking along the corridor just now, I caught myself wondering why the

other folk using it did not lean over at absurd angles. Even yet the

carpet seems to heave gently each half-minute.”

That was just the sort of remark calculated to place us at our ease. We

chatted freely while the ladies drank a little champagne and nibbled a

biscuit; I sampled the hotel whisky, and smoked, together with Karl, at

the earnest request of our fair companions.

Karl, by the way, did not know the taste of alcohol, or of any

intoxicant. The wisdom of the gods kept him free from that obsession.

Goodness only knows what would have happened if the man with a

superhuman sense (which it was, according to our present lights)

yielded to drink!

Hence, when Mrs. Hutchinson, beginning at the end of the story, told

us that she wrote to Mrs. Grier from Queenstown, and a computation of

hours revealed that the mystery of the telegram was no mystery at all,

the way was paved by growing familiarity to permit the conversation

to wander off into less well-defined paths. For the good lady made no

secret of the _raison d’être_ of her letter.

“Maggie had a dream, or a vision--something akin to what my old

Highland nurse used to call _taichitaraugh_, a Gaelic mouthful meaning

‘shadow-sight.’ It was so realistic that it nearly made her ill, and

she startled me considerably, when she confided it to me, which was not

until twenty-four hours later.”

Mrs. Hutchinson, of course, could not guess what a spark on tinder was

one of those time-worn words in Karl’s ears. I glanced at him to see

if the winged barb had struck home, but I was not long in discerning

that Maggie’s presence occupied his ordinary senses quite sufficiently

to keep his telegnomic sense dormant. It might, indeed, stimulate and

intensify the others, but no man would use a telephone or an opera

glass to hear or see his best girl when she was seated in the same room

as himself, would he? Science can do a lot for us, but I will back Dame

Nature’s idea of a magnet in the shape of a pretty woman against any

wizard device of the latter-day alchemist.

Then the mother, at Maggie’s request, essayed to give us the history

of an afternoon dream on board the good ship _Merlin_. The day was

Sunday, and the weather had been bad. The ship was traversing that

choppy belt of the Atlantic which makes the day of rest so particularly

unrestful in the majority of vessels sailing from New York or Liverpool

on a Wednesday. Indeed, the “White Star Sunday” is an ocean proverb.

“Neither of us felt equal to taking luncheon in the saloon,” said she,

“so a deck-steward brought us some tempting dishes. The sea subsided

rapidly under the change of wind, and we were comfortable enough after

our meal. I fell into a slight doze. Maggie says she did not.”

“No, mother, I am sure I was awake, because I was running over in

my mind Almaviva’s song, ‘Ecco ridente il cielo,’ with the guitar

accompaniment for the violins,” interrupted Maggie.

Then why, my dear young lady, should your cheeks flutter _now_ between

white and pink, like a Marie Vornhoot rose, beneath the most attractive

and healthy brown with which sun and sea have decorated you? And why,

with even greater emphasis, should you have been warbling to yourself

_then_ the love-sick outpourings of the Seville gallant to his Rosina?

I thought those old operas were, if not dead, for they are immortal,

at least buried alive beneath a mound of Gaiety muslin and the striped

cotton habiliments of many musical comedy coons.

“Girls get such whimsies in their heads that they often do not know

what they are thinking about,” replied practical Mrs. Hutchinson. “Yet

there can be no doubt, my dear, that something extraordinary did occur.”

“When I woke up,” she continued, addressing Karl and me, “I found

Maggie crying softly to herself. Naturally I was alarmed, and when she

did not answer I caught her arm. Then she appeared to recover her wits,

but she frightened me even more thoroughly by murmuring something about

the utter bliss--”

“Mother!” broke in the girl, evidently nerving herself for an ordeal,

though her face was aflame, “let me describe what happened.”

“Well, well!” said Mrs. Hutchinson, “tell it your own way. I admit I

never got the hang of it to rights.”

It was impossible to watch both Karl’s face and Maggie’s, so I devoted

myself to an intent study of the subtle emotions which sent their

undecipherable shadows across the girl’s eyes. But the woman does not

breathe, or is not worthy of breath, who cannot be an actress when

the great crises of existence throb across life’s stage. Indeed, she

controlled her expression and chose her words so well that she soon led

my rambling fancy back to the sufficiently bewildering climax of her

own adventure.

“Mother has left out what you might call a predisposing influence,” she

said, smiling, and she spoke to me, not to Karl. “Have you ever heard

of the agonic line?”

“Has it anything to do with the ‘Personal’ column in the _Times_?” was

my banal reply.

“No!” It was Karl who answered, and there was a timbre in his voice

I had not heard before. It silenced Maggie for the moment. Perhaps

it suggested a chord drawn with nerve-thrilling effect from her own

beloved violin. Anyhow, he took up the parable.

“An agonic line is an irregular line, running generally north and

south, which marks those parts of the earth’s surface where the

magnetic needle points to the true north. There are three of them, and

they are slowly changing their positions,” he said.

“Thank you! I could not have explained it so clearly,” smiled Maggie,

though she persistently averted her eyes. “Well, during the morning,

the Chief Officer had been telling me things about the deviation of the

compass, the importance of the agonic lines, the magnetic vagaries of

some parts of the globe, and the great value to sailors of a recent

discovery that at a certain point in front of the foremast the compass

ceases to be affected by the polarization which is set up in all iron

ships.”

Ting! Some tiny nerve-bell jingled in my head. Polarization! Karl and

I exchanged looks. We had rapidly made the same calculation. Allowing

for difference of sun-time, Miss Margaret’s disturbing dream-vision,

whatever it disclosed, must have been exactly contemporaneous with

Karl’s poker-juggling in the Mitre Hotel.

“_Now_ what is it?” demanded Mrs. Hutchinson, whose shrewd Scottish

eyes were quick to detect the secret telegraphy between the others,

for Maggie flushed most charmingly again, and we three established a

circuit of intelligence. “Why do you all gowp like that? You make my

flesh creep. The next thing you will be telling me is that there are

ghosts in the room!”

Karl Grier · 第 10 / 24 章