II

The panelled walls and the stove with its cracked tiles were only

faintly visible in the soft twilight which filled Ivanov's study. By

the walls stood a sofa, and a desk whose green cloth was untidily

bestrewn with the accumulated litter of years and copiously spotted

with candle grease, reminiscent of the long, dreary nights Ivanov had

spent--a prey to loneliness.

A heap of horse trappings--collars, straps, saddles, bridles--lay by

the large, square, bare windows. During the winter nights wolves

watched the gleam of yellow candlelight within them. Now outside was

the tranquil, genial atmosphere of Spring with all its multi-coloured

splendour. Against a deep-blue sky with an orange streak like a

pencil line drawn across the horizon, showed the sharp, knotted twigs

of the crotegus and the lilac beneath the windows.

Ivanov lighted a candle and commenced manufacturing cartridges to

pass away the time. Lydia Constantinovna entered the room.

"Will you have tea here or in the dining-room?" she inquired.

Ivanov declined tea with a wave of his hand.

All through the years of the Revolution Lydia Constantinovna had

lived in the Crimea, coming to Marin-Brod for a fortnight the

previous summer, afterwards leaving for Moscow. Now she had returned

for the Easter holidays, but not alone--the artist Mintz accompanied

her. Ivanov had never heard of him before.

Mintz was clean-shaven and had long fair hair; he wore steel-rimmed

pince-nez over his cold grey eyes which he often took off and put on

again; when he did so his eyes changed, looking helpless and

malicious without the glasses, like those of little owlets in

daylight; his thin, shaven lips were closely compressed, and there

was often an expression of mistrust and decrepitude in his face; his

conversation and movements were noisy.

Lydia Constantinovna had arrived with Mintz the day before at dusk;

Ivanov was not at home. They had gone for a walk in the evening,

returning only at two o'clock when dawn was just about to break, and

a cold mist hung over the earth like a soft grey veil. They were met

by barking dogs which were quickly silenced by the lash of Ignat's

whip.

Ivanov had come home earlier, at eleven o'clock, and sat by his study

window alone, listening to the gentle sounds of night and the

ceaseless hootings of the owls in the park. Lydia Constantinovna did

not come to him, nor did he go in to her.

It was in the daytime that Ivanov first saw the artist. Mintz was

sitting in the park on a dried turf-bench, and gazing intently at the

river. Ivanov passed him. The artist's shrunken ruffled figure had an

air of desolation and abandonment.

The drawing-room was next to Ivanov's study. There still remained out

of the ruin a carpet and some armchairs near the large, dirty

windows, an old piano stood unmoved, and some portraits still hung on

the walls.

Lydia Constantinovna and Mintz came in from the back-room. Lydia

walked with her usual brisk, even tread, carrying herself with the

smooth, elastic bearing and graceful swing of her beautiful body that

Ivanov remembered so well.

She raised the piano-cover and began playing a dashing bravura that

was strikingly out of place in the dismantled room, then she closed

the piano-lid with a slam.

Aganka entered with the tea on a tray.

Mintz walked about the dim room, tapping his heels on the parquet

floor, and though he spoke loudly, his voice held a note of yearning

pain.

"I was in the park just now. That pond, those maple avenues--

disintegrating, dying, disappearing--drive me melancholy mad. The ice

has already melted in the pond by the dam. Why can we not bring back

the romantic eighteenth century, and sit in dressing-gowns, musing

with delicious sadness over our pipes? Why are we not illustrious

lords?"

Lydia Constantinovna smiled as she answered: "Why not indeed! That is

a poetic fancy. But the reality is very much worse. Marin-Brod has

never been a country house, it is a forest manor, a forestry-office

and nothing more ... nothing more.... I always feel an interloper

here. This is only my second day and I am already depressed." Her

tone was sad, yet it held just a perceptible note of anger.

"Reality and Fancy? Certainly I am an artist, for I always see the

latter, the beautiful and spiritual side," Mintz declared; and added

in an undertone: "Do you remember yesterday ... the park?"

"Oh, yes, the park," Lydia replied in a tired, subdued tone. "They

hold the Twelfth Gospel Service to-day; when I was a young girl, how

I used to love standing in church with a candle--I felt so good. And

now I love nothing!"

It was already quite dark in the drawing room. A wavering, greenish-

golden light streamed in through the windows and played on the dim

walls. Ivanov came out of his study. He was wearing high boots and a

leather jacket, and carried a rifle under his arm. He went silently

to the door. Lydia Constantinovna stopped him.

"Are you going out again, Sergius? Is it to hunt?"

"Yes."

Ivanov stood still and Lydia went up to him. She had dark shadows

under her eyes, and the hand of time--already bearing away her youth

and beauty--lay upon her marvellously white skin, at her lips and on

her cheeks, in faint, scarcely visible wrinkles. Ivanov noticed it

distinctly.

"Does one hunt at night--in the dark? I did not know that," Lydia

said, repeating "I did not know...."

"I am going to the wood."

"I have come back here after not having seen you for months, and we

have not yet spoken a word...."

Ivanov did not reply, but went out. His footsteps echoed through the

great house, finally dying away in the distance. The front-door

slammed, shaking the whole mansion, which was old and falling to

pieces.

Lydia Constantinovna remained in the middle of the room, her face

turned to the door. Mintz approached, took her hand, and raised it to

his lips.

"You must not take it to heart, Lit," he said softly and kindly.

She freed her hand and laid it on Mintz's shoulder.

"No, one should not take it to heart," she assented in a low voice,

"One should not.... But listen, Mintz.... How strange it all is! Once

he loved me very much, though I never loved him.... But my youth was

spent here, and now I feel unhappy.... I remember all that happened

in this drawing-room, it was the first time. If only I could have all

over again! Perhaps I should act differently then. I feel sorry now

for my youth and inexperience, though formerly I cursed them, and I

am far from regretting all that followed afterwards. But I need a

refuge now.... If you only knew how much he loved me in those

days!..."

Lydia Constantinovna was silent a moment, her head bent, then

flinging it back she gave a hollow sardonic laugh.

"Oh, what nonsense I talk! Well, we will be cheerful yet. I am tired,

that is all. How stuffy it is in here!... Open the windows, Mintz ...

Now let down the blinds ... They live on milk and black bread here

and are happy--but I have a bottle of brandy in my trunk. Get it out!

Light the chandelier."

Mintz opened the windows. From outside came a cool, refreshing breeze

laden with the moist and fragrant perfumes of spring. Dusk had crept

over the sky, which was flecked with warm vernal clouds.